|
Stir into the essence pot |
|
Close-up, cross-fade and mid-shot |
|
Sprinkle short ends on the gruel |
|
Tape splice and camera spool |
|
Focus and fade |
|
A-B rolling, f-stop and grade |
|
Swirl the potpourri around |
|
Sync-pulse, pic-sync and sync-sound |
|
Chalk of slate and pinch of pan |
|
Reclaims, reversals, recans |
|
Mag-stripe, mic-tap |
|
Kodachrome, cut-away and clap |
|
Fire, burn, and cauldron, splutter |
|
Double sprocket, frame line cutter |
|
All hail, Murnau |
|
Round about the cauldron go |
|
In the Fujicolour throw |
|
Leader, white or clear or black |
|
Splice it with an atmos track |
|
VNF, Plus X |
|
Double X, Four X, Tri X |
|
Make the gruel thick and slab |
|
Com-mag, com-opt and sep-mag |
|
T-core, B-winding and dub |
|
Cool it with an actor's blood |
|
Fade-out, fade-in |
|
Double-headed, edge numbering |
|
Fire, burn, and cauldron, simmer |
|
Black/white spacing, grip and dimmer |
|
All hail, Mayer |
|
Pare a print in the potion |
|
Season it with slow motion |
|
By the swaying of the booms |
|
Something wicked this way zooms |
|
Coated and cut |
|
Shutter speed, through the base, light-struck |
|
Now about the cauldron sing |
|
Mark it, in camera, running |
|
Show your negs and grieve your art |
|
Come like shadows, so depart |
|
Mystic circle |
|
Round the reel sparks now hurtle |
|
Fire, burn, and cauldron, fester |
|
Acetate and polyester |
|
All hail, Fritz Lang |
