Operation. 歌词
| 歌曲 | Operation. |
| 歌手 | Jamie T |
| 专辑 | Q magazine Best of 2007 |
| 下载 | Image LRC TXT |
| [00:00.00] | 作曲 : Jamie T/Ben Coupland |
| [00:28.11] | Sitting heavy in the operation and the people said they can't walk out |
| [00:33.48] | I remember you walking in that's why you've got this door |
| [00:37.53] | Looking lock stock on the older days my time |
| [00:41.88] | Seems to be running away singing up songs or the rights and wrong |
| [00:47.16] | I don't expect any more from me, oh |
| [00:50.76] | To all the dead people especially out to Diego |
| [00:54.87] | A friend with the criminal intention of the bad liaison |
| [01:01.74] | To all the dead people especially out to Diego |
| [01:06.93] | A friend with the criminal intention of the bad liaison |
| [01:11.55] | Take your problems to the United Nations |
| [01:14.28] | Tell old Kofi about the situation |
| [01:16.71] | Tell him how you left the whole congregation |
| [01:19.14] | Sitting on their own in the pews all alone |
| [01:22.14] | Well the have ago hero shouts in the old door luck |
| [01:26.28] | Sinning it down this sucks |
| [01:28.80] | For the breaks of the no go zero kicking it down |
| [01:32.61] | Don't want to raise, sing him up, give him away |
| [01:36.15] | Have a good luck |
| [01:40.80] | I ain't no abacas but you can count on me love |
| [01:46.35] | To all the dead people especially out to Diego |
| [01:51.33] | A friend with the criminal intention of the bad liaison |
| [01:57.21] | To all the dead people especially out to Diego |
| [02:02.43] | A friend with the criminal intention of the bad liaison |
| [02:07.23] | Take your problems to the United Nations |
| [02:09.87] | Tell old Kofi about the situation |
| [02:11.73] | Tell him how you left the whole congregation |
| [02:21.93] | Sitting on their own in the pews all alone |
| [02:28.89] | Take your problems to the United Nations |
| [02:31.62] | Take your problems to the United Nations |
| [02:34.38] | Take your problems to the United Nations |
| [02:37.50] | Tell old Kofi about the situation |
| [03:02.19] | Is it away out of the day calling yourself back to kingdoms |
| [03:07.80] | Is it a time singing your lines for old Broadway |
| [03:10.08] | Time it has passed for being the last to enter the race for the future |
| [03:18.69] | It pass so fast and fast is thin and that's why were withering |
| [03:24.21] | So good is the bad the ugly left with your face in the morning |
| [03:29.58] | You screamed at the back told her just jack about how you lived on the weekend |
| [03:35.37] | So killers in the midst told you about it years before you answered |
| [03:40.80] | The whole of the point the real today is passed and now you're finished |
| [03:47.73] | You scream like nothing's wrong |
| [03:49.77] | Sons of silence are in them songs |
| [03:53.22] | Out loud for the reservation |
| [03:55.80] | It's all thriller no filler |
| [03:58.74] | Then a beat came up the line |
| [04:00.75] | 3 or 4 times |
| [04:04.41] | It's the first time you say |
| [04:06.93] | It's all filler no thriller |
| [04:41.88] | To the lost boys in a lost town, to the lost girls in the lost and found |
| [04:47.58] | I'll find you out when you hit the ground |
| [04:50.28] | Don't stop moving baby dance around x3 |
| [05:05.46] | You scream like nothing's wrong, sons of silence are in them songs out loud for the reservation, it's a thriller no filler |
| [05:16.50] | Then a beat came up the line, 3 or 4 times, it's the first time you say |
| [05:24.66] | It's all filler no thriller. |
| [00:00.00] | zuo qu : Jamie T Ben Coupland |
| [00:28.11] | Sitting heavy in the operation and the people said they can' t walk out |
| [00:33.48] | I remember you walking in that' s why you' ve got this door |
| [00:37.53] | Looking lock stock on the older days my time |
| [00:41.88] | Seems to be running away singing up songs or the rights and wrong |
| [00:47.16] | I don' t expect any more from me, oh |
| [00:50.76] | To all the dead people especially out to Diego |
| [00:54.87] | A friend with the criminal intention of the bad liaison |
| [01:01.74] | To all the dead people especially out to Diego |
| [01:06.93] | A friend with the criminal intention of the bad liaison |
| [01:11.55] | Take your problems to the United Nations |
| [01:14.28] | Tell old Kofi about the situation |
| [01:16.71] | Tell him how you left the whole congregation |
| [01:19.14] | Sitting on their own in the pews all alone |
| [01:22.14] | Well the have ago hero shouts in the old door luck |
| [01:26.28] | Sinning it down this sucks |
| [01:28.80] | For the breaks of the no go zero kicking it down |
| [01:32.61] | Don' t want to raise, sing him up, give him away |
| [01:36.15] | Have a good luck |
| [01:40.80] | I ain' t no abacas but you can count on me love |
| [01:46.35] | To all the dead people especially out to Diego |
| [01:51.33] | A friend with the criminal intention of the bad liaison |
| [01:57.21] | To all the dead people especially out to Diego |
| [02:02.43] | A friend with the criminal intention of the bad liaison |
| [02:07.23] | Take your problems to the United Nations |
| [02:09.87] | Tell old Kofi about the situation |
| [02:11.73] | Tell him how you left the whole congregation |
| [02:21.93] | Sitting on their own in the pews all alone |
| [02:28.89] | Take your problems to the United Nations |
| [02:31.62] | Take your problems to the United Nations |
| [02:34.38] | Take your problems to the United Nations |
| [02:37.50] | Tell old Kofi about the situation |
| [03:02.19] | Is it away out of the day calling yourself back to kingdoms |
| [03:07.80] | Is it a time singing your lines for old Broadway |
| [03:10.08] | Time it has passed for being the last to enter the race for the future |
| [03:18.69] | It pass so fast and fast is thin and that' s why were withering |
| [03:24.21] | So good is the bad the ugly left with your face in the morning |
| [03:29.58] | You screamed at the back told her just jack about how you lived on the weekend |
| [03:35.37] | So killers in the midst told you about it years before you answered |
| [03:40.80] | The whole of the point the real today is passed and now you' re finished |
| [03:47.73] | You scream like nothing' s wrong |
| [03:49.77] | Sons of silence are in them songs |
| [03:53.22] | Out loud for the reservation |
| [03:55.80] | It' s all thriller no filler |
| [03:58.74] | Then a beat came up the line |
| [04:00.75] | 3 or 4 times |
| [04:04.41] | It' s the first time you say |
| [04:06.93] | It' s all filler no thriller |
| [04:41.88] | To the lost boys in a lost town, to the lost girls in the lost and found |
| [04:47.58] | I' ll find you out when you hit the ground |
| [04:50.28] | Don' t stop moving baby dance around x3 |
| [05:05.46] | You scream like nothing' s wrong, sons of silence are in them songs out loud for the reservation, it' s a thriller no filler |
| [05:16.50] | Then a beat came up the line, 3 or 4 times, it' s the first time you say |
| [05:24.66] | It' s all filler no thriller. |
| [00:00.00] | zuò qǔ : Jamie T Ben Coupland |
| [00:28.11] | Sitting heavy in the operation and the people said they can' t walk out |
| [00:33.48] | I remember you walking in that' s why you' ve got this door |
| [00:37.53] | Looking lock stock on the older days my time |
| [00:41.88] | Seems to be running away singing up songs or the rights and wrong |
| [00:47.16] | I don' t expect any more from me, oh |
| [00:50.76] | To all the dead people especially out to Diego |
| [00:54.87] | A friend with the criminal intention of the bad liaison |
| [01:01.74] | To all the dead people especially out to Diego |
| [01:06.93] | A friend with the criminal intention of the bad liaison |
| [01:11.55] | Take your problems to the United Nations |
| [01:14.28] | Tell old Kofi about the situation |
| [01:16.71] | Tell him how you left the whole congregation |
| [01:19.14] | Sitting on their own in the pews all alone |
| [01:22.14] | Well the have ago hero shouts in the old door luck |
| [01:26.28] | Sinning it down this sucks |
| [01:28.80] | For the breaks of the no go zero kicking it down |
| [01:32.61] | Don' t want to raise, sing him up, give him away |
| [01:36.15] | Have a good luck |
| [01:40.80] | I ain' t no abacas but you can count on me love |
| [01:46.35] | To all the dead people especially out to Diego |
| [01:51.33] | A friend with the criminal intention of the bad liaison |
| [01:57.21] | To all the dead people especially out to Diego |
| [02:02.43] | A friend with the criminal intention of the bad liaison |
| [02:07.23] | Take your problems to the United Nations |
| [02:09.87] | Tell old Kofi about the situation |
| [02:11.73] | Tell him how you left the whole congregation |
| [02:21.93] | Sitting on their own in the pews all alone |
| [02:28.89] | Take your problems to the United Nations |
| [02:31.62] | Take your problems to the United Nations |
| [02:34.38] | Take your problems to the United Nations |
| [02:37.50] | Tell old Kofi about the situation |
| [03:02.19] | Is it away out of the day calling yourself back to kingdoms |
| [03:07.80] | Is it a time singing your lines for old Broadway |
| [03:10.08] | Time it has passed for being the last to enter the race for the future |
| [03:18.69] | It pass so fast and fast is thin and that' s why were withering |
| [03:24.21] | So good is the bad the ugly left with your face in the morning |
| [03:29.58] | You screamed at the back told her just jack about how you lived on the weekend |
| [03:35.37] | So killers in the midst told you about it years before you answered |
| [03:40.80] | The whole of the point the real today is passed and now you' re finished |
| [03:47.73] | You scream like nothing' s wrong |
| [03:49.77] | Sons of silence are in them songs |
| [03:53.22] | Out loud for the reservation |
| [03:55.80] | It' s all thriller no filler |
| [03:58.74] | Then a beat came up the line |
| [04:00.75] | 3 or 4 times |
| [04:04.41] | It' s the first time you say |
| [04:06.93] | It' s all filler no thriller |
| [04:41.88] | To the lost boys in a lost town, to the lost girls in the lost and found |
| [04:47.58] | I' ll find you out when you hit the ground |
| [04:50.28] | Don' t stop moving baby dance around x3 |
| [05:05.46] | You scream like nothing' s wrong, sons of silence are in them songs out loud for the reservation, it' s a thriller no filler |
| [05:16.50] | Then a beat came up the line, 3 or 4 times, it' s the first time you say |
| [05:24.66] | It' s all filler no thriller. |
| [00:28.11] | 沉重地坐在手术室里 人们说他们无法离开 |
| [00:33.48] | 我记得你走进来 所以这扇门为你而开 |
| [00:37.53] | 回望旧日时光 我的时间 |
| [00:41.88] | 似乎正随着歌声流逝 唱着是非对错 |
| [00:47.16] | 我不再对自己抱有任何期待 |
| [00:50.76] | 致所有逝者 特别献给迭戈 |
| [00:54.87] | 一个心怀不轨的朋友 带来厄运的牵线人 |
| [01:01.74] | 致所有逝者 特别献给迭戈 |
| [01:06.93] | 一个心怀不轨的朋友 带来厄运的牵线人 |
| [01:11.55] | 把你的问题带到联合国 |
| [01:14.28] | 向科菲老人诉说现状 |
| [01:16.71] | 告诉他你如何抛下整个教众 |
| [01:19.14] | 让他们孤独地坐在长椅上 |
| [01:22.14] | 那个逞英雄的家伙在旧门边叫嚷 |
| [01:26.28] | 堕落至此真是糟糕 |
| [01:28.80] | 在禁区里踢开阻碍 |
| [01:32.61] | 不想振作 唱起歌谣 将他放弃 |
| [01:36.15] | 祝你好运 |
| [01:40.80] | 我不是算盘 但你可以信赖我的爱 |
| [01:46.35] | 致所有逝者 特别献给迭戈 |
| [01:51.33] | 一个心怀不轨的朋友 带来厄运的牵线人 |
| [01:57.21] | 致所有逝者 特别献给迭戈 |
| [02:02.43] | 一个心怀不轨的朋友 带来厄运的牵线人 |
| [02:07.23] | 把你的问题带到联合国 |
| [02:09.87] | 向科菲老人诉说现状 |
| [02:11.73] | 告诉他你如何抛下整个教众 |
| [02:21.93] | 让他们孤独地坐在长椅上 |
| [02:28.89] | 把你的问题带到联合国 |
| [02:31.62] | 把你的问题带到联合国 |
| [02:34.38] | 把你的问题带到联合国 |
| [02:37.50] | 向科菲老人诉说现状 |
| [03:02.19] | 这是逃离白昼的方法吗 呼唤自己回到王国 |
| [03:07.80] | 这是为百老汇唱响台词的时刻吗 |
| [03:10.08] | 争夺未来的竞赛中 做最后入场者已为时已晚 |
| [03:18.69] | 时光飞逝如梭 所以我们正在枯萎 |
| [03:24.21] | 美好即丑恶 清晨只剩你狰狞的面容 |
| [03:29.58] | 你在后排尖叫 向她炫耀周末的放纵生活 |
| [03:35.37] | 杀手们多年前就警告过你 直到现在你才回应 |
| [03:40.80] | 重点在于 真实的今天已逝 现在你完蛋了 |
| [03:47.73] | 你尖叫着仿佛一切正常 |
| [03:49.77] | 沉默之子都藏在那些歌里 |
| [03:53.22] | 为保留地大声呐喊 |
| [03:55.80] | 全是惊悚 没有填充 |
| [03:58.74] | 然后节奏沿着线路传来 |
| [04:00.75] | 三四次重复 |
| [04:04.41] | 这是你第一次说 |
| [04:06.93] | 全是填充 没有惊悚 |
| [04:41.88] | 致迷失小镇的迷途少年 致失物招领处的落单女孩 |
| [04:47.58] | 当你坠落时我会找到你 |
| [04:50.28] | 别停下舞步宝贝 继续旋转 x3 |
| [05:05.46] | 你尖叫着仿佛一切正常 沉默之子都藏在那些歌里 为保留地大声呐喊 这是惊悚没有填充 |
| [05:16.50] | 然后节奏沿着线路传来 三四次重复 这是你第一次说 |
| [05:24.66] | 全是填充 没有惊悚 |
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