| 歌曲 | Flat Of Angles (Pt.2) |
| 歌手 | YoungStar |
| 专辑 | Ice Machine |
| [00:00.540] | And now for the second part of the fourth part late night tale stories |
| [00:03.890] | Flat of Angles |
| [00:05.010] | Written by Simon Cleary |
| [00:06.760] | And read by me Benedict Cumberbatch |
| [00:10.250] | Is there any more drink around here? |
| [00:11.820] | Do you have any? |
| [00:13.470] | Its alright, I haven’t been to bed yet |
| [00:14.810] | I’m not drinking in the morning! |
| [00:17.670] | I swear I had a couple of… |
| [00:20.250] | No I think I had them before I headed out last night. |
| [00:25.250] | I sometimes feel like I am in the 1980s |
| [00:27.950] | Or perhaps it's part of my mom's fault watching Esatenders |
| [00:30.950] | With my family lying back on the green velour sofa |
| [00:33.610] | Looking out at the sodium lights of the A505 |
| [00:36.710] | Hands fiddling with the glass on the tarnished aluminium of |
| [00:39.900] | The Secondary double glazing thinking imagining romantic futures |
| [00:44.870] | Set out for me by songs |
| [00:47.100] | From top of the pops Twisted by lyrics of Genesis |
| [00:50.350] | Starry starry nights |
| [00:53.100] | Paint your pallid blue and grey |
| [00:55.690] | Red and gold |
| [00:57.980] | Are royal colors |
| [00:59.330] | Yeah, yeah |
| [01:00.440] | Industrial state |
| [01:03.960] | Instead |
| [01:06.740] | Anyway, like I say, it was great |
| [01:08.440] | I was waiting in the corridor, to go to the toilet, |
| [01:09.990] | Standing right in front of the door. |
| [01:11.190] | It opened, and this girl was standing there. |
| [01:14.080] | I was a little shocked, hadn’t expected it, and jumped a little. |
| [01:17.530] | She did the same thing a second later, smiling. |
| [01:21.300] | I tilted my head left, about to speak, and look sympathetic, |
| [01:24.670] | And she tilted her head right. |
| [01:26.210] | I raised my right hand, she raised her left. |
| [01:27.920] | I put it back by my side, straightened my head, |
| [01:30.540] | And she did the same. |
| [01:33.390] | “I’ll be your mirror.” she said. |
| [01:37.280] | Nothing else existed for a second there, I felt calm, and wanted no more. |
| [01:46.230] | Then some chump who had slunk up the corridor goes |
| [01:51.280] | “Awww, that is so cute!” |
| [01:53.720] | I barged past her and slammed the door, |
| [01:55.380] | Shot the lock across,the handle fell off. |
| [02:00.650] | This can’t actually have happened. |
| [02:03.110] | She is only 28.Only. |
| [02:09.170] | What are we doing with our lives? |
| [02:11.640] | Why are we carrying on like this? |
| [02:13.890] | For God’s sake, why don’t we grow up? |
| [02:17.140] | Pretending we are hip, |
| [02:18.690] | Throwing our bodies around the room,around the town, |
| [02:21.120] | Projected on cheap MDMA and ciders with ice, our shadows are long. |
| [02:28.760] | They slip over the horizon, grow thinner, |
| [02:30.940] | And disappear only the all-encompassing shadow of night takes over. |
| [02:36.700] | That is greater than any of us. |
| [02:41.280] | Then morning comes, and it goes away. |
| [02:45.460] | It peels the film from eyes, |
| [02:47.650] | Sparks cells into action, |
| [02:49.860] | And eventually resurrects those who have avoided it. |
| [02:53.080] | It says here is a day |
| [02:56.190] | Do with it as you will. |
| [02:59.310] | I am back, but she… |
| [03:10.030] | I’m well up for keeping the session going |
| [03:13.680] | Why did I even come back here? |
| [03:15.520] | God knows. |
| [03:17.020] | I’ll give her a call, |
| [03:17.820] | See what she’s up to. |
| [03:18.380] | We could swing down the Talbot for a few cures. |
| [03:20.460] | Its ringing. |
| [03:21.140] | Oh nooo… What happened? |
| [03:21.930] | I think that… |
| [03:22.870] | Hey! Where did you get to last night? |
| [03:25.240] | Fancy a Bloody Mary at The Talbot? |
| [03:26.620] | Give us a call when you get this! |
| [03:29.370] | No. She wouldn’t move. |
| [03:34.380] | I think I lied next to her. |
| [03:38.650] | I lied. |
| [03:41.700] | We had that methlathyl-whatever when I got out of the toilet. |
| [03:45.340] | She had given that bloke the heave-ho. |
| [03:47.670] | I can’t even remember her face. |
| [03:50.450] | Just the strange flock texture on the wallpaper behind her in the corridor, |
| [03:53.470] | The magnolia paintwork, |
| [03:54.920] | The sick yellow light from a bare bulb, |
| [03:57.050] | And decades of greasy black hand marks by the top of the stairs. |
| [04:04.280] | Her eyes were… |
| [04:07.430] | Black. |
| [04:09.300] |
| [00:00.540] | And now for the second part of the fourth part late night tale stories |
| [00:03.890] | Flat of Angles |
| [00:05.010] | Written by Simon Cleary |
| [00:06.760] | And read by me Benedict Cumberbatch |
| [00:10.250] | Is there any more drink around here? |
| [00:11.820] | Do you have any? |
| [00:13.470] | Its alright, I haven' t been to bed yet |
| [00:14.810] | I' m not drinking in the morning! |
| [00:17.670] | I swear I had a couple of |
| [00:20.250] | No I think I had them before I headed out last night. |
| [00:25.250] | I sometimes feel like I am in the 1980s |
| [00:27.950] | Or perhaps it' s part of my mom' s fault watching Esatenders |
| [00:30.950] | With my family lying back on the green velour sofa |
| [00:33.610] | Looking out at the sodium lights of the A505 |
| [00:36.710] | Hands fiddling with the glass on the tarnished aluminium of |
| [00:39.900] | The Secondary double glazing thinking imagining romantic futures |
| [00:44.870] | Set out for me by songs |
| [00:47.100] | From top of the pops Twisted by lyrics of Genesis |
| [00:50.350] | Starry starry nights |
| [00:53.100] | Paint your pallid blue and grey |
| [00:55.690] | Red and gold |
| [00:57.980] | Are royal colors |
| [00:59.330] | Yeah, yeah |
| [01:00.440] | Industrial state |
| [01:03.960] | Instead |
| [01:06.740] | Anyway, like I say, it was great |
| [01:08.440] | I was waiting in the corridor, to go to the toilet, |
| [01:09.990] | Standing right in front of the door. |
| [01:11.190] | It opened, and this girl was standing there. |
| [01:14.080] | I was a little shocked, hadn' t expected it, and jumped a little. |
| [01:17.530] | She did the same thing a second later, smiling. |
| [01:21.300] | I tilted my head left, about to speak, and look sympathetic, |
| [01:24.670] | And she tilted her head right. |
| [01:26.210] | I raised my right hand, she raised her left. |
| [01:27.920] | I put it back by my side, straightened my head, |
| [01:30.540] | And she did the same. |
| [01:33.390] | " I' ll be your mirror." she said. |
| [01:37.280] | Nothing else existed for a second there, I felt calm, and wanted no more. |
| [01:46.230] | Then some chump who had slunk up the corridor goes |
| [01:51.280] | " Awww, that is so cute!" |
| [01:53.720] | I barged past her and slammed the door, |
| [01:55.380] | Shot the lock across, the handle fell off. |
| [02:00.650] | This can' t actually have happened. |
| [02:03.110] | She is only 28. Only. |
| [02:09.170] | What are we doing with our lives? |
| [02:11.640] | Why are we carrying on like this? |
| [02:13.890] | For God' s sake, why don' t we grow up? |
| [02:17.140] | Pretending we are hip, |
| [02:18.690] | Throwing our bodies around the room, around the town, |
| [02:21.120] | Projected on cheap MDMA and ciders with ice, our shadows are long. |
| [02:28.760] | They slip over the horizon, grow thinner, |
| [02:30.940] | And disappear only the allencompassing shadow of night takes over. |
| [02:36.700] | That is greater than any of us. |
| [02:41.280] | Then morning comes, and it goes away. |
| [02:45.460] | It peels the film from eyes, |
| [02:47.650] | Sparks cells into action, |
| [02:49.860] | And eventually resurrects those who have avoided it. |
| [02:53.080] | It says here is a day |
| [02:56.190] | Do with it as you will. |
| [02:59.310] | I am back, but she |
| [03:10.030] | I' m well up for keeping the session going |
| [03:13.680] | Why did I even come back here? |
| [03:15.520] | God knows. |
| [03:17.020] | I' ll give her a call, |
| [03:17.820] | See what she' s up to. |
| [03:18.380] | We could swing down the Talbot for a few cures. |
| [03:20.460] | Its ringing. |
| [03:21.140] | Oh nooo What happened? |
| [03:21.930] | I think that |
| [03:22.870] | Hey! Where did you get to last night? |
| [03:25.240] | Fancy a Bloody Mary at The Talbot? |
| [03:26.620] | Give us a call when you get this! |
| [03:29.370] | No. She wouldn' t move. |
| [03:34.380] | I think I lied next to her. |
| [03:38.650] | I lied. |
| [03:41.700] | We had that methlathylwhatever when I got out of the toilet. |
| [03:45.340] | She had given that bloke the heaveho. |
| [03:47.670] | I can' t even remember her face. |
| [03:50.450] | Just the strange flock texture on the wallpaper behind her in the corridor, |
| [03:53.470] | The magnolia paintwork, |
| [03:54.920] | The sick yellow light from a bare bulb, |
| [03:57.050] | And decades of greasy black hand marks by the top of the stairs. |
| [04:04.280] | Her eyes were |
| [04:07.430] | Black. |
| [04:09.300] |
| [00:00.540] | huān yíng shōu tīng" tū chū de píng miàn" sì bù qǔ de |
| [00:03.890] | dì èr bù fèn |
| [00:05.010] | yóu xī méng kè lì zhe |
| [00:06.760] | yóu wǒ běn ní dí kè tè kāng bó bā qí sòng |
| [00:10.250] | zhè ér hái yǒu jiǔ ma |
| [00:11.820] | nǐ hái yǒu xiē ma |
| [00:13.470] | hǎo la hǎo la wǒ hái méi shàng chuáng xiū xī ne |
| [00:14.810] | wǒ kě méi yǒu dà qīng zǎo hē jiǔ ó |
| [00:17.670] | wǒ fā shì wǒ zhǐ hē le jǐ bēi |
| [00:20.250] | āi bú duì wǒ hǎo xiàng shì zuó wǎn zhī qián hē de |
| [00:25.250] | qí shí yǒu shí hou jué de zì jǐ xiàng huó zài 20 shì jì 80 nián dài yí yàng |
| [00:27.950] | hǎo ba yě xǔ shì shòu wǒ mā zhèng zài kàn Esatenders de yǐng xiǎng |
| [00:30.950] | wǒ de jiā rén zhèng wò zài qiǎn lǜ sè de tiān é róng shā fā shàng |
| [00:33.610] | yán jiū zhe A505 guāng nà dēng |
| [00:36.710] | shǒu shàng bǎi nòng zhe shēng xiù lǚ ké shàng de èr cì shuāng céng bō lí |
| [00:39.900] | sī kǎo zhe huàn xiǎng zhe làng màn de wèi lái |
| [00:44.870] | cóng chuàng shì jì de gē cí suǒ niǔ qū de gāo pái háng liú xíng gē qǔ |
| [00:47.100] | wèi wǒ chū fā |
| [00:50.350] | fán xīng zhī yè a |
| [00:53.100] | diǎn zhuì zhe de dàn lán sè huī sè |
| [00:55.690] | rè liè de hóng hé shǎn yào de jīn |
| [00:57.980] | dōu shì huáng shì de yán sè |
| [00:59.330] | yě shì a |
| [01:00.440] | shì gōng yè guó jiā |
| [01:03.960] | fǎn ér |
| [01:06.740] | hǎo ba jiù xiàng wǒ shuō de bù guǎn zěn yàng dōu shì hěn bàng de |
| [01:08.440] | xiǎng yào qù xǐ shǒu jiān suǒ yǐ zài zǒu láng lǐ děng dài |
| [01:09.990] | zhèng duì mén kǒu zhàn zhe |
| [01:11.190] | mén kāi le yí gè nǚ hái zi zhèng zhàn zài nà li |
| [01:14.080] | yì liào zhī wài měng dì yǒu diǎn ér bèi zhèn jīng xià dé tiào le qǐ lái |
| [01:17.530] | kàn dào wǒ zhè gè yàng zi tā yě tiào qǐ lái la mǎn shì xiào yì de zhù shì zhe wǒ |
| [01:21.300] | wǒ xiàng zuǒ cè le cè nǎo dài gāng xiǎng jiǎng huà yǎn shén chǎn shēng le gòng míng |
| [01:24.670] | tā yě xiàng yòu wāi le wāi tóu |
| [01:26.210] | wǒ jǔ qǐ yòu shǒu tā jiù jǔ qǐ zuǒ shǒu |
| [01:27.920] | wǒ fàng xià shǒu bǎi zhèng nǎo dài |
| [01:30.540] | tā yě zuò le tóng yàng de dòng zuò |
| [01:33.390] | nǚ hái shuō wǒ shì nǐ de jìng zi ó |
| [01:37.280] | zài nà li méi yǒu bié de dōng xī cún zài xīn lǐ hěn píng jìng méi yǒu duō xiǎng |
| [01:46.230] | tū rán zǒu lái le yí gè liū zhe zǒu láng zǒu de bèn dàn zǒu lái le |
| [01:51.280] | wa hǎo kě ài a |
| [01:53.720] | wǒ cóng tā de shēn biān zǒu guò pēng de yī shēng guān shàng le mén |
| [01:55.380] | xùn sù bǎ suǒ suǒ shàng bǎ shǒu diào le |
| [02:00.650] | bú huì shì zhēn de fā shēng de ba |
| [02:03.110] | tā zhǐ yǒu èr shí bā suì |
| [02:09.170] | wǒ men zài shēng huó zhōng zuò le xiē shén me? |
| [02:11.640] | wèi shí me wǒ men yào zhè yàng jì xù xià qù? |
| [02:13.890] | tiān wèi shí me wǒ men bù néng chéng shú diǎn ne |
| [02:17.140] | jiǎ zhuāng wǒ men shì miàn líng tōng |
| [02:18.690] | bǎ wǒ men de shī tǐ rēng dào chéng lǐ gè chù |
| [02:21.120] | jì huà zhe lián jià de yáo tóu wán jiā bīng de píng guǒ jiǔ wǒ men de yǐng zi shì zhǎng de |
| [02:28.760] | tā men huá dào dì píng xiàn jiàn jiàn xì cháng |
| [02:30.940] | zuì zhōng xiāo shī |
| zhǐ shèng xià bāo luó wàn xiàng de yè wǎn | |
| [02:36.700] | zhè bǐ wǒ men rèn hé rén dōu yào zhòng yào |
| [02:41.280] | jiē zhe qīng chén sū xǐng zǎo shàng guò qù |
| [02:45.460] | tā jiē kāi yì tiān yǐng piān de miàn shā |
| [02:47.650] | gǔ dòng zhe měi yí gè xì bāo |
| [02:49.860] | zuì zhōng shǐ céng jīng huí bì guò tā de rén fù huó |
| [02:53.080] | zhè shì xīn de yì tiān |
| [02:56.190] | nǐ yīng gāi zěn me zuò jiù zěn me zuò |
| [02:59.310] | wǒ huí lái le dàn tā |
| [03:10.030] | wǒ huí lái le hěn hǎo de bǎo zhèng le huì yì de jìn xíng |
| [03:13.680] | wèi shí me wǒ yào huí lái ne |
| [03:15.520] | āi shéi zhī dào ne |
| [03:17.020] | wǒ huì huí tā huà de |
| [03:17.820] | wèn wèn tā jiē xià lái yào zuò shí mǒ |
| [03:18.380] | wǒ men kě yǐ zài tǎ ěr bó tè shàng wǔ dǎo yáo bǎi lái zhì yù nèi xīn de shāng |
| [03:20.460] | diàn huà líng xiǎng le |
| [03:21.140] | ō tiān bú shì ba fā shēng shén me le? |
| [03:21.930] | wǒ jué de kě néng shì |
| [03:22.870] | hēi! nǐ zuó wǎn qù nǎ le |
| [03:25.240] | zài tǎ ěr bó tè lái le bēi xuè xīng mǎ lì jī wěi jiǔ de yī zhǒng? |
| [03:26.620] | hē de shí hòu bié wàng gěi wǒ men dǎ gè diàn huà ya |
| [03:29.370] | bù tā bú huì zǒu de |
| [03:34.380] | wǒ jué de wǒ tǎng zài tā páng biān |
| [03:38.650] | wǒ tǎng wò zhe |
| [03:41.700] | dāng wǒ zǒu chū xǐ shǒu jiān |
| [03:45.340] | tā jù jué le nà gè jiā huo |
| [03:47.670] | wǒ shèn zhì jì bù dé tā de yàng zi le |
| [03:50.450] | zhǐ shèng xià zǒu láng lǐ zài tā shēn hòu liú xià de mián shù wén lǐ |
| [03:53.470] | mù lán tú qī |
| [03:54.920] | hái yǒu méi yǒu dēng zhào de dēng pào sàn fà chū lái de àn huáng sè |
| [03:57.050] | yǐ jí jǐ shí nián qián yìn zài lóu tī dǐng duān dì yóu nì hēi shǒu yìn |
| [04:04.280] | tā de yǎn jīng |
| [04:07.430] | shì qī hēi de. |