Wait for Me 歌词
| 歌曲 | Wait for Me |
| 歌手 | André De Shields |
| 歌手 | Reeve Carney |
| 歌手 | Jewelle Blackman |
| 歌手 | Yvette Gonzalez-Nacer |
| 歌手 | Kay Trinidad |
| 歌手 | Timothy Hughes |
| 歌手 | Malcolm Armwood |
| 歌手 | Jessie Shelton |
| 歌手 | Kimberly Marable |
| 歌手 | Khaila Wilcoxon |
| 歌手 | Ahmad Simmons |
| 歌手 | Afra Hines |
| 歌手 | T. Oliver Reid |
| 歌手 | John Krause |
| 专辑 | Hadestown (Original Broadway Cast Recording) |
| 下载 | Image LRC TXT |
| [00:00.023] [HERMES, spoken] | |
| [00:00.063] | How to get to Hadestown: |
| [00:02.307] | You have to take the long way down |
| [00:05.055] | Through the underground, under cover of night |
| [00:07.851] | Layin' low, stayin' out of sight |
| [00:10.373] | Ain't no compass, brother, ain't no map |
| [00:13.209] | Just a telephone wire and a railroad track |
| [00:15.850] | Keep on walkin' and don't look back |
| [00:18.684] | 'Til you get to the bottomland |
| [00:20.162] | |
| [00:20.328] [ORPHEUS] | |
| [00:20.485] | Wait for me, I'm comin' |
| [00:25.996] | Wait, I'm comin' with you |
| [00:31.605] | Wait for me, I'm comin' too |
| [00:36.602] | I'm coming too |
| [00:38.159] | |
| [00:38.353] [HERMES, spoken] | |
| [00:38.577] | The River Styx is high and wide |
| [00:40.638] | Cinder bricks and razor wire |
| [00:43.061] | Walls of iron and concrete |
| [00:45.825] | Hound dogs howling 'round the gate |
| [00:48.209] | Those dogs'll lay down and play dead |
| [00:50.876] | If you got the bones, if you got the bread |
| [00:53.546] | But if all you got is your own two legs |
| [00:56.479] | Just be glad you got 'em |
| [00:58.544] | |
| [00:58.702] [ORPHEUS and FATES] | |
| [00:58.851] | Wait for me, I'm comin' |
| [01:03.930] | Wait, I'm comin' with you |
| [01:09.421] | Wait for me, I'm comin' too |
| [01:14.616] | I'm coming too |
| [01:15.774] | |
| [01:15.941] [FATES] | |
| [01:16.120] | Who are you? |
| [01:18.596] | |
| [01:18.768] [FATE] | |
| [01:18.922] | Where do you think you're going? |
| [01:22.610] | |
| [01:22.760] [FATES] | |
| [01:22.897] | Who are you? |
| [01:24.045] | |
| [01:24.221] [FATE] | |
| [01:24.395] | Why are you all alone? |
| [01:27.593] | |
| [01:27.740] [FATES] | |
| [01:27.898] | Who do you- |
| [01:30.505] | |
| [01:30.677] [FATE] | |
| [01:30.840] | -Think you are? |
| [01:31.480] | |
| [01:31.651] [FATES] | |
| [01:31.783] | Who are you- |
| [01:32.335] | |
| [01:32.508] [FATE] | |
| [01:32.646] | -To think that you can walk a road that no one ever walked before? |
| [01:37.059] | |
| [01:37.213] [ORPHEUS] | |
| [01:37.379] | La la la la la la |
| [01:49.823] | La la la la la la la |
| [01:53.450] | |
| [01:53.637] | (the COMPANY begins to echo and do rounds) |
| [01:59.235] | |
| [01:59.379] [ORPHEUS] | |
| [01:59.584] | La la la la la la la |
| [02:04.263] | La la la la la |
| [02:06.895] | |
| [02:07.277] | (HERMES cuts them off) |
| [02:07.484] | |
| [02:07.846] [HERMES] | |
| [02:08.193] | You're on the lam, you’re on the run |
| [02:11.740] | Don't give your name, you don't have one |
| [02:14.531] | And don't look no one in the eye |
| [02:17.456] | That town'll try to suck you dry |
| [02:19.784] | They'll suck your brain, they'll suck your breath |
| [02:22.738] | They'll pluck the heart right out your chest |
| [02:25.309] | They'll truss you up in your Sunday best |
| [02:27.888] | And stuff your mouth with cotton |
| [02:30.516] | |
| [02:30.986] [ORPHEUS and COMPANY] | |
| [02:31.168] | Wait for me I'm coming! I'm coming I'm coming |
| [02:35.215] | Wait, I'm coming with you I'm coming |
| [02:40.728] | Wait Wait I'm coming for me, I'm coming too |
| [02:44.806] | I'm coming! |
| [02:46.691] | |
| [02:46.956] [COMPANY] | |
| [02:47.129] | Wait! |
| [02:47.722] | |
| [02:47.864] [ORPHEUS] | |
| [02:49.160] | I'm coming wait for me |
| [02:49.301] | |
| [02:49.452] [COMPANY] | |
| [02:49.582] | Wait! |
| [02:50.227] | |
| [02:50.379] [ORPHEUS and HERMES] | |
| [02:50.682] | I hear the walls repeating |
| [02:52.294] | |
| [02:52.431] [COMPANY] | |
| [02:52.570] | Wait! |
| [02:53.045] | |
| [02:53.193] [ORPHEUS and HERMES] | |
| [02:53.317] | The falling of my feet and |
| [02:55.037] | |
| [02:55.202] [ORPHEUS and COMPANY] | |
| [02:55.362] | It sounds like drumming |
| [02:57.390] | |
| [02:57.581] [COMPANY] | |
| [02:57.918] | Wait! |
| [02:58.666] | |
| [02:58.823] [ORPHEUS and HERMES and Unknown Voice] | |
| [02:58.967] | And I am not alone |
| [03:00.346] | |
| [03:00.503] [COMPANY] | |
| [03:01.729] | Wait! |
| [03:01.881] | |
| [03:02.023] [ORPHEUS and HERMES, and Unknown Voice] | |
| [03:02.149] | I hear the rocks and stones |
| [03:03.094] | |
| [03:03.236] [COMPANY] | |
| [03:03.368] | Wait! |
| [03:03.987] | |
| [03:04.133] [ORPHEUS] | |
| [03:04.273] | Echoing my song |
| [03:05.973] | I'm coming! |
| [03:08.525] | |
| [03:08.685] [HERMES] | |
| [03:09.344] | Coming... |
| [03:09.488] | |
| [03:09.626] [COMPANY] | |
| [03:09.972] | Coming... |
| [00:00.023] [HERMES, spoken] | |
| [00:00.063] | How to get to Hadestown: |
| [00:02.307] | You have to take the long way down |
| [00:05.055] | Through the underground, under cover of night |
| [00:07.851] | Layin' low, stayin' out of sight |
| [00:10.373] | Ain' t no compass, brother, ain' t no map |
| [00:13.209] | Just a telephone wire and a railroad track |
| [00:15.850] | Keep on walkin' and don' t look back |
| [00:18.684] | ' Til you get to the bottomland |
| [00:20.162] | |
| [00:20.328] [ORPHEUS] | |
| [00:20.485] | Wait for me, I' m comin' |
| [00:25.996] | Wait, I' m comin' with you |
| [00:31.605] | Wait for me, I' m comin' too |
| [00:36.602] | I' m coming too |
| [00:38.159] | |
| [00:38.353] [HERMES, spoken] | |
| [00:38.577] | The River Styx is high and wide |
| [00:40.638] | Cinder bricks and razor wire |
| [00:43.061] | Walls of iron and concrete |
| [00:45.825] | Hound dogs howling ' round the gate |
| [00:48.209] | Those dogs' ll lay down and play dead |
| [00:50.876] | If you got the bones, if you got the bread |
| [00:53.546] | But if all you got is your own two legs |
| [00:56.479] | Just be glad you got ' em |
| [00:58.544] | |
| [00:58.702] [ORPHEUS and FATES] | |
| [00:58.851] | Wait for me, I' m comin' |
| [01:03.930] | Wait, I' m comin' with you |
| [01:09.421] | Wait for me, I' m comin' too |
| [01:14.616] | I' m coming too |
| [01:15.774] | |
| [01:15.941] [FATES] | |
| [01:16.120] | Who are you? |
| [01:18.596] | |
| [01:18.768] [FATE] | |
| [01:18.922] | Where do you think you' re going? |
| [01:22.610] | |
| [01:22.760] [FATES] | |
| [01:22.897] | Who are you? |
| [01:24.045] | |
| [01:24.221] [FATE] | |
| [01:24.395] | Why are you all alone? |
| [01:27.593] | |
| [01:27.740] [FATES] | |
| [01:27.898] | Who do you |
| [01:30.505] | |
| [01:30.677] [FATE] | |
| [01:30.840] | Think you are? |
| [01:31.480] | |
| [01:31.651] [FATES] | |
| [01:31.783] | Who are you |
| [01:32.335] | |
| [01:32.508] [FATE] | |
| [01:32.646] | To think that you can walk a road that no one ever walked before? |
| [01:37.059] | |
| [01:37.213] [ORPHEUS] | |
| [01:37.379] | La la la la la la |
| [01:49.823] | La la la la la la la |
| [01:53.450] | |
| [01:53.637] | the COMPANY begins to echo and do rounds |
| [01:59.235] | |
| [01:59.379] [ORPHEUS] | |
| [01:59.584] | La la la la la la la |
| [02:04.263] | La la la la la |
| [02:06.895] | |
| [02:07.277] | HERMES cuts them off |
| [02:07.484] | |
| [02:07.846] [HERMES] | |
| [02:08.193] | You' re on the lam, you' re on the run |
| [02:11.740] | Don' t give your name, you don' t have one |
| [02:14.531] | And don' t look no one in the eye |
| [02:17.456] | That town' ll try to suck you dry |
| [02:19.784] | They' ll suck your brain, they' ll suck your breath |
| [02:22.738] | They' ll pluck the heart right out your chest |
| [02:25.309] | They' ll truss you up in your Sunday best |
| [02:27.888] | And stuff your mouth with cotton |
| [02:30.516] | |
| [02:30.986] [ORPHEUS and COMPANY] | |
| [02:31.168] | Wait for me I' m coming! I' m coming I' m coming |
| [02:35.215] | Wait, I' m coming with you I' m coming |
| [02:40.728] | Wait Wait I' m coming for me, I' m coming too |
| [02:44.806] | I' m coming! |
| [02:46.691] | |
| [02:46.956] [COMPANY] | |
| [02:47.129] | Wait! |
| [02:47.722] | |
| [02:47.864] [ORPHEUS] | |
| [02:49.160] | I' m coming wait for me |
| [02:49.301] | |
| [02:49.452] [COMPANY] | |
| [02:49.582] | Wait! |
| [02:50.227] | |
| [02:50.379] [ORPHEUS and HERMES] | |
| [02:50.682] | I hear the walls repeating |
| [02:52.294] | |
| [02:52.431] [COMPANY] | |
| [02:52.570] | Wait! |
| [02:53.045] | |
| [02:53.193] [ORPHEUS and HERMES] | |
| [02:53.317] | The falling of my feet and |
| [02:55.037] | |
| [02:55.202] [ORPHEUS and COMPANY] | |
| [02:55.362] | It sounds like drumming |
| [02:57.390] | |
| [02:57.581] [COMPANY] | |
| [02:57.918] | Wait! |
| [02:58.666] | |
| [02:58.823] [ORPHEUS and HERMES and Unknown Voice] | |
| [02:58.967] | And I am not alone |
| [03:00.346] | |
| [03:00.503] [COMPANY] | |
| [03:01.729] | Wait! |
| [03:01.881] | |
| [03:02.023] [ORPHEUS and HERMES, and Unknown Voice] | |
| [03:02.149] | I hear the rocks and stones |
| [03:03.094] | |
| [03:03.236] [COMPANY] | |
| [03:03.368] | Wait! |
| [03:03.987] | |
| [03:04.133] [ORPHEUS] | |
| [03:04.273] | Echoing my song |
| [03:05.973] | I' m coming! |
| [03:08.525] | |
| [03:08.685] [HERMES] | |
| [03:09.344] | Coming... |
| [03:09.488] | |
| [03:09.626] [COMPANY] | |
| [03:09.972] | Coming... |
| [00:00.023] [HERMES, spoken] | |
| [00:00.063] | How to get to Hadestown: |
| [00:02.307] | You have to take the long way down |
| [00:05.055] | Through the underground, under cover of night |
| [00:07.851] | Layin' low, stayin' out of sight |
| [00:10.373] | Ain' t no compass, brother, ain' t no map |
| [00:13.209] | Just a telephone wire and a railroad track |
| [00:15.850] | Keep on walkin' and don' t look back |
| [00:18.684] | ' Til you get to the bottomland |
| [00:20.162] | |
| [00:20.328] [ORPHEUS] | |
| [00:20.485] | Wait for me, I' m comin' |
| [00:25.996] | Wait, I' m comin' with you |
| [00:31.605] | Wait for me, I' m comin' too |
| [00:36.602] | I' m coming too |
| [00:38.159] | |
| [00:38.353] [HERMES, spoken] | |
| [00:38.577] | The River Styx is high and wide |
| [00:40.638] | Cinder bricks and razor wire |
| [00:43.061] | Walls of iron and concrete |
| [00:45.825] | Hound dogs howling ' round the gate |
| [00:48.209] | Those dogs' ll lay down and play dead |
| [00:50.876] | If you got the bones, if you got the bread |
| [00:53.546] | But if all you got is your own two legs |
| [00:56.479] | Just be glad you got ' em |
| [00:58.544] | |
| [00:58.702] [ORPHEUS and FATES] | |
| [00:58.851] | Wait for me, I' m comin' |
| [01:03.930] | Wait, I' m comin' with you |
| [01:09.421] | Wait for me, I' m comin' too |
| [01:14.616] | I' m coming too |
| [01:15.774] | |
| [01:15.941] [FATES] | |
| [01:16.120] | Who are you? |
| [01:18.596] | |
| [01:18.768] [FATE] | |
| [01:18.922] | Where do you think you' re going? |
| [01:22.610] | |
| [01:22.760] [FATES] | |
| [01:22.897] | Who are you? |
| [01:24.045] | |
| [01:24.221] [FATE] | |
| [01:24.395] | Why are you all alone? |
| [01:27.593] | |
| [01:27.740] [FATES] | |
| [01:27.898] | Who do you |
| [01:30.505] | |
| [01:30.677] [FATE] | |
| [01:30.840] | Think you are? |
| [01:31.480] | |
| [01:31.651] [FATES] | |
| [01:31.783] | Who are you |
| [01:32.335] | |
| [01:32.508] [FATE] | |
| [01:32.646] | To think that you can walk a road that no one ever walked before? |
| [01:37.059] | |
| [01:37.213] [ORPHEUS] | |
| [01:37.379] | La la la la la la |
| [01:49.823] | La la la la la la la |
| [01:53.450] | |
| [01:53.637] | the COMPANY begins to echo and do rounds |
| [01:59.235] | |
| [01:59.379] [ORPHEUS] | |
| [01:59.584] | La la la la la la la |
| [02:04.263] | La la la la la |
| [02:06.895] | |
| [02:07.277] | HERMES cuts them off |
| [02:07.484] | |
| [02:07.846] [HERMES] | |
| [02:08.193] | You' re on the lam, you' re on the run |
| [02:11.740] | Don' t give your name, you don' t have one |
| [02:14.531] | And don' t look no one in the eye |
| [02:17.456] | That town' ll try to suck you dry |
| [02:19.784] | They' ll suck your brain, they' ll suck your breath |
| [02:22.738] | They' ll pluck the heart right out your chest |
| [02:25.309] | They' ll truss you up in your Sunday best |
| [02:27.888] | And stuff your mouth with cotton |
| [02:30.516] | |
| [02:30.986] [ORPHEUS and COMPANY] | |
| [02:31.168] | Wait for me I' m coming! I' m coming I' m coming |
| [02:35.215] | Wait, I' m coming with you I' m coming |
| [02:40.728] | Wait Wait I' m coming for me, I' m coming too |
| [02:44.806] | I' m coming! |
| [02:46.691] | |
| [02:46.956] [COMPANY] | |
| [02:47.129] | Wait! |
| [02:47.722] | |
| [02:47.864] [ORPHEUS] | |
| [02:49.160] | I' m coming wait for me |
| [02:49.301] | |
| [02:49.452] [COMPANY] | |
| [02:49.582] | Wait! |
| [02:50.227] | |
| [02:50.379] [ORPHEUS and HERMES] | |
| [02:50.682] | I hear the walls repeating |
| [02:52.294] | |
| [02:52.431] [COMPANY] | |
| [02:52.570] | Wait! |
| [02:53.045] | |
| [02:53.193] [ORPHEUS and HERMES] | |
| [02:53.317] | The falling of my feet and |
| [02:55.037] | |
| [02:55.202] [ORPHEUS and COMPANY] | |
| [02:55.362] | It sounds like drumming |
| [02:57.390] | |
| [02:57.581] [COMPANY] | |
| [02:57.918] | Wait! |
| [02:58.666] | |
| [02:58.823] [ORPHEUS and HERMES and Unknown Voice] | |
| [02:58.967] | And I am not alone |
| [03:00.346] | |
| [03:00.503] [COMPANY] | |
| [03:01.729] | Wait! |
| [03:01.881] | |
| [03:02.023] [ORPHEUS and HERMES, and Unknown Voice] | |
| [03:02.149] | I hear the rocks and stones |
| [03:03.094] | |
| [03:03.236] [COMPANY] | |
| [03:03.368] | Wait! |
| [03:03.987] | |
| [03:04.133] [ORPHEUS] | |
| [03:04.273] | Echoing my song |
| [03:05.973] | I' m coming! |
| [03:08.525] | |
| [03:08.685] [HERMES] | |
| [03:09.344] | Coming... |
| [03:09.488] | |
| [03:09.626] [COMPANY] | |
| [03:09.972] | Coming... |
| [00:00.063] | 怎么下到哈迪斯的冥府 |
| [00:02.307] | 你得忍受漫长的旅途 |
| [00:05.055] | 在夜色的掩护下穿过铁路 |
| [00:07.851] | 俯下身，别让人看见 |
| [00:10.373] | 小子，你没有罗盘也没有地图 |
| [00:13.209] | 那只有电话线和铁路 |
| [00:15.850] | 往前走，别回头 |
| [00:18.684] | 直下地底深处，那就是冥府 |
| [00:20.485] | 等着我吧，我正向你奔来 |
| [00:25.996] | 等着我，我正来到你身边 |
| [00:31.605] | 等着我吧，我来陪伴你 |
| [00:36.602] | 我来了，来到你身边 |
| [00:38.577] | 挡在你面前的斯提克斯又高又宽 |
| [00:40.638] | 那是铁丝网和煤灰砖 |
| [00:43.061] | 还有混凝土高墙 |
| [00:45.825] | 冥府三头犬在门前逡巡吠叫 |
| [00:48.209] | 如果你有骨头和面包来贿赂 |
| [00:50.876] | 那些狗也许会趴下来装死 |
| [00:53.546] | 但如果你只有你的双腿 |
| [00:56.479] | 最好庆幸你能把它们糊弄过去 |
| [00:58.851] | 等着我吧，我正向你奔来 |
| [01:03.930] | 等着我，我正来到你身边 |
| [01:09.421] | 等着我吧，我来陪伴你 |
| [01:14.616] | 我来了，来到你你身边 |
| [01:16.120] | 你是谁？ |
| [01:18.922] | 你以为你去的是哪？ |
| [01:22.897] | 你是谁？ |
| [01:24.395] | 你为何孤身一人？ |
| [01:27.898] | 你以为 |
| [01:30.840] | 你是谁 |
| [01:31.783] | 你凭什么 |
| [01:32.646] | 觉得自己可以走过这条从未有人踏足的路 |
| [01:37.379] | |
| [01:49.823] | |
| [01:53.637] | （歌队开始轮唱回应俄耳甫斯） |
| [01:59.584] | |
| [02:04.263] | |
| [02:07.277] | （赫尔墨斯打断他们） |
| [02:08.193] | 你在黑暗中潜逃 |
| [02:11.740] | 别告诉任何人你的名字（古希腊文化里真名具有力量所以在一些场合会避讳） |
| [02:14.531] | 也别直视任何人的眼睛 |
| [02:17.456] | 冥府会试图把你吸干 |
| [02:19.784] | 它会榨取你的神志和呼吸 |
| [02:22.738] | 从你的胸腔中扯出你的心脏 |
| [02:25.309] | 用棉花塞住你的嘴 |
| [02:27.888] | 再用你最好的衣服把你五花大绑 |
| [02:31.168] | 等着我吧，我正向你奔来 |
| [02:35.215] | 等着我，我正来陪伴你 |
| [02:40.728] | 等着我，我正向你奔来，我来陪伴你 |
| [02:44.806] | 我来了 |
| [02:47.129] | 等着我 |
| [02:49.160] | 等着我，我正向你奔来 |
| [02:49.582] | 等着我 |
| [02:50.682] | 我听到高墙的回声 |
| [02:52.570] | 等着我 |
| [02:53.317] | 回响着我的脚步 |
| [02:55.362] | 犹如鼓声阵阵 |
| [02:57.918] | 等着我 |
| [02:58.967] | 我也并非孤身一人 |
| [03:01.729] | 等着我 |
| [03:02.149] | 我听到那顽石撼动 |
| [03:03.368] | 等着我 |
| [03:04.273] | 回荡着我的歌声 |
| [03:05.973] | 我来了！ |
| [03:09.344] | （前一段歌词的梗1，俄耳甫斯是世界上最伟大的诗人和乐手，他的音乐能让顽石撼动，野兽俯首） |
| [03:09.972] | （梗2，这里的rocks and stones也可以指的是哈迪斯的工人们，此时他们已经被俄耳甫斯的歌声震撼感化，内心动摇，才有了后来if it true what they say以及之后的riot) |
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