歌曲 | Act Won (Things Fall Apart) - Album Version (Explicit) |
歌手 | The Roots |
专辑 | Things Fall Apart |
下载 | Image LRC TXT |
作曲 : Ahmir Thompson | |
作词 : Lee, Thompson | |
You are all... | |
We don't even come to see our own, man. | |
Listen, Freddy, listen... | |
If we had to depend upon black people to eat, | |
We would starve to death. | |
You've been out there, | |
You on the bandstand, | |
You look out there, What do you see? | |
You see Japanese, you see... you see West Germans, | |
You see Slobovic, you know, anything, except our people man. | |
It makes no sense, it incenses me that our own people | |
Don't realize our own heritage, our own culture. | |
This is our music. | |
That's bullshit! | |
Why? | |
That's all bullshit. Everything, everything you just said is bullshit. | |
You're complaining about- | |
I'm talking about the audience. | |
That's right. | |
The people don't come because you grandiose motherfuckers don't play | |
shit that they like. If you played the shit that they liked, | |
then the people would come. | |
Simple as that. | |
Inevitably, hip-hop records are treated as though they are disposable. | |
They are not maximized as product, not to mention as art. | |
First section is a scene from "Mo'Better Blues" by Spike Lee. | |
Second section is an unknown comment. |
zuo qu : Ahmir Thompson | |
zuo ci : Lee, Thompson | |
You are all... | |
We don' t even come to see our own, man. | |
Listen, Freddy, listen... | |
If we had to depend upon black people to eat, | |
We would starve to death. | |
You' ve been out there, | |
You on the bandstand, | |
You look out there, What do you see? | |
You see Japanese, you see... you see West Germans, | |
You see Slobovic, you know, anything, except our people man. | |
It makes no sense, it incenses me that our own people | |
Don' t realize our own heritage, our own culture. | |
This is our music. | |
That' s bullshit! | |
Why? | |
That' s all bullshit. Everything, everything you just said is bullshit. | |
You' re complaining about | |
I' m talking about the audience. | |
That' s right. | |
The people don' t come because you grandiose motherfuckers don' t play | |
shit that they like. If you played the shit that they liked, | |
then the people would come. | |
Simple as that. | |
Inevitably, hiphop records are treated as though they are disposable. | |
They are not maximized as product, not to mention as art. | |
First section is a scene from " Mo' Better Blues" by Spike Lee. | |
Second section is an unknown comment. |
zuò qǔ : Ahmir Thompson | |
zuò cí : Lee, Thompson | |
You are all... | |
We don' t even come to see our own, man. | |
Listen, Freddy, listen... | |
If we had to depend upon black people to eat, | |
We would starve to death. | |
You' ve been out there, | |
You on the bandstand, | |
You look out there, What do you see? | |
You see Japanese, you see... you see West Germans, | |
You see Slobovic, you know, anything, except our people man. | |
It makes no sense, it incenses me that our own people | |
Don' t realize our own heritage, our own culture. | |
This is our music. | |
That' s bullshit! | |
Why? | |
That' s all bullshit. Everything, everything you just said is bullshit. | |
You' re complaining about | |
I' m talking about the audience. | |
That' s right. | |
The people don' t come because you grandiose motherfuckers don' t play | |
shit that they like. If you played the shit that they liked, | |
then the people would come. | |
Simple as that. | |
Inevitably, hiphop records are treated as though they are disposable. | |
They are not maximized as product, not to mention as art. | |
First section is a scene from " Mo' Better Blues" by Spike Lee. | |
Second section is an unknown comment. |