|
Zazou, what you're gonna do? |
|
There's a lot of people coming for you |
|
Zazou, comment allez-vous? |
|
A knock on the door in the night |
|
That Zazou, he don't care |
|
Dark glasses, long hair |
|
Takes his time, sneers at men |
|
Some ugly people want revenge |
|
Zazou, comment allez-vous? |
|
A knock on the door in the night |
|
In the night |
|
That Zazou, he sleeps all day |
|
Then down to Select or Le Collisee |
|
Sips his drinks, orders more |
|
Says what he thinks and it's a crazy war |
|
Zazou, what you're gonna do? |
|
A knock on the door in the night |
|
In the night |
|
Zazou, comment allez-vous? |
|
A knock on the door in the night |
|
And when the soldiers strut, all he cares about is love |
|
When the flags are out, all he cares about is love |
|
Well, there's a thin line between love and crime |
|
And in this situation |
|
A thin line between love and crime and collaboration |
|
In the night |
|
Crime crime crime |
|
Crime crime crime |
|
Crime crime crime |
|
In the night |
|
In the night |
|
Zazou, what you're gonna do? |
|
There's a lot of people coming for you |
|
Zazou, comment allez-vous? |
|
A knock on the door in the night |
|
Now everybody's under somebody's spell |
|
Unless they've already gone to hell |
|
In the streets you can hear the people say |
|
'That, Zazou, he should be locked away!' |
|
When the soldiers strut, all he cares about, is love |
|
Oh, when the flags are out, all he cares about, is love |
|
And there's a thin line between love and crime |
|
And in this situation |
|
A thin line between love and crime and collaboration |