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The Martini. |
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In movie terms, directors use this phrase to describe the last shot of the day while on set. |
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The stories you are about to hear are true. |
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The names have been kept the same to reflect the Strange. |
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This is the Martini... |
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(Verse 1) |
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This is Sam. |
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He was so in love with her, but she was young, |
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So that put her off in a jam, |
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Though, she was sweet as a yam, |
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She wanted to explore other options with her man, |
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Straight sending Sam into a rampage, |
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And no matter what his fam says, |
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He's lost without this woman, |
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And don't wanna live any damn ways, |
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Now he's thinkin', that he ain't gon' live, |
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She ain't gon' live, |
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And the other man's mercy, he ain't gon' give, |
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This what love do, it cops a .38 snub to, |
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Knock on ya door, and take somebody that used to love you, |
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Rub you the wrong way, then it's blood true, |
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Love through, she's slug one and he's slug two, |
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Then on a rainy evening, with a panicked feelin', |
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Went to her home and looked through the window and Sammy sees them, |
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The door's between her and the Necromancer, |
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And what you think is gon' happen if she answers? |
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(Chorus - Krizz Kaliko) |
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Take a drink, |
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It's more than what you think, |
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I gotta let you know, |
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Don't plan on letting you go, |
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But if you have to leave, |
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That's where we'll end the scene, |
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This is the Martini. |
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Last shot's for you or me.... |
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(Verse 2) |
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Yo, This is Isaiah, |
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I guess he was aight, say a, |
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Lady's man, all the women used to call him the KCI Playa, |
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Flying multiple chicks in, give the stick then dismiss them, |
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But somethin's gonna happen that'll twist him, |
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He fell in love with a beautiful black woman, |
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But he ended up having a couple problems with that woman, |
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Talkin' to other men, did it behind his back on 'em, |
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Facebook, Computer love, crept on the Mac on 'em, |
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Now he's salty, cause he found the woman he loves is faulty, |
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He told her at the very beginning 'Don't You Ever Cross Me.' |
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Now that she did it, he plans to do something unlawfully, |
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Get a gun off the street, because he was treated so awfully, |
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One bullet for her, one bullet for him, |
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Crimes of passion, ain't no more pullin' for them, |
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And the worst way, we broke apart, it really hurts lady, |
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I've gotta go, but yo, you gotta go first baby. |
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(Chorus - Krizz Kaliko) |
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Take a drink, |
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It's more than what you think, |
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I gotta let you know, |
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Don't plan on letting you go, |
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But if you have to leave, |
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That's where we'll end the scene, |
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This is the Martini. |
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Last shot's for you or me.... |
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(Verse 3) |
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This is Brian, |
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He was a rebel and stayed on another level, |
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And had no intentions of dying, |
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He loved Kim a lot, above them was not, |
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But a jealous ex-husband would love them to rot, |
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I guess he loved kim still, |
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His only thoughts him, them, kill, |
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'Cause he a coward motha ****a, |
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On Christmas Eve he broke in and waited in they house for hours, |
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Crazy mother ****er! |
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Brian pulled up with Kim and little Alissa in the car, |
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Saw a shadow in the house from afar and said 'Wait!" |
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Got out the car, opened the gate, walked in the house, |
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And her ****ing ex sealed my nigga's fate. |
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That was my best friend, Bitch Ass Nigga! |
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Walked out the house and shot Kim right in front of Alissa, |
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Then he saved the last shot for him, blast! |
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Now you better hope I don't go to hell, because I'ma be on your ass! |
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(Chorus - Krizz Kaliko) |
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Take a drink, |
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It's more than what you think, |
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I gotta let you know, |
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Don't plan on letting you go, |
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But if you have to leave, |
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That's where we'll end the scene, |
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This is the Martini. |
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Last shot's for you or me.... |