| [00:00.00] |
zuò qǔ : Geddy Lee Alex Lifeson |
| [00:01.00] |
zuò cí : Neil Peart |
| [00:29.76] |
His world is under observation |
| [00:33.80] |
We monitor his station |
| [00:35.74] |
Under faces and the places |
| [00:40.05] |
Where he traces points of view |
| [00:49.48] |
He picks up scraps of conversation |
| [00:52.90] |
Radio and radiation |
| [00:55.36] |
From the dancers and romancers |
| [00:58.37] |
With the answers but no clue |
| [01:09.24] |
He' d love to spend the night in Zion |
| [01:15.62] |
He' s been a long while in Babylon |
| [01:22.14] |
He' d like a lover' s wings to fly on |
| [01:28.60] |
To a tropic isle of Avalon |
| [01:45.10] |
His world is under anesthetic |
| [01:48.51] |
Subdivided and synthetic |
| [01:51.01] |
His reliance on the giants |
| [01:53.63] |
In the science of the day |
| [02:04.63] |
He picks up scraps of information |
| [02:08.03] |
He' s adept at adaptation |
| [02:10.49] |
Because for strangers and arrangers |
| [02:13.10] |
Constant change is here to stay |
| [02:24.44] |
He' d love to spend the night in Zion |
| [02:30.85] |
He' s been a long while in Babylon |
| [02:37.33] |
He' d like a lover' s wings to fly on |
| [02:43.47] |
To a tropic isle of Avalon |
| [02:59.42] |
He' s got a force field and a flexible plan |
| [03:02.67] |
He' s got a date with fate in a black sedan |
| [03:05.89] |
He plays fast forward for as long as he can |
| [03:08.83] |
But he won' t need a bed |
| [03:10.74] |
He' s a digital man |
| [04:38.53] |
He' d love to spend the night in Zion |
| [04:44.43] |
He' s been a long while in Babylon |
| [04:51.23] |
He' d like a lover' s wings to fly on |
| [04:58.10] |
To a tropic isle of Avalon |
| [05:13.62] |
He' s got a force field and a flexible plan |
| [05:16.85] |
He' s got a date with fate in a black sedan |
| [05:20.17] |
He plays fast forward for as long as he can |
| [05:23.10] |
But he won' t need a bed |
| [05:24.89] |
He' s a digital man |
| [05:30.20] |
He plays fast forward for as long as he can |
| [05:32.83] |
But he won' t need a bed |
| [05:34.22] |
He' s a digital man |
| [05:40.10] |
He plays fast forward for as long as he can |
| [05:42.74] |
But he won' t need a bed |
| [05:44.38] |
He' s a digital man |
| [05:49.79] |
He plays fast forward for as long as he can |
| [05:52.96] |
But he won' t need a bed |
| [05:54.73] |
He' s a digital man |