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Stir into the essence pot |
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Close-up, cross-fade and mid-shot |
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Sprinkle short ends on the gruel |
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Tape splice and camera spool |
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Focus and fade |
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A-B rolling, f-stop and grade |
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Swirl the potpourri around |
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Sync-pulse, pic-sync and sync-sound |
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Chalk of slate and pinch of pan |
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Reclaims, reversals, recans |
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Mag-stripe, mic-tap |
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Kodachrome, cut-away and clap |
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Fire, burn, and cauldron, splutter |
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Double sprocket, frame line cutter |
|
All hail, Murnau |
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Round about the cauldron go |
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In the Fujicolour throw |
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Leader, white or clear or black |
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Splice it with an atmos track |
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VNF, Plus X |
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Double X, Four X, Tri X |
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Make the gruel thick and slab |
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Com-mag, com-opt and sep-mag |
|
T-core, B-winding and dub |
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Cool it with an actor's blood |
|
Fade-out, fade-in |
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Double-headed, edge numbering |
|
Fire, burn, and cauldron, simmer |
|
Black/white spacing, grip and dimmer |
|
All hail, Mayer |
|
Pare a print in the potion |
|
Season it with slow motion |
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By the swaying of the booms |
|
Something wicked this way zooms |
|
Coated and cut |
|
Shutter speed, through the base, light-struck |
|
Now about the cauldron sing |
|
Mark it, in camera, running |
|
Show your negs and grieve your art |
|
Come like shadows, so depart |
|
Mystic circle |
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Round the reel sparks now hurtle |
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Fire, burn, and cauldron, fester |
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Acetate and polyester |
|
All hail, Fritz Lang |