| 歌曲 | Jay Walking Backwards |
| 歌手 | The Number Twelve Looks Like You |
| 专辑 | Mongrel |
| 作曲 : Karel, Korman, Pareja, Pedrick | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don't take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It's head is now one with the pavement, and it's hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it's really unexpected how some people meet | |
| One's covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don't take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It's head is now one with the pavement, and it's hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it's really unexpected how some people meet | |
| One's covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don't take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It's head is now one with the pavement, and it's hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it's really unexpected how some people meet | |
| One's covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don't take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It's head is now one with the pavement, and it's hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it's really unexpected how some people meet | |
| One's covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don't take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It's head is now one with the pavement, and it's hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it's really unexpected how some people meet | |
| One's covered in a sheet, the other sits in a back seat, and another relationship is then complete |
| zuò qǔ : Karel, Korman, Pareja, Pedrick | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don' t take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It' s head is now one with the pavement, and it' s hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it' s really unexpected how some people meet | |
| One' s covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don' t take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It' s head is now one with the pavement, and it' s hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it' s really unexpected how some people meet | |
| One' s covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don' t take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It' s head is now one with the pavement, and it' s hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it' s really unexpected how some people meet | |
| One' s covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don' t take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It' s head is now one with the pavement, and it' s hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it' s really unexpected how some people meet | |
| One' s covered in a sheet, the other sits in a back seat, and another relationship is then complete | |
| Their arms frantically tossed through the air | |
| While his hands were together reciting a prayer | |
| Jesus my lord, don' t take this good man, just let him finish what you began | |
| Stop covering this pavement with his blood, can you hear me, can you hear me? | |
| The cameras start to roll now everyone can see | |
| To feed his family caused someone else to be taken from theirs | |
| It' s head is now one with the pavement, and it' s hiding behind the flares | |
| Time for heaven, or is it back to the shelter | |
| Well lying inside of a coffin is always going to be a warm temperature | |
| Naked and damned, the load is trapped and rolled away | |
| Midnight appetite, sirens silent | |
| Did you know that pedestrians always have the right of way? | |
| Their lives came together when they danced in the street, it' s really unexpected how some people meet | |
| One' s covered in a sheet, the other sits in a back seat, and another relationship is then complete |