| [00:00.00] | 作词 : Murphy, Terfry |
| [00:21.24] | Know nothing bohemians |
| [00:22.38] | Arcane and lenient |
| [00:23.79] | Disobedient hicks addicted to |
| [00:25.04] | The main ingredient |
| [00:26.28] | There's more of us |
| [00:26.90] | It's safe to assume there's a movement |
| [00:29.04] | Drown in doubt |
| [00:29.67] | Down and out |
| [00:30.28] | There's room for improvement |
| [00:31.56] | Casualties |
| [00:32.26] | Gradually wreaking havoc |
| [00:33.57] | Wrecking spots |
| [00:34.29] | Connect the dots |
| [00:35.01] | No such thing as second thoughts |
| [00:36.52] | Representatives of new truth and evidence |
| [00:38.84] | Hardly darker |
| [00:39.69] | Cycles and currents |
| [00:40.63] | Disciples of Charlie Parker |
| [00:41.68] | |
| [00:42.37] | Che Guevera |
| [00:43.26] | Rock star |
| [00:44.19] | F**k off |
| [00:44.68] | |
| [00:45.32] | The beat |
| [00:45.94] | The beat beat |
| [00:46.81] | |
| [00:47.93] | Che Guevera |
| [00:48.72] | Rock star |
| [00:49.60] | F**k off |
| [00:49.93] | |
| [00:51.89] | The beat |
| [00:52.19] | The beat beat |
| [00:52.75] | The plot thickens |
| [00:53.44] | The clock's ticking |
| [00:54.17] | Time's already brief |
| [00:55.16] | On the road and underground |
| [00:56.60] | The steady grief of the petty thief |
| [00:57.89] | The hustler |
| [00:58.65] | Muscular body lazy brain |
| [01:00.78] | Riding the crazy train |
| [01:01.94] | Link in the daisy chain |
| [01:03.37] | Jism and Benzedrine |
| [01:04.39] | Booze and shock therapy |
| [01:05.90] | Heresy |
| [01:06.56] | We look dangerous and talk terribly |
| [01:08.56] | A nation of millions |
| [01:09.45] | Exclusive |
| [01:09.97] | Only the lonely |
| [01:10.90] | I know for a fact that your heroes |
| [01:12.62] | Are phony baloney |
| [01:13.25] | |
| [01:13.88] | Maybe it shows |
| [01:14.81] | Known for the brainiest flows |
| [01:16.43] | Poems for no one spontaneous prose |
| [01:19.03] | It's important |
| [01:19.62] | Vital |
| [01:20.13] | Complex text distorted |
| [01:21.70] | The coming of war and the next recording |
| [01:23.64] | Of Dexter Gordon |
| [01:24.38] | Vs everything |
| [01:25.56] | The lowest life |
| [01:26.47] | Dizzy heights |
| [01:27.06] | Sh*tty sights |
| [01:27.64] | Shots in the dark and city lights |
| [01:29.16] | |
| [01:29.79] | Laws of the Lords |
| [01:30.94] | Applause and awards |
| [01:32.27] | Everything belongs to me because |
| [01:34.00] | I am poor |
| [01:34.46] | |
| [01:35.50] | Che Guevera |
| [01:36.26] | Rock star |
| [01:37.14] | F**k off |
| [01:37.46] | |
| [01:38.18] | The beat |
| [01:38.80] | The beat beat |
| [01:39.66] | |
| [01:40.67] | Che Guevera |
| [01:41.24] | |
| [01:41.83] | Rock star |
| [01:42.52] | F**k off |
| [01:42.78] | |
| [01:43.31] | The beat |
| [01:44.02] | The beat beat |
| [01:44.99] | |
| [01:56.51] | Abstract expression |
| [01:57.14] | |
| [01:57.72] | No control |
| [01:58.35] | Hood jacket |
| [01:58.98] | Work boots |
| [01:59.55] | Swollen pockets |
| [02:00.21] | Stolen goods racket |
| [02:01.19] | Neutral |
| [02:02.05] | Camouflage |
| [02:02.87] | Better to show no style |
| [02:04.08] | Stay normal |
| [02:04.81] | Amoral |
| [02:05.50] | Keep a low profile |
| [02:06.79] | Smuggler |
| [02:07.34] | Fighter |
| [02:07.91] | Struggling writer |
| [02:08.76] | Pervert |
| [02:09.36] | Competitive fetishist |
| [02:10.72] | Bad seed preferred dirt |
| [02:11.99] | Words hurt |
| [02:12.63] | Above and beyond extreme |
| [02:14.07] | Legality and censorship |
| [02:15.34] | Enter the new supreme reality |
| [02:17.06] | |
| [02:17.69] | Che Guevera |
| [02:18.45] | Rock star |
| [02:19.30] | F**k off |
| [02:19.54] | |
| [02:20.37] | The beat |
| [02:20.75] | |
| [02:21.43] | The beat beat |
| [02:22.09] | |
| [02:23.08] | Che Guevera |
| [02:23.45] | |
| [02:24.16] | Rock star |
| [02:24.76] | F**k off |
| [02:25.59] | The beat |
| [02:25.93] | |
| [02:26.44] | The beat beat |
| [00:00.00] | zuo ci : Murphy, Terfry |
| [00:21.24] | Know nothing bohemians |
| [00:22.38] | Arcane and lenient |
| [00:23.79] | Disobedient hicks addicted to |
| [00:25.04] | The main ingredient |
| [00:26.28] | There' s more of us |
| [00:26.90] | It' s safe to assume there' s a movement |
| [00:29.04] | Drown in doubt |
| [00:29.67] | Down and out |
| [00:30.28] | There' s room for improvement |
| [00:31.56] | Casualties |
| [00:32.26] | Gradually wreaking havoc |
| [00:33.57] | Wrecking spots |
| [00:34.29] | Connect the dots |
| [00:35.01] | No such thing as second thoughts |
| [00:36.52] | Representatives of new truth and evidence |
| [00:38.84] | Hardly darker |
| [00:39.69] | Cycles and currents |
| [00:40.63] | Disciples of Charlie Parker |
| [00:41.68] | |
| [00:42.37] | Che Guevera |
| [00:43.26] | Rock star |
| [00:44.19] | F k off |
| [00:44.68] | |
| [00:45.32] | The beat |
| [00:45.94] | The beat beat |
| [00:46.81] | |
| [00:47.93] | Che Guevera |
| [00:48.72] | Rock star |
| [00:49.60] | F k off |
| [00:49.93] | |
| [00:51.89] | The beat |
| [00:52.19] | The beat beat |
| [00:52.75] | The plot thickens |
| [00:53.44] | The clock' s ticking |
| [00:54.17] | Time' s already brief |
| [00:55.16] | On the road and underground |
| [00:56.60] | The steady grief of the petty thief |
| [00:57.89] | The hustler |
| [00:58.65] | Muscular body lazy brain |
| [01:00.78] | Riding the crazy train |
| [01:01.94] | Link in the daisy chain |
| [01:03.37] | Jism and Benzedrine |
| [01:04.39] | Booze and shock therapy |
| [01:05.90] | Heresy |
| [01:06.56] | We look dangerous and talk terribly |
| [01:08.56] | A nation of millions |
| [01:09.45] | Exclusive |
| [01:09.97] | Only the lonely |
| [01:10.90] | I know for a fact that your heroes |
| [01:12.62] | Are phony baloney |
| [01:13.25] | |
| [01:13.88] | Maybe it shows |
| [01:14.81] | Known for the brainiest flows |
| [01:16.43] | Poems for no one spontaneous prose |
| [01:19.03] | It' s important |
| [01:19.62] | Vital |
| [01:20.13] | Complex text distorted |
| [01:21.70] | The coming of war and the next recording |
| [01:23.64] | Of Dexter Gordon |
| [01:24.38] | Vs everything |
| [01:25.56] | The lowest life |
| [01:26.47] | Dizzy heights |
| [01:27.06] | Sh tty sights |
| [01:27.64] | Shots in the dark and city lights |
| [01:29.16] | |
| [01:29.79] | Laws of the Lords |
| [01:30.94] | Applause and awards |
| [01:32.27] | Everything belongs to me because |
| [01:34.00] | I am poor |
| [01:34.46] | |
| [01:35.50] | Che Guevera |
| [01:36.26] | Rock star |
| [01:37.14] | F k off |
| [01:37.46] | |
| [01:38.18] | The beat |
| [01:38.80] | The beat beat |
| [01:39.66] | |
| [01:40.67] | Che Guevera |
| [01:41.24] | |
| [01:41.83] | Rock star |
| [01:42.52] | F k off |
| [01:42.78] | |
| [01:43.31] | The beat |
| [01:44.02] | The beat beat |
| [01:44.99] | |
| [01:56.51] | Abstract expression |
| [01:57.14] | |
| [01:57.72] | No control |
| [01:58.35] | Hood jacket |
| [01:58.98] | Work boots |
| [01:59.55] | Swollen pockets |
| [02:00.21] | Stolen goods racket |
| [02:01.19] | Neutral |
| [02:02.05] | Camouflage |
| [02:02.87] | Better to show no style |
| [02:04.08] | Stay normal |
| [02:04.81] | Amoral |
| [02:05.50] | Keep a low profile |
| [02:06.79] | Smuggler |
| [02:07.34] | Fighter |
| [02:07.91] | Struggling writer |
| [02:08.76] | Pervert |
| [02:09.36] | Competitive fetishist |
| [02:10.72] | Bad seed preferred dirt |
| [02:11.99] | Words hurt |
| [02:12.63] | Above and beyond extreme |
| [02:14.07] | Legality and censorship |
| [02:15.34] | Enter the new supreme reality |
| [02:17.06] | |
| [02:17.69] | Che Guevera |
| [02:18.45] | Rock star |
| [02:19.30] | F k off |
| [02:19.54] | |
| [02:20.37] | The beat |
| [02:20.75] | |
| [02:21.43] | The beat beat |
| [02:22.09] | |
| [02:23.08] | Che Guevera |
| [02:23.45] | |
| [02:24.16] | Rock star |
| [02:24.76] | F k off |
| [02:25.59] | The beat |
| [02:25.93] | |
| [02:26.44] | The beat beat |
| [00:00.00] | zuò cí : Murphy, Terfry |
| [00:21.24] | Know nothing bohemians |
| [00:22.38] | Arcane and lenient |
| [00:23.79] | Disobedient hicks addicted to |
| [00:25.04] | The main ingredient |
| [00:26.28] | There' s more of us |
| [00:26.90] | It' s safe to assume there' s a movement |
| [00:29.04] | Drown in doubt |
| [00:29.67] | Down and out |
| [00:30.28] | There' s room for improvement |
| [00:31.56] | Casualties |
| [00:32.26] | Gradually wreaking havoc |
| [00:33.57] | Wrecking spots |
| [00:34.29] | Connect the dots |
| [00:35.01] | No such thing as second thoughts |
| [00:36.52] | Representatives of new truth and evidence |
| [00:38.84] | Hardly darker |
| [00:39.69] | Cycles and currents |
| [00:40.63] | Disciples of Charlie Parker |
| [00:41.68] | |
| [00:42.37] | Che Guevera |
| [00:43.26] | Rock star |
| [00:44.19] | F k off |
| [00:44.68] | |
| [00:45.32] | The beat |
| [00:45.94] | The beat beat |
| [00:46.81] | |
| [00:47.93] | Che Guevera |
| [00:48.72] | Rock star |
| [00:49.60] | F k off |
| [00:49.93] | |
| [00:51.89] | The beat |
| [00:52.19] | The beat beat |
| [00:52.75] | The plot thickens |
| [00:53.44] | The clock' s ticking |
| [00:54.17] | Time' s already brief |
| [00:55.16] | On the road and underground |
| [00:56.60] | The steady grief of the petty thief |
| [00:57.89] | The hustler |
| [00:58.65] | Muscular body lazy brain |
| [01:00.78] | Riding the crazy train |
| [01:01.94] | Link in the daisy chain |
| [01:03.37] | Jism and Benzedrine |
| [01:04.39] | Booze and shock therapy |
| [01:05.90] | Heresy |
| [01:06.56] | We look dangerous and talk terribly |
| [01:08.56] | A nation of millions |
| [01:09.45] | Exclusive |
| [01:09.97] | Only the lonely |
| [01:10.90] | I know for a fact that your heroes |
| [01:12.62] | Are phony baloney |
| [01:13.25] | |
| [01:13.88] | Maybe it shows |
| [01:14.81] | Known for the brainiest flows |
| [01:16.43] | Poems for no one spontaneous prose |
| [01:19.03] | It' s important |
| [01:19.62] | Vital |
| [01:20.13] | Complex text distorted |
| [01:21.70] | The coming of war and the next recording |
| [01:23.64] | Of Dexter Gordon |
| [01:24.38] | Vs everything |
| [01:25.56] | The lowest life |
| [01:26.47] | Dizzy heights |
| [01:27.06] | Sh tty sights |
| [01:27.64] | Shots in the dark and city lights |
| [01:29.16] | |
| [01:29.79] | Laws of the Lords |
| [01:30.94] | Applause and awards |
| [01:32.27] | Everything belongs to me because |
| [01:34.00] | I am poor |
| [01:34.46] | |
| [01:35.50] | Che Guevera |
| [01:36.26] | Rock star |
| [01:37.14] | F k off |
| [01:37.46] | |
| [01:38.18] | The beat |
| [01:38.80] | The beat beat |
| [01:39.66] | |
| [01:40.67] | Che Guevera |
| [01:41.24] | |
| [01:41.83] | Rock star |
| [01:42.52] | F k off |
| [01:42.78] | |
| [01:43.31] | The beat |
| [01:44.02] | The beat beat |
| [01:44.99] | |
| [01:56.51] | Abstract expression |
| [01:57.14] | |
| [01:57.72] | No control |
| [01:58.35] | Hood jacket |
| [01:58.98] | Work boots |
| [01:59.55] | Swollen pockets |
| [02:00.21] | Stolen goods racket |
| [02:01.19] | Neutral |
| [02:02.05] | Camouflage |
| [02:02.87] | Better to show no style |
| [02:04.08] | Stay normal |
| [02:04.81] | Amoral |
| [02:05.50] | Keep a low profile |
| [02:06.79] | Smuggler |
| [02:07.34] | Fighter |
| [02:07.91] | Struggling writer |
| [02:08.76] | Pervert |
| [02:09.36] | Competitive fetishist |
| [02:10.72] | Bad seed preferred dirt |
| [02:11.99] | Words hurt |
| [02:12.63] | Above and beyond extreme |
| [02:14.07] | Legality and censorship |
| [02:15.34] | Enter the new supreme reality |
| [02:17.06] | |
| [02:17.69] | Che Guevera |
| [02:18.45] | Rock star |
| [02:19.30] | F k off |
| [02:19.54] | |
| [02:20.37] | The beat |
| [02:20.75] | |
| [02:21.43] | The beat beat |
| [02:22.09] | |
| [02:23.08] | Che Guevera |
| [02:23.45] | |
| [02:24.16] | Rock star |
| [02:24.76] | F k off |
| [02:25.59] | The beat |
| [02:25.93] | |
| [02:26.44] | The beat beat |
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