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And I see high jump kings with roadside stirrups on. |
|
When I come back to meet the bear, the sheets are gone. |
|
Take over the tombs. |
|
Dead lock the circus. |
|
Gawking throngs. |
|
Hijack the meditation train. |
|
We still belong. |
|
In Houston, in |
|
Oslo, the contracts, the con slow |
|
And no sex and no sleep |
|
It's hard toe. |
|
It's hard speak. |
|
And no shoes and no shawl. |
|
In high tents |
|
The tribe stalls. |
|
And I see high jump kings with roadside stirrups on. |
|
When I come back to meet the bear, the sheets are gone. |
|
Take over the tombs. |
|
Dead lock the circus. |
|
Gawking throngs. |
|
Hijack the meditation train. |
|
We still belong. |
|
In Houston, in |
|
Oslo, the contents are read slow. |
|
And no scents and no seas. |
|
It's hard times. |
|
It's hard speak. |
|
And tongues crack and jaws fall. |
|
In high tents and |
|
I stall out. |
|
Then I'm already on the stairs. |
|
My hands are dry. |
|
My legs are bare. |
|
My feet can't slip across the floor. |
|
Take on the door. |
|
Take on the door. |
|
Six seas, five prints for |
|
Houston. Poor |
|
Mickey spits. |
|
Sidecars will put you in the grave. |
|
Slick sights, they treat you just the same. |
|
Each time, we hear another call |
|
I want it less. |
|
You want it more. |
|
Clowns take the bitter, bitter share. |
|
Sidestep the street. |
|
Watch what she wears. |
|
I can't leave you here |