Job Song (Clean Album Version) - Explicit Album Version 歌词
| 歌曲 | Job Song (Clean Album Version) - Explicit Album Version |
| 歌手 | Consequence |
| 专辑 | Don't Quit Your Day Job |
| 下载 | Image LRC TXT |
| 作曲 : James, Mills, Sasek | |
| (Excuse me, uh beg your pard? Nah wait hold up, hold up, hold up, hold up. | |
| Bitch, you don't I don't get paid enough for you to talkin to me like that. | |
| Straight up and down. I don't feel like standin' about a ****in' front door. Aight? | |
| You know what? Matter of fact, a year from now, when you at home on your only day off | |
| and you watchin UPN, you see me come up there and watch me get my mother****in' award. | |
| Tell your kids I said...) | |
| How'd I get stuck in this dead-end job when I can rap | |
| But of course my real collecters they ain't tryin' to hear that | |
| Matter of fact, they asking Dexter when I plan to pay back | |
| On a long line of credit that they lent me way back, way back, way back | |
| At the turn of the century | |
| The notice they sent to me | |
| They sayin' essentially | |
| If I don't pay that balance off with a loan with an extra fee | |
| Penitentiary, a criminal charges | |
| Are prolly sure to follow if you dare disregard this | |
| And that got me nauseous | |
| And feeling precautious | |
| Cause the fruits of my labor | |
| And bend(?) on harvest | |
| At least there's an artist | |
| Cause at least there's an artist | |
| You can call whoever when you talkin' the hardest | |
| But you suppose to call when they all think you garbage | |
| And figure that you washed up | |
| Damn, they so heartless | |
| Cause when I call the office | |
| They act stiffy and stanchy | |
| [Hook] | |
| And this just ain't where I'm suppose to be, | |
| This just ain't where I'm suppose to be, | |
| This just ain't where I'm suppose to be, | |
| This just ain't where I'm suppose to be, | |
| cause this just ain't where I'm suppose to be, | |
| This just ain't where I'm suppose to be, | |
| This just ain't where I'm suppose to be, | |
| This just ain't, this just ain't | |
| Now I'm in a situation that I can't pacify | |
| So I'm looking through the papers | |
| Skimming through the classifies | |
| When I see a opportunity that can't pass me by | |
| That I can get the job, if I give this class a try | |
| Put my pride to the side, go get 'em 9 to 5 | |
| Causing livin' check to check the only way that I'll survive | |
| But Dodee saw the lie cause the lee's certified | |
| They take all the shirts and towels for the course that they provide | |
| But of course they will provide | |
| A mean of employment | |
| Which is basically a job that I soon be annoyed with | |
| So this unemployment is now sudden to change | |
| Cause of all these interviews and I'm running my game | |
| And I'm bein' introduced by my government name | |
| And I'm only out to prove that we one in the same | |
| So for now, my good game a fall away from recording | |
| Cause they left a message saying that I start Monday morning | |
| (Hello, this is OCS for Dexter Mills. Dexter, we have work for you on Monday | |
| morning at our Banana Republic and Broadway and Spring St. in Lower | |
| Manhattan. You are to be there at 10 o'clock in the morning. Please call us | |
| back and let us know your availability. Have a good day, good bye. | |
| -Oh guess what Ma? Guess what, guess what? | |
| -What, what? | |
| -I got a job, today! | |
| -Wooeeh. | |
| -At the department store they hired me. They said I start on Monday, and um my hours | |
| I'm a be doing the dayshift, and they going start me on a low pay. But they said like | |
| eventually I could um move up and | |
| -Oh great, this is the greatest news I've heard. My prayers have been answered. You | |
| got a job! | |
| -I could do the job in the daytime then I could go to studio at night. And... | |
| -Oh, here we go. | |
| -Naw, I could go to the studio at night. I just gotta make sure that I don't stay in | |
| the studio too late so I can get up in the morning and then I can catch the bus and | |
| go to the job. | |
| -Oh yeah, but when you start that stuff at night you gotta get your rest cause you | |
| gotta get up and get to work. | |
| -It'll be aight. I'm going to celebrate, let's get some Capri-Suns. I wanna celebrate. | |
| Let's do it, let's do it.) |
| zuo qu : James, Mills, Sasek | |
| Excuse me, uh beg your pard? Nah wait hold up, hold up, hold up, hold up. | |
| Bitch, you don' t I don' t get paid enough for you to talkin to me like that. | |
| Straight up and down. I don' t feel like standin' about a in' front door. Aight? | |
| You know what? Matter of fact, a year from now, when you at home on your only day off | |
| and you watchin UPN, you see me come up there and watch me get my mother in' award. | |
| Tell your kids I said... | |
| How' d I get stuck in this deadend job when I can rap | |
| But of course my real collecters they ain' t tryin' to hear that | |
| Matter of fact, they asking Dexter when I plan to pay back | |
| On a long line of credit that they lent me way back, way back, way back | |
| At the turn of the century | |
| The notice they sent to me | |
| They sayin' essentially | |
| If I don' t pay that balance off with a loan with an extra fee | |
| Penitentiary, a criminal charges | |
| Are prolly sure to follow if you dare disregard this | |
| And that got me nauseous | |
| And feeling precautious | |
| Cause the fruits of my labor | |
| And bend? on harvest | |
| At least there' s an artist | |
| Cause at least there' s an artist | |
| You can call whoever when you talkin' the hardest | |
| But you suppose to call when they all think you garbage | |
| And figure that you washed up | |
| Damn, they so heartless | |
| Cause when I call the office | |
| They act stiffy and stanchy | |
| Hook | |
| And this just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| cause this just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t, this just ain' t | |
| Now I' m in a situation that I can' t pacify | |
| So I' m looking through the papers | |
| Skimming through the classifies | |
| When I see a opportunity that can' t pass me by | |
| That I can get the job, if I give this class a try | |
| Put my pride to the side, go get ' em 9 to 5 | |
| Causing livin' check to check the only way that I' ll survive | |
| But Dodee saw the lie cause the lee' s certified | |
| They take all the shirts and towels for the course that they provide | |
| But of course they will provide | |
| A mean of employment | |
| Which is basically a job that I soon be annoyed with | |
| So this unemployment is now sudden to change | |
| Cause of all these interviews and I' m running my game | |
| And I' m bein' introduced by my government name | |
| And I' m only out to prove that we one in the same | |
| So for now, my good game a fall away from recording | |
| Cause they left a message saying that I start Monday morning | |
| Hello, this is OCS for Dexter Mills. Dexter, we have work for you on Monday | |
| morning at our Banana Republic and Broadway and Spring St. in Lower | |
| Manhattan. You are to be there at 10 o' clock in the morning. Please call us | |
| back and let us know your availability. Have a good day, good bye. | |
| Oh guess what Ma? Guess what, guess what? | |
| What, what? | |
| I got a job, today! | |
| Wooeeh. | |
| At the department store they hired me. They said I start on Monday, and um my hours | |
| I' m a be doing the dayshift, and they going start me on a low pay. But they said like | |
| eventually I could um move up and | |
| Oh great, this is the greatest news I' ve heard. My prayers have been answered. You | |
| got a job! | |
| I could do the job in the daytime then I could go to studio at night. And... | |
| Oh, here we go. | |
| Naw, I could go to the studio at night. I just gotta make sure that I don' t stay in | |
| the studio too late so I can get up in the morning and then I can catch the bus and | |
| go to the job. | |
| Oh yeah, but when you start that stuff at night you gotta get your rest cause you | |
| gotta get up and get to work. | |
| It' ll be aight. I' m going to celebrate, let' s get some CapriSuns. I wanna celebrate. | |
| Let' s do it, let' s do it. |
| zuò qǔ : James, Mills, Sasek | |
| Excuse me, uh beg your pard? Nah wait hold up, hold up, hold up, hold up. | |
| Bitch, you don' t I don' t get paid enough for you to talkin to me like that. | |
| Straight up and down. I don' t feel like standin' about a in' front door. Aight? | |
| You know what? Matter of fact, a year from now, when you at home on your only day off | |
| and you watchin UPN, you see me come up there and watch me get my mother in' award. | |
| Tell your kids I said... | |
| How' d I get stuck in this deadend job when I can rap | |
| But of course my real collecters they ain' t tryin' to hear that | |
| Matter of fact, they asking Dexter when I plan to pay back | |
| On a long line of credit that they lent me way back, way back, way back | |
| At the turn of the century | |
| The notice they sent to me | |
| They sayin' essentially | |
| If I don' t pay that balance off with a loan with an extra fee | |
| Penitentiary, a criminal charges | |
| Are prolly sure to follow if you dare disregard this | |
| And that got me nauseous | |
| And feeling precautious | |
| Cause the fruits of my labor | |
| And bend? on harvest | |
| At least there' s an artist | |
| Cause at least there' s an artist | |
| You can call whoever when you talkin' the hardest | |
| But you suppose to call when they all think you garbage | |
| And figure that you washed up | |
| Damn, they so heartless | |
| Cause when I call the office | |
| They act stiffy and stanchy | |
| Hook | |
| And this just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| cause this just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t where I' m suppose to be, | |
| This just ain' t, this just ain' t | |
| Now I' m in a situation that I can' t pacify | |
| So I' m looking through the papers | |
| Skimming through the classifies | |
| When I see a opportunity that can' t pass me by | |
| That I can get the job, if I give this class a try | |
| Put my pride to the side, go get ' em 9 to 5 | |
| Causing livin' check to check the only way that I' ll survive | |
| But Dodee saw the lie cause the lee' s certified | |
| They take all the shirts and towels for the course that they provide | |
| But of course they will provide | |
| A mean of employment | |
| Which is basically a job that I soon be annoyed with | |
| So this unemployment is now sudden to change | |
| Cause of all these interviews and I' m running my game | |
| And I' m bein' introduced by my government name | |
| And I' m only out to prove that we one in the same | |
| So for now, my good game a fall away from recording | |
| Cause they left a message saying that I start Monday morning | |
| Hello, this is OCS for Dexter Mills. Dexter, we have work for you on Monday | |
| morning at our Banana Republic and Broadway and Spring St. in Lower | |
| Manhattan. You are to be there at 10 o' clock in the morning. Please call us | |
| back and let us know your availability. Have a good day, good bye. | |
| Oh guess what Ma? Guess what, guess what? | |
| What, what? | |
| I got a job, today! | |
| Wooeeh. | |
| At the department store they hired me. They said I start on Monday, and um my hours | |
| I' m a be doing the dayshift, and they going start me on a low pay. But they said like | |
| eventually I could um move up and | |
| Oh great, this is the greatest news I' ve heard. My prayers have been answered. You | |
| got a job! | |
| I could do the job in the daytime then I could go to studio at night. And... | |
| Oh, here we go. | |
| Naw, I could go to the studio at night. I just gotta make sure that I don' t stay in | |
| the studio too late so I can get up in the morning and then I can catch the bus and | |
| go to the job. | |
| Oh yeah, but when you start that stuff at night you gotta get your rest cause you | |
| gotta get up and get to work. | |
| It' ll be aight. I' m going to celebrate, let' s get some CapriSuns. I wanna celebrate. | |
| Let' s do it, let' s do it. |
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