Tragic Events Part II

歌曲 Tragic Events Part II
歌手 Evelyn Evelyn
专辑 Evelyn Evelyn

歌词

[ti:Tragic Events Part II]
[ar:Evelyn Evelyn]
[al:Evelyn Evelyn]
[00:01.63] Are you crying, Evelyn?
[00:03.15] No... no... Yes. I was just thinking about Sandy.
[00:08.01] And about Bimba and Kimba. I miss them, Evelyn.
[00:11.84] I know, I miss them too.
[00:14.74] Especially this time of year, Evelyn.
[00:20.56] The year is 1991,
[00:22.76] Terminator 2 is the highest-grossing film at the Box Office,
[00:26.93] the first Super Nintendo Entertainment System has just been released
[00:30.85] and after 70 years of Communist rule
[00:33.61] the Union of Soviet Socialist Republics has collapsed.
[00:36.60] And on a chicken ranch just at side of Claxton, Georgia
[00:40.30] twin sisters are waiting for their supper.
[00:43.03] The farm is old and operated by Alfred McClock,
[00:46.53] an eccentric man with a fascination with Civil War weaponery.
[00:50.28] McClock's chicken farms produces over 140000 chickens a year
[00:54.81] and ships wings, thighs and legs all over the continental United States.
[00:59.33] Despite the modest success of his business,
[01:01.75] McClock leads a solitary life,
[01:03.83] never marrying and tending several of the chicken houses himself.
[01:08.20] A simple man with a not entirely bad heart.
[01:11.31] McClock never knew how to best take care of the young girls
[01:14.67] who came into his life shortly after their birth,
[01:17.11] so he raised them the only way he knew how -
[01:20.30] in a 2 foot by 2 foot wire mesh cage on a diet of mash,
[01:24.79] crumbles, pellets and egg booster.
[01:28.79] One clear September day during the twins sixth year at the farm
[01:32.88] McClock does not come at meal time.
[01:35.46] Night falls and still he doesn't appear.
[01:38.77] The girls and the chickens cry out from hunger.
[01:43.27] Days pass and the chickens in neighbouring cage begin to die.
[01:47.22] The smell of rotting poultry permeates the air of the hot, humid barn.
[01:52.37] Finally, desperate to find food
[01:55.27] and concerned over the whereabouts of their guardian,
[01:57.90] the twins break free from their cage.
[02:00.80] McClock's house is locked tight,
[02:03.24] but the girls find the garden hose which quenches their thirst.
[02:06.34] Still half delirious with hunger,
[02:08.67] they make their way out to the road.
[02:11.02] Little time passes before a dusty black
[02:13.64] cadillac Coupe de Ville drives by and pulls over.
[02:17.33] A tall, moustached young man with a kindly face steps out of the vehicle.
[02:22.12] He smiles at the girls, "Hello"
[02:23.97] And presents them with the first candy they had ever tasted -
[02:26.71] a Twix bar, which they share in silent, odd delight.
[02:32.77] The girls do not feel at all uncomfortable
[02:35.23] when the man lifts them gently into the dark, spacious trunk.
[02:42.50] In the following days the girls are transferred into the trunks
[02:44.38] or several other cars by many other kindly, candybar offering men
[02:50.61] until they reach their final destination at the lake side lodge in Manitoba.
[02:55.48] The underwood lodge is a collection of cosy, water front cabins
[02:59.70] with an attached trailor park along the shores of lake Winnipeg.
[03:03.24] It is also the world headquarters of Budding Flowers Entertainment
[03:07.92] specializing in the production and distribution of photographs
[03:11.44] and VHS tapes for clientele with unique tastes.
[03:15.14] The girls are welcomed by Mrs Deborah Bouldger,
[03:18.33] the 52-year-old proprietress
[03:20.22] "Well, hello, girls"
[03:22.24] A women of enormous proportions
[03:24.59] who lives with her own 3 children in the main lodge of the underwood.
[03:28.45] Upon finding that the girls have no names
[03:30.82] she christens them Eva and Lynn, names, which neither she,
[03:34.75] nor the twins themselves are ever able to keep straight"Eva, Lynn"
[03:39.90] The twins days of the underwood are relatively comfortable,
[03:43.00] they are well cared for, the food is delicious
[03:45.70] and there are many other girls their age
[03:48.06] Once a week, photo sessions take place,
[03:50.34] convivial affairs that involve make-up,
[03:53.14] a wide variety of dress up costumes and inventive new games.
[03:57.79] Every few days Mrs Bouldger introduces the girls to one of their many uncles
[04:02.77] "Eva, Lyn, say hello to your uncle Mark" "Heeey"
[04:07.50] These uncles, seemingly endless in number,
[04:10.00] travel from all over the world to visit their nieces
[04:13.72] The girls don't always like their new uncles,
[04:15.95] but Mrs Bouldger is always quick to remind them
[04:18.78] that ‘family is family’ and ‘blood is thicker than water’
[04:23.29] The conjoined sisters are not popular amongst the other girls,
[04:27.14] however, one gentle resident, a few years their senior
[04:30.96] befriends them and takes them under her wing.
[04:32.50] "Hello, what's your name?"
[04:33.88] (Her name is Sandy)
[04:35.17] "I'm Sandy"
[04:36.09] She has soft, blond hair that reaches down to her knees
[04:39.93] Everyone says she looks like a mermaid
[04:42.57] Dressed daily by Mrs Bouldger
[04:44.06] in trade mark fishnet stockings and vintage attire,
[04:47.45] Sandy is by far the most popular girl of the underwood.
[04:50.61] She has so many uncles that the twins lose count
[04:53.87] Every night after dinner and chores,
[04:56.03] Sandy talks the young sisters into bed
[04:58.54] and tells them fantastic stories until they fall peacefully to sleep
[05:02.84] "And after the three long weeks at sea
[05:05.03] Jean Luke, the sailor finally spotted land"
[05:08.98] But these happy times do not last.
[05:12.18] Shortly after the twins' third Christmas
[05:14.67] under Mrs Bouldger's care,
[05:16.16] Sandy disappears - never to return
[05:20.64] The twins remain in the underwood
[05:23.58] for the greater part of two, long, miserable years.
[05:26.17] Without Sandy to protect them,
[05:27.99] they are ostracized and abused by the other girls
[05:31.03] "What are YOU looking at, 4-eyes?!"
[05:33.29] The photo sessions involve fewer fancy costumes
[05:35.89] and over time, their uncles become more peculiar
[05:39.47] "Did I ask you to talk?"
[05:40.96] The twins begin to notice the disturbing tendency
[05:43.63] for girls, much like their dear friend Sandy -
[05:46.56] they quietly disappear from the underwood around their 12th or 13th birthday.
[05:50.99] The sisters brace themselves for something terrible
[05:54.13] One autumn, when the girls are eleven,
[05:57.74] an old man, who speaks only Spanish,
[05:59.88] takes the twins into a large, orange van
[06:02.35] and drives them to their new home
[06:04.01] "Step right up, step right up, see amazing human oddities,
[06:07.44] freaks of nature, be warned, people with heart condition,
[06:10.86] children, women - we will accept no responsibility for fainting,
[06:14.66] reoccurring nightmares, or death"
[06:16.58] Dillard and Fullerton, elusive and illogical traveling
[06:19.76] show is the 12th largest touring circus in North America.
[06:23.31] Former insurance salesman,
[06:25.38] Dillard and Fullerton, distinguish their enterprise
[06:27.96] by procuring the most procuring specimen of the grotesque and unusual.
[06:32.21] Their small administrative staff works tirelessly
[06:35.17] to combat legal actions and public allegations
[06:37.76] of animal cruelty and human slave trafficing.
[06:40.90] Life in the circus is harder than their time at the underwood.
[06:43.92] There is always work to be done.
[06:45.72] In addition to their chores of laundry and sweeping,
[06:48.27] Mr Dillard insist that the twins
[06:50.95] spend many hours each day practicing their act.
[06:53.27] "What are you staring at for?"
[06:54.58] The girls are frightened of the clowns,
[06:56.32] several of whom, by amazing coincidence,
[06:59.02] also happen to be their uncles
[07:00.97] "Hello, hello, hello"
[07:02.67] But still, overall these early days
[07:05.48] at the circus are happy time for the twins
[07:08.35] Every night to the delight of audiences across the country,
[07:11.72] the girls appear in the center ring, singing and strumming the ukulele,
[07:15.54] at the top of Bimba and Kimba -
[07:17.73] the world's only known conjoined twin siamese elephants.
[07:22.36] The twins feel they have found true soulmates in Bimba and Kimba,
[07:26.51] who they affectionately refer to as‘Elephant,Elephant’.
[07:29.48] This special bond is reciprocates by the pakaderms,
[07:32.47] who fondly nozzle the girls with their trunks
[07:34.85] and seem to delight in giving them rides.
[07:38.03] （The twins and the elephants are inseparable）
[07:41.30] With the help of the Alphonso de Ares tin, the animal trainer,
[07:45.53] the twins tend to the elephants, feeding them and grooming them daily.
[07:50.13] But one terrible August morning,
[07:52.03] Bimba and Kimba refuse to take their food.
[07:54.55] Due to the unsanitary conditions of their quarters
[07:57.67] and an improper diet of popcorn and cotton candy,
[08:00.59] the elephants have contracted a rare form of elephantine diphtheria
[08:04.22] compounded by early onset Alzheimer's disease
[08:07.31] For the next two weeks can only stand by helplessly,
[08:11.42] as their companions become sicker and weaker
[08:13.91] and begin displaying obvious signs of memory loss.
[08:17.17] The last few days are almost unbearable.
[08:19.61] With Bimba and Kimba's confused, sad eyes
[08:22.65] looking up at the girls with great anguish,
[08:25.31] but no hint of recognition.
[08:26.85] And on one, grim,September day
[08:29.82] The sisters 16th birthday
[08:32.35] (Elephant Elephant dies.)
[08:35.59] The funeral is held at the same day
[08:37.99] a grizzly affair had an industrial trush compactor
[08:41.06] behind a Home Depot in Fort Dodge,Iowa.
[08:46.12] The twins are devastated.
[08:48.48] Without Bimba and Kimba life is but a terrible and meaningless void.
[08:53.03] They resign themselves to living out
[08:55.18] the rest of their hollow existence in solemn mourning.
[08:58.50] The emotionally exausted sisters fall from favour within the circus
[09:02.49] No longer willing to sing and play their ukulele,
[09:05.89] the girls are dressed in a pink tutu
[09:08.84] and forced to balance on the giant red ball,
[09:11.43] an impossible task for the conjoined sisters
[09:14.66] "Get on that damn ball!"
[09:16.44] The audience roars with laughter each time they awkwardly fall.
[09:21.02] Their discomfort is increased by a pair of radical groups
[09:25.60] who have taken an interest ih the twins.
[09:27.62] Every night in most major cities,
[09:30.00] protestiers assemble, nosily waving signs
[09:32.25] and chanting slogans in front of the Box Office.
[09:35.30] The first faction claims to represent an organization called 'FASSEN' -
[09:39.80] the Foundation for Always Separating Siamese Twins Everywhere Now.
[09:46.36] Citing the bible,FASSEN members believe
[09:49.52] that it is the will of the Lord that all conjoined twins be separated
[09:53.34] and allowed to live individual lives.
[09:55.92] Wielding symbolical surgical saws and blunt carbon knives,
[09:59.28] FASSEN members tried the ticket buyers for supporting the abomination of god.
[10:04.55] The second group operates under the acronym SPLIT -
[10:08.46] the Society for the Preservation of Linked Identical Twins.
[10:13.24] A reactionary organisation, working to discredit the claims of FASSEN,
[10:18.02] SPLIT believes that conjoined twins will play a
[10:20.81] critical role in the second coming of Christ.
[10:23.52] The twins are terrified by both groups -
[10:26.73] the knives and saws make them very nervous
[10:29.68] and SPLIT members make threats to kidnap the girls
[10:33.33] and take them to where they will be kept safe
[10:35.41] in a place of darkness until the rapture.
[10:38.66] One day before a Sunday matinée in Sacramento,
[10:42.22] a chaotic brawl erupts between the two factions
[10:46.08] and one FASSEN member gets allarmingly close to the twins with a hacksaw.
[10:52.49] Stricken with fear, the sisters decide
[10:54.88] that they are no longer safe at the circus.
[10:57.23] That night, they make a resolution -
[11:00.00] to leave the Dillard and Fullerton travelling show -
[11:04.99] (FOREVER)

拼音

ti: Tragic Events Part II
ar: Evelyn Evelyn
al: Evelyn Evelyn
[00:01.63] Are you crying, Evelyn?
[00:03.15] No... no... Yes. I was just thinking about Sandy.
[00:08.01] And about Bimba and Kimba. I miss them, Evelyn.
[00:11.84] I know, I miss them too.
[00:14.74] Especially this time of year, Evelyn.
[00:20.56] The year is 1991,
[00:22.76] Terminator 2 is the highestgrossing film at the Box Office,
[00:26.93] the first Super Nintendo Entertainment System has just been released
[00:30.85] and after 70 years of Communist rule
[00:33.61] the Union of Soviet Socialist Republics has collapsed.
[00:36.60] And on a chicken ranch just at side of Claxton, Georgia
[00:40.30] twin sisters are waiting for their supper.
[00:43.03] The farm is old and operated by Alfred McClock,
[00:46.53] an eccentric man with a fascination with Civil War weaponery.
[00:50.28] McClock' s chicken farms produces over 140000 chickens a year
[00:54.81] and ships wings, thighs and legs all over the continental United States.
[00:59.33] Despite the modest success of his business,
[01:01.75] McClock leads a solitary life,
[01:03.83] never marrying and tending several of the chicken houses himself.
[01:08.20] A simple man with a not entirely bad heart.
[01:11.31] McClock never knew how to best take care of the young girls
[01:14.67] who came into his life shortly after their birth,
[01:17.11] so he raised them the only way he knew how
[01:20.30] in a 2 foot by 2 foot wire mesh cage on a diet of mash,
[01:24.79] crumbles, pellets and egg booster.
[01:28.79] One clear September day during the twins sixth year at the farm
[01:32.88] McClock does not come at meal time.
[01:35.46] Night falls and still he doesn' t appear.
[01:38.77] The girls and the chickens cry out from hunger.
[01:43.27] Days pass and the chickens in neighbouring cage begin to die.
[01:47.22] The smell of rotting poultry permeates the air of the hot, humid barn.
[01:52.37] Finally, desperate to find food
[01:55.27] and concerned over the whereabouts of their guardian,
[01:57.90] the twins break free from their cage.
[02:00.80] McClock' s house is locked tight,
[02:03.24] but the girls find the garden hose which quenches their thirst.
[02:06.34] Still half delirious with hunger,
[02:08.67] they make their way out to the road.
[02:11.02] Little time passes before a dusty black
[02:13.64] cadillac Coupe de Ville drives by and pulls over.
[02:17.33] A tall, moustached young man with a kindly face steps out of the vehicle.
[02:22.12] He smiles at the girls, " Hello"
[02:23.97] And presents them with the first candy they had ever tasted
[02:26.71] a Twix bar, which they share in silent, odd delight.
[02:32.77] The girls do not feel at all uncomfortable
[02:35.23] when the man lifts them gently into the dark, spacious trunk.
[02:42.50] In the following days the girls are transferred into the trunks
[02:44.38] or several other cars by many other kindly, candybar offering men
[02:50.61] until they reach their final destination at the lake side lodge in Manitoba.
[02:55.48] The underwood lodge is a collection of cosy, water front cabins
[02:59.70] with an attached trailor park along the shores of lake Winnipeg.
[03:03.24] It is also the world headquarters of Budding Flowers Entertainment
[03:07.92] specializing in the production and distribution of photographs
[03:11.44] and VHS tapes for clientele with unique tastes.
[03:15.14] The girls are welcomed by Mrs Deborah Bouldger,
[03:18.33] the 52yearold proprietress
[03:20.22] " Well, hello, girls"
[03:22.24] A women of enormous proportions
[03:24.59] who lives with her own 3 children in the main lodge of the underwood.
[03:28.45] Upon finding that the girls have no names
[03:30.82] she christens them Eva and Lynn, names, which neither she,
[03:34.75] nor the twins themselves are ever able to keep straight" Eva, Lynn"
[03:39.90] The twins days of the underwood are relatively comfortable,
[03:43.00] they are well cared for, the food is delicious
[03:45.70] and there are many other girls their age
[03:48.06] Once a week, photo sessions take place,
[03:50.34] convivial affairs that involve makeup,
[03:53.14] a wide variety of dress up costumes and inventive new games.
[03:57.79] Every few days Mrs Bouldger introduces the girls to one of their many uncles
[04:02.77] " Eva, Lyn, say hello to your uncle Mark" " Heeey"
[04:07.50] These uncles, seemingly endless in number,
[04:10.00] travel from all over the world to visit their nieces
[04:13.72] The girls don' t always like their new uncles,
[04:15.95] but Mrs Bouldger is always quick to remind them
[04:18.78] that ' family is family' and ' blood is thicker than water'
[04:23.29] The conjoined sisters are not popular amongst the other girls,
[04:27.14] however, one gentle resident, a few years their senior
[04:30.96] befriends them and takes them under her wing.
[04:32.50] " Hello, what' s your name?"
[04:33.88] Her name is Sandy
[04:35.17] " I' m Sandy"
[04:36.09] She has soft, blond hair that reaches down to her knees
[04:39.93] Everyone says she looks like a mermaid
[04:42.57] Dressed daily by Mrs Bouldger
[04:44.06] in trade mark fishnet stockings and vintage attire,
[04:47.45] Sandy is by far the most popular girl of the underwood.
[04:50.61] She has so many uncles that the twins lose count
[04:53.87] Every night after dinner and chores,
[04:56.03] Sandy talks the young sisters into bed
[04:58.54] and tells them fantastic stories until they fall peacefully to sleep
[05:02.84] " And after the three long weeks at sea
[05:05.03] Jean Luke, the sailor finally spotted land"
[05:08.98] But these happy times do not last.
[05:12.18] Shortly after the twins' third Christmas
[05:14.67] under Mrs Bouldger' s care,
[05:16.16] Sandy disappears never to return
[05:20.64] The twins remain in the underwood
[05:23.58] for the greater part of two, long, miserable years.
[05:26.17] Without Sandy to protect them,
[05:27.99] they are ostracized and abused by the other girls
[05:31.03] " What are YOU looking at, 4eyes?!"
[05:33.29] The photo sessions involve fewer fancy costumes
[05:35.89] and over time, their uncles become more peculiar
[05:39.47] " Did I ask you to talk?"
[05:40.96] The twins begin to notice the disturbing tendency
[05:43.63] for girls, much like their dear friend Sandy
[05:46.56] they quietly disappear from the underwood around their 12th or 13th birthday.
[05:50.99] The sisters brace themselves for something terrible
[05:54.13] One autumn, when the girls are eleven,
[05:57.74] an old man, who speaks only Spanish,
[05:59.88] takes the twins into a large, orange van
[06:02.35] and drives them to their new home
[06:04.01] " Step right up, step right up, see amazing human oddities,
[06:07.44] freaks of nature, be warned, people with heart condition,
[06:10.86] children, women we will accept no responsibility for fainting,
[06:14.66] reoccurring nightmares, or death"
[06:16.58] Dillard and Fullerton, elusive and illogical traveling
[06:19.76] show is the 12th largest touring circus in North America.
[06:23.31] Former insurance salesman,
[06:25.38] Dillard and Fullerton, distinguish their enterprise
[06:27.96] by procuring the most procuring specimen of the grotesque and unusual.
[06:32.21] Their small administrative staff works tirelessly
[06:35.17] to combat legal actions and public allegations
[06:37.76] of animal cruelty and human slave trafficing.
[06:40.90] Life in the circus is harder than their time at the underwood.
[06:43.92] There is always work to be done.
[06:45.72] In addition to their chores of laundry and sweeping,
[06:48.27] Mr Dillard insist that the twins
[06:50.95] spend many hours each day practicing their act.
[06:53.27] " What are you staring at for?"
[06:54.58] The girls are frightened of the clowns,
[06:56.32] several of whom, by amazing coincidence,
[06:59.02] also happen to be their uncles
[07:00.97] " Hello, hello, hello"
[07:02.67] But still, overall these early days
[07:05.48] at the circus are happy time for the twins
[07:08.35] Every night to the delight of audiences across the country,
[07:11.72] the girls appear in the center ring, singing and strumming the ukulele,
[07:15.54] at the top of Bimba and Kimba
[07:17.73] the world' s only known conjoined twin siamese elephants.
[07:22.36] The twins feel they have found true soulmates in Bimba and Kimba,
[07:26.51] who they affectionately refer to as' Elephant, Elephant'.
[07:29.48] This special bond is reciprocates by the pakaderms,
[07:32.47] who fondly nozzle the girls with their trunks
[07:34.85] and seem to delight in giving them rides.
[07:38.03] The twins and the elephants are inseparable
[07:41.30] With the help of the Alphonso de Ares tin, the animal trainer,
[07:45.53] the twins tend to the elephants, feeding them and grooming them daily.
[07:50.13] But one terrible August morning,
[07:52.03] Bimba and Kimba refuse to take their food.
[07:54.55] Due to the unsanitary conditions of their quarters
[07:57.67] and an improper diet of popcorn and cotton candy,
[08:00.59] the elephants have contracted a rare form of elephantine diphtheria
[08:04.22] compounded by early onset Alzheimer' s disease
[08:07.31] For the next two weeks can only stand by helplessly,
[08:11.42] as their companions become sicker and weaker
[08:13.91] and begin displaying obvious signs of memory loss.
[08:17.17] The last few days are almost unbearable.
[08:19.61] With Bimba and Kimba' s confused, sad eyes
[08:22.65] looking up at the girls with great anguish,
[08:25.31] but no hint of recognition.
[08:26.85] And on one, grim, September day
[08:29.82] The sisters 16th birthday
[08:32.35] Elephant Elephant dies.
[08:35.59] The funeral is held at the same day
[08:37.99] a grizzly affair had an industrial trush compactor
[08:41.06] behind a Home Depot in Fort Dodge, Iowa.
[08:46.12] The twins are devastated.
[08:48.48] Without Bimba and Kimba life is but a terrible and meaningless void.
[08:53.03] They resign themselves to living out
[08:55.18] the rest of their hollow existence in solemn mourning.
[08:58.50] The emotionally exausted sisters fall from favour within the circus
[09:02.49] No longer willing to sing and play their ukulele,
[09:05.89] the girls are dressed in a pink tutu
[09:08.84] and forced to balance on the giant red ball,
[09:11.43] an impossible task for the conjoined sisters
[09:14.66] " Get on that damn ball!"
[09:16.44] The audience roars with laughter each time they awkwardly fall.
[09:21.02] Their discomfort is increased by a pair of radical groups
[09:25.60] who have taken an interest ih the twins.
[09:27.62] Every night in most major cities,
[09:30.00] protestiers assemble, nosily waving signs
[09:32.25] and chanting slogans in front of the Box Office.
[09:35.30] The first faction claims to represent an organization called ' FASSEN'
[09:39.80] the Foundation for Always Separating Siamese Twins Everywhere Now.
[09:46.36] Citing the bible, FASSEN members believe
[09:49.52] that it is the will of the Lord that all conjoined twins be separated
[09:53.34] and allowed to live individual lives.
[09:55.92] Wielding symbolical surgical saws and blunt carbon knives,
[09:59.28] FASSEN members tried the ticket buyers for supporting the abomination of god.
[10:04.55] The second group operates under the acronym SPLIT
[10:08.46] the Society for the Preservation of Linked Identical Twins.
[10:13.24] A reactionary organisation, working to discredit the claims of FASSEN,
[10:18.02] SPLIT believes that conjoined twins will play a
[10:20.81] critical role in the second coming of Christ.
[10:23.52] The twins are terrified by both groups
[10:26.73] the knives and saws make them very nervous
[10:29.68] and SPLIT members make threats to kidnap the girls
[10:33.33] and take them to where they will be kept safe
[10:35.41] in a place of darkness until the rapture.
[10:38.66] One day before a Sunday matiné e in Sacramento,
[10:42.22] a chaotic brawl erupts between the two factions
[10:46.08] and one FASSEN member gets allarmingly close to the twins with a hacksaw.
[10:52.49] Stricken with fear, the sisters decide
[10:54.88] that they are no longer safe at the circus.
[10:57.23] That night, they make a resolution
[11:00.00] to leave the Dillard and Fullerton travelling show
[11:04.99] FOREVER

歌词大意

[00:01.63] Evelyn, nǐ zài kū ma?
[00:03.15] bù méi yǒu... shì de wǒ gāng gāng xiǎng qǐ Sandy
[00:08.01] hái yǒu Bimba hé Kimba. wǒ hěn xiǎng niàn tā men, Evelyn.
[00:11.84] wǒ zhī dào, wǒ yě hěn xiǎng tā men.
[00:14.74] tè bié shì dào měi nián de zhè gè shí hòu, Evelyn.
[00:20.56] nà yī nián shì 1991 nián,
[00:22.76] zhōng jié zhě 2 shì yǐng yuàn lǐ de zuì gāo piào fáng diàn yǐng,
[00:26.93] chāo jí rèn tiān táng gāng gāng fā bù,
[00:30.85] yǐ jí gòng chǎn dǎng tǒng zhì le 70 nián de
[00:33.61] sū lián de shè huì zhǔ yì lián méng gòng hé guó yǐ jīng jiě tǐ.
[00:36.60] zài yí gè yǎng jī chǎng páng, Claxton hé Georgia
[00:40.30] jiě mèi liǎ zhèng děng dài xiǎng yòng tā men de wǎn cān.
[00:43.03] zhè gè lǎo jiù de nóng chǎng shì yóu Alfred McClock jīng yíng de,
[00:46.53] tā shì yōng yǒu měi guó nán běi zhàn zhēng wǔ qì de yí gè yǒu mèi lì de guài rén.
[00:50.28] tā de jī chǎng měi nián gōng yìng chāo guò 14 wàn zhī jī,
[00:54.81] yǐ jí chuán yùn jī chì hé jī tuǐ zhì měi guó nèi lù gè gè dì fāng.
[00:59.33] jǐn guǎn tā de shēng yì zuò dé bǐ jiào chéng gōng,
[01:01.75] dàn McClock tā guò zhe gū dān de shēng huó,
[01:03.83] zhōng shēn wèi qǔ, dú zì jīng yíng zhe yǎng jī chǎng.
[01:08.20] yí gè chún piáo dàn xīn cháng bìng bù huài de rén,
[01:11.31] tā cóng lái dōu bù zhī dào rú hé gèng hǎo dì zhào gù zhè
[01:14.67] zài tā chū shēng hòu duǎn zàn chuǎng jìn tā shēng huó de jiě mèi liǎ,
[01:17.11] suǒ yǐ tā yǐ tā zhī dào de wéi yī fāng shì fǔ yǎng tā men,
[01:20.30] jiù shì zài 2 yīng chǐ 2 yīng chǐ de de jīn shǔ wǎng lóng lǐ xiàng wèi jī de fāng shì wèi yǎng tā men,
[01:24.79] miàn bāo xiè, yòng dàn zhù tuī qì zuò chéng wán zǐ.
[01:28.79] zài jiǔ yuè de yí gè qīng shuǎng tiān, yě shì jiě mèi liǎ zài nóng chǎng dù guò de dì liù ge nián tóu,
[01:32.88] McClock zài yòng cān shí jiān méi yǒu chū xiàn,
[01:35.46] zhí dào yè mù jiàng lín, tā yī jiù méi yǒu xiàn shēn.
[01:38.77] nǚ hái men hé jī yīn wèi jī è ér kū qì.
[01:43.27] rì zi yì tiān tiān guò qù, zài gé bì lóng lǐ de jī kāi shǐ sǐ wáng.
[01:47.22] jiā qín de fǔ làn wèi mí màn zài mēn rè cháo shī de gǔ cāng lǐ.
[01:52.37] zuì zhōng, tā men yīn bù nài jī è hé gān kě qù xún zhǎo shí wù ,
[01:55.27] dān xīn tā men jiān hù rén de xià luò,
[01:57.90] jiě mèi liǎ chōng pò láo lóng.
[02:00.80] McClock de fáng zi de dà mén shì jǐn suǒ zhe de,
[02:03.24] dàn hǎo zài nǚ hái men zhǎo dào huā yuán lǐ de shuǐ guǎn, xī miè le tā men gān kě de huǒ.
[02:06.34] réng bàn suí zhe fā kuáng hé jī è de zhuàng tài,
[02:08.67] tā men xún zhǎo chū lù, lái dào gōng lù biān.
[02:11.02] méi guò duō jiǔ, yī liàng luò mǎn huī chén de hēi sè de
[02:13.64] kǎi dí lā kè pǎo chē xíng shǐ bìng tā men miàn qián tíng le xià lái.
[02:17.33] yí gè shēn cái gāo gāo dài yǒu hú zǐ de miàn shàn de nián qīng nán rén cóng chē lǐ zǒu le chū lái.
[02:22.12] tā wēi xiào dì duì nǚ hái men dǎ zhāo hū shuō" nǐ hǎo"
[02:23.97] bìng gěi le tā men dì yī cì cì chī de Twix qiǎo kè lì bàng,
[02:26.71] tā men sā rén zài chén mò, guài yì de yú yuè qì fēn zhōng.
[02:32.77] nǚ hái men bìng méi yǒu gǎn dào bù shū fu
[02:35.23] dāng zhè gè nán rén wēn róu dì jiāng tā men fàng rù hēi àn kuān chǎng de hòu chē xiāng shí.
[02:42.50] zài jiē xià lǐ de jǐ tiān lǐ, nǚ hái men bèi xǔ duō kàn qǐ lái hé ǎi de huán gěi tā men táng guǒ bàng de rén
[02:44.38] zhuǎn yí dào bù tóng de hòu bèi xiāng zhōng huò jǐ liàng bù tóng de chē lǐ
[02:50.61] zhí dào tā men dào dá zuì zhōng mù dì dì mǎ ní tuō bā shěng jiā ná dà zhōng bù hú biān de yí gè xiǎo mù wū.
[02:55.48] zhè zhù sù chù shì yí gè wēn nuǎn shū shì de, qián yǒu liú shuǐ de xiǎo wū,
[02:59.70] fù dài yí gè tuō chē gōng yuán zài wēn ní bó hú de àn shàng.
[03:03.24] yě shì guó jì huā gū duǒ ér yú lè gōng sī de zǒng bù
[03:07.92] zhuān yíng tú xiàng shēng chéng hé fēn fā
[03:11.44] yǐ jí wèi tè bié xǐ hào xū qiú de kè hù tí gōng jiā yòng lù xiàng dài.
[03:15.14] nǚ hái men shòu dào gōng sī suǒ yǒu zhě
[03:18.33] 52 suì de Deborah Bouldger nǚ shì de huān yíng,
[03:20.22] " nǐ men hǎo, nǚ hái men"
[03:22.24] zhè gè nǚ rén yōng yǒu jù é cái chǎn,
[03:24.59] yǔ tā de sān ge hái zi zhù zài lín zhōng de zhǔ bié shù zhōng.
[03:28.45] fā xiàn jiě mèi liǎ méi yǒu míng zì,
[03:30.82] biàn yǐ Eva hé Lynn gěi tā liǎ qǐ míng, zhè míng zì, jì bú shì
[03:34.75] tā yě bú shì shuāng bāo tāi jiě mèi liǎ néng bǎo zhèng yī zhí shì" Eva, Lynn"
[03:39.90] jiě mèi liǎ zài wū zhōng de rì zi guò de kě wèi shū tǎn,
[03:43.00] tā men bèi hěn hǎo dì zhào liào zhe, yǒu měi wèi de shí wù,
[03:45.70] hé xǔ duō xiàng tā men yí yàng nián jì de nǚ hái men.
[03:48.06] měi xīng qī de yī cì yǒu guān zhào piān huì yì zhào cháng jǔ xíng,
[03:50.34] dōu shì xiē ràng rén huān lè de shì qíng, bāo kuò shǐ yòng huà zhuāng pǐn,
[03:53.14] chuān shang bù tóng de huá lì de fú zhuāng hé wán yī xiē bié chū xīn cái de yóu xì.
[03:57.79] měi gé jǐ tiān Bouldger nǚ shì dōu huì bǎ zhèi xiē nǚ hái jiè shào gěi tā men zhòng duō" shū shū" zhōng yī wèi
[04:02.77] " Eva, Lyn, lái gēn nǐ de mǎ kè shū shū wèn hǎo" " hēi"
[04:07.50] zhèi xiē shū shū men, kàn qǐ lái sì hū shì méi yǒu zhǐ jǐn de shù mù,
[04:10.00] tā men cóng shì jiè gè dì pǎo lái kàn wàng tā men de" zhí nǚ men"
[04:13.72] nǚ hái men yī zhí dōu bù xǐ huān tā men de xīn shū shū men,
[04:15.95] dàn Bouldger nǚ shì huì jīng cháng gēn tā men shuō
[04:18.78] " dōu shì yī jiā rén" hé" xuè nóng yú shuǐ"
[04:23.29] zhè duì lián tǐ jiě mèi zài qí tā nǚ hái zhōng bù shòu huān yíng,
[04:27.14] rán ér, zhǐ yǒu yī wèi wēn róu de jū mín, bǐ tā men nián zhǎng jǐ suì de
[04:30.96] yuàn yì hé tā men zuò péng yǒu bìng qiě bǎo hù tā men zài zì jǐ de yǔ yì xià.
[04:32.50] " nǐ hǎo, nǐ jiào shén me míng zì?"
[04:33.88] tā de míng zì shì Sandy
[04:35.17] " wǒ jiào Sandy"
[04:36.09] tā yǒu yī tóu jí xī de róu ruǎn de jīn fà
[04:39.93] měi ge rén dōu shuō tā kàn qǐ lái xiàng měi rén yú
[04:42.57] tā de rì cháng chuān yī dōu yóu Bouldger nǚ shì dǎ lǐ,
[04:44.06] biāo zhì xìng de wǎng gé tòu shì cháng wà hé fù gǔ de fú zhuāng,
[04:47.45] zài zhè gè dì fāng, Sandy shì nǚ hái men zhōng zuì shòu huān yíng de.
[04:50.61] tā yǒu rú cǐ duō de" shū shū", shuāng bāo tāi jiě mèi dōu jì bù qīng le.
[04:53.87] wǎn cān hòu hé jiā wù suǒ shì hòu de měi gè yè wǎn,
[04:56.03] Sandy huì hōng xiǎo mèi mei men shuì jiào,
[04:58.54] gěi tā men jiǎng yǒu qù měi hǎo de gù shì zhí dào tā men ān rán rù shuì
[05:02.84] " zài hǎi shàng dù guò le sān ge màn cháng de xīng qī hòu,
[05:05.03] Jean Luke, zhè gè shuǐ shǒu zuì zhōng fā xiàn le lù dì"
[05:08.98] dàn xiàng zhè yàng de kuài lè shí guāng bìng méi yǒu chí xù duō jiǔ.
[05:12.18] zài shuāng bāo tāi jiě mèi duǎn zàn dì dù guò de dì sān ge shèng dàn jié,
[05:14.67] zài Bouldger nǚ shì de zhào gù xià,
[05:16.16] Sandy xiāo shī le yī zhí méi yǒu huí lái guò
[05:20.64] shuāng bāo tāi yī rán liú zài wū zhōng
[05:23.58] dà bù fèn shí jiān shì zài màn cháng bēi cǎn de liǎng nián dù guò.
[05:26.17] méi yǒu Sandy duì tā liǎ de bǎo hù,
[05:27.99] tā men zāo dào qí tā nǚ hái de pái chì hé nüè dài.
[05:31.03] " nǐ men zài kàn shén me?! sì yǎn guài!"
[05:33.29] zhào piān lì huì shǎo le hěn duō piào liàng de fú zhuāng
[05:35.89] bìng qiě suí zhe shí jiān de guò qù, shū shū men biàn de gèng jiā qí guài
[05:39.47] " wǒ yǒu ràng nǐ shuō huà ma?"
[05:40.96] jiě mèi liǎ kāi shǐ zhù yì dào ràng rén bù ān de zǒu shì,
[05:43.63] nǚ hái men, xiàng tā men qīn ài de péng yǒu Sandy yí yàng
[05:46.56] zài tā men dà gài 12 hái shì 13 suì de shēng rì zuǒ yòu qiāo qiāo dì cóng wū zhōng xiāo shī.
[05:50.99] jiě mèi liǎ yīn wèi shì qíng de kě pà dǎ qǐ jīng shén lái.
[05:54.13] zài yí gè qiū tiān, nà shí jiě mèi liǎ 11 suì,
[05:57.74] yí gè zhǐ huì shuō xī bān yá yǔ de lǎo nán rén,
[05:59.88] bǎ zhè duì shuāng bāo tāi jiě mèi dài jìn le dà dà de chéng sè huò chē
[06:02.35] bǎ tā men zài dào tā men de xīn jiā.
[06:04.01] " guò lái kàn, dōu guò lái kàn kàn, kàn kàn ràng rén jīng qí de rén lèi zhōng yì shù,
[06:07.44] dà zì rán de guài tāi, zhù yì le, yǒu xīn zāng bìng de rén,
[06:10.86] ér tóng, nǚ rén men, wǒ men kě bù chéng dān nǐ men bèi xià yūn
[06:14.66] zuò è mèng huò xià die de zé rèn a".
[06:16.58] dí lā dé hé fú lēi dùn, ràng rén nán dǒng de bù hé luó ji de qí yì xiù
[06:19.76] shì zài měi guó běi bù jǔ xíng de dì shí èr jiè zuì dà de mǎ xì tuán yóu xíng.
[06:23.31] qián rèn bǎo xiǎn xiāo shòu yuán,
[06:25.38] dí lā dé hé fú lēi dùn, tā men gōng sī shì yǐ
[06:27.96] qǔ de zuì guài yì hé bù tóng xún cháng de yàng běn ér chū míng.
[06:32.21] tā men de xiǎo xíng zhèng zhí yuán bù zhī pí juàn dì
[06:35.17] wèi yǒu guān hé fǎ biǎo yǎn xíng wéi gōng zhòng duì cán rěn nüè dài dòng wù de kòng sù
[06:37.76] yǐ jí rén nú jiāo yì zhǐ kòng ér zuò dòu zhēng.
[06:40.90] zài mǎ xì tuán de shēng huó bǐ zài xiǎo mù wū de shēng huó hái jiān nán,
[06:43.92] zhè ér zǒng yǒu zuò bù wán de gōng zuò.
[06:45.72] chú le yào xǐ yī, dǎ sǎo de suǒ shì zhī wài,
[06:48.27] dí lā dé xiān shēng huán yāo qiú jiě mèi liǎ
[06:50.95] měi tiān huā shàng hěn duō gè zhōng lái liàn xí tā men de biǎo yǎn.
[06:53.27] " nǐ men zài dīng zhe shén me kàn?"
[06:54.58] nǚ hái men hěn hài pà nèi xiē xiǎo chǒu,
[06:56.32] yīn wèi jīng rén de qiǎo hé, tā men qí zhōng jǐ wèi
[06:59.02] yě shì tā men de" shū shū men"
[07:00.97] " nǐ men hǎo, nǐ men hǎo, nǐ men hǎo ya"
[07:02.67] dàn hái hǎo, chú le kāi shǐ de zhèi xiē tiān,
[07:05.48] zài mǎ xì tuán de shí jiān shì jiě mèi liǎ kuài lè de shí guāng.
[07:08.35] méi wán, zài lái zì quán guó gè dì de guān zhòng de huān hū gāo xìng de qì fēn zhōng,
[07:11.72] nǚ hái men chū xiàn zài zhōng yāng de dà huán lǐ, zài Bimba hé Kimba de dǐng shàng,
[07:15.54] shì jiè wén míng de lián tǐ dà xiàng zhī shàng,
[07:17.73] chàng zhe gē, dàn zhe yóu kè lǐ lǐ.
[07:22.36] lián tǐ jiě mèi gǎn jué dào tā men zài Bimba hé Kimba shēn shàng zhǎo dào zhēn zhèng de líng hún bàn lǚ le,
[07:26.51] tā men qīn qiè zhēn zhì dì chēng tā men wèi" dà xiàng, dà xiàng".
[07:29.48] ér zhè tè bié de yuē dìng yě bèi zhè duì dà xiàng jiē shòu, bìng
[07:32.47] huí lǐ gěi jiě mèi liǎ yǐ yòng xiàng bí wēn róu dì juǎn qǐ,
[07:34.85] yǐ jí hěn gāo xìng dì ràng tā liǎ qí zhe.
[07:38.03] lián tǐ jiě mèi hé dà xiàng shì xíng yǐng bù lí dì hǎo péng you
[07:41.30] zài ā fāng suǒ de Ares tin xún yǎng shī dì bāng zhù xià,
[07:45.53] jiě mèi liǎ kāi shǐ gěi dà xiàng wèi shí jí rì cháng dì shuā xǐ.
[07:50.13] dàn shì zài bā yuè de yí gè kě pà dì zǎo chén,
[07:52.03] Bimba hé Kimba jù jué tā men de wèi shí.
[07:54.55] yóu yú tā men bù jiàn kāng de zhù suǒ huán jìng,
[07:57.67] yǐ jí bù zhèng què de bào mǐ huā mián huā táng de yǐn shí,
[08:00.59] dà xiàng huàn shàng le hǎn jiàn de xiàng xíng bái hóu,
[08:04.22] yóu yú zǎo qián de ā ěr zī hǎi mò bìng lǎo nián chī dāi de fā zuò ér è huà le.
[08:07.31] zài jiē xià lái de liǎng zhōu, zhǐ néng wú zhù dì zhàn lì,
[08:11.42] zuò wéi tā men de tóng bàn, biàn de yuè lái yuè shòu ruò,
[08:13.91] kāi shǐ biǎo xiàn chū hěn míng xiǎn de shī yì jī xiàng.
[08:17.17] zài zuì hòu jǐ tiān, jī hū ràng rén wú fǎ rěn shòu.
[08:19.61] Bimba hé Kimba mí huò, bēi shāng de shuāng yǎn
[08:22.65] dài zhe jí dù tòng kǔ de yǎn shén wàng xiàng nǚ hái men,
[08:25.31] dàn méi rèn chū tā men.
[08:26.85] zhī hòu zài jiǔ yuè de yí gè qī qiè lěng kù tiān
[08:29.82] jiě mèi liǎ de 16 suì shēng rì
[08:32.35] dà xiàng sǐ qù
[08:35.59] tā men de zàng lǐ jǔ xíng zài tóng yì tiān
[08:37.99] yí gè huī àn de shì wù shì yǒu yí gè gōng yè dà xíng de lā jī dǎo suì jī
[08:41.06] zài ā huá zhōu dào qí bǎo de yī jiā jiā dé bǎo měi guó jiā jū lián suǒ diàn hòu.
[08:46.12] jiě mèi liǎ bèi xià huài le.
[08:48.48] méi yǒu le Bimba hé Kimba de shēng huó bù guò shì tǎo rén yàn wú yì yì de gū dān de shēng huó.
[08:53.03] tā men cí zhí tuì chū, huó zài zài yán sù zhēn qiè de āi tòng lǐ
[08:55.18] yú xià tā men kōng dòng wú wàng dì cún zài zhe.
[08:58.50] zhè duì céng jīng ràng rén jī dòng jiào hǎo de jiě mèi liǎ cóng mǎ xì tuán de piān ài bǎng shàng diào luò
[09:02.49] tā men bù zài yuàn yì chàng gē hé dàn yóu kè lǐ lǐ
[09:05.89] nǚ hái men chuān zhe fěn hóng sè de bā lěi wǔ qún zi
[09:08.84] bèi qiáng zhì xìng de píng héng zài dà hóng qiú shàng
[09:11.43] duì yú lián tǐ jiě mèi lái shuō zhè shì bù kě néng wán chéng de rèn wù
[09:14.66] " zhàn shàng nà gāi sǐ de qiú shàng!"
[09:16.44] měi cì tā men bèn zhuō gān gà dì diē dǎo, guān zhòng huì bào fā hōng xiào.
[09:21.02] liǎng gè jī jìn de zǔ zhī ràng tā men yuè lái yuè bù ān
[09:25.60] tā men duì jiě mèi liǎ gǎn xīng qù.
[09:27.62] zài dà bù fèn dài chéng shì lǐ de měi gè wǎn shàng,
[09:30.00] kàng yì zhě jù jí qǐ lái, chǎo nào dì jǔ zhe biāo shí,
[09:32.25] bìng zài shòu piào chù qián hǎn zhe biāo yǔ.
[09:35.30] dì yí gè pài bié shēng chēng shì dài biǎo yí gè jiào" FASSEN" xié yīn fasten jí zhōng gù dìng zhī yī
[09:39.80] zhè gè zǔ zhī rú jīn dào chù shí xíng fēn lí lián tǐ bāo tāi de zuò fǎ.
[09:46.36] yǐn yòng shèng jīng de huà lái shuō, FASSEN de chéng yuán xiāng xìn
[09:49.52] shì shàng dì de yì yuàn ràng suǒ yǒu lián tǐ shuāng bāo tāi fēn lí
[09:53.34] huò dé guò gè zì shēng huó de zì yóu.
[09:55.92] yòng xiàng zhēng xìng de wài kē shǒu shù zhōng de jù zǐ hé dùn de tàn dāo,
[09:59.28] FASSEN chéng yuán de xíng wéi ràng mǎi piào zhě kāi shǐ zhī chí yàn wù shàng dì.
[10:04.55] dì èr gè zǔ zhī zé shì fèng xíng suǒ wèi SPLIT fēn lí
[10:08.46] yí gè shēng chēng bǎo hù lián tǐ bāo tāi de de zǔ zhī.
[10:13.24] yí gè bǎo shǒu de zǔ zhī, zhǔ zhǐ xuān chēng zhèng hǎo yǔ yǔ FASSEN xiāng fǎn,
[10:18.02] SPLIT fēn lí xiāng xìn lián tǐ bāo tāi zài
[10:20.81] jī dū zài lín zhōng bàn yǎn yí gè zhòng yào de jué sè.
[10:23.52] jiě mèi liǎ méi zhè liǎ èr huò zǔ zhī xià huài le
[10:26.73] dāo jù ràng tā men hěn jǐn zhāng
[10:29.68] ér SPLIT chéng yuán yòu wēi xié yào bǎng jià tā liǎ
[10:33.33] bǎ tā men dài dào yí gè hēi àn de dì fāng
[10:35.41] què bǎo yǐ hòu de ān quán zhí dào xíng shì ràng rén huān xǐ
[10:38.66] zài sà kè lā mén tuō měi guó jiā zhōu shǒu fǔ yí gè xīng qī tiān wǔ hòu zhī qián de yì tiān,
[10:42.22] zhè liǎ èr huò pài bié bào fā le hùn luàn de zhēng dòu,
[10:46.08] ér FASSEN de yǐ chéng yuán ná zhe gāng jù ràng rén xīn jiū dì kào jìn le lián tǐ jiě mèi liǎ.
[10:52.49] yóu yú kǒng jù, jiě mèi liǎ jué dìng
[10:54.88] mǎ xì tuán bù zài shì tā men de píng ān de zhī dì
[10:57.23] dàng tiān wǎn shàng, tā men xià dìng jué xīn
[11:00.00] lí kāi dí lā dé hé fú lēi dùn huán yóu xiù
[11:04.99] yǒng yuǎn dì