Collisions 歌词
| 歌曲 | Collisions |
| 歌手 | Sound of Guns |
| 专辑 | What Came from Fire |
| 下载 | Image LRC TXT |
| [00:09.47] | Well, let's keep on kicking holes into ourselves |
| [00:16.08] | Because a hollow full of decadence is alright. |
| [00:20.14] | |
| [00:20.70] | But some don't believe in anything but process |
| [00:25.19] | But I don't believe in anything at all |
| [00:28.63] | |
| [00:36.33] | It's time to cross your eyes and read between the lines |
| [00:43.28] | Then you could hang your name upon a concept |
| [00:47.77] | And I could leave the chase behind the door, |
| [00:51.39] | |
| [00:51.97] | Yeah maybe I want it but I know you want it more |
| [00:55.97] | From a lack of communication on the wall |
| [01:00.53] | For we take our cues from nothing else at all |
| [01:06.21] | |
| [01:07.14] | Then sell it to your own mind, |
| [01:11.26] | |
| [01:11.77] | Then you come colliding home. |
| [01:15.57] | |
| [01:17.31] | In the shadow of the strangest light |
| [01:21.81] | The strangest light we'll ever know, that we will ever know |
| [01:29.28] | |
| [01:37.66] | Well your hands still shake from drawing parallels |
| [01:44.33] | But you don't need to think about the distance |
| [01:47.52] | |
| [01:48.95] | You only need to recollect the course, |
| [01:53.07] | Yeah maybe I want it but I know you want it more |
| [01:57.21] | From a lack of communication on the wall |
| [02:01.40] | For we take our cues from nothing else at all |
| [02:08.23] | Then sell it to your own mind, |
| [02:12.85] | Then you come colliding home. |
| [02:17.59] | |
| [02:18.40] | In the shadow of the strangest light |
| [02:22.89] | The strangest light weíll ever know, that we will ever know |
| [02:30.54] | |
| [02:47.68] | Well you've got me, don't you know you've got me on my knees love, |
| [02:54.24] | I hope your proud of yourself. |
| [02:56.35] | I'm someone else, someone whos not to be believed in. |
| [03:02.70] | |
| [03:03.26] | You cant measure my wealth. |
| [03:05.90] | Well let's keep on kicking holes into ourselves |
| [03:11.82] | |
| [03:12.63] | Because a room full of this decadence is alright. |
| [03:17.36] | But some don't believe in anything but process |
| [03:21.85] | But I can't believe in anything at all. |
| [03:25.27] | From a lack of communication on the wall |
| [03:29.86] | For we take our cues from nothing else at all |
| [03:35.04] | |
| [03:36.60] | Then sell it to your own mind, |
| [03:41.09] | Then you come colliding home. |
| [03:46.66] | In the shadow of the strangest light |
| [03:51.17] | The strangest light we'll ever know, |
| [03:54.95] | |
| [03:56.83] | That we will ever know |
| [03:58.44] |
| [00:09.47] | Well, let' s keep on kicking holes into ourselves |
| [00:16.08] | Because a hollow full of decadence is alright. |
| [00:20.14] | |
| [00:20.70] | But some don' t believe in anything but process |
| [00:25.19] | But I don' t believe in anything at all |
| [00:28.63] | |
| [00:36.33] | It' s time to cross your eyes and read between the lines |
| [00:43.28] | Then you could hang your name upon a concept |
| [00:47.77] | And I could leave the chase behind the door, |
| [00:51.39] | |
| [00:51.97] | Yeah maybe I want it but I know you want it more |
| [00:55.97] | From a lack of communication on the wall |
| [01:00.53] | For we take our cues from nothing else at all |
| [01:06.21] | |
| [01:07.14] | Then sell it to your own mind, |
| [01:11.26] | |
| [01:11.77] | Then you come colliding home. |
| [01:15.57] | |
| [01:17.31] | In the shadow of the strangest light |
| [01:21.81] | The strangest light we' ll ever know, that we will ever know |
| [01:29.28] | |
| [01:37.66] | Well your hands still shake from drawing parallels |
| [01:44.33] | But you don' t need to think about the distance |
| [01:47.52] | |
| [01:48.95] | You only need to recollect the course, |
| [01:53.07] | Yeah maybe I want it but I know you want it more |
| [01:57.21] | From a lack of communication on the wall |
| [02:01.40] | For we take our cues from nothing else at all |
| [02:08.23] | Then sell it to your own mind, |
| [02:12.85] | Then you come colliding home. |
| [02:17.59] | |
| [02:18.40] | In the shadow of the strangest light |
| [02:22.89] | The strangest light wei ll ever know, that we will ever know |
| [02:30.54] | |
| [02:47.68] | Well you' ve got me, don' t you know you' ve got me on my knees love, |
| [02:54.24] | I hope your proud of yourself. |
| [02:56.35] | I' m someone else, someone whos not to be believed in. |
| [03:02.70] | |
| [03:03.26] | You cant measure my wealth. |
| [03:05.90] | Well let' s keep on kicking holes into ourselves |
| [03:11.82] | |
| [03:12.63] | Because a room full of this decadence is alright. |
| [03:17.36] | But some don' t believe in anything but process |
| [03:21.85] | But I can' t believe in anything at all. |
| [03:25.27] | From a lack of communication on the wall |
| [03:29.86] | For we take our cues from nothing else at all |
| [03:35.04] | |
| [03:36.60] | Then sell it to your own mind, |
| [03:41.09] | Then you come colliding home. |
| [03:46.66] | In the shadow of the strangest light |
| [03:51.17] | The strangest light we' ll ever know, |
| [03:54.95] | |
| [03:56.83] | That we will ever know |
| [03:58.44] |
| [00:09.47] | Well, let' s keep on kicking holes into ourselves |
| [00:16.08] | Because a hollow full of decadence is alright. |
| [00:20.14] | |
| [00:20.70] | But some don' t believe in anything but process |
| [00:25.19] | But I don' t believe in anything at all |
| [00:28.63] | |
| [00:36.33] | It' s time to cross your eyes and read between the lines |
| [00:43.28] | Then you could hang your name upon a concept |
| [00:47.77] | And I could leave the chase behind the door, |
| [00:51.39] | |
| [00:51.97] | Yeah maybe I want it but I know you want it more |
| [00:55.97] | From a lack of communication on the wall |
| [01:00.53] | For we take our cues from nothing else at all |
| [01:06.21] | |
| [01:07.14] | Then sell it to your own mind, |
| [01:11.26] | |
| [01:11.77] | Then you come colliding home. |
| [01:15.57] | |
| [01:17.31] | In the shadow of the strangest light |
| [01:21.81] | The strangest light we' ll ever know, that we will ever know |
| [01:29.28] | |
| [01:37.66] | Well your hands still shake from drawing parallels |
| [01:44.33] | But you don' t need to think about the distance |
| [01:47.52] | |
| [01:48.95] | You only need to recollect the course, |
| [01:53.07] | Yeah maybe I want it but I know you want it more |
| [01:57.21] | From a lack of communication on the wall |
| [02:01.40] | For we take our cues from nothing else at all |
| [02:08.23] | Then sell it to your own mind, |
| [02:12.85] | Then you come colliding home. |
| [02:17.59] | |
| [02:18.40] | In the shadow of the strangest light |
| [02:22.89] | The strangest light weí ll ever know, that we will ever know |
| [02:30.54] | |
| [02:47.68] | Well you' ve got me, don' t you know you' ve got me on my knees love, |
| [02:54.24] | I hope your proud of yourself. |
| [02:56.35] | I' m someone else, someone whos not to be believed in. |
| [03:02.70] | |
| [03:03.26] | You cant measure my wealth. |
| [03:05.90] | Well let' s keep on kicking holes into ourselves |
| [03:11.82] | |
| [03:12.63] | Because a room full of this decadence is alright. |
| [03:17.36] | But some don' t believe in anything but process |
| [03:21.85] | But I can' t believe in anything at all. |
| [03:25.27] | From a lack of communication on the wall |
| [03:29.86] | For we take our cues from nothing else at all |
| [03:35.04] | |
| [03:36.60] | Then sell it to your own mind, |
| [03:41.09] | Then you come colliding home. |
| [03:46.66] | In the shadow of the strangest light |
| [03:51.17] | The strangest light we' ll ever know, |
| [03:54.95] | |
| [03:56.83] | That we will ever know |
| [03:58.44] |
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