| 歌曲 | Birdland (Live) |
| 歌手 | Patti Smith |
| 专辑 | Horses |
| 下载 | Image LRC TXT |
| 作词 : Kaye, Kral, Smith, Sohl | |
| His father died and left him a little farm in New England. | |
| All the long black funeral cars left the scene | |
| And the boy was just standing there alone | |
| Looking at the shiny red tractor | |
| Him and his daddy used to sit inside | |
| And circle the blue fields and grease the night. | |
| It was if someone had spread butter on all the fine points of the stars | |
| 'Cause when he looked up they started to slip. | |
| Then he put his head in the crux of his arm | |
| And he started to drift, drift to the belly of a ship, | |
| Let the ship slide open, and he went inside of it | |
| And saw his daddy 'hind the control board streamin' beads of light, | |
| He saw his daddy 'hind the control board, | |
| And he was very different tonight | |
| 'Cause he was not human, he was not human. | |
| And then the little boy's face lit up with such naked joy | |
| That the sun burned around his lids and his eyes were like two suns, | |
| White lids, white opals, seeing everything just a little bit too clearly | |
| And he looked around and there was no black ship in sight, | |
| No black funeral cars, nothing except for him the raven | |
| And fell on his knees and looked up and cried out, | |
| "No, daddy, don't leave me here alone, | |
| Take me up, daddy, to the belly of your ship, | |
| Let the ship slide open and I'll go inside of it | |
| Where you're not human, you are not human." | |
| But nobody heard the boy's cry of alarm. | |
| Nobody there 'cept for the birds around the New England farm | |
| And they gathered in all directions, like roses they scattered | |
| And they were like compass grass coming together | |
| Into the head of a shaman bouquet | |
| Slit in his nose and all the others went shooting | |
| And he saw the lights of traffic beckoning like the hands of Blake | |
| Grabbing at his cheeks, taking out his neck, | |
| All his limbs, everything was twisted and he said, | |
| "I won't give up, won't give up, don't let me give up, | |
| I won't give up, come here, let me go up fast, | |
| Take me up quick, take me up, up to the belly of a ship | |
| And the ship slides open and I go inside of it where I am not human." | |
| I am helium raven and this movie is mine, | |
| So he cried out as he stretched the sky, | |
| Pushing it all out like latex cartoon, am I all alone in this generation ? | |
| We'll just be dreaming of animation night and day | |
| And won't let up, won't let up and I see them coming in, | |
| Oh, I couldn't hear them before, but I hear 'em now, | |
| It's a radar scope in all silver and all platinum lights | |
| Moving in like black ships, they were moving in, streams of them, | |
| And he put up his hands and he said, "It's me, it's me, | |
| I'll give you my eyes, take me up, oh now please take me up, | |
| I'm helium raven waitin' for you, please take me up, | |
| Don't let me here," the son, the sign, the cross, | |
| Like the shape of a tortured woman, | |
| The true shape of a tortured woman, | |
| The mother standing in the doorway letting her sons | |
| No longer presidents but prophets | |
| They're all dreaming they're gonna bear the prophet, | |
| He's gonna run through the fields dreaming in animation | |
| It's all gonna split his skull | |
| It's gonna come out like a black bouquet shining | |
| Like a fist that's gonna shoot them up | |
| Like light, like Mohammed Boxer | |
| Take them up up up up up up | |
| Oh, let's go up, up, take me up, I'll go up, | |
| I'm going up, I'm going up | |
| Take me up, I'm going up, I'll go up there | |
| Go up go up go up go up up up up up up up | |
| Up, up to the belly of a ship. | |
| Let the ship slide open and we'll go inside of it | |
| Where we are not human, we're not human. | |
| Well, there was sand, there were tiles, | |
| The sun had melted the sand and it coagulated | |
| Like a river of glass | |
| When it hardened he looked at the surface | |
| He saw his face | |
| And where there were eyes were just two white opals, | |
| Two white opals, | |
| Where there were eyes there were just two white opals | |
| And he looked up and the rays shot | |
| And he saw raven comin' in | |
| And he crawled on his back and he went up | |
| Up up up up up up | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| We like birdland. |
| zuo ci : Kaye, Kral, Smith, Sohl | |
| His father died and left him a little farm in New England. | |
| All the long black funeral cars left the scene | |
| And the boy was just standing there alone | |
| Looking at the shiny red tractor | |
| Him and his daddy used to sit inside | |
| And circle the blue fields and grease the night. | |
| It was if someone had spread butter on all the fine points of the stars | |
| ' Cause when he looked up they started to slip. | |
| Then he put his head in the crux of his arm | |
| And he started to drift, drift to the belly of a ship, | |
| Let the ship slide open, and he went inside of it | |
| And saw his daddy ' hind the control board streamin' beads of light, | |
| He saw his daddy ' hind the control board, | |
| And he was very different tonight | |
| ' Cause he was not human, he was not human. | |
| And then the little boy' s face lit up with such naked joy | |
| That the sun burned around his lids and his eyes were like two suns, | |
| White lids, white opals, seeing everything just a little bit too clearly | |
| And he looked around and there was no black ship in sight, | |
| No black funeral cars, nothing except for him the raven | |
| And fell on his knees and looked up and cried out, | |
| " No, daddy, don' t leave me here alone, | |
| Take me up, daddy, to the belly of your ship, | |
| Let the ship slide open and I' ll go inside of it | |
| Where you' re not human, you are not human." | |
| But nobody heard the boy' s cry of alarm. | |
| Nobody there ' cept for the birds around the New England farm | |
| And they gathered in all directions, like roses they scattered | |
| And they were like compass grass coming together | |
| Into the head of a shaman bouquet | |
| Slit in his nose and all the others went shooting | |
| And he saw the lights of traffic beckoning like the hands of Blake | |
| Grabbing at his cheeks, taking out his neck, | |
| All his limbs, everything was twisted and he said, | |
| " I won' t give up, won' t give up, don' t let me give up, | |
| I won' t give up, come here, let me go up fast, | |
| Take me up quick, take me up, up to the belly of a ship | |
| And the ship slides open and I go inside of it where I am not human." | |
| I am helium raven and this movie is mine, | |
| So he cried out as he stretched the sky, | |
| Pushing it all out like latex cartoon, am I all alone in this generation ? | |
| We' ll just be dreaming of animation night and day | |
| And won' t let up, won' t let up and I see them coming in, | |
| Oh, I couldn' t hear them before, but I hear ' em now, | |
| It' s a radar scope in all silver and all platinum lights | |
| Moving in like black ships, they were moving in, streams of them, | |
| And he put up his hands and he said, " It' s me, it' s me, | |
| I' ll give you my eyes, take me up, oh now please take me up, | |
| I' m helium raven waitin' for you, please take me up, | |
| Don' t let me here," the son, the sign, the cross, | |
| Like the shape of a tortured woman, | |
| The true shape of a tortured woman, | |
| The mother standing in the doorway letting her sons | |
| No longer presidents but prophets | |
| They' re all dreaming they' re gonna bear the prophet, | |
| He' s gonna run through the fields dreaming in animation | |
| It' s all gonna split his skull | |
| It' s gonna come out like a black bouquet shining | |
| Like a fist that' s gonna shoot them up | |
| Like light, like Mohammed Boxer | |
| Take them up up up up up up | |
| Oh, let' s go up, up, take me up, I' ll go up, | |
| I' m going up, I' m going up | |
| Take me up, I' m going up, I' ll go up there | |
| Go up go up go up go up up up up up up up | |
| Up, up to the belly of a ship. | |
| Let the ship slide open and we' ll go inside of it | |
| Where we are not human, we' re not human. | |
| Well, there was sand, there were tiles, | |
| The sun had melted the sand and it coagulated | |
| Like a river of glass | |
| When it hardened he looked at the surface | |
| He saw his face | |
| And where there were eyes were just two white opals, | |
| Two white opals, | |
| Where there were eyes there were just two white opals | |
| And he looked up and the rays shot | |
| And he saw raven comin' in | |
| And he crawled on his back and he went up | |
| Up up up up up up | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| We like birdland. |
| zuò cí : Kaye, Kral, Smith, Sohl | |
| His father died and left him a little farm in New England. | |
| All the long black funeral cars left the scene | |
| And the boy was just standing there alone | |
| Looking at the shiny red tractor | |
| Him and his daddy used to sit inside | |
| And circle the blue fields and grease the night. | |
| It was if someone had spread butter on all the fine points of the stars | |
| ' Cause when he looked up they started to slip. | |
| Then he put his head in the crux of his arm | |
| And he started to drift, drift to the belly of a ship, | |
| Let the ship slide open, and he went inside of it | |
| And saw his daddy ' hind the control board streamin' beads of light, | |
| He saw his daddy ' hind the control board, | |
| And he was very different tonight | |
| ' Cause he was not human, he was not human. | |
| And then the little boy' s face lit up with such naked joy | |
| That the sun burned around his lids and his eyes were like two suns, | |
| White lids, white opals, seeing everything just a little bit too clearly | |
| And he looked around and there was no black ship in sight, | |
| No black funeral cars, nothing except for him the raven | |
| And fell on his knees and looked up and cried out, | |
| " No, daddy, don' t leave me here alone, | |
| Take me up, daddy, to the belly of your ship, | |
| Let the ship slide open and I' ll go inside of it | |
| Where you' re not human, you are not human." | |
| But nobody heard the boy' s cry of alarm. | |
| Nobody there ' cept for the birds around the New England farm | |
| And they gathered in all directions, like roses they scattered | |
| And they were like compass grass coming together | |
| Into the head of a shaman bouquet | |
| Slit in his nose and all the others went shooting | |
| And he saw the lights of traffic beckoning like the hands of Blake | |
| Grabbing at his cheeks, taking out his neck, | |
| All his limbs, everything was twisted and he said, | |
| " I won' t give up, won' t give up, don' t let me give up, | |
| I won' t give up, come here, let me go up fast, | |
| Take me up quick, take me up, up to the belly of a ship | |
| And the ship slides open and I go inside of it where I am not human." | |
| I am helium raven and this movie is mine, | |
| So he cried out as he stretched the sky, | |
| Pushing it all out like latex cartoon, am I all alone in this generation ? | |
| We' ll just be dreaming of animation night and day | |
| And won' t let up, won' t let up and I see them coming in, | |
| Oh, I couldn' t hear them before, but I hear ' em now, | |
| It' s a radar scope in all silver and all platinum lights | |
| Moving in like black ships, they were moving in, streams of them, | |
| And he put up his hands and he said, " It' s me, it' s me, | |
| I' ll give you my eyes, take me up, oh now please take me up, | |
| I' m helium raven waitin' for you, please take me up, | |
| Don' t let me here," the son, the sign, the cross, | |
| Like the shape of a tortured woman, | |
| The true shape of a tortured woman, | |
| The mother standing in the doorway letting her sons | |
| No longer presidents but prophets | |
| They' re all dreaming they' re gonna bear the prophet, | |
| He' s gonna run through the fields dreaming in animation | |
| It' s all gonna split his skull | |
| It' s gonna come out like a black bouquet shining | |
| Like a fist that' s gonna shoot them up | |
| Like light, like Mohammed Boxer | |
| Take them up up up up up up | |
| Oh, let' s go up, up, take me up, I' ll go up, | |
| I' m going up, I' m going up | |
| Take me up, I' m going up, I' ll go up there | |
| Go up go up go up go up up up up up up up | |
| Up, up to the belly of a ship. | |
| Let the ship slide open and we' ll go inside of it | |
| Where we are not human, we' re not human. | |
| Well, there was sand, there were tiles, | |
| The sun had melted the sand and it coagulated | |
| Like a river of glass | |
| When it hardened he looked at the surface | |
| He saw his face | |
| And where there were eyes were just two white opals, | |
| Two white opals, | |
| Where there were eyes there were just two white opals | |
| And he looked up and the rays shot | |
| And he saw raven comin' in | |
| And he crawled on his back and he went up | |
| Up up up up up up | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| Sha da do wop, da shaman do way, | |
| We like birdland. |
| [00:20.400] | 男孩的父亲去世了,留给他一座新英格兰州的小农场 |
| [00:32.320] | 长长的送葬车队离去 |
| [00:36.020] | 男孩只是独自站在那 |
| [00:38.560] | 望着闪亮的红色拖拉机 |
| [00:42.430] | 他和父亲曾坐在里面 |
| [00:45.450] | 围绕着蓝色的原野驾驶,感受夜晚的细腻动人 |
| [00:53.430] | 好像有人把星星的每一个角落都涂满了黄油 |
| [00:58.450] | 因为当他抬起头,星星就开始溜走 |
| [01:00.040] | 他便把脑袋埋在臂弯里 |
| [01:08.456] | 开始漂流,漂流,漂向船肚 |
| [01:23.340] | 当船肚轻轻滑开,男孩钻了进去 |
| [01:33.330] | 他在珠光之中看见父亲执掌着船的控制 |
| [01:44.445] | 看见父亲控制着船的方向 |
| [01:50.000] | 父亲今晚和往常不同 |
| [01:55.550] | 因为他今晚并不是人类,他不是人类 |
| [02:18.405] | 男孩的脸上燃起毫不掩饰的喜悦 |
| [02:22.222] | 太阳在他注视之下熊熊燃烧,他的眼睛就像两个太阳 |
| [02:27.340] | 白色的眼睑,是如同蛋白石一样的颜色,他看所有的东西都太过清晰透彻 |
| [02:32.554] | 当他环顾四周,黑船已从视线中消失 |
| [02:35.355] | 没有黑色的送葬车队,空无一物,只有渡鸦一样孤独的他 |
| [02:40.555] | 男孩无力地跪下,仰面哭了出来 |
| [02:48.480] | 不,爸爸,别把我一个人留在这, |
| [02:57.222] | 带我走吧爸爸,带我到你的船腹 |
| [03:08.300] | 让这艘船向我张开怀抱,让我进去吧 |
| [03:18.300] | 在那里你并不是人类,你并不是人类 |
| [03:39.450] | 但无人听到男孩的哀嚎 |
| [03:50.302] | 只有那新英格兰州农场周围的鸟群听到了 |
| [03:54.453] | 他们从四面八方聚集,又像分散开来的玫瑰 |
| [03:58.000] | 像方向一致的草一样聚集 |
| [04:01.100] | 聚集到萨满手中的花束中 |
| [04:03.300] | 花香滑进他的鼻息,鸟群也随之消散 |
| [04:06.560] | 他看到了送葬车队的车灯像Blake的大手一样闪烁着 |
| [04:11.110] | 那手抓住他的脸颊,抓住他的脖子, |
| [04:13.234] | 抓住他的四肢,他所有的一切都被强行扭曲,男孩说, |
| [04:16.300] | 我不会放弃!我不会放弃,别让我放弃 |
| [04:20.200] | 我不会放弃!来这儿,快让我走! |
| [04:23.230] | 快带我走爸爸,带我离开这,带我去你温暖的船腹里 |
| [04:38.340] | 让船向我张开怀抱,让我进去,进入那我并不是人类的地方 |
| [05:09.003] | 我只是只氦气乌鸦,这意象全部属于我 |
| [05:15.120] | 男孩哭了出来,他想伸长天空, |
| [05:20.200] | 像乳胶卡通片一样把它全部拉出来,我是这一代的唯一吗? |
| [05:29.490] | 我们将会对动画日思夜想 |
| [05:33.340] | 不要放松,我们不会放松,我看到他们进来了 |
| [05:37.330] | 噢!以前我听不到他们的声音,现在他们的声音却如此清晰 |
| [05:40.300] | 它是银铂混合色光柱之中的雷达 |
| [05:44.111] | 它们像黑船一样奔流涌来, |
| [05:51.000] | 男孩抬起头,说道:“是我啊,是我, |
| [05:54.430] | 我会给你我的眼睛,带上我吧,求求你了爸爸带上我! |
| [05:58.200] | 请带上我吧 |
| [05:59.400] | 别把我一个人留在这!“ 叫声散去,只剩下男孩,叹息,十字路口 |
| [06:09.222] | 像受酷刑的女人的形状, |
| [06:11.111] | 受酷刑的女人的真正形状, |
| [06:13.343] | 是站在楼道的母亲望着 |
| [06:17.000] | 她已不再是总统但是作为先知的儿子们 |
| [06:26.499] | 男孩会穿过原野和梦想交织的动画 |
| [06:30.300] | 这一切将分裂他的头骨 |
| [06:34.340] | 里面的东西喷涌而出,像黑色的闪亮花束 |
| [06:39.399] | 像光,像拳击手穆罕默德 |
| [06:40.000] | 带我走吧走吧走吧走吧我们走吧! |
| [06:42.020] | 啊我们快走快走快走快走快走快走快走快走! |
| [06:55.550] | 去那温暖的船里 |
| [06:58.300] | 让船向我张开怀抱,让我们一起走进去 |
| [07:07.000] | 进入那我们并不是人类的地方,我们并不是人类 |
| [07:34.340] | 这里有沙子,有瓦片, |
| [07:42.420] | 沙子被太阳晒化了又重新凝固 |
| [07:47.450] | 像是流淌着玻璃的河流 |
| [07:49.230] | 当河里的玻璃凝固了,他凝视着河面 |
| [07:53.333] | 看见了他自己的脸 |
| [07:56.000] | 眼珠消失了,只剩下两块蛋白石 |
| [08:02.400] | 两块蛋白石, |
| [08:03.500] | 男孩的眼珠消失了,只剩下两块蛋白石 |
| [08:09.200] | 他抬起头,直视猛烈的日光 |
| [08:20.333] | 他看见渡鸦飞来了 |
| [08:28.000] | 爬上渡鸦的背,他飞向天空 |
| [08:42.420] | |
| [08:52.300] | |
| [09:02.200] | |
| [09:12.120] | |
| [09:22.233] | 我们都爱Birdland |