[00:36.23] |
Unexpected ... suddenly ... as if from nowhere they appear, |
[00:40.51] |
the monks are wearing fire-coloured gowns, |
[00:44.30] |
their faces, friendly but determined, are hidden behind lacquered masks, |
[00:49.27] |
painted black & white, they're having the shape of over-dimensional skulls. |
[01:10.98] |
Quickly and nimbly they are moving forward, hopping dextrously, |
[01:15.33] |
throwing their legs like ageless jesters ... so high up into the air. |
[01:19.70] |
each of them is armed with a short , an even piece of wood, |
[01:23.97] |
remarkably resembling ... ancient worn-out washing-boards. |
[01:28.47] |
polishes by the years of use, they brandish them like swords or sticks, |
[01:32.75] |
ready to strike ritually ... - this is the day of the remaining dead. |
[02:03.57] |
On this day we celebrate the expulsion, or rebuke, |
[02:07.93] |
of the spirits which have unintendedly been dragged along. |
[02:11.98] |
some of these ghosts have been forgotten, some have simply been ignored, |
[02:16.34] |
these remnants with a growing hunger ... must be exorcised, must be removed. |
[02:38.22] |
This ritual always commences without warning, suddenly, |
[02:42.54] |
therefore it cannot be assigned to a certain date or time. |
[02:46.98] |
it rather tends to inevitably follow a chain of events, |
[02:51.34] |
a special spiritual feature inherent in each and everyone of them. |
[03:05.14] |
Out of the sphere of influence ... of the sphere of the days to be |
[03:13.41] |
the monks are approaching, spinning on their own axis as they dance and sing |
[03:22.46] |
and hitting every person present so hard between the shoulder-blades |
[03:30.91] |
as everyone here is dragging fidget, invisible ... "appendages". |
[04:01.62] |
As if by chance, not expressly invited, we've assembled here today |
[04:06.00] |
vehemently we are being hit ... and driven through the western gates, |
[04:10.22] |
out of the monastery in the direction of the setting sun |
[04:14.18] |
a necessary purifying ceremony for the (fragile) days to come ... |
[04:21.60] |
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