| 歌曲 | Approach To Danger |
| 歌手 | N.W.A |
| 专辑 | Best Of |
| [00:00.000] | 作词 : DOC, Doctor Dre, MC Ren, Yella |
| [00:01.940] | What you want is an unexpected approach |
| [00:06.440] | That may delay a suspects awareness of your presence, |
| [00:10.380] | |
| [00:11.070] | Until you have a chance to assist the situation you are confronted. |
| [00:14.750] | Approach to danger, don't move |
| [00:19.880] | It's hard to predict what will happen next. |
| [00:22.320] | (Oh shit, he has a gun!) drop the gun |
| [00:24.500] | You could've prevented a tragedy. |
| [00:25.570] | You can approach, but the danger-light is blinking, |
| [00:28.130] | A self-desctruct button is activated when I'm thinking. |
| [00:30.570] | This is a tribulation, the weakened judge |
| [00:33.130] | The prophecy was fulfilled cause I never budge. |
| [00:35.690] | I took up the tools, crucifixion was the extreme |
| [00:37.880] | They're seeing doubles of me, but it wasn't a dream. |
| [00:41.010] | One vision was of life, the other was death |
| [00:43.250] | Then I didn't give a **** if death took your last breath. |
| [00:46.320] | So you burn in my pit that I call hell |
| [00:48.570] | Where you got send because your shit don't sell. |
| [00:50.940] | My twenty-twenty was blurry from the smoke |
| [00:53.130] | Of the b*****s that I burned and tormented but I didn't choke. |
| [00:56.130] | I started doing 'em, I kept on doing 'em |
| [00:58.570] | Do 'em for shoot 'em up till that b***h Ren was booing 'em. |
| [01:01.510] | And my presence to the suckers was of a stranger |
| [01:03.880] | But **** it, they can approach to the danger. |
| [01:06.190] | If you can be seen, you can be hit. |
| [01:08.940] | If you can be hit, you can be killed. |
| [01:12.010] | （He's on the line! Shoot him!） |
| [01:13.690] | Fatal approach to danger, just to remain a strangeler |
| [01:15.880] | Outrun, the shot of a gun with a ganger. |
| [01:17.880] | Murder in the first degree, but it's worse to be |
| [01:21.320] | A dead mother****er or a b***h in custody. |
| [01:24.010] | With everybody thinking of death I kept working |
| [01:26.760] | To be one of the last b*****s left. |
| [01:28.820] | |
| [01:29.510] | So many people looking for hope, they're broke |
| [01:31.450] | Without checking the fingerprints on the mother****ers' throat. |
| [01:33.190] | A heart of steal can reveil the real b***h in me |
| [01:36.700] | So figuring to see the D-E-A-D |
| [01:38.690] | Bodies like a b***h's straight walking in a cemetary |
| [01:41.390] | So it's very necesarry to carry ammunition for b*****s wishing, |
| [01:45.190] | But they better take caution, before Dre goes off |
| [01:48.950] | And starts killing mother****ers |
| [01:50.950] | Just in order to change the anger for the real b***h |
| [01:53.440] | When I approach to danger |
| [01:55.130] | |
| [01:58.260] | Approach the mother****er danger |
| [01:59.580] | Come back to hell and send me some time... （this is it y'all） |
| [02:03.570] | Final approach to danger, death, destruction around every corner, |
| [02:07.380] | Another dead body and you wanna keep running. |
| [02:10.260] | But even the rain turns black |
| [02:12.070] | All you can do is stay alert to try to say out of the search-light. |
| [02:15.440] | No prison, nobody makes bail |
| [02:16.880] | Everybody gotta go but see, it ain't no jail. |
| [02:19.450] | Think about death, taking your last breath |
| [02:21.820] | Heart beating like a mother****er like there ain't no time left. |
| [02:25.320] | For so many ways to stay up, I gotta get mine |
| [02:28.140] | Even though they wanna make a crime. |
| [02:29.760] | Yo, I'm being real, a better or latter in the beginning |
| [02:32.700] | Because it will release the ****ing police. |
| [02:34.700] | **** 'em, I approach to danger |
| [02:36.260] | Cause I don't give a **** if somebody gotta get ****ed up. |
| [02:39.440] | So you might as well kiss your ass goodbye |
| [02:42.510] | Cause in the long run... （we'll all die） |
| [00:00.000] | zuò cí : DOC, Doctor Dre, MC Ren, Yella |
| [00:01.940] | What you want is an unexpected approach |
| [00:06.440] | That may delay a suspects awareness of your presence, |
| [00:10.380] | |
| [00:11.070] | Until you have a chance to assist the situation you are confronted. |
| [00:14.750] | Approach to danger, don' t move |
| [00:19.880] | It' s hard to predict what will happen next. |
| [00:22.320] | Oh shit, he has a gun! drop the gun |
| [00:24.500] | You could' ve prevented a tragedy. |
| [00:25.570] | You can approach, but the dangerlight is blinking, |
| [00:28.130] | A selfdesctruct button is activated when I' m thinking. |
| [00:30.570] | This is a tribulation, the weakened judge |
| [00:33.130] | The prophecy was fulfilled cause I never budge. |
| [00:35.690] | I took up the tools, crucifixion was the extreme |
| [00:37.880] | They' re seeing doubles of me, but it wasn' t a dream. |
| [00:41.010] | One vision was of life, the other was death |
| [00:43.250] | Then I didn' t give a if death took your last breath. |
| [00:46.320] | So you burn in my pit that I call hell |
| [00:48.570] | Where you got send because your shit don' t sell. |
| [00:50.940] | My twentytwenty was blurry from the smoke |
| [00:53.130] | Of the b s that I burned and tormented but I didn' t choke. |
| [00:56.130] | I started doing ' em, I kept on doing ' em |
| [00:58.570] | Do ' em for shoot ' em up till that b h Ren was booing ' em. |
| [01:01.510] | And my presence to the suckers was of a stranger |
| [01:03.880] | But it, they can approach to the danger. |
| [01:06.190] | If you can be seen, you can be hit. |
| [01:08.940] | If you can be hit, you can be killed. |
| [01:12.010] | He' s on the line! Shoot him! |
| [01:13.690] | Fatal approach to danger, just to remain a strangeler |
| [01:15.880] | Outrun, the shot of a gun with a ganger. |
| [01:17.880] | Murder in the first degree, but it' s worse to be |
| [01:21.320] | A dead mother er or a b h in custody. |
| [01:24.010] | With everybody thinking of death I kept working |
| [01:26.760] | To be one of the last b s left. |
| [01:28.820] | |
| [01:29.510] | So many people looking for hope, they' re broke |
| [01:31.450] | Without checking the fingerprints on the mother ers' throat. |
| [01:33.190] | A heart of steal can reveil the real b h in me |
| [01:36.700] | So figuring to see the DEAD |
| [01:38.690] | Bodies like a b h' s straight walking in a cemetary |
| [01:41.390] | So it' s very necesarry to carry ammunition for b s wishing, |
| [01:45.190] | But they better take caution, before Dre goes off |
| [01:48.950] | And starts killing mother ers |
| [01:50.950] | Just in order to change the anger for the real b h |
| [01:53.440] | When I approach to danger |
| [01:55.130] | |
| [01:58.260] | Approach the mother er danger |
| [01:59.580] | Come back to hell and send me some time... this is it y' all |
| [02:03.570] | Final approach to danger, death, destruction around every corner, |
| [02:07.380] | Another dead body and you wanna keep running. |
| [02:10.260] | But even the rain turns black |
| [02:12.070] | All you can do is stay alert to try to say out of the searchlight. |
| [02:15.440] | No prison, nobody makes bail |
| [02:16.880] | Everybody gotta go but see, it ain' t no jail. |
| [02:19.450] | Think about death, taking your last breath |
| [02:21.820] | Heart beating like a mother er like there ain' t no time left. |
| [02:25.320] | For so many ways to stay up, I gotta get mine |
| [02:28.140] | Even though they wanna make a crime. |
| [02:29.760] | Yo, I' m being real, a better or latter in the beginning |
| [02:32.700] | Because it will release the ing police. |
| [02:34.700] | ' em, I approach to danger |
| [02:36.260] | Cause I don' t give a if somebody gotta get ed up. |
| [02:39.440] | So you might as well kiss your ass goodbye |
| [02:42.510] | Cause in the long run... we' ll all die |
| [00:01.940] | nǐ kě wàng de shì yī cì chū qí bù yì de jiē jìn |
| [00:06.440] | zhè huò xǔ néng yán huǎn xián fàn duì nǐ cún zài de chá jué |
| [00:10.380] | |
| [00:11.070] | zhí dào nǐ yǒu jī huì zhǎng kòng dāng qián duì zhì de jú miàn |
| [00:14.750] | wēi xiǎn bī jìn bù xǔ dòng |
| [00:19.880] | xià yī miǎo huì fā shēng shén me nán yǐ yù liào |
| [00:22.320] | zāo le tā yǒu qiāng! fàng xià qiāng |
| [00:24.500] | nǐ běn kě yǐ zǔ zhǐ zhè chǎng bēi jù |
| [00:25.570] | nǐ kě yǐ kào jìn dàn wēi xiǎn xìn hào dēng zài shǎn shuò |
| [00:28.130] | dāng wǒ sī kǎo shí zì huǐ àn niǔ yǐ rán qǐ dòng |
| [00:30.570] | zhè shì chǎng kǎo yàn xū ruò de shěn pàn zhě |
| [00:33.130] | yù yán zhōng jiāng yìng yàn yīn wǒ cóng bù tuì ràng |
| [00:35.690] | wǒ ná qǐ gōng jù jí xíng biàn shì shí zì jià |
| [00:37.880] | tā men kàn jiàn wǒ de chóng yǐng dàn zhè bìng fēi huàn mèng |
| [00:41.010] | yí gè jǐng xiàng shì shēng lìng yí gè shì sǐ |
| [00:43.250] | nà shí wǒ gēn běn bù zài hu sǐ wáng huì duó zǒu nǐ zuì hòu hū xī |
| [00:46.320] | suǒ yǐ nǐ zài wǒ chēng wéi dì yù de shēn yuān rán shāo |
| [00:48.570] | bèi diū jìn zhè lǐ zhǐ yīn nǐ de fèi wù háo wú jià zhí |
| [00:50.940] | wǒ de shì xiàn yīn nóng yān biàn de mó hu |
| [00:53.130] | lái zì nèi xiē bèi wǒ fén shāo zhé mó què wèi zhì xī de jiàn rén |
| [00:56.130] | wǒ kāi shǐ gàn tā men chí xù gàn tā men |
| [00:58.570] | gàn dào qiāng shēng xiǎng qǐ zhí dào nà gè biǎo zǐ rèn fā chū xū shēng |
| [01:01.510] | wǒ duì fèi wù men ér yán rú tóng mò kè |
| [01:03.880] | dàn qù tā mā de ba tā men jǐn kě jiē jìn wēi xiǎn |
| [01:06.190] | ruò nǐ kě jiàn biàn kě bèi jī zhòng |
| [01:08.940] | ruò bèi jī zhòng biàn kě bèi shā sǐ |
| [01:12.010] | tā zài miáo zhǔn! kāi qiāng! |
| [01:13.690] | zhì mìng de wēi xiǎn jiē jìn zhǐ wèi bǎo chí jiǎo xíng zhě zī tài |
| [01:15.880] | shǎn bì dài zhe bāng pài yìn jì de zǐ dàn guǐ jī |
| [01:17.880] | yī jí móu shā dàn gèng zāo de shì chéng wéi |
| [01:21.320] | yī jù sǐ tòu de làn ròu huò jiē xià qiú biǎo zǐ |
| [01:24.010] | dāng suǒ yǒu rén dōu zài xiǎng zhe sǐ wáng shí wǒ jì xù xíng dòng |
| [01:26.760] | zhǐ wèi chéng wéi zuì hòu xìng cún de jiàn rén zhī yī |
| [01:28.820] | |
| [01:29.510] | tài duō rén xún zhǎo xī wàng tā men pò chǎn le |
| [01:31.450] | què cóng méi jiǎn chá guò nèi xiē hún dàn hóu lóng shàng de zhǐ wén |
| [01:33.190] | gāng tiě zhī xīn néng jiē lù wǒ tǐ nèi zhēn shí de jiàn xìng |
| [01:36.700] | suǒ yǐ zhǔn bèi hǎo jiàn shí DEAD |
| [01:38.690] | shī tǐ rú biǎo zǐ bān jìng zhí zǒu rù mù yuán |
| [01:41.390] | yīn cǐ xié dài dàn yào duì fù xǔ yuàn de jiàn rén hěn yǒu bì yào |
| [01:45.190] | dàn tā men zuì hǎo xiǎo xīn zài Dre bào fā zhī qián |
| [01:48.950] | kāi shǐ tú shā nèi xiē hún dàn |
| [01:50.950] | zhǐ wèi zhuǎn huà duì zhēn shí jiàn rén de fèn nù |
| [01:53.440] | dāng wǒ bī jìn wēi xiǎn shí |
| [01:55.130] | |
| [01:58.260] | jiē jìn nà gè gāi sǐ de wēi xiǎn |
| [01:59.580] | huí dào dì yù gěi wǒ shāo xiē shí jiān... jiù shì xiàn zài |
| [02:03.570] | zuì zhōng de wēi xiǎn lín jìn sǐ wáng měi gè zhuǎn jiǎo dōu shì huǐ miè |
| [02:07.380] | yòu yī jù shī tǐ ér nǐ zhǐ xiǎng jì xù táo cuàn |
| [02:10.260] | dàn lián yǔ shuǐ dōu biàn chéng hēi sè |
| [02:12.070] | nǐ zhǐ néng bǎo chí jǐng jué shì tú bì kāi tàn zhào dēng |
| [02:15.440] | méi yǒu jiān yù wú rén néng bǎo shì |
| [02:16.880] | suǒ yǒu rén dōu dé zǒu dàn tīng zhe zhè lǐ bú shì láo fáng |
| [02:19.450] | xiǎng zhe sǐ wáng yàn xià zuì hòu yī kǒu qì |
| [02:21.820] | xīn zàng xiàng tā mā kuài méi shí jiān bān kuáng tiào |
| [02:25.320] | zhè me duō shēng cún zhī dào wǒ bì xū de dào wǒ de |
| [02:28.140] | jǐn guǎn tā men xiǎng gěi wǒ dìng zuì |
| [02:29.760] | tīng zhe wǒ hěn qīng xǐng chí zǎo huì yǒu kāi shǐ |
| [02:32.700] | yīn wèi zhè zhōng huì yǐn lái gāi sǐ de jǐng chá |
| [02:34.700] | qù tā men de wǒ zhí miàn wēi xiǎn |
| [02:36.260] | yīn wèi wǒ gēn běn bù zài hu shì fǒu yǒu rén yào zāo yāng |
| [02:39.440] | suǒ yǐ nǐ bù rú chèn zǎo wěn bié nǐ de pì gǔ |
| [02:42.510] | yīn wèi cháng yuǎn lái kàn... wǒ men dōu huì sǐ |