Last Call - Album Version (Explicit)

Last Call - Album Version (Explicit) 歌词

歌曲 Last Call - Album Version (Explicit)
歌手 Kanye West
专辑 The College Dropout
下载 Image LRC TXT
[Hiphop:] "I'll sign you as a producer and a rapper",
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[00:03.31] Yo **** you, Kanye, first and foremost
[00:05.98] For making me do this shit. Muh'****er
[00:10.65] Had to throw everybody out the mother****ing room
[00:12.50] 'Cause they don't ****ing..
[00:13.49]
[00:13.51] (I'd like to propose a toast)
[00:15.82] (I said toast mother****er)
[00:24.65]
[00:27.65] And I am (here's to the roc)
[00:30.28] And they ask me, they ask me, they ask me, I tell them (here's to Rocafella)
[00:35.92] Raise your glasses, your glasses, your glasses to the sky (here's to the roc)
[00:41.03] This is the last call for alcohol, for the... (here's to Rocafella)
[00:47.17] So get your ass up off the wall
[00:49.16]
[00:50.16] The all around the world Digital Underground, Pac
[00:52.69] The Rudloph the red nosed reindeer of the Roc
[00:55.63] I take my chain, my 15 seconds of fame
[00:58.05] And come back next year with the whole ****ing game
[01:01.16] Ain't nobody expect Kanye to end up on top
[01:03.49] They expected that College Dropout to drop and then flop
[01:06.56] Then maybe he stop savin' all the good beats for himself
[01:09.72] Rocafella's only niggaz that help
[01:11.77] My money was thinner than Sean Paul's goatee hair
[01:14.36] Now Jean Paul Gaultier cologne fill the air, here
[01:16.51] They say he bourgie, he big-headed
[01:20.13] Won't you please stop talking about how my dick head is
[01:22.60] Flow infectious, give me 10 seconds
[01:25.44] I'll have a buzz bigger than insects in Texas
[01:28.23] It's funny how wasn't nobody interested
[01:30.82] 'Til the night I almost killed myself in Lexus
[01:32.51]
[01:33.51] And I am (here's to the roc)
[01:36.04] And they ask me, they ask me, they ask me, I tell them (here's to Rocafella)
[01:41.68] Raise your glasses, your glasses, your glasses to the sky (here's to the roc)
[01:46.47] This is the last call for alcohol, for the... (here's to Rocafella)
[01:52.52] So get your ass up off the wall
[01:54.72]
[01:55.72] Now was Kanye the most overlooked? Yes sir
[01:58.15] Now is Kanye the most overbooked? Yes sir
[02:00.96] Though the fans want the feeling of A Tribe Called Quest
[02:03.80] But all they got left is this guy called West
[02:06.49] Better take Freeway, throw him on tracks with Mos Def
[02:09.12] Call him Kwa-lI or Kwe-li, I put him on songs with Jay-Z
[02:12.00] *********************************************
[02:14.84] It come out sweeter than old Sadie
[02:17.58] Nice as Bun-B when I met him at the Source awards
[02:20.63] Girl he had with him - ass coulda won the horse awards
[02:23.22] And I was almost famous, now everybody loves Kanye
[02:27.07] I'm almost Raymond'
[02:28.70] Some say he arrogant. Can y'all blame him?
[02:31.13] It was straight embarrassing how y'all played him
[02:33.78] Last year shoppin my demo, I was tryin' to shine
[02:36.73] Every mother****er told me that I couldn't rhyme
[02:39.30] Now I could let these dream killers kill my self-esteem
[02:41.70] Or use my arrogance as the steam to power my dreams
[02:44.51] I use it as my gas, so they say that I'm gassed
[02:47.66] But without it I'd be last, so I ought to laugh
[02:50.47] So I don't listen to the suits behind the desk no more
[02:53.05] You niggaz wear suits 'cause you can't dress no more
[02:55.60] You can't say shit to Kanye West no more
[02:58.42] I rocked 20,000 people, I was just on tour, nigga
[03:01.72] I'm Kan, the Louis Vuitton Don
[03:03.73] Bought my mom a purse, now she Louis Vuitton Mom
[03:06.67] I ain't play the hand I was dealt, I changed my cards
[03:09.19] I prayed to the skies and I changed my stars
[03:12.05] I went to the malls and I balled too hard
[03:14.88] 'Oh my god, is that a Black Card?'
[03:17.96] I turned around and replied, why yes but I prefer the term
[03:21.17] African American Express
[03:23.47] Brains, power, and muscle, like Dame, Puffy, and Russell
[03:25.87] Your boy back on his hustle, you know what I've been up to
[03:28.56] Killin y'all niggaz on that lyrical shit
[03:31.27] Mayonnaise colored Benz, I push Miracle Whips
[03:33.70]
[03:34.15] And I am (here's to the roc)
[03:35.87] And they ask me, they ask me, they ask me, I tell them (here's to Rocafella)
[03:41.63] Raise your glasses, your glasses, your glasses to the sky (here's to the roc)
[03:46.94] This is the last call for alcohol, for my niggaz... (here's to Rocafella)
[03:52.47] So get your ass up off the wall
[03:54.45]
[03:55.45] So this A&R over at Rocafella, named Hiphop
[03:58.30] picked the Truth beat for Beanie. And I was in the session with him
[04:02.06] I had my demo with me. You know, like I always do
[04:04.34] I play the songs, he's like "Who that spittin?"
[04:06.23] I'm like "It's me." He's like "Oh, well okay."
[04:08.37] Uhh, he started talkin to me on the phone
[04:10.93] going back and forth, just askin me to send him beats
[04:13.14] And I'm thinking he's trying to get into managing producers
[04:15.76] cause he had this other kid named Just Blaze he was messin with
[04:19.18] And um, he was friends with my mentor, No ID
[04:21.76] And No ID told him, "look man, you wanna mess with Kanye
[04:24.24] you need to tell him that you like the way he rap"
[04:26.42] (No ID:) "Yo, you wanna sign him, tell him you like how he rap"
[04:27.20] I was all, I dunno if he was gassin' me or not
[04:28.67] but he's like he wanna manage me as a rapper AND a producer
[04:31.01] I'm like oh shit
[04:32.33] I was messin with, uh, D-Dot also
[04:35.07] People were like this, started talking about the Ghost production
[04:37.59] But that's how I got in the game. If it wasn't for that, I wouldn't be here
[04:40.13] So you know. After they picked that Truth beat
[04:42.31] I was figuring I was gonna do some more work
[04:44.47] But shit just went poppin off like that. I was stayin in Chicago
[04:47.88] I had my own apartment. I be doin' like, just beats for local acts
[04:51.58] just to try to keep the lights on, and then to go out and buy
[04:54.60] get a Pelle Pelle off lay-away, get some Jordans or something
[04:57.41] or get a TechnoMarine, that's what we wore back then
[04:59.72] I made this one beat where I sped up this Hal Melville sample
[05:04.53] I played it for Hip over the phone, he's like "oh, yo that shit is crazy
[05:08.87] Jay might want it for this compilation album he doin, called The Dynasty."
[05:12.16] And at that time, like the drums really weren't soundin' right to me
[05:15.62] so I went and um, I was listening to Dre Chronic 2001 at that time
[05:19.89] and really I just, like picked the drums off Xxplosive and put it like
[05:24.08] with it sped up, sampled, and now it's kind of like my whole style
[05:28.56] when it started, when he rapped on 'This Can't be Life.'
[05:30.39] And that was like, really the first beat of that kind that was on the Dynasty album
[05:33.67] I could say that was the, the resurgence of this whole sound
[05:37.59] You know, I got to come in and track the beat, and at the time
[05:40.39] I was still with my other management. I really wanted to roll with
[05:42.73] Hiphop. 'Cause I, I just needed some fresh air, you know what I'm
[05:45.71] sayin, 'cause I been there for a while, I appreciated what they did
[05:48.50] for me, but, you know there's a time in every man's life where he
[05:52.41] gotta make a change, try to move up to the next level. And that day I
[05:55.80] came and I tracked the beat and I got to meet Jay-Z and he said, "oh
[05:58.31] you a real soulful dude" (Jay-Z: "you a real soulful dude").
[05:59.99] And he uh, played the song 'cause he already spit his verse by the time I got
[06:02.90] to the studio, you know how he do it, one take. And he said
[06:06.32] (Jay-Z:) "check this out, tell me what you think of this, right here"
[06:07.13] And I heard it, and I was thinking
[06:08.47] like, man, I really wanted more like of the simple type Jay-Z, I ain't
[06:12.60] want like the, the more introspective, complicated rhy- or the, in my
[06:16.38] personal opinion. So he asked me, "what you think of it?"
[06:18.90] (Jay-Z:) "so what you thinkin?"
[06:19.58] And I was like, "man that shit tite,"
[06:20.19] you know what I'm sayin', man what I'ma tell him? I was on the train
[06:21.10] man, you know. So after that I went back home. And man I'm, I'm just
[06:26.41] in Chicago, I'm trying to do my thing. You know, I got groups. I got
[06:29.57] acts I'm trying to get on, and like there wasn't nothin really like
[06:32.81] poppin' off the way it should have been. One of my homeys that was one
[06:37.97] of my artists, he got signed. But it was supposed to really go through
[06:41.84] my production company, but he ended up going straight with the
[06:44.50] company. So, like I'm just straight holdin' the phone, gettin' the bad
[06:47.51] news that dude was tryin' to leave my company. And I got evicted at
[06:51.30] the same time. So I went down and tracked the beats from him, I took
[06:56.98] that money, came back, packed all my shit up in a U-Haul, maybe about
[07:01.20] ten days before I had to actually get out. So I ain't have to deal
[07:04.17] with the landlord 'cause he's a jerk. Me and my mother drove to
[07:07.30] (Mother:) "Come on, let's just go"
[07:08.50] Newark, New Jersey. I hadn't even seen my apartment.
[07:10.75] I remember I pulled up
[07:12.01] (Mother:) "Kanye, baby, we're here",
[07:13.15] I unpacked all my shit. You know, we went to Ikea, I bought a
[07:15.08] bed, I put the bed together myself. I loaded up all my equipment, and
[07:19.23] the first beat I made was, uh, 'Heart of the City.'
[07:22.58] And Beans was still working on his album at that time, so I came up
[07:25.47] there to Baseline, it was Beans' birthday, matter of fact, and I
[07:28.44] played like seven beats. And, you know I could see he's in the zone
[07:32.56] he already had the beats that he wanted, I did nothing like already at
[07:35.37] that time. But then Jay walked in. I remember he had a GuccI bucket
[07:39.66] hat on. I remember it like, like it was yesterday. And Hiphop said
[07:43.31] "yo play that one beat for him." And I played 'Heart of the City.' And
[07:46.77] really I made 'Heart of the City,' I really wanted to give that beat to DMX.
[07:49.48] (Hiphop:) "No I think Jay gon' like this one right here".
[07:49.88] And I played another beat, and I played another beat. And I remember that
[07:52.77] GuccI bucket, he took it and like put it over his face and made one of
[07:56.12] them faces like 'OOOOOOOOOOH.' Two days later I'm in Baseline and I seen
[07:59.96] Dame. Dame didn't know who I was and I was like "yo what's up I'm Kanye."
[08:02.48] (Dame:) "Yo, you that kid, Kanye?"
[08:04.04] "You that kid that gave all them beats to Jay?
[08:05.26] Yo, this nigga got classics"
[08:07.59] (Dame:) "Jay got classics, G."
[08:08.81] You know I ain't talkin shit.
[08:10.40] I'm like "oh shit." And all this time I'm starstruck, man. I'm
[08:13.23] still thinking 'bout, you know I'm picturing these niggaz on the show
[08:16.15] The Streets is Watching, I'm lookin, these were superstars in my
[08:19.41] eyes. And they still are, you know. So, Jay came in and he spit all
[08:24.26] these songs like in one day, and in two days... I gotta bring up one
[08:28.80] thing, you know, come back to the story, the day I did the 'Can't be
[08:32.02] Life' beat on track, I remember Lenny S, he had some Louis Vuitton
[08:35.10] sneakers on, he think he fly. And Hiphop was there, I think Tata, John
[08:39.35] Minnelli, a bunch of people. I didn't know all these people at the
[08:41.98] time they was in the room, and I said, "yo Jay I could rap." And I
[08:44.79] spit this rap that said, uh "I'm killin y'all niggaz on that lyrical
[08:47.90] shit. Mayonnaise colored Benz, I push miracle whips." And I saw his
[08:51.08] eyes light up when I said that line. But you know the West, the rap
[08:54.68] was like real wack and shit, so that's all the response.
[08:57.33] He said "man that was tite."
[08:58.32] (Jay-Z:) "That, that was cool. That was hot."
[08:59.18] That was it. You know, I ain't get no deal then, hehe.
[09:01.57] Okay, fast forward.
[09:03.55] So, Blueprint, H to the Izzo, my first hit single. And I just
[09:09.08] took that proudly, built relationships with people. My relationship
[09:12.47] with KwelI I think was one of the best ones to ever happen to my
[09:15.43] career as a rapper. Because, you know, of course later he allowed me
[09:19.29] to go on tour with him. Man, I appre-- I love him for that. And at
[09:25.98] this time, you know I didn't have a deal, I had songs, and I had
[09:29.71] relationships with all these A&R's, and they wanted beats from me, so
[09:32.59] they'd call me up, I'd play them some beats. "Gimme a beat that sound
[09:34.70] like Jay-Z." You know, they dick riders. Whatever. So I'll play them
[09:38.13] these post-Blueprint beats or whatever and then I'll play my shit. I'll
[09:41.33] be like, "yo but I rap too." Hey, I guess they was lookin' at me crazy
[09:43.95] 'cause you know, 'cause I ain't have a jersey on or whatever
[09:46.88] Everybody out there listen here. I played them 'Jesus Walks' and they
[09:50.37] didn't sign me. You know what happened, it was some A&R's that ****ed
[09:53.02] with me though, but then like the heads, it'd be somebody at the
[09:56.66] company that'll say "naw." Like, Dave LottI ****ed with me, my
[09:59.76] nigga Mel brought me to a bunch of labels. Jessica Rivera, man
[10:03.47] (Jessica:) "Man, you niggaz is stupid if y'all don't sign Kanye, for real."
[10:06.91] I'm not gonna say nothin to mess my promotion up
[10:10.32] "Y'all niggaz is stupid". Let's just say I didn't get my deal.
[10:13.17] The nigga that was behind me, I mean,
[10:15.32] he wasn't even a nigga, you know?
[10:17.07] The person who actually kicked everything off was Joe 3H from Capitol
[10:20.47] Records. He wanted to sign me really bad.
[10:22.54] (Joe:) "We gonna change the game, buddy."
[10:23.95] Dame was like, "yo you got a deal with Capitol,
[10:25.63] okay man, just make sure it's not wack."
[10:27.15] (Dame:) "you gotta make sure it's not wack."
[10:28.33] Then one day I just went ahead and played it, I wanted to
[10:30.39] play some songs, 'cause you know Cam was in the room, Young Guru, and
[10:33.62] Dame was in the room. So I played... actually it's a song that you'll
[10:37.76] never hear, but maybe I might use it. So, it's called 'Wow.'
[10:41.16] "I go to Jacob with 25 thou, you go with 25 hundred, wow
[10:45.37] I got eleven plaques on my walls right now
[10:47.79] You got your first gold single, damn, nigga, wow."
[10:50.84] Like the chorus went. Don't bite that chorus, I might still use it. So
[10:54.11] I play that song for him, and he's like "oh shit"
[10:56.78] (Dame:) "Oh shit it's not even wack."
[10:58.16] "I ain't gonna front, it's kinda hot."
[11:00.05] (Dame:) "it's actually kinda hot."
[11:01.48] Like they still weren't looking at me
[11:02.61] like a rapper. And I'm sure Dame figured, 'like man. If he do a whole
[11:06.39] album, if his raps is wack at least we can throw Cam on every song and
[11:09.31] save the album, you know. So uh Dame took me into the office, and he's
[11:13.67] like "yo man, we, we on a brick, we on a brick"
[11:15.61] (Dame:) "you don't wanna catch a brick"
[11:17.26] You gotta be under an umbrella, you'll get rained on.
[11:19.45] I told Hiphop and Hiphop was all, "oh, word?" Actually, even with
[11:24.25] that I was still about to take the deal with Capitol 'cause it was
[11:28.89] already on the table and 'cause of my relationship with 3H. That, you
[11:32.52] know, 'cause I told him I was gonna do it, and I'm a man of my word, I
[11:34.61] was gonna roll with what I said I was gonna do. Then, you know, I'm
[11:39.02] not gonna name no names, but people told me, "oh he's just a producer
[11:42.69] rapper" and told 3H that told the heads of the Capitol, and right--
[11:46.38] the day I'm talking about, I planned out everything I was gonna do
[11:50.04] man, I had picked out clothes, I already started booking studio
[11:53.47] sessions, I started arranging my album, thinking of marketing schemes
[11:56.85] man I was ready to go. And they had Mel call me, they said
[12:00.24] "yo... Capitol pulled on the deal"
[12:04.07] (Mel:) "Yo, Capitol pulled out on the deal."
[12:05.35] And, you know I told them that Rocafella was interested
[12:08.25] and I don't know if they thought that was just something I was saying
[12:10.63] to gas them up to try to push the price up or whatever.
[12:12.40] I went up...
[12:14.95] Icalled G, I said, "man, you think we could still get that deal with Rocafella?"
[12:23.54]
[12:25.54]
[12:27.47]
[12:30.11]
[12:32.33]
[]“我将告诉你如何作为一个制作人和说唱歌手”
[00:03.31] 首先我要说的是,嘿,去你的,Kanye
[00:05.98] 因为你让我做这事儿,混蛋
[00:10.65] 必须把每个人都TMD从房间里赶出去
[00:12.50] 因为他们只会碍事
[00:13.51] 我提议干一杯
[00:15.82] 我说干杯混蛋!
[00:27.65] 我是 (这是去Roc唱片的路)
[00:30.28] 他们问我,他们问我,他们问我,我告诉他们(这是去Roc-A-Fella唱片的路)
[00:35.92] 戴上你的眼镜,你的眼镜,你去天上的眼镜(这是去Roc唱片的路)
[00:41.03] 这是最后要求点酒助兴,为了(这是去Roc-A-Fella唱片的路)
[00:47.17] 所以赶快从墙边过来
[00:50.16] 唱响全世界的Digital Underground里的2Pac影响了我
[00:52.69] 我就是Roc唱片的红鼻子驯鹿鲁道夫
[00:55.63] 我拿到属于我的说唱歌手项链,还有我的名声可不是只有15秒热度
[00:58.05] 明年我会王者归来统治TMD整个圈子
[01:01.16] 没有人料到Kanye会最终登顶
[01:03.49] 他们只是期望《大学辍学生》发行之后遭遇失败
[01:06.56] 也许他可以停止把所有好的伴奏都留给他自己以后用了
[01:09.72] Rocafella唱片帮了这个家伙一把
[01:11.77] 我的钱曾经比Sean Paul的山羊胡子还少
[01:14.36] 现在在这儿空气里充满了Jean Paul Gaultier古龙香水的味道
[01:16.51] 他们说他是势利眼,他是自大狂
[01:20.13] 难道请你们别再谈论的我老二的头是怎样的都不行吗
[01:22.60] 让风格有感染力,只要给我10秒钟
[01:25.44] 我会引起歌迷的“嗡嗡”的谈论,那声音会比德州的昆虫发出的更大
[01:28.23] 没有人感兴趣那还真是滑稽
[01:30.82] 那个晚上我差点把自己杀死在雷克萨斯里
[01:33.51] 我是 (这是去Roc唱片的路)
[01:36.04] 他们问我,他们问我,他们问我,我告诉他们(这是去Roc-A-Fella唱片的路)
[01:41.68] 戴上你的眼镜,你的眼镜,你去天上的眼镜(这是去Roc唱片的路)
[01:46.47] 这是最后要求点酒助兴,为了(这是去Roc-A-Fella唱片的路)
[01:52.52] 所以赶快从墙边过来
[01:55.72] 现在Kanye是那个最能俯瞰一切的人吗?是的,先生
[01:58.15] 现在Kanye是那个最能俯瞰一切的人吗?在最顶端了,先生
[02:00.96] 尽管歌迷们想要A Tribe Called Quest那样黄金年代的感觉
[02:03.80] 但是所有人留下的是这个叫West的家伙
[02:06.49] 那会让Freeway和Mos Def一起在他的歌里客串
[02:09.12] 叫Kwa-li或者Kwe-li的人,我让他和Jay-z合作
[02:12.00] 我就像Gap公司拥有最高档的Banana Republic和最廉价的Old Navy支线
[02:14.84] 创作出来的歌曲比那首R&B老歌“Sweet Sadie”还甜
[02:17.58] 就像我在Source杂志颁奖礼上遇到的Bun-B那样好
[02:20.63] 他带着一起来的那个妞—她的屁股能得骑兵奖
[02:23.22] 我几近成名,现在人人都爱Kanye
[02:27.07] 我几乎就是那个电视剧里的Raymond
[02:28.70] 有些人说他傲慢自大,你们能怪他吗?
[02:31.13] 你们曾经的嘲笑让他感到无比窘迫
[02:33.78] 去年我兜售我的样碟,我试图闪耀
[02:36.73] 每个混蛋都告诉我,我不能说唱
[02:39.30] 现在我能让这些梦想的杀手杀死我的自尊
[02:41.70] 或者用我的自大傲慢作为我实现梦想的蒸汽动力
[02:44.51] 我把它当做我的汽油,所以他们说我中毒了
[02:47.66] 但是没有那种态度我会落到最后,所以我应该放声大笑
[02:50.47] 而我不会再听那些坐在老板桌后穿西装的人指手画脚
[02:53.05] 你们这些家伙穿西装,因为你们再不会穿别的衣服了
[02:55.60] 你们再不能对Kanye West说垃圾了
[02:58.42] 我让20000人跟我一起,我只是在开巡演,伙计
[03:01.72] 我是Kan, Louis Vuitton阁下
[03:03.73] 给我妈妈买了个钱包,现在他是Louis Vuitton妈
[03:06.67] 我不会随便让他人接手处理,我更换了我的通行证
[03:09.19] 我对着天空祈祷,我改变了我的星辰
[03:12.05] 我去了商场,我使劲花钱
[03:14.88] “噢上帝,那张是‘黑卡’吗?”
[03:17.96] 我转过头回答道,我想说是,但是我更喜欢这个称呼
[03:21.17] 非裔美国人专用卡
[03:23.47] 兼具头脑,权力和肌肉,就像Roc-a-fella的Dame,Bad Boy的Puffy,以及Def Jam的Russell
[03:25.87] 小子你要是回顾他的奋斗历程,你知道我凭借的是什么
[03:28.56] 把你们全都用歌词那玩意儿杀死
[03:31.27] Mayonnaise乳白色的奔驰,我开的是Miracle Whips牌的
[03:34.15] 我是 (这是去Roc唱片的路)
[03:35.87] 他们问我,他们问我,他们问我,我告诉他们(这是去Roc-A-Fella唱片的路)
[03:41.63] 戴上你的眼镜,你的眼镜,你去天上的眼镜(这是去Roc唱片的路)
[03:46.94] 这是最后要求点酒助兴,为了(这是去Roc-A-Fella唱片的路)
[03:52.47] 所以赶快从墙边过来
[03:55.45] 这里是Rocafella唱片公司的Hiphop演艺中心
[03:58.30] 我把Truth的伴奏带给Beanie,我和他在开会商讨
[04:02.06] 我也带了我自己的样碟,你知道,就像我总是做的那样
[04:04.34] 我放了里面的歌,他问“那是谁的说唱?”
[04:06.23] 我说“我的”,他说“哦,好的,不错”
[04:08.37] 呃,他开始在电话里
[04:10.93] 和我谈些回归正题的,只是让我把伴奏给他
[04:13.14] 我想他是在找一些管理制作人
[04:15.76] 因为还有另一个叫Just Blaze的小子跟他有联系
[04:19.18] 恩,他是我导师No ID的朋友
[04:21.76] No ID告诉他“听着,伙计,你想要约Kanye
[04:24.24] 你得告诉他你喜欢他那样说唱”
[04:26.42] “嘿,你想签下他,告诉他你喜欢他那样说唱”
[04:27.20] 我完全不知道他是否在开我的玩笑
[04:28.67] 但是他好像想要以说唱歌手兼制作人的身份签下我
[04:31.01] 我当时感觉,噢,MD
[04:32.33] 我被邀约了,呃,D-Dot也被约了
[04:35.07] 人们就像那样开始谈论“枪手代理制作”
[04:37.59] 但是那就是我怎样进入这个圈子的,如果当初不那样做,现在我不会在这儿
[04:40.13] 所以你知道吗,当他们采用了那个Truth的伴奏之后
[04:42.31] 我认为我能去做更多类似的工作
[04:44.47] 但是事情并没有像那样接踵而来,我呆在芝加哥
[04:47.88] 我有我自己的公寓,我似乎都是为了当地的一些活动做伴奏
[04:51.58] 我只是努力去得到关注,然后那样才能走出去,能去买
[04:54.60] 去买件Pelle Pelle存起来,买些乔丹鞋或者别的什么
[04:57.41] 或者去弄个TechnoMarine,之后事情有了转机
[04:59.72] 我把Harold Melvin的采样加速后制作成了一个伴奏
[05:04.53] 我把这个通过电话放给Hip部门的人听,他说“噢,那玩意儿太疯狂了
[05:08.87] Jay-z可能会想要在他正在筹备的叫“王朝”的编辑专辑里用这个伴奏
[05:12.16] 而在当时,那些鼓声对我来说听起来真的不太对
[05:15.62] 所以我去了,嗯,那个时候我在听Dre的“慢性2001”那张专辑
[05:19.89] 而我就真的采样了“Xxplosive”里的鼓声然后
[05:24.08] 把它的速度调快,再采样,现在那有点像我的整个风格了
[05:28.56] 刚开始的时候,他用这个伴奏在“这不算生活”里说唱
[05:30.39] 那个伴奏就像,是第一个这样风格的伴奏,在那张“王朝”专辑里
[05:33.67] 我可以说那是,整个那种声音的复活再现
[05:37.59] 你知道吗,我进到录音室,然后录制这个伴奏,在那时
[05:40.39] 我仍然还有另一个厂牌的合约,但是我真的想进入那个Hiphop部门工作
[05:42.73] 因为,我只是需要点新鲜空气,你懂我意思吗
[05:45.71] 因为我在那个厂牌待了一段时间,我感谢他们为我做的一切
[05:48.50] 但是,你也知道每个人在他的一生中总要有一个做出改变的时刻
[05:52.41] 为了更上一层楼。那天我来录这个伴奏的时候
[05:55.80] 我遇见了Jay-z,他说
[05:58.31] “噢,你真是个有思想和灵魂的家伙”
[Jay-Z: 你真是个有思想和灵魂的家伙]
[05:59.99] 然后他,呃,放了那首歌,因为在我到录音室之前他已经说完了他的唱段
[06:02.90] 你知道他一贯就是那样做的,他说
[06:06.32]
[Jay-z:“听听这个,告诉我你对此的想法,就在这里”]
[06:07.13] 然后我听完了,就在想
[06:08.47] 伙计,我真的想要更为简练的Jay-z
[06:12.60] 我可不想要那些更有反省性的,复杂难懂的押韵
[06:16.38] 以我个人的角度来看。接着他问我:“你的看法是什么?”
[06:18.90]
[Jay-Z:“你怎么看?”]
[06:19.58] 我说“伙计,那玩意儿很屌”
[06:20.19] 你懂我意思吗,我是跟他说了些什么?我根本没听清楚
[06:21.10] 伙计,你懂的。那之后我回到了家,我就是在
[06:26.41] 芝加哥,我打算做点我自己的事情。你知道,我有个团队,我有
[06:29.57] 我准备开始的活动,那真的没有一点
[06:32.81] 应有的峰回路转的迹象。我的一个哥们儿,
[06:37.97] 一个艺术家,他被签约了。但是他本应该是参加到
[06:41.84] 我的制作公司中来,但是他最终还是跟公司分道扬镳
[06:44.50] 我当时就那样拿着电话,听到了这个坏消息
[06:47.51] 那个伙计准备离开我的公司了,我在同一时间被驱逐了
[06:51.30] 所以我被迫接受了,给了他我录制的伴奏,我拿了钱
[06:56.98] 回家,把所有我的东西都打包放在了一辆出租搬家卡车上
[07:01.20] 大概10天之后我才真正的从那件事里走出来,我还是没有和
[07:04.17] 房东达成协议,因为他是个蠢货。我和妈妈开车去了
[07:07.30] 妈妈“来吧,我们就这么走”
[07:08.50] 新泽西的Newark,我甚至没有看见我公寓的影子
[07:10.75] 我记得我停下车
[07:12.01] 妈妈“Kanye,宝贝,我们到了”
[07:13.15] 我把所有的东西拆包。你知道吗,我们去了宜家,我买了张
[07:15.08] 床,我自己把那床给组装起来。我卸下了我的设备
[07:19.23] 我做的第一个伴奏是,呃,“城市之心”
[07:22.58] 那个时候Beans还在筹备他的专辑,所以我上去到
[07:25.47] Baseline录音室,那天实际上是Beans的生日,我放了
[07:28.44] 大概有7个伴奏,你知道我了解他那时在巅峰状态
[07:32.56] 他已经有了他想要的伴奏,我在那时已经起不了多大作用
[07:35.37] 但是Jay-Z走了进来,我记得他带着一顶Gucci的渔夫帽
[07:39.66] 我记得那大概是在那天之前,Hiphop部的人对我说
[07:43.31] “嘿,给他放个伴奏”然后我放了那首“城市之心”
[07:46.77] 我确实做了那首“城市之心”,我其实想把那个伴奏给DMX
[07:49.48] Hiphop部门“不,我觉得Jay-Z会立马喜欢上这个伴奏”
[07:49.88] 而我放了另一个伴奏,然后又放下一个。我记得
[07:52.77] 他把那个Gucci渔夫帽拿下来,遮着他的脸,他的表情
[07:56.12] 就像在说“噢!!!”2天之后,我在Baseline录音室里见到了
[07:59.96] Dame,Dame不知道我是谁,以及是个怎样的人“嘿,你好,我是Kanye”
[08:02.48] Dame“嘿,你就是那个叫Kanye的小子?”
[08:04.04] “你就是那个把所有伴奏都给了Jay-Z的小子?
[08:05.26] 嘿,那家伙会制造出经典的”
[08:07.59] Dame“Jay-Z会做出经典的”
[08:08.81] 你知道我可不会胡说八道
[08:10.40] 我说“噢,该死”那时我一直都是个追星族,伙计。
[08:13.23] 我仍然在想,你知道我在“街头注视”的演出上给这些家伙拍照
[08:16.15] 那时在我眼中他们是超级明星
[08:19.41] 而现在他们仍然是,你懂得。Jay-Z进了录音室,他录好了所有
[08:24.26] 这些歌大概在1,2天之内…我必须要提一件事
[08:28.80] 回到那个故事,我在录“不算生活”的伴奏的那天
[08:32.02] 我记得Lenny S,他穿着Louis Vuitton的球鞋
[08:35.10] 他认为自己很拉风,Hiphop部门的人在那儿,我记得还有Tata,
[08:39.35] John Minnelli,一群人。我不知道所有这些人当时都在间屋子里
[08:41.98] 我说“嘿,Jay,我能说唱”然后我
[08:44.79] 说唱出了那段“我会把你们全都用歌词那玩意儿杀死
[08:47.90] Mayonnaise乳白色的奔驰,我开的是Miracle Whips牌的”我看见
[08:51.08] 他当我说这一句时候眼前一亮,但是你知道你知道,在以前,West的说唱
[08:54.68] 真的是又怪又垃圾,那是我听到的所有的回应
[08:57.33] 他说“那挺酷的”
[08:58.32] Jay-Z“那很酷,那很燥”
[08:59.18] 就是那样,你知道,在那之后我也没得到合约,呵呵
[09:01.57] 好吧,快进
[09:03.55] Blueprint专辑里的H to the Izzo是我的首支热门单曲
[09:09.08] 我对此引以为豪,凭借它和许多人建立了关系。
[09:12.47] 我和Kweli建立关系,我认为是我以说唱歌手的身份在事业上遇到的最好的事情之一
[09:15.43] 因为,你知道,当然是之后他让我和他一起做巡回演出
[09:19.29] 哥们儿,我感谢—我因为那件事而爱他
[09:25.98] 现在,你知道我没有合约,我有自己的歌曲,我
[09:29.71] 我和所有演艺中心的人建立了关系,他们想从我这儿要伴奏,所以
[09:32.59] 他们会打电话给我,我会给他们放些伴奏。“给我个Jay-Z那样的伴奏”
[09:34.70] 你知道,他们都TM是直来直去的人。无所谓。所以我给他们放了
[09:38.13] 我在Blueprint之后做的伴奏或者别的什么,然后我会放我的歌
[09:41.33] 我会说“嘿,我可也会说唱”嘿,我猜他们肯定把我当疯子看
[09:43.95] 因为你知道,我没有穿着运动衫或者别的什么
[09:46.88] 每个圈外的人都听着这里的动静。我给他们放“耶稣同行”他们
[09:50.37] 不会签下我。你知道发生了什么,有些演艺中心的人就是故意和我对着干
[09:53.02] 比如那些领导高层,在公司里会有个人
[09:56.66] 说“不行”,就像Dave Lotti那样和我对着干
[09:59.76] 我的哥们儿Mel带我去了一些厂牌。.Jessica Rivera,伙计
[10:03.47] Jessica“你们这些家伙如果不签下Kanye的话,真是蠢透了
[10:06.91] 我不会去说那些会弄砸我晋升的话
[10:10.32] “你们这些家伙真愚蠢”我们只是说说我还没得到合约
[10:13.17] 在我背后一直有个支持我的家伙,我的意思是
[10:15.32] 他甚至不是个黑人,你知道吗?
[10:17.07] 那个叫Joe 3H的不顾一切的人实际上来自Capitol唱片公司
[10:20.47] 他想签下我都想疯了
[10:22.54] Joe“我们会改变这个圈子,伙计”
[10:23.95] Dame说“嘿,你得到了Capitol的合约
[10:25.63] 不错,只是要确定那不是垃圾
[10:27.15] Dame“你必须确定那不是份垃圾合同
[10:28.33] 之后有天我到录音室去随便看看,我想在那儿放点歌
[10:30.39] 因为我看到Cam,Young Guru和Dame都在那儿
[10:33.62] 所以我放了那首…实际上是你们都没听过的歌
[10:37.76] 但是那是我可能会收录的一首,它叫“哇哦”
[10:41.16] “我带着2万5去Jacob那儿买珠宝,你去只带2千5,哇哦
[10:45.37] 我现在在墙上挂着11个白金唱片
[10:47.79] 你才得到你的第一个黄金单曲,该死,小子,哇哦”
[10:50.84] 副歌就像那样。就算不唱副歌,我可能还是会采用它
[10:54.11] 我给他放了那首歌,他听完就说“噢,MD”[
[10:56.78] Dame“噢,MD这玩意儿可不差”
[10:58.16]] “我可不是在吹嘘,那真有点燥”
[11:00.05] Dame“那实际上真有点燥”
[11:01.48] 听起来就像他们还是没有把我当成一个说唱歌手看
[11:02.61] 我确定Dame认为的是像这样的“如果他做了整张专辑,
[11:06.39] 就算他的说唱垃圾,但至少我们能让Cam在每首歌里都客串一把
[11:09.31] 来挽救这张专辑,你懂的。所以Dame把我带进了办公室,他说
[11:13.67] “嘿伙计,我们会被扔砖头,我们会被扔砖头”
[11:15.61] Dame“你不想挨板砖吧”
[11:17.26] 你必须躲在伞下,你会遭遇大雨的
[11:19.45] 我告诉了Hiphop部门的所有人,“哦,同意了?”实际上,那时甚至
[11:24.25] 我还是准备跟Capitol签约,因为
[11:28.89] 那已经摆在了台面上万事俱备了,还因为我和3H的关系
[11:32.52] 你知道,因为我告诉过他我会这么做,而我是个言出必行的人
[11:34.61] 我会去做我承诺我会去做的事。然后,你知道,
[11:39.02] 我不会去做没有名义的事情,但是人们告诉我“哦,他只是个制作人说唱歌手”
[11:42.69] 然后把让3H把这点告诉Capitol唱片的高层,而就在我说的那天
[11:46.38] 我已经计划好所有我要去做的事情
[11:50.04] 伙计,我已经选好了衣服,我已经开始预定录音室
[11:53.47] 我开始筹备我的专辑,考虑营销策略
[11:56.85] 我已经蓄势待发了,而他们让Mel打电话给我,他们说
[12:00.24] “嘿… Capitol唱片取消了合约”
[12:04.07] Mel“嘿,Capitol唱片退出了合约签署
[12:05.35] 而你知道,我只是告诉了他们Rocafella对我感兴趣
[12:08.25] 我不知道是否是他们认为我说的某些话
[12:10.63] 在给他们施压而去抬高签约价格或者别的什么原因
[12:12.40] 我起身…
[12:14.95] 打电话给G说“伙计,你认为我们还能得到Rocafella唱片的合约吗?”
[12:27.47] ( Lyrics by nostaticsin )
Last Call - Album Version (Explicit) 歌词
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