歌曲 | Postcards From Cambodia |
歌手 | Bruce Cockburn |
专辑 | You've Never Seen Everything |
下载 | Image LRC TXT |
作词 : Cockburn | |
Abe Lincoln once turned to somebody and said, | |
"Do you ever find yourself talking with the dead?" | |
There are three tiny deaths heads carved out of mammoth tusk | |
on the ledge in my bathroom | |
They grin at me in the morning when I'm taking a leak, | |
but they say very little. | |
Outside Phnom Penh there's a tower, glass paneled, | |
maybe ten meters high | |
filled with skulls from the killing fields | |
Most of them lack the lower jaw | |
so they don't exactly grin | |
but they whisper, as if from a great distance, | |
of pain, and of pain left far behind | |
Eighteen thousand empty eyeholes peering out at the four directions | |
Electric fly buzz, green moist breeze | |
Bone-colored Brahma bull grazes wet-eyed, | |
hobbled in hollow of mass grave | |
In the neighboring field a small herd | |
of young boys plays soccer, | |
their laughter swallowed in expanding silence | |
This is too big for anger, | |
it's too big for blame. | |
We stumble through history so | |
humanly lame | |
So I bow down my head | |
Say a prayer for us all | |
That we don't fear the spirit | |
when it comes to call | |
The sun will soon slide down into the far end of the ancient reservoir. | |
Orange ball merging with its water-borne twin | |
below air-brushed edges of cloud. | |
But first, it spreads itself, | |
a golden scrim behind fractal sweep of swooping fly catchers. | |
Silhouetted dark green trees, | |
blue horizon | |
The rains are late this year. | |
The sky has no more tears to shed. | |
But from the air Cambodia remains | |
a disc of wet green, bordered by bright haze. | |
Water-filled bomb craters, sun streaked gleam | |
stitched in strings across patchwork land and | |
march west toward the far hills of Thailand. | |
Macro analog of Ankor Wat's temple walls | |
intricate bas-relief of thousand-year-old battles | |
pitted with AK rounds | |
And under the sign of the seven headed cobra | |
the naga who sees in all directions | |
seven million landmines lie in terraced grass, in paddy, in bush | |
(Call it a minescape now) | |
Sally holds the beggar's hand and cries | |
at his scarred up face and absent eyes | |
and right leg gone from above the knee | |
Tears spot the dust on the worn stone causeway | |
whose sculpted guardians row on row | |
Half frown, half smile, mysterious, mute. | |
And this is too big for anger. | |
It's too big for blame | |
We stumble through history so | |
humanly lame. | |
So I bow down my head, | |
say a prayer for us all. | |
That we don't fear the spirit when it comes to call. |
zuo ci : Cockburn | |
Abe Lincoln once turned to somebody and said, | |
" Do you ever find yourself talking with the dead?" | |
There are three tiny deaths heads carved out of mammoth tusk | |
on the ledge in my bathroom | |
They grin at me in the morning when I' m taking a leak, | |
but they say very little. | |
Outside Phnom Penh there' s a tower, glass paneled, | |
maybe ten meters high | |
filled with skulls from the killing fields | |
Most of them lack the lower jaw | |
so they don' t exactly grin | |
but they whisper, as if from a great distance, | |
of pain, and of pain left far behind | |
Eighteen thousand empty eyeholes peering out at the four directions | |
Electric fly buzz, green moist breeze | |
Bonecolored Brahma bull grazes weteyed, | |
hobbled in hollow of mass grave | |
In the neighboring field a small herd | |
of young boys plays soccer, | |
their laughter swallowed in expanding silence | |
This is too big for anger, | |
it' s too big for blame. | |
We stumble through history so | |
humanly lame | |
So I bow down my head | |
Say a prayer for us all | |
That we don' t fear the spirit | |
when it comes to call | |
The sun will soon slide down into the far end of the ancient reservoir. | |
Orange ball merging with its waterborne twin | |
below airbrushed edges of cloud. | |
But first, it spreads itself, | |
a golden scrim behind fractal sweep of swooping fly catchers. | |
Silhouetted dark green trees, | |
blue horizon | |
The rains are late this year. | |
The sky has no more tears to shed. | |
But from the air Cambodia remains | |
a disc of wet green, bordered by bright haze. | |
Waterfilled bomb craters, sun streaked gleam | |
stitched in strings across patchwork land and | |
march west toward the far hills of Thailand. | |
Macro analog of Ankor Wat' s temple walls | |
intricate basrelief of thousandyearold battles | |
pitted with AK rounds | |
And under the sign of the seven headed cobra | |
the naga who sees in all directions | |
seven million landmines lie in terraced grass, in paddy, in bush | |
Call it a minescape now | |
Sally holds the beggar' s hand and cries | |
at his scarred up face and absent eyes | |
and right leg gone from above the knee | |
Tears spot the dust on the worn stone causeway | |
whose sculpted guardians row on row | |
Half frown, half smile, mysterious, mute. | |
And this is too big for anger. | |
It' s too big for blame | |
We stumble through history so | |
humanly lame. | |
So I bow down my head, | |
say a prayer for us all. | |
That we don' t fear the spirit when it comes to call. |
zuò cí : Cockburn | |
Abe Lincoln once turned to somebody and said, | |
" Do you ever find yourself talking with the dead?" | |
There are three tiny deaths heads carved out of mammoth tusk | |
on the ledge in my bathroom | |
They grin at me in the morning when I' m taking a leak, | |
but they say very little. | |
Outside Phnom Penh there' s a tower, glass paneled, | |
maybe ten meters high | |
filled with skulls from the killing fields | |
Most of them lack the lower jaw | |
so they don' t exactly grin | |
but they whisper, as if from a great distance, | |
of pain, and of pain left far behind | |
Eighteen thousand empty eyeholes peering out at the four directions | |
Electric fly buzz, green moist breeze | |
Bonecolored Brahma bull grazes weteyed, | |
hobbled in hollow of mass grave | |
In the neighboring field a small herd | |
of young boys plays soccer, | |
their laughter swallowed in expanding silence | |
This is too big for anger, | |
it' s too big for blame. | |
We stumble through history so | |
humanly lame | |
So I bow down my head | |
Say a prayer for us all | |
That we don' t fear the spirit | |
when it comes to call | |
The sun will soon slide down into the far end of the ancient reservoir. | |
Orange ball merging with its waterborne twin | |
below airbrushed edges of cloud. | |
But first, it spreads itself, | |
a golden scrim behind fractal sweep of swooping fly catchers. | |
Silhouetted dark green trees, | |
blue horizon | |
The rains are late this year. | |
The sky has no more tears to shed. | |
But from the air Cambodia remains | |
a disc of wet green, bordered by bright haze. | |
Waterfilled bomb craters, sun streaked gleam | |
stitched in strings across patchwork land and | |
march west toward the far hills of Thailand. | |
Macro analog of Ankor Wat' s temple walls | |
intricate basrelief of thousandyearold battles | |
pitted with AK rounds | |
And under the sign of the seven headed cobra | |
the naga who sees in all directions | |
seven million landmines lie in terraced grass, in paddy, in bush | |
Call it a minescape now | |
Sally holds the beggar' s hand and cries | |
at his scarred up face and absent eyes | |
and right leg gone from above the knee | |
Tears spot the dust on the worn stone causeway | |
whose sculpted guardians row on row | |
Half frown, half smile, mysterious, mute. | |
And this is too big for anger. | |
It' s too big for blame | |
We stumble through history so | |
humanly lame. | |
So I bow down my head, | |
say a prayer for us all. | |
That we don' t fear the spirit when it comes to call. |