What's Golden - Live at Brixton Academy 歌词
| 歌曲 | What's Golden - Live at Brixton Academy |
| 歌手 | Jurassic 5 |
| 专辑 | Feedback |
| 下载 | Image LRC TXT |
| [00:00.00] | 作词 : Akil, Chali Twona, Givens ... |
| [00:20.86] | （Zaakir） |
| [00:21.46] | Check it out now... |
| [00:22.62] | I work the pen to make the ink transform |
| [00:25.27] | On any particular surface the pen lands on |
| [00:27.84] | Zaakir is hands-on, what's the beef? |
| [00:30.36] | The Cooley High cold chief high post techniques |
| [00:33.03] | I drape off poetic landscapes and shapes |
| [00:35.42] | Illustrate the paper space off the pens that paint |
| [00:37.85] | Then design what have a National Geographic a magic |
| [00:40.73] | With tailor made status and plus flavor that's automatic |
| [00:42.77] | |
| [00:43.40] | We're not balling |
| [00:45.59] | We take it back to the days of yes y'all-in' |
| [00:48.10] | We holding onto what's golden |
| [00:50.34] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [00:52.64] | |
| [00:53.36] | We're not balling, or shot calling |
| [00:55.70] | We take it back to the days of yes y'all-in' |
| [00:57.76] | We holding onto what's golden |
| [01:00.29] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [01:02.88] | |
| [01:03.43] | （Marc 7even） |
| [01:03.96] | Melancholy mundane so I tame the hot flame |
| [01:06.00] | Big rings, fat chains, and y'all quest for the same |
| [01:08.45] | No name, use fame, strictly new to the thang |
| [01:10.98] | We stay true to the game and never bring it to shame |
| [01:13.52] | We tight like dreadlocks or red fox and ripple |
| [01:16.44] | We pass participles, and smash the artist in you |
| [01:18.92] | The saga continues, this I won't get into |
| [01:21.50] | 'Cause there ain't enough bars to hold the drama that we been through |
| [01:23.73] | |
| [01:24.20] | （Akil） |
| [01:24.74] | Yo... |
| [01:25.30] | We still the same with a little fame |
| [01:26.33] | A little change in the household name but ain't too much changed |
| [01:29.60] | We in the game but, yo not to be vain |
| [01:31.47] | I refrain from salt grains to season up my name |
| [01:34.13] | We entertain for a mutual game from close range |
| [01:36.70] | Steady aim, drum at your head to hit the brain |
| [01:39.44] | I'm labor ready, Rhode Scholar for the dollar |
| [01:41.95] | Work for mines pay me by the hour |
| [01:44.26] | |
| [01:44.79] | We're not balling |
| [01:47.03] | We take it back to the days of yes y'all-in' |
| [01:49.29] | We holding onto what's golden |
| [01:51.75] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [01:54.27] | |
| [01:54.97] | We're not balling, or shot calling |
| [01:57.05] | We take it back to the days of yes y'all-in' |
| [01:59.46] | We holding onto what's golden |
| [02:02.08] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [02:04.47] | |
| [02:05.84] | Hip...Hop Music （a bunch of times） |
| [02:24.94] | |
| [02:25.42] | （Charli 2na） |
| [02:25.98] | Yo... |
| [02:26.62] | Well, it's the verbal Herman Munster |
| [02:27.32] | The word enhancer, sick of phony mobsters controllin' the dance floor |
| [02:30.50] | I been in dark places, catch you when you stark naked |
| [02:33.35] | Your heart races as we pump you for your chart spaces |
| [02:35.87] | The taut taces be bringing these hot styles through |
| [02:38.34] | Some of you bum a few chairs from shock value |
| [02:40.86] | Word power can plow through acres of cornfields |
| [02:43.22] | Paragraphs cut like warm steel, preform ill... |
| [02:45.68] | |
| [02:46.99] | We're not balling |
| [02:48.43] | We take it back to the days of yes y'all-in' |
| [02:50.52] | We holding onto what's golden |
| [02:52.88] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [02:55.49] | |
| [02:56.06] | We're not balling, or shot calling |
| [02:58.26] | We take it back to the days of yes y'all-in' |
| [03:00.74] | We holding onto what's golden |
| [03:03.02] | （PE Sample） *On a stage I rage and I'm rollin'* |
| [03:04.96] | |
| [03:05.45] | End |
| [03:05.91] |
| [00:00.00] | zuo ci : Akil, Chali Twona, Givens ... |
| [00:20.86] | Zaakir |
| [00:21.46] | Check it out now... |
| [00:22.62] | I work the pen to make the ink transform |
| [00:25.27] | On any particular surface the pen lands on |
| [00:27.84] | Zaakir is handson, what' s the beef? |
| [00:30.36] | The Cooley High cold chief high post techniques |
| [00:33.03] | I drape off poetic landscapes and shapes |
| [00:35.42] | Illustrate the paper space off the pens that paint |
| [00:37.85] | Then design what have a National Geographic a magic |
| [00:40.73] | With tailor made status and plus flavor that' s automatic |
| [00:42.77] | |
| [00:43.40] | We' re not balling |
| [00:45.59] | We take it back to the days of yes y' allin' |
| [00:48.10] | We holding onto what' s golden |
| [00:50.34] | PE Sample On a stage I rage and I' m rollin' |
| [00:52.64] | |
| [00:53.36] | We' re not balling, or shot calling |
| [00:55.70] | We take it back to the days of yes y' allin' |
| [00:57.76] | We holding onto what' s golden |
| [01:00.29] | PE Sample On a stage I rage and I' m rollin' |
| [01:02.88] | |
| [01:03.43] | Marc 7even |
| [01:03.96] | Melancholy mundane so I tame the hot flame |
| [01:06.00] | Big rings, fat chains, and y' all quest for the same |
| [01:08.45] | No name, use fame, strictly new to the thang |
| [01:10.98] | We stay true to the game and never bring it to shame |
| [01:13.52] | We tight like dreadlocks or red fox and ripple |
| [01:16.44] | We pass participles, and smash the artist in you |
| [01:18.92] | The saga continues, this I won' t get into |
| [01:21.50] | ' Cause there ain' t enough bars to hold the drama that we been through |
| [01:23.73] | |
| [01:24.20] | Akil |
| [01:24.74] | Yo... |
| [01:25.30] | We still the same with a little fame |
| [01:26.33] | A little change in the household name but ain' t too much changed |
| [01:29.60] | We in the game but, yo not to be vain |
| [01:31.47] | I refrain from salt grains to season up my name |
| [01:34.13] | We entertain for a mutual game from close range |
| [01:36.70] | Steady aim, drum at your head to hit the brain |
| [01:39.44] | I' m labor ready, Rhode Scholar for the dollar |
| [01:41.95] | Work for mines pay me by the hour |
| [01:44.26] | |
| [01:44.79] | We' re not balling |
| [01:47.03] | We take it back to the days of yes y' allin' |
| [01:49.29] | We holding onto what' s golden |
| [01:51.75] | PE Sample On a stage I rage and I' m rollin' |
| [01:54.27] | |
| [01:54.97] | We' re not balling, or shot calling |
| [01:57.05] | We take it back to the days of yes y' allin' |
| [01:59.46] | We holding onto what' s golden |
| [02:02.08] | PE Sample On a stage I rage and I' m rollin' |
| [02:04.47] | |
| [02:05.84] | Hip... Hop Music a bunch of times |
| [02:24.94] | |
| [02:25.42] | Charli 2na |
| [02:25.98] | Yo... |
| [02:26.62] | Well, it' s the verbal Herman Munster |
| [02:27.32] | The word enhancer, sick of phony mobsters controllin' the dance floor |
| [02:30.50] | I been in dark places, catch you when you stark naked |
| [02:33.35] | Your heart races as we pump you for your chart spaces |
| [02:35.87] | The taut taces be bringing these hot styles through |
| [02:38.34] | Some of you bum a few chairs from shock value |
| [02:40.86] | Word power can plow through acres of cornfields |
| [02:43.22] | Paragraphs cut like warm steel, preform ill... |
| [02:45.68] | |
| [02:46.99] | We' re not balling |
| [02:48.43] | We take it back to the days of yes y' allin' |
| [02:50.52] | We holding onto what' s golden |
| [02:52.88] | PE Sample On a stage I rage and I' m rollin' |
| [02:55.49] | |
| [02:56.06] | We' re not balling, or shot calling |
| [02:58.26] | We take it back to the days of yes y' allin' |
| [03:00.74] | We holding onto what' s golden |
| [03:03.02] | PE Sample On a stage I rage and I' m rollin' |
| [03:04.96] | |
| [03:05.45] | End |
| [03:05.91] |
| [00:00.00] | zuò cí : Akil, Chali Twona, Givens ... |
| [00:20.86] | Zaakir |
| [00:21.46] | Check it out now... |
| [00:22.62] | I work the pen to make the ink transform |
| [00:25.27] | On any particular surface the pen lands on |
| [00:27.84] | Zaakir is handson, what' s the beef? |
| [00:30.36] | The Cooley High cold chief high post techniques |
| [00:33.03] | I drape off poetic landscapes and shapes |
| [00:35.42] | Illustrate the paper space off the pens that paint |
| [00:37.85] | Then design what have a National Geographic a magic |
| [00:40.73] | With tailor made status and plus flavor that' s automatic |
| [00:42.77] | |
| [00:43.40] | We' re not balling |
| [00:45.59] | We take it back to the days of yes y' allin' |
| [00:48.10] | We holding onto what' s golden |
| [00:50.34] | PE Sample On a stage I rage and I' m rollin' |
| [00:52.64] | |
| [00:53.36] | We' re not balling, or shot calling |
| [00:55.70] | We take it back to the days of yes y' allin' |
| [00:57.76] | We holding onto what' s golden |
| [01:00.29] | PE Sample On a stage I rage and I' m rollin' |
| [01:02.88] | |
| [01:03.43] | Marc 7even |
| [01:03.96] | Melancholy mundane so I tame the hot flame |
| [01:06.00] | Big rings, fat chains, and y' all quest for the same |
| [01:08.45] | No name, use fame, strictly new to the thang |
| [01:10.98] | We stay true to the game and never bring it to shame |
| [01:13.52] | We tight like dreadlocks or red fox and ripple |
| [01:16.44] | We pass participles, and smash the artist in you |
| [01:18.92] | The saga continues, this I won' t get into |
| [01:21.50] | ' Cause there ain' t enough bars to hold the drama that we been through |
| [01:23.73] | |
| [01:24.20] | Akil |
| [01:24.74] | Yo... |
| [01:25.30] | We still the same with a little fame |
| [01:26.33] | A little change in the household name but ain' t too much changed |
| [01:29.60] | We in the game but, yo not to be vain |
| [01:31.47] | I refrain from salt grains to season up my name |
| [01:34.13] | We entertain for a mutual game from close range |
| [01:36.70] | Steady aim, drum at your head to hit the brain |
| [01:39.44] | I' m labor ready, Rhode Scholar for the dollar |
| [01:41.95] | Work for mines pay me by the hour |
| [01:44.26] | |
| [01:44.79] | We' re not balling |
| [01:47.03] | We take it back to the days of yes y' allin' |
| [01:49.29] | We holding onto what' s golden |
| [01:51.75] | PE Sample On a stage I rage and I' m rollin' |
| [01:54.27] | |
| [01:54.97] | We' re not balling, or shot calling |
| [01:57.05] | We take it back to the days of yes y' allin' |
| [01:59.46] | We holding onto what' s golden |
| [02:02.08] | PE Sample On a stage I rage and I' m rollin' |
| [02:04.47] | |
| [02:05.84] | Hip... Hop Music a bunch of times |
| [02:24.94] | |
| [02:25.42] | Charli 2na |
| [02:25.98] | Yo... |
| [02:26.62] | Well, it' s the verbal Herman Munster |
| [02:27.32] | The word enhancer, sick of phony mobsters controllin' the dance floor |
| [02:30.50] | I been in dark places, catch you when you stark naked |
| [02:33.35] | Your heart races as we pump you for your chart spaces |
| [02:35.87] | The taut taces be bringing these hot styles through |
| [02:38.34] | Some of you bum a few chairs from shock value |
| [02:40.86] | Word power can plow through acres of cornfields |
| [02:43.22] | Paragraphs cut like warm steel, preform ill... |
| [02:45.68] | |
| [02:46.99] | We' re not balling |
| [02:48.43] | We take it back to the days of yes y' allin' |
| [02:50.52] | We holding onto what' s golden |
| [02:52.88] | PE Sample On a stage I rage and I' m rollin' |
| [02:55.49] | |
| [02:56.06] | We' re not balling, or shot calling |
| [02:58.26] | We take it back to the days of yes y' allin' |
| [03:00.74] | We holding onto what' s golden |
| [03:03.02] | PE Sample On a stage I rage and I' m rollin' |
| [03:04.96] | |
| [03:05.45] | End |
| [03:05.91] |
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