|
Emma's in a part of town |
|
where she doesn't recognize the streets |
|
named for famous native sons |
|
and out of every crevice comes creeping |
|
a threat in her direction |
|
Lucy's outside her home |
|
heading towards her corner store |
|
she stays on well-travelled paths |
|
and is always making sure |
|
that she doesn't develop patterns |
|
There are trap lines |
|
running up and down Main Street |
|
wire snares thirsting for your neck and feet |
|
Susan doesn't like the way her curtains |
|
are blowing in the wind |
|
She swears she locked that window |
|
before she went out dancing |
|
she stands frozen in her doorway |
|
Judy hears a sound coming from the other room |
|
she knows she should be alone |
|
'cause the kids left at noon |
|
to go visit their father |
|
Quick to your phone dial 911 |
|
invite a strange man into your home |
|
who'll be carrying a gun |
|
Leslie's working late |
|
she's got a deadline to meet |
|
In walks her boss, |
|
upon her desk he puts his feet |
|
and says alone at last |
|
Reanne's got a new boyfriend |
|
and they're getting along |
|
until he locks the door and says don't struggle, |
|
I'm stronger than you are. |
|
Just one question I'm dying to ask, you said, |
|
do you know what it's like to be hunted? |