[00:00.000]I've been having a little problem recently
[00:02.438]Which is quite disturbing musicallically
[00:05.534]Involving a semitonal discrepancy
[00:08.597]vocally and instrumentally
[00:11.448]You see musicians of different varieties
[00:14.313]prefer playing in particular keys
[00:17.404]And singers too treat preferentially
[00:20.243]Those notes they tackle more proficiently
[00:23.346]Now you don't have to be a member of MENSA
[00:26.704]to understand the depth of my dilemma
[00:29.583]The two elements of me favor two different keys
[00:32.886]Thus the rift betwixt my finger and my tenor
[00:38.073]I like nothing more than playing instruments in F
[00:41.470]It warms the very cockles of my heart
[00:44.571]The trouble is that F can leave me vocally bereft
[00:47.395]You see I like playing in F-major
[00:50.006]but I like singing in F-sharp
[00:54.166]F-sharp
[00:57.504]I refuse to be beholden to my hands
[01:00.140]I don't see why my larynx should give in to their demands
[01:03.500]I'll not be forced to compromise my art
[01:06.295]And so I'll just keep playing in F-major
[01:08.744]and singing in F-sharp
[01:12.488]F-sharp
[01:15.559]F-sharp
[01:18.374]F-sharp
[01:21.495]F-sharp
[01:25.127]I'll keep playing in F-major
[01:27.692]but I'll keep singing in F-sharp