| [00:01.48] |
rush - Limelight |
| [00:25.82] |
Living on a lighted stage |
| [00:27.75] |
Approaches the unreal |
| [00:30.50] |
For those who think and feel |
| [00:33.06] |
In touch with some reality |
| [00:36.18] |
Beyond the gilded cage |
| [00:44.85] |
Cast in this unlikely role, |
| [00:46.84] |
Ill-equipped to act |
| [00:49.71] |
With insufficient tact |
| [00:53.15] |
One must put up barriers |
| [00:55.33] |
To keep oneself intact |
| [01:00.51] |
Living in the limelight |
| [01:02.76] |
The universal dream |
| [01:04.38] |
For those who wish to seem |
| [01:07.13] |
|
| [01:10.01] |
Those who wish to be |
| [01:13.32] |
Must put aside the alienation |
| [01:16.87] |
Get on with the fascination |
| [01:20.62] |
The real relation |
| [01:22.74] |
The underlying theme |
| [01:35.85] |
Living in a fisheye lens |
| [01:37.66] |
Caught in the camera eye |
| [01:40.34] |
I have no heart to lie |
| [01:42.89] |
I cant pretend a stranger |
| [01:45.33] |
Is a long-awaited friend |
| [01:48.94] |
All the worlds indeed a stage |
| [01:56.99] |
And we are merely players |
| [01:59.74] |
Performers and portrayers |
| [02:02.17] |
Each anothers audience |
| [02:05.17] |
|
| [02:06.01] |
Outside the gilded cage |
| [02:09.70] |
|
| [02:10.68] |
Living in the limelight |
| [02:12.61] |
The universal dream |
| [02:15.54] |
For those who wish to seem |
| [02:19.83] |
Those who wish to be |
| [02:23.14] |
Must put aside the alienation |
| [02:27.14] |
Get on with the fascination |
| [02:30.21] |
|
| [02:30.80] |
The real relation |
| [02:32.73] |
The underlying theme |
| [03:19.84] |
Living in the limelight |
| [03:21.46] |
The universal dream |
| [03:24.58] |
For those who wish to seem |
| [03:29.70] |
Those who wish to be |
| [03:32.26] |
Must put aside the alienation |
| [03:36.44] |
get on with the fascination |
| [03:39.48] |
the real relation |
| [03:41.62] |
the underlying sheme |
| [03:43.31] |
|
| [03:44.28] |
the real relation |
| [03:47.15] |
|
| [03:47.74] |
the real relation |
| [03:55.16] |
|
