| 歌曲 | Desolation Row |
| 歌手 | Bob Dylan |
| 专辑 | The Bootleg Series, Vol. 7: No Direction Home - The Soundtrack |
| 下载 | Image LRC TXT |
| [00:05.19] | They're selling postcards of the hanging |
| [00:10.57] | They're painting the passports brown |
| [00:15.56] | The beauty parlor is filled with sailors |
| [00:21.13] | The circus is in town |
| [00:26.00] | Here comes the blind commissioner |
| [00:32.95] | They've got him in a trance |
| [00:38.00] | One hand is tied to the tight-rope walker |
| [00:40.64] | |
| [00:43.51] | The other is in his pants |
| [00:50.01] | And the riot squad they're restless |
| [00:55.33] | They need somewhere to go |
| [01:00.32] | As Lady and I look out tonight |
| [01:04.88] | From Desolation Row |
| [01:17.26] | Cinderella, she seems so easy |
| [01:22.64] | "It takes one to know one," she smiles |
| [01:27.20] | And puts her hands in her back pockets |
| [01:33.51] | Bette Davis style |
| [01:37.76] | And in comes Romeo, he's moaning |
| [01:41.76] | "You Belong to Me I Believe" |
| [01:47.72] | And someone says," You're in the wrong place, my friend |
| [01:52.90] | You better leave" |
| [01:57.40] | And the only sound that's left |
| [02:02.53] | After the ambulances go |
| [02:07.59] | Is Cinderella sweeping up |
| [02:10.15] | |
| [02:13.02] | On Desolation Row |
| [02:24.21] | Now the moon is almost hidden |
| [02:29.33] | The stars are beginning to hide |
| [02:34.71] | The fortunetelling lady |
| [02:39.02] | Has even taken all her things inside |
| [02:44.21] | All except for Cain and Abel |
| [02:49.14] | And the hunchback of Notre Dame |
| [02:54.40] | Everybody is making love |
| [02:59.08] | Or else expecting rain |
| [03:04.08] | And the Good Samaritan, he's dressing |
| [03:08.57] | He's getting ready for the show |
| [03:14.13] | He's going to the carnival tonight |
| [03:20.12] | On Desolation Row |
| [03:31.06] | Now Ophelia, she's 'neath the window |
| [03:36.18] | For her I feel so afraid |
| [03:41.12] | On her twenty-second birthday |
| [03:45.74] | She already is an old maid |
| [03:53.01] | To her, death is quite romantic |
| [03:58.45] | She wears an iron vest |
| [04:03.45] | Her profession's her religion |
| [04:08.26] | Her sin is her lifelessness |
| [04:13.07] | And though her eyes are fixed upon |
| [04:18.26] | Noah's great rainbow |
| [04:23.13] | She spends her time peeking |
| [04:26.76] | Into Desolation Row |
| [04:40.39] | Einstein, disguised as Robin Hood |
| [04:44.82] | With his memories in a trunk |
| [04:50.20] | Passed this way an hour ago |
| [04:54.64] | With his friend, a jealous monk |
| [05:02.14] | He looked so immaculately frightful |
| [05:07.14] | As he bummed a cigarette |
| [05:11.89] | Then he went off sniffing drainpipes |
| [05:16.39] | And reciting the alphabet |
| [05:21.51] | Now you would not think to look at him |
| [05:26.26] | But he was famous long ago |
| [05:31.51] | For playing the electric violin |
| [05:35.95] | On Desolation Row |
| [05:50.63] | Dr. Filth, he keeps his world |
| [05:55.76] | Inside of a leather cup |
| [06:00.32] | But all his sexless patients |
| [06:05.32] | They're trying to blow it up |
| [06:09.95] | Now his nurse, some local loser |
| [06:14.95] | She's in charge of the cyanide hose |
| [06:20.01] | And she also keeps the cards that read |
| [06:24.57] | "Have Mercy on His Soul" |
| [06:29.57] | They all play on penny whistles |
| [06:34.76] | You can hear them blow |
| [06:39.39] | If you lean your head out far enough |
| [06:43.88] | From Desolation Row |
| [06:58.64] | Across the street they've nailed the curtains |
| [07:03.00] | They're getting ready for the feast |
| [07:08.32] | The Phantom of the Opera |
| [07:12.57] | A perfect image of a priest |
| [07:19.07] | They're spoonfeeding Casanova |
| [07:24.07] | To get him to feel more assured |
| [07:28.57] | Then they'll kill him with self-confidence |
| [07:33.20] | After poisoning him with words |
| [07:40.63] | And the Phantom's shouting to skinny girls |
| [07:45.57] | "Get Outa Here If You Don't Know |
| [07:50.45] | Casanova is just being punished for going |
| [07:55.88] | To Desolation Row" |
| [08:11.70] | Now at midnight all the agents |
| [08:16.50] | And the superhuman crew |
| [08:21.69] | Come out and round up everyone |
| [08:26.01] | That knows more than they do |
| [08:35.44] | Then they bring them to the factory |
| [08:40.38] | Where the heart-attack machine |
| [08:45.19] | Is strapped across their shoulders |
| [08:49.63] | And then the kerosene |
| [08:52.44] | Is brought down from the castles |
| [08:59.01] | By insurance men who go |
| [09:04.00] | Check to see that nobody is escaping |
| [09:08.76] | To Desolation Row |
| [09:25.37] | Praise be to Nero's Neptune |
| [09:30.32] | The Titanic sails at dawn |
| [09:35.88] | And everybody's shouting |
| [09:40.31] | "Which Side Are You On?" |
| [09:46.57] | And Ezra Pound and T. S. Eliot |
| [09:51.75] | Fighting in the captain's tower |
| [09:56.07] | While calypso singers laugh at them |
| [10:00.82] | And fishermen hold flowers |
| [10:06.01] | Between the windows of the sea |
| [10:10.69] | Where lovely mermaids flow |
| [10:15.44] | And nobody has to think too much |
| [10:19.82] | About Desolation Row |
| [10:34.07] | Yes, I received your letter yesterday |
| [10:38.56] | (About the time the door knob broke) |
| [10:43.19] | When you asked how I was doing |
| [10:48.38] | Was that some kind of joke? |
| [10:54.38] | All these people that you mention |
| [11:00.94] | Yes, I know them, they're quite lame |
| [11:05.81] | I had to rearrange their faces |
| [11:10.50] | And give them all another name |
| [11:18.01] | Right now I can't read too good |
| [11:22.38] | Don't send me no more letters no |
| [11:25.63] | Not unless you mail them |
| [11:31.13] | From Desolation Row |
| [00:05.19] | They' re selling postcards of the hanging |
| [00:10.57] | They' re painting the passports brown |
| [00:15.56] | The beauty parlor is filled with sailors |
| [00:21.13] | The circus is in town |
| [00:26.00] | Here comes the blind commissioner |
| [00:32.95] | They' ve got him in a trance |
| [00:38.00] | One hand is tied to the tightrope walker |
| [00:40.64] | |
| [00:43.51] | The other is in his pants |
| [00:50.01] | And the riot squad they' re restless |
| [00:55.33] | They need somewhere to go |
| [01:00.32] | As Lady and I look out tonight |
| [01:04.88] | From Desolation Row |
| [01:17.26] | Cinderella, she seems so easy |
| [01:22.64] | " It takes one to know one," she smiles |
| [01:27.20] | And puts her hands in her back pockets |
| [01:33.51] | Bette Davis style |
| [01:37.76] | And in comes Romeo, he' s moaning |
| [01:41.76] | " You Belong to Me I Believe" |
| [01:47.72] | And someone says," You' re in the wrong place, my friend |
| [01:52.90] | You better leave" |
| [01:57.40] | And the only sound that' s left |
| [02:02.53] | After the ambulances go |
| [02:07.59] | Is Cinderella sweeping up |
| [02:10.15] | |
| [02:13.02] | On Desolation Row |
| [02:24.21] | Now the moon is almost hidden |
| [02:29.33] | The stars are beginning to hide |
| [02:34.71] | The fortunetelling lady |
| [02:39.02] | Has even taken all her things inside |
| [02:44.21] | All except for Cain and Abel |
| [02:49.14] | And the hunchback of Notre Dame |
| [02:54.40] | Everybody is making love |
| [02:59.08] | Or else expecting rain |
| [03:04.08] | And the Good Samaritan, he' s dressing |
| [03:08.57] | He' s getting ready for the show |
| [03:14.13] | He' s going to the carnival tonight |
| [03:20.12] | On Desolation Row |
| [03:31.06] | Now Ophelia, she' s ' neath the window |
| [03:36.18] | For her I feel so afraid |
| [03:41.12] | On her twentysecond birthday |
| [03:45.74] | She already is an old maid |
| [03:53.01] | To her, death is quite romantic |
| [03:58.45] | She wears an iron vest |
| [04:03.45] | Her profession' s her religion |
| [04:08.26] | Her sin is her lifelessness |
| [04:13.07] | And though her eyes are fixed upon |
| [04:18.26] | Noah' s great rainbow |
| [04:23.13] | She spends her time peeking |
| [04:26.76] | Into Desolation Row |
| [04:40.39] | Einstein, disguised as Robin Hood |
| [04:44.82] | With his memories in a trunk |
| [04:50.20] | Passed this way an hour ago |
| [04:54.64] | With his friend, a jealous monk |
| [05:02.14] | He looked so immaculately frightful |
| [05:07.14] | As he bummed a cigarette |
| [05:11.89] | Then he went off sniffing drainpipes |
| [05:16.39] | And reciting the alphabet |
| [05:21.51] | Now you would not think to look at him |
| [05:26.26] | But he was famous long ago |
| [05:31.51] | For playing the electric violin |
| [05:35.95] | On Desolation Row |
| [05:50.63] | Dr. Filth, he keeps his world |
| [05:55.76] | Inside of a leather cup |
| [06:00.32] | But all his sexless patients |
| [06:05.32] | They' re trying to blow it up |
| [06:09.95] | Now his nurse, some local loser |
| [06:14.95] | She' s in charge of the cyanide hose |
| [06:20.01] | And she also keeps the cards that read |
| [06:24.57] | " Have Mercy on His Soul" |
| [06:29.57] | They all play on penny whistles |
| [06:34.76] | You can hear them blow |
| [06:39.39] | If you lean your head out far enough |
| [06:43.88] | From Desolation Row |
| [06:58.64] | Across the street they' ve nailed the curtains |
| [07:03.00] | They' re getting ready for the feast |
| [07:08.32] | The Phantom of the Opera |
| [07:12.57] | A perfect image of a priest |
| [07:19.07] | They' re spoonfeeding Casanova |
| [07:24.07] | To get him to feel more assured |
| [07:28.57] | Then they' ll kill him with selfconfidence |
| [07:33.20] | After poisoning him with words |
| [07:40.63] | And the Phantom' s shouting to skinny girls |
| [07:45.57] | " Get Outa Here If You Don' t Know |
| [07:50.45] | Casanova is just being punished for going |
| [07:55.88] | To Desolation Row" |
| [08:11.70] | Now at midnight all the agents |
| [08:16.50] | And the superhuman crew |
| [08:21.69] | Come out and round up everyone |
| [08:26.01] | That knows more than they do |
| [08:35.44] | Then they bring them to the factory |
| [08:40.38] | Where the heartattack machine |
| [08:45.19] | Is strapped across their shoulders |
| [08:49.63] | And then the kerosene |
| [08:52.44] | Is brought down from the castles |
| [08:59.01] | By insurance men who go |
| [09:04.00] | Check to see that nobody is escaping |
| [09:08.76] | To Desolation Row |
| [09:25.37] | Praise be to Nero' s Neptune |
| [09:30.32] | The Titanic sails at dawn |
| [09:35.88] | And everybody' s shouting |
| [09:40.31] | " Which Side Are You On?" |
| [09:46.57] | And Ezra Pound and T. S. Eliot |
| [09:51.75] | Fighting in the captain' s tower |
| [09:56.07] | While calypso singers laugh at them |
| [10:00.82] | And fishermen hold flowers |
| [10:06.01] | Between the windows of the sea |
| [10:10.69] | Where lovely mermaids flow |
| [10:15.44] | And nobody has to think too much |
| [10:19.82] | About Desolation Row |
| [10:34.07] | Yes, I received your letter yesterday |
| [10:38.56] | About the time the door knob broke |
| [10:43.19] | When you asked how I was doing |
| [10:48.38] | Was that some kind of joke? |
| [10:54.38] | All these people that you mention |
| [11:00.94] | Yes, I know them, they' re quite lame |
| [11:05.81] | I had to rearrange their faces |
| [11:10.50] | And give them all another name |
| [11:18.01] | Right now I can' t read too good |
| [11:22.38] | Don' t send me no more letters no |
| [11:25.63] | Not unless you mail them |
| [11:31.13] | From Desolation Row |
| [00:05.19] | They' re selling postcards of the hanging |
| [00:10.57] | They' re painting the passports brown |
| [00:15.56] | The beauty parlor is filled with sailors |
| [00:21.13] | The circus is in town |
| [00:26.00] | Here comes the blind commissioner |
| [00:32.95] | They' ve got him in a trance |
| [00:38.00] | One hand is tied to the tightrope walker |
| [00:40.64] | |
| [00:43.51] | The other is in his pants |
| [00:50.01] | And the riot squad they' re restless |
| [00:55.33] | They need somewhere to go |
| [01:00.32] | As Lady and I look out tonight |
| [01:04.88] | From Desolation Row |
| [01:17.26] | Cinderella, she seems so easy |
| [01:22.64] | " It takes one to know one," she smiles |
| [01:27.20] | And puts her hands in her back pockets |
| [01:33.51] | Bette Davis style |
| [01:37.76] | And in comes Romeo, he' s moaning |
| [01:41.76] | " You Belong to Me I Believe" |
| [01:47.72] | And someone says," You' re in the wrong place, my friend |
| [01:52.90] | You better leave" |
| [01:57.40] | And the only sound that' s left |
| [02:02.53] | After the ambulances go |
| [02:07.59] | Is Cinderella sweeping up |
| [02:10.15] | |
| [02:13.02] | On Desolation Row |
| [02:24.21] | Now the moon is almost hidden |
| [02:29.33] | The stars are beginning to hide |
| [02:34.71] | The fortunetelling lady |
| [02:39.02] | Has even taken all her things inside |
| [02:44.21] | All except for Cain and Abel |
| [02:49.14] | And the hunchback of Notre Dame |
| [02:54.40] | Everybody is making love |
| [02:59.08] | Or else expecting rain |
| [03:04.08] | And the Good Samaritan, he' s dressing |
| [03:08.57] | He' s getting ready for the show |
| [03:14.13] | He' s going to the carnival tonight |
| [03:20.12] | On Desolation Row |
| [03:31.06] | Now Ophelia, she' s ' neath the window |
| [03:36.18] | For her I feel so afraid |
| [03:41.12] | On her twentysecond birthday |
| [03:45.74] | She already is an old maid |
| [03:53.01] | To her, death is quite romantic |
| [03:58.45] | She wears an iron vest |
| [04:03.45] | Her profession' s her religion |
| [04:08.26] | Her sin is her lifelessness |
| [04:13.07] | And though her eyes are fixed upon |
| [04:18.26] | Noah' s great rainbow |
| [04:23.13] | She spends her time peeking |
| [04:26.76] | Into Desolation Row |
| [04:40.39] | Einstein, disguised as Robin Hood |
| [04:44.82] | With his memories in a trunk |
| [04:50.20] | Passed this way an hour ago |
| [04:54.64] | With his friend, a jealous monk |
| [05:02.14] | He looked so immaculately frightful |
| [05:07.14] | As he bummed a cigarette |
| [05:11.89] | Then he went off sniffing drainpipes |
| [05:16.39] | And reciting the alphabet |
| [05:21.51] | Now you would not think to look at him |
| [05:26.26] | But he was famous long ago |
| [05:31.51] | For playing the electric violin |
| [05:35.95] | On Desolation Row |
| [05:50.63] | Dr. Filth, he keeps his world |
| [05:55.76] | Inside of a leather cup |
| [06:00.32] | But all his sexless patients |
| [06:05.32] | They' re trying to blow it up |
| [06:09.95] | Now his nurse, some local loser |
| [06:14.95] | She' s in charge of the cyanide hose |
| [06:20.01] | And she also keeps the cards that read |
| [06:24.57] | " Have Mercy on His Soul" |
| [06:29.57] | They all play on penny whistles |
| [06:34.76] | You can hear them blow |
| [06:39.39] | If you lean your head out far enough |
| [06:43.88] | From Desolation Row |
| [06:58.64] | Across the street they' ve nailed the curtains |
| [07:03.00] | They' re getting ready for the feast |
| [07:08.32] | The Phantom of the Opera |
| [07:12.57] | A perfect image of a priest |
| [07:19.07] | They' re spoonfeeding Casanova |
| [07:24.07] | To get him to feel more assured |
| [07:28.57] | Then they' ll kill him with selfconfidence |
| [07:33.20] | After poisoning him with words |
| [07:40.63] | And the Phantom' s shouting to skinny girls |
| [07:45.57] | " Get Outa Here If You Don' t Know |
| [07:50.45] | Casanova is just being punished for going |
| [07:55.88] | To Desolation Row" |
| [08:11.70] | Now at midnight all the agents |
| [08:16.50] | And the superhuman crew |
| [08:21.69] | Come out and round up everyone |
| [08:26.01] | That knows more than they do |
| [08:35.44] | Then they bring them to the factory |
| [08:40.38] | Where the heartattack machine |
| [08:45.19] | Is strapped across their shoulders |
| [08:49.63] | And then the kerosene |
| [08:52.44] | Is brought down from the castles |
| [08:59.01] | By insurance men who go |
| [09:04.00] | Check to see that nobody is escaping |
| [09:08.76] | To Desolation Row |
| [09:25.37] | Praise be to Nero' s Neptune |
| [09:30.32] | The Titanic sails at dawn |
| [09:35.88] | And everybody' s shouting |
| [09:40.31] | " Which Side Are You On?" |
| [09:46.57] | And Ezra Pound and T. S. Eliot |
| [09:51.75] | Fighting in the captain' s tower |
| [09:56.07] | While calypso singers laugh at them |
| [10:00.82] | And fishermen hold flowers |
| [10:06.01] | Between the windows of the sea |
| [10:10.69] | Where lovely mermaids flow |
| [10:15.44] | And nobody has to think too much |
| [10:19.82] | About Desolation Row |
| [10:34.07] | Yes, I received your letter yesterday |
| [10:38.56] | About the time the door knob broke |
| [10:43.19] | When you asked how I was doing |
| [10:48.38] | Was that some kind of joke? |
| [10:54.38] | All these people that you mention |
| [11:00.94] | Yes, I know them, they' re quite lame |
| [11:05.81] | I had to rearrange their faces |
| [11:10.50] | And give them all another name |
| [11:18.01] | Right now I can' t read too good |
| [11:22.38] | Don' t send me no more letters no |
| [11:25.63] | Not unless you mail them |
| [11:31.13] | From Desolation Row |
| [00:05.19] | 他们把那张处私刑绞死的照片当作明信片来卖 |
| [00:10.57] | 他们把护照都刷成了咖啡色 |
| [00:15.56] | 美容院里挤满了水手 |
| [00:21.13] | 马戏团也已巡游至此 |
| [00:26.00] | 这边厢来了位瞎子参议院 |
| [00:32.95] | 大家看着他晃晃悠悠,恍恍惚惚 |
| [00:38.00] | 一只手和一个走钢丝的人一起绑着 |
| [00:43.51] | 另一只手插在裤子里 |
| [00:50.01] | 暴乱的队伍已经焦躁不安 |
| [00:55.33] | 他们需要去某个新的地方 |
| [01:00.32] | 女士与我,正向外望着, |
| [01:04.88] | 从这条荒凉小街。 |
| [01:17.26] | 灰姑娘,看上去如此随意 |
| [01:22.64] | "彼此彼此啦",她微笑着说 |
| [01:27.20] | 然后把双手***后面的口袋 |
| [01:33.51] | 活脱一副贝蒂戴维斯的老明星范儿 |
| [01:37.76] | 那边厢罗密欧又过来,苦逼着脸悲叹: |
| [01:41.76] | "你是属于我的,我相信!" |
| [01:47.72] | "朋友,你来错地方咯",另一些人赶紧说, |
| [01:52.90] | "你最好还是马上走。" |
| [01:57.40] | 最后唯一剩下的声响 |
| [02:02.53] | 当救护车已经远去, |
| [02:07.59] | 只有灰姑娘,默默地扫地。 |
| [02:13.02] | 在那条荒凉小街上, |
| [02:24.21] | 现在,月亮几乎已经没影了 |
| [02:29.33] | 星星也开始躲了起来 |
| [02:34.71] | 那个算命的占卜女巫 |
| [02:39.02] | 也已把她的鬼把戏都收拾妥当 |
| [02:44.21] | 除了该隐和亚伯 |
| [02:49.14] | 和钟楼怪人卡西莫多 |
| [02:54.40] | 每个人都正忙着** |
| [02:59.08] | 或期待老天能下场雨 |
| [03:04.08] | 那个乐善好施的撒玛利亚人,他正在精心打扮 |
| [03:08.57] | 正为一个派对做着准备 |
| [03:14.13] | 今晚他将出席,举办的一场狂欢嘉年华 |
| [03:20.12] | 在荒凉小街上, |
| [03:31.06] | 奥菲利娅,她靠在窗前 |
| [03:36.18] | 对她我感到很害怕 |
| [03:41.12] | 在她22岁生日的那天 |
| [03:45.74] | 已然变成了一个大龄的女仆 |
| [03:53.01] | 死亡对她来说是那么地罗曼蒂克 |
| [03:58.45] | 她穿着一件铁制的背心 |
| [04:03.45] | 宗教信仰是她的职业 |
| [04:08.26] | 枯燥乏味却是她犯下的罪孽 |
| [04:13.07] | 虽然她的双眸紧紧地凝视 |
| [04:18.26] | 诺亚的那道伟大的彩虹 |
| [04:23.13] | 但她也会花一点点的时间,偷瞥一眼, |
| [04:26.76] | 荒凉小街上所发生的一切 |
| [04:40.39] | 爱因斯坦把自己假扮成罗宾汉 |
| [04:44.82] | 拎着一只鼓鼓的装满自己回忆的旅行箱 |
| [04:50.20] | 一个小时前刚刚路过这儿 |
| [04:54.64] | 带着他的朋友,一个嫉妒的和尚 |
| [05:02.14] | 他看上去如此彻底地胆战心惊 |
| [05:07.14] | 当他乞讨一根香烟的时候 |
| [05:11.89] | 然后他凑上去,闻了一闻排水管的气味 |
| [05:16.39] | 并背诵起英语字母表来 |
| [05:21.51] | 你甚至都不愿去瞧他一眼 |
| [05:26.26] | 但他确实在很久以前就已经红了 |
| [05:31.51] | 凭着表演拉电子提琴 |
| [05:35.95] | 在这条荒凉小街上 |
| [05:50.63] | 费斯博士,把自己的世界 |
| [05:55.76] | 放在一只皮质的杯子里 |
| [06:00.32] | 而他所有的性冷淡病人们 |
| [06:05.32] | 却都试着要把它炸掉 |
| [06:09.95] | 他的护士,某个当地的失意者 |
| [06:14.95] | 她负责看管放***的洞口 |
| [06:20.01] | 同时还会保存着那些卡片 |
| [06:24.57] | 上面写着"愿上帝垂怜他的灵魂" |
| [06:29.57] | 他们都会吹那种六孔小竖笛 |
| [06:34.76] | 你随时都可以听见他们的笛音 |
| [06:39.39] | 只要你伸出你的脑袋,足够远地, |
| [06:43.88] | 从那条荒凉小街。 |
| [06:58.64] | 过了大街,人们已经钉妥帘幕 |
| [07:03.00] | 大家都在迎接一场盛宴 |
| [07:08.32] | 那个歌剧院的幽灵 |
| [07:12.57] | 打扮成一副完美的祭祀的模样 |
| [07:19.07] | 人们在一勺一勺地喂食卡萨诺瓦 |
| [07:24.07] | 让他感觉更加地明白 |
| [07:28.57] | 然后他们会以自信的罪名杀害他 |
| [07:33.20] | 而在那之前,先用语言来毒死他 |
| [07:40.63] | 接着幽灵朝着皮包骨头的姑娘们咆哮: |
| [07:45.57] | "从这儿滚出去,假如你们还搞不清楚的话" |
| [07:50.45] | "卡萨诺瓦正在接受严厉惩戒,只因他跑去了, |
| [07:55.88] | 那条荒凉小街。" |
| [08:11.70] | 午夜,所有的特工们 |
| [08:16.50] | 和超级人类联盟 |
| [08:21.69] | 四处围捕每一个 |
| [08:26.01] | 知道得比他们还多的人 |
| [08:35.44] | 他们把他们带进工厂 |
| [08:40.38] | 那里有台心脏撞击机 |
| [08:45.19] | 它被绑在捉来人们的肩膀上 |
| [08:49.63] | 然后是煤油 |
| [08:52.44] | 从城堡中流淌下来 |
| [08:59.01] | 某个保险推销员会去查看 |
| [09:04.00] | 确定是否真的没人能够逃脱, |
| [09:08.76] | 去往那条荒凉小街 |
| [09:25.37] | 归功于尼禄的海神 |
| [09:30.32] | 泰坦尼克号在黎明时分启航 |
| [09:35.88] | 每个人都在咋呼: |
| [09:40.31] | "你到底是站在哪一边?" |
| [09:46.57] | 艾泽拉庞德与TS艾略特 |
| [09:51.75] | 在船长的暸望塔里掐起架来 |
| [09:56.07] | "加力骚"音乐的歌手们嘲笑着他们 |
| [10:00.82] | 钓鱼者正手握着鲜花 |
| [10:06.01] | 在窗户之间的海洋上 |
| [10:10.69] | 可爱的美人鱼来回游弋 |
| [10:15.44] | 没有人需要思考太多, |
| [10:19.82] | 关于那条荒凉小街 |
| [10:34.07] | 是的,我昨天收到了你的来信 |
| [10:38.56] | (门把手突然坏了) |
| [10:43.19] | 当你问到我最近如何的时候 |
| [10:48.38] | 这算不算是一个笑话? |
| [10:54.38] | 你提到的所有这些人们 |
| [11:00.94] | 是的,我都认识,他们都瘸了 |
| [11:05.81] | 我必须重新组合他们的面孔 |
| [11:10.50] | 并各取一个新的名字 |
| [11:18.01] | 现在我并不怎么能阅读了 |
| [11:22.38] | 请不要再给我寄信,不要再寄了 |
| [11:25.63] | 除非,你是从 |
| [11:31.13] | 荒凉小街上,将它们一一寄出 |