歌曲 | Look Dad No Tunes |
歌手 | Half Man Half Biscuit |
专辑 | Trouble Over Bridgewater |
下载 | Image LRC TXT |
My life is comfortable | |
But I don’t want that image for my band | |
Inside, I’m reasonable | |
But I’ll make out they just don’t understand | |
When we don’t feel well, let’s | |
Put on some Velvets | |
Lean our guitars up against the amp | |
And get feedback | |
When I feel that I need that | |
Air of “look, aren’t we dangerous” | |
That’s the time to feedback | |
Intense, no compromise | |
Nasty evil, cranking up my brain | |
Hey, ho… | |
She’s gone to Spain with a load of mates from work | |
And I feel cursed and sore, like | |
I’m Thurston Moore-like | |
The darkness in my eyes won’t go away | |
I get feedback | |
In my bedroom in Nantwich | |
Stamp my foot down on the angst switch | |
That’s the time to feedback | |
Somebody’s knocking on my door | |
It’s the boy from over the road | |
And he says he shares our obsession | |
And he’d like to join in on the session | |
And the others aren’t arsed either way | |
So I say | |
I think we’d better let him in | |
I heard he’s got a Theremin | |
I think we’d better let him in | |
I’ve heard he’s got a Theremin | |
And I’ve seen him walk through the park a lot, | |
And I bet he listens to Arc a lot | |
I think we’d better let him in | |
He’s got a Theremin | |
We’d better let him in | |
He’s got a Theremin |
My life is comfortable | |
But I don' t want that image for my band | |
Inside, I' m reasonable | |
But I' ll make out they just don' t understand | |
When we don' t feel well, let' s | |
Put on some Velvets | |
Lean our guitars up against the amp | |
And get feedback | |
When I feel that I need that | |
Air of " look, aren' t we dangerous" | |
That' s the time to feedback | |
Intense, no compromise | |
Nasty evil, cranking up my brain | |
Hey, ho | |
She' s gone to Spain with a load of mates from work | |
And I feel cursed and sore, like | |
I' m Thurston Moorelike | |
The darkness in my eyes won' t go away | |
I get feedback | |
In my bedroom in Nantwich | |
Stamp my foot down on the angst switch | |
That' s the time to feedback | |
Somebody' s knocking on my door | |
It' s the boy from over the road | |
And he says he shares our obsession | |
And he' d like to join in on the session | |
And the others aren' t arsed either way | |
So I say | |
I think we' d better let him in | |
I heard he' s got a Theremin | |
I think we' d better let him in | |
I' ve heard he' s got a Theremin | |
And I' ve seen him walk through the park a lot, | |
And I bet he listens to Arc a lot | |
I think we' d better let him in | |
He' s got a Theremin | |
We' d better let him in | |
He' s got a Theremin |
My life is comfortable | |
But I don' t want that image for my band | |
Inside, I' m reasonable | |
But I' ll make out they just don' t understand | |
When we don' t feel well, let' s | |
Put on some Velvets | |
Lean our guitars up against the amp | |
And get feedback | |
When I feel that I need that | |
Air of " look, aren' t we dangerous" | |
That' s the time to feedback | |
Intense, no compromise | |
Nasty evil, cranking up my brain | |
Hey, ho | |
She' s gone to Spain with a load of mates from work | |
And I feel cursed and sore, like | |
I' m Thurston Moorelike | |
The darkness in my eyes won' t go away | |
I get feedback | |
In my bedroom in Nantwich | |
Stamp my foot down on the angst switch | |
That' s the time to feedback | |
Somebody' s knocking on my door | |
It' s the boy from over the road | |
And he says he shares our obsession | |
And he' d like to join in on the session | |
And the others aren' t arsed either way | |
So I say | |
I think we' d better let him in | |
I heard he' s got a Theremin | |
I think we' d better let him in | |
I' ve heard he' s got a Theremin | |
And I' ve seen him walk through the park a lot, | |
And I bet he listens to Arc a lot | |
I think we' d better let him in | |
He' s got a Theremin | |
We' d better let him in | |
He' s got a Theremin |