| 歌曲 | The Field |
| 歌手 | The Sound Providers |
| 专辑 | Looking Backwards: 2001-1988 |
| [ti:The Field] | |
| [ar:The Sound Providers] | |
| [al:Looking Backwards: 2001-1988] | |
| [00:10.70] | I'ma let the rap world just sit back and max |
| [00:13.19] | I be in the lab with my technician makin' tracks |
| [00:15.88] | From my crate of old wax, I reinvent with good intent |
| [00:18.54] | So you can tell from the sound it's time well spent |
| [00:21.17] | Sent from the past to elevate from the mass |
| [00:23.80] | You far material just to show you got class |
| [00:26.27] | Well I'm a bigger man so I let the nonsense pass |
| [00:28.79] | You need to open your eyes, because my mindstates fast |
| [00:31.69] | Let it be known, that my wisdom is shown |
| [00:34.16] | That perfection is the key to unlock my microphone |
| [00:36.75] | I'm penetratin your zone, leavin' all spots blown |
| [00:39.23] | But you never would have guessed it from the sound of my tone |
| [00:42.12] | When you see me around, just hit me off at the pound |
| [00:44.62] | And I'll be the first to show you how the Pro gets down |
| [00:47.49] | On that note, I think it's time for me to slide |
| [00:50.03] | Never question the fact, it's the sound that we provide |
| [00:52.88] | (Dj scratches) |
| [00:53.12] | "Skilled in the field, so slide to the side" |
| [00:55.48] | "Technical difficulties is through" |
| [00:58.14] | "Skilled in the field, so slide to the side" |
| [01:00.69] | "Technical difficulties is through" |
| [01:03.38] | "Skilled in the field, so slide to the side" |
| [01:06.01] | "Technical difficulties is through" |
| [01:08.60] | "Skilled in the field, so slide to the side" |
| [01:11.26] | "Hey yo, technical difficulties is through" |
| [01:13.96] | My pen blends smoothly over paper landscapes |
| [01:16.30] | Collective thoughts build as I start to create |
| [01:18.97] | The essence of soul is dispensed at my control |
| [01:21.76] | ? is brought, to move the crowd at every show |
| [01:24.59] | ÔCus we provide the sound that exites the underground |
| [01:27.03] | Profile, the chosen one to break it down |
| [01:29.56] | And that, enables me to flip any track |
| [01:32.08] | Over drums that attack, the perfect blend of pure facts |
| [01:35.05] | It's time to bring it back to the days of rap scholars |
| [01:37.59] | When your rhyme was for real, and not the old mighty dollar |
| [01:40.16] | You see, I was there every step of the way |
| [01:42.55] | So now you know the reason why my rhyme style sways |
| [01:45.30] | I perfect structures of phrases I sellect |
| [01:48.08] | And the sound that you hear, let you know that I'm correct |
| [01:50.71] | This is a musical journey, and sounds my only guide |
| [01:53.52] | I'm skilled in the field, so slide to the side |
| [01:56.05] | "Skilled in the field, so slide to the side" |
| [01:58.79] | "Technical difficulties is through" |
| [02:01.39] | "Skilled in the field, so slide to the side" |
| [02:04.07] | "Technical difficulties is through" |
| [02:06.71] | "Skilled in the field, so slide to the side" |
| [02:09.28] | "Technical difficulties is through" |
| [02:11.88] | "Skilled in the field, so slide to the side" |
| [02:14.59] | "Hey yo, technical difficulties is through" |
| [02:17.21] | Radient thoughts illuminate for the blind |
| [02:19.68] | A student of my culture translatin' through rhyme |
| [02:22.43] | Educated by time, so check my verbal design |
| [02:25.02] | Interject visuals through the use of the mind |
| [02:27.57] | It's all about the money nowadays so what's the use |
| [02:30.26] | The only fortune I hold, are the gems that I produce |
| [02:32.84] | The solution is one, but if you don't make the cut |
| [02:35.38] | You be the last in line once the door get shut |
| [02:38.08] | The next chapter, page one the conscious rapper |
| [02:40.81] | Not in it for fame, so respect is what I'm after |
| [02:43.53] | Don't have to wave a gun to help generate funds |
| [02:45.91] | So record exec's can start throwin' me crumbs |
| [02:48.60] | Top dollar, as I walk the chosen path |
| [02:51.40] | Invite the mic device to help me focus my craft |
| [02:54.29] | The wisdom is sealed, now it's time to reveal |
| [02:56.73] | The actual facts that help me master my field |
| [02:59.38] | "Skilled in the field, so slide to the side" |
| [03:02.04] | "Technical difficulties is through" |
| [03:04.64] | "Skilled in the field, so slide to the side" |
| [03:07.32] | "Technical difficulties is through" |
| [03:09.89] | "Skilled in the field, so slide to the side" |
| [03:12.52] | "Technical difficulties is through" |
| [03:15.17] | "Skilled in the field, so slide to the side" |
| [03:17.87] | "Hey yo, technical difficulties is through" |
| [03:20.54] |
| ti: The Field | |
| ar: The Sound Providers | |
| al: Looking Backwards: 20011988 | |
| [00:10.70] | I' ma let the rap world just sit back and max |
| [00:13.19] | I be in the lab with my technician makin' tracks |
| [00:15.88] | From my crate of old wax, I reinvent with good intent |
| [00:18.54] | So you can tell from the sound it' s time well spent |
| [00:21.17] | Sent from the past to elevate from the mass |
| [00:23.80] | You far material just to show you got class |
| [00:26.27] | Well I' m a bigger man so I let the nonsense pass |
| [00:28.79] | You need to open your eyes, because my mindstates fast |
| [00:31.69] | Let it be known, that my wisdom is shown |
| [00:34.16] | That perfection is the key to unlock my microphone |
| [00:36.75] | I' m penetratin your zone, leavin' all spots blown |
| [00:39.23] | But you never would have guessed it from the sound of my tone |
| [00:42.12] | When you see me around, just hit me off at the pound |
| [00:44.62] | And I' ll be the first to show you how the Pro gets down |
| [00:47.49] | On that note, I think it' s time for me to slide |
| [00:50.03] | Never question the fact, it' s the sound that we provide |
| [00:52.88] | Dj scratches |
| [00:53.12] | " Skilled in the field, so slide to the side" |
| [00:55.48] | " Technical difficulties is through" |
| [00:58.14] | " Skilled in the field, so slide to the side" |
| [01:00.69] | " Technical difficulties is through" |
| [01:03.38] | " Skilled in the field, so slide to the side" |
| [01:06.01] | " Technical difficulties is through" |
| [01:08.60] | " Skilled in the field, so slide to the side" |
| [01:11.26] | " Hey yo, technical difficulties is through" |
| [01:13.96] | My pen blends smoothly over paper landscapes |
| [01:16.30] | Collective thoughts build as I start to create |
| [01:18.97] | The essence of soul is dispensed at my control |
| [01:21.76] | ? is brought, to move the crowd at every show |
| [01:24.59] | Cus we provide the sound that exites the underground |
| [01:27.03] | Profile, the chosen one to break it down |
| [01:29.56] | And that, enables me to flip any track |
| [01:32.08] | Over drums that attack, the perfect blend of pure facts |
| [01:35.05] | It' s time to bring it back to the days of rap scholars |
| [01:37.59] | When your rhyme was for real, and not the old mighty dollar |
| [01:40.16] | You see, I was there every step of the way |
| [01:42.55] | So now you know the reason why my rhyme style sways |
| [01:45.30] | I perfect structures of phrases I sellect |
| [01:48.08] | And the sound that you hear, let you know that I' m correct |
| [01:50.71] | This is a musical journey, and sounds my only guide |
| [01:53.52] | I' m skilled in the field, so slide to the side |
| [01:56.05] | " Skilled in the field, so slide to the side" |
| [01:58.79] | " Technical difficulties is through" |
| [02:01.39] | " Skilled in the field, so slide to the side" |
| [02:04.07] | " Technical difficulties is through" |
| [02:06.71] | " Skilled in the field, so slide to the side" |
| [02:09.28] | " Technical difficulties is through" |
| [02:11.88] | " Skilled in the field, so slide to the side" |
| [02:14.59] | " Hey yo, technical difficulties is through" |
| [02:17.21] | Radient thoughts illuminate for the blind |
| [02:19.68] | A student of my culture translatin' through rhyme |
| [02:22.43] | Educated by time, so check my verbal design |
| [02:25.02] | Interject visuals through the use of the mind |
| [02:27.57] | It' s all about the money nowadays so what' s the use |
| [02:30.26] | The only fortune I hold, are the gems that I produce |
| [02:32.84] | The solution is one, but if you don' t make the cut |
| [02:35.38] | You be the last in line once the door get shut |
| [02:38.08] | The next chapter, page one the conscious rapper |
| [02:40.81] | Not in it for fame, so respect is what I' m after |
| [02:43.53] | Don' t have to wave a gun to help generate funds |
| [02:45.91] | So record exec' s can start throwin' me crumbs |
| [02:48.60] | Top dollar, as I walk the chosen path |
| [02:51.40] | Invite the mic device to help me focus my craft |
| [02:54.29] | The wisdom is sealed, now it' s time to reveal |
| [02:56.73] | The actual facts that help me master my field |
| [02:59.38] | " Skilled in the field, so slide to the side" |
| [03:02.04] | " Technical difficulties is through" |
| [03:04.64] | " Skilled in the field, so slide to the side" |
| [03:07.32] | " Technical difficulties is through" |
| [03:09.89] | " Skilled in the field, so slide to the side" |
| [03:12.52] | " Technical difficulties is through" |
| [03:15.17] | " Skilled in the field, so slide to the side" |
| [03:17.87] | " Hey yo, technical difficulties is through" |
| [03:20.54] |
| [00:10.70] | wǒ lěng yǎn kàn zhe shuō chàng shì jiè jiàn jiàn bǎo hé |
| [00:13.19] | wǒ zài gōng zuò shì lǐ yǔ jì shī yì qǐ zuò yīn yuè |
| [00:15.88] | cóng gǔ lǎo hēi jiāo zhào piān lǐ, gǎi zào chū zì jǐ de fēng gé |
| [00:18.54] | suǒ yǐ nǐ kě yǐ gǎn shòu dào shí jiān méi yǒu bái fèi |
| [00:21.17] | cóng jiù shí guāng lǐ tí qǔ dào jīng huá |
| [00:23.80] | nǐ tài guò xiàn shí xuàn chū zì jǐ de zī zhì |
| [00:26.27] | wǒ xīn xiōng kuān guǎng bù qù lǐ huì |
| [00:28.79] | nǐ xū yào zhēng kāi yǎn jīng qīng xǐng, yīn wèi wǒ de xiǎng fǎ duō biàn |
| [00:31.69] | xiàn zài jiù xiàng nǐ zhǎn shì wǒ de zhì huì |
| [00:34.16] | wán měi cái shì yào shi jiě suǒ wǒ de mài kè fēng |
| [00:36.75] | wǒ shèn tòu nǐ men de dì pán, liú xià wǒ de yìn jì |
| [00:39.23] | dàn shì nǐ yǒng yuǎn bù kě néng cóng wǒ de yǔ qì zhōng cāi dào wǒ de xiǎng fǎ |
| [00:42.12] | dāng nǐ kàn dào wǒ jǐn guǎn gōng jī wǒ ba |
| [00:44.62] | wǒ huì xiàng nǐ zhǎn shì wǒ shì rú hé huán jī |
| [00:47.49] | guān yú zhè diǎn, wǒ xiǎng shì shí hòu gěi nǐ qǐ dí |
| [00:50.03] | bú yào zhì yí xiàn shí wǒ men suǒ tí gōng de shēng yīn |
| [00:52.88] | |
| [00:53.12] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [00:55.48] | jì shù nán guān dōu yǐ kè fú |
| [00:58.14] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [01:00.69] | jì shù nán guān dōu yǐ kè fú |
| [01:03.38] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [01:06.01] | jì shù nán guān dōu yǐ kè fú |
| [01:08.60] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [01:11.26] | jì shù nán guān dōu yǐ kè fú |
| [01:13.96] | wǒ de bǐ hé gē cí zhōng suǒ miáo huì de jǐng xiàng hěn hǎo de jié hé zài yì qǐ |
| [01:16.30] | měi yī cì wǒ kāi shǐ chuàng zuò |
| [01:18.97] | wǒ dōu zài gòu jiàn xīn de sī xiǎng |
| [01:21.76] | líng hún de jīng suǐ |
| [01:24.59] | wǒ kě yǐ rèn yì de zhǎng kòng, dǐ xià guān zhòng kě yǐ yì qǐ bǎi dòng |
| [01:27.03] | yīn wèi wǒ men tí gōng jǐ dì xià yīn yuè rén zuì jī dòng rén xīn de bù fèn |
| [01:29.56] | jiù shì zhù dìng qù dǎ pò gé jú de rén |
| [01:32.08] | suí zhe gǔ diǎn gěi nǐ zuì yǒu lì de chōng jī |
| [01:35.05] | xiàn zài yīng gāi huí dào wèi shuō chàng fù chū de zhuàng tài |
| [01:37.59] | wèi le xiàn shí qù chuàng zuò, ér bú shì wèi le jīn qián |
| [01:40.16] | nǐ kě yǐ kàn dào wǒ yī zhí yǐ lái yě shì zhè yàng qù zuò de |
| [01:42.55] | yě shì wǒ shén me wǒ suǒ jiān chí de fēng gé xiàn zài màn màn zǒu xiàng tǒng zhì |
| [01:45.30] | měi yí gè yùn jiǎo wǒ dōu zǔ zhī de hěn hǎo |
| [01:48.08] | tīng dào wǒ de shēng yīn nǐ jiù zhī dào wǒ shuō de yí dìng shì zhèng què de |
| [01:50.71] | zhè shì yī chǎng yīn yuè de lǚ xíng, shēng yīn shì wǒ wéi yī de xiàng dǎo |
| [01:53.52] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [01:56.05] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [01:58.79] | jì shù nán guān dōu yǐ kè fú |
| [02:01.39] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [02:04.07] | jì shù nán guān dōu yǐ kè fú |
| [02:06.71] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [02:09.28] | jì shù nán guān dōu yǐ kè fú |
| [02:11.88] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [02:14.59] | jì shù nán guān dōu yǐ kè fú |
| [02:17.21] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [02:19.68] | wǒ yòng wǒ men de wén huà tōng guò jié zòu chǎn shù zhè yī qiè |
| [02:22.43] | yòng shí jiān qù guàn gài suǒ yǐ wǒ de gē cí de jié gòu |
| [02:25.02] | zǒng shì tōng guò wǒ de sī wéi gěi tā zhù rù huó lì |
| [02:27.57] | tā men zǒng shì xiǎng yào qián nà yòu zěn yàng ne |
| [02:30.26] | duì wǒ lái shuō wéi yī de cái fù jiù shì wǒ suǒ chuàng zuò de zhèi xiē gē qǔ |
| [02:32.84] | jiě jué de fāng fǎ zhǐ yǒu yí gè rú guǒ bù zuò chū xuǎn zé |
| [02:35.38] | nǐ hěn yǒu kě néng jiù huì bèi shí dài jù zhī mén wài |
| [02:38.08] | xià yī zhāng, wǒ men yīng gāi zuò yǒu liáng xīn de shuō chàng jiā |
| [02:40.81] | bú shì wèi le jīn qián míng yù ér shì zhēn zhèng de hù xiāng zūn zhòng |
| [02:43.53] | bú yào zhǐ wàng zuò gē qǔ néng gěi nǐ dài lái duō shǎo xiào yì |
| [02:45.91] | xiàn zài wǒ yǐ jīng tōng guò zì jǐ de fēng gé de chàng piān lái yǎng huó zì jǐ |
| [02:48.60] | wàn néng de jīn qián, dàn shì wǒ xuǎn zé zǒu zhe zì jǐ de lù |
| [02:51.40] | hé wǒ de mài kè fēng yì qǐ zhuān zhù zài duì yīn yuè de zhí zhuó shàng |
| [02:54.29] | yǐ qián hěn duō huà dōu méi yǒu shuō guò, xiàn zài yīng gāi gào sù nǐ men |
| [02:56.73] | yīn wèi tā men shì wǒ chéng gōng de yuán yīn |
| [02:59.38] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [03:02.04] | jì shù nán guān dōu yǐ kè fú |
| [03:04.64] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [03:07.32] | jì shù nán guān dōu yǐ kè fú |
| [03:09.89] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [03:12.52] | jì shù nán guān dōu yǐ kè fú |
| [03:15.17] | huí dàng zài yuán yě lǐ yuán yě lǐ |
| [03:17.87] | jì shù nán guān dōu yǐ kè fú |