| 歌曲 | The Encoded Cloister |
| 歌手 | Sopor Æternus & the Ensemble of Shadows |
| 专辑 | La Chambre D'Echo - Where the Dead Birds Sing |
| [00:00.00] | 作曲 : Anna-Varney Cantodea |
| [00:00.345] | 作词 : Anna-Varney Cantodea |
| [00:01.35] | The Encoded Cloister |
| [00:03.16] | 被编码的修道院 |
| [00:11.90] | （the mirror is the theatre where the autopsy begins） |
| [00:32.26] | （这镜子…便是剧院…尸体在哪儿…） |
| [01:38.72] | please be so kind to leave this place |
| [01:42.20] | none of your kin（d）is wanted here |
| [01:46.26] | a dreadful tremor shakes these walls |
| [01:49.95] | your presence vibrates violently |
| [01:53.72] | over many years we've built the utmost fragile atmosphere |
| [02:01.20] | we cant allow the uninvited visitor（s）to interfere |
| [02:08.76] | the balance here's most delicate and our salvation if you wish |
| [02:16.14] | yes our existence as a whole is depending on this sacred place |
| [02:39.04] | a silence powerful and true a minimum of what we seek |
| [02:46.25] | pervading everything and all |
| [02:50.02] | it can be hered can be percevied |
| [02:53.75] | this silence you must understand a quiet state of rest and calm |
| [03:01.14] | is like a temple in itself keeps the secluded soul（s）from harm |
| [03:08.83] | its gentle light is almost dark a peaceful semble of the tomb |
| [03:16.27] | a certain chill's predominant |
| [03:19.79] | as most things here have ceased to move |
| [03:38.83] | our lord is sleeping in his chambers the centre of our sancutuary |
| [03:46.69] | he's not receiving anyone |
| [03:49.73] | he has not seen a soul in years |
| [03:53.67] | so long ago our lord's retired from the affaires your world to show |
| [04:01.17] | we've never heared your name before |
| [04:04.73] | our lord's not well you have to go |
| [04:08.58] | please be so kind to leave this here |
| [04:12.48] | none of your kin（d）is wanted here |
| [04:16.25] | a dreadful termor shakes these walls |
| [04:19.84] | your presence vibrates violently |
| [04:35.61] | Please leave |
| [00:00.00] | zuò qǔ : AnnaVarney Cantodea |
| [00:00.345] | zuò cí : AnnaVarney Cantodea |
| [00:01.35] | The Encoded Cloister |
| [00:03.16] | bèi biān mǎ de xiū dào yuàn |
| [00:11.90] | the mirror is the theatre where the autopsy begins |
| [00:32.26] | zhè jìng zi biàn shì jù yuàn shī tǐ zài nǎ ér |
| [01:38.72] | please be so kind to leave this place |
| [01:42.20] | none of your kin d is wanted here |
| [01:46.26] | a dreadful tremor shakes these walls |
| [01:49.95] | your presence vibrates violently |
| [01:53.72] | over many years we' ve built the utmost fragile atmosphere |
| [02:01.20] | we cant allow the uninvited visitor s to interfere |
| [02:08.76] | the balance here' s most delicate and our salvation if you wish |
| [02:16.14] | yes our existence as a whole is depending on this sacred place |
| [02:39.04] | a silence powerful and true a minimum of what we seek |
| [02:46.25] | pervading everything and all |
| [02:50.02] | it can be hered can be percevied |
| [02:53.75] | this silence you must understand a quiet state of rest and calm |
| [03:01.14] | is like a temple in itself keeps the secluded soul s from harm |
| [03:08.83] | its gentle light is almost dark a peaceful semble of the tomb |
| [03:16.27] | a certain chill' s predominant |
| [03:19.79] | as most things here have ceased to move |
| [03:38.83] | our lord is sleeping in his chambers the centre of our sancutuary |
| [03:46.69] | he' s not receiving anyone |
| [03:49.73] | he has not seen a soul in years |
| [03:53.67] | so long ago our lord' s retired from the affaires your world to show |
| [04:01.17] | we' ve never heared your name before |
| [04:04.73] | our lord' s not well you have to go |
| [04:08.58] | please be so kind to leave this here |
| [04:12.48] | none of your kin d is wanted here |
| [04:16.25] | a dreadful termor shakes these walls |
| [04:19.84] | your presence vibrates violently |
| [04:35.61] | Please leave |
| [00:01.35] | bèi biān mǎ de xiū dào yuàn |
| [00:03.16] | |
| [00:11.90] | zhè jìng zi biàn shì jù yuàn kāi shǐ shī jiǎn de dì fāng |
| [00:32.26] | |
| [01:38.72] | qǐng nín gǎn jǐn lí kāi zhè ér |
| [01:42.20] | nín de cún zài duì yú zhè ér shì duō yú de |
| [01:46.26] | zhè lǐ de qiáng bì hài rén dì zhèn chàn zhe |
| [01:49.95] | shì nín de cún zài zhì shǐ le dòng dàng |
| [01:53.72] | shù nián lái wǒ men yī zhí xiǎo xīn yì yì dì wéi chí zhe zhè ér qiáng liè què cuì ruò de fēn wéi |
| [02:01.20] | jué bù néng róng xǔ tā bèi wài rén cuī huǐ |
| [02:08.76] | zhè lǐ de píng héng cuì ruò bù kān qǐng xíng xíng hǎo ba |
| [02:16.14] | shì de wǒ men de shēng mìng róng wéi yī tǐ bìng shòu bì hù yú zhè chù shèng dì |
| [02:39.04] | wǒ men qǐ qiú de bù guò shì yī fèn zhēn shí láo gù de níng jìng |
| [02:46.25] | níng jìng màn sǎ zhōu zāo |
| [02:50.02] | tā zài zhè ér kě yǐ bèi gǎn zhī |
| [02:53.75] | nǐ bì xū lǐ jiě bìng zhòng shì zhè fèn ān xī bān de níng jìng |
| [03:01.14] | jiù xiàng yī zuò sì miào shǒu hù zhe yǐn jū qí zhōng de hún líng men |
| [03:08.83] | róu hé de guāng liàng xiàng shì yī chù àn dàn níng jìng de fén mù |
| [03:16.27] | yī gǔ hán yì qīn xí |
| [03:19.79] | jī hū suǒ yǒu shì wù dōu yǐ jīng tíng zhǐ |
| [03:38.83] | wǒ men de shàng dì cǐ kè zhēng an xī zài shèng suǒ de zhōng xīn |
| [03:46.69] | tā bù zài jiē nà rèn hé shì wù |
| [03:49.73] | tā yě yǐ jīng hěn jiǔ bù céng jiàn guò rèn hé líng hún |
| [03:53.67] | hěn jiǔ zhī qián wǒ men de shàng dì jiù yǐ jīng sā shǒu shì jiān suǒ shì |
| [04:01.17] | wǒ men cóng wèi tīng shuō guò nín |
| [04:04.73] | kàn yàng zi nín kǒng pà xū yào lí kāi le |
| [04:08.58] | qǐng gǎn jǐn lí kāi zhè ér ba |
| [04:12.48] | nín de cún zài zài zhè ér shì duō yú de |
| [04:16.25] | zhè lǐ de qiáng bì hài rén dì zhèn chàn zhe |
| [04:19.84] | shì nín de cún zài zhì shǐ le dòng dàng |
| [04:35.61] | qǐng lí kāi |