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běi jīng zhōng jí RATM tiě gǎn FANS |
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yě fēng fēi nǐ mèi dú jiā zhì zuò |
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Yo, I was a fiend before I became a teen |
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I melted microphone instead of cones of ice cream |
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Music orientated so when hiphop was originated |
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Fitted like pieces of puzzles, complicated |
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Shot grabbed the mic and try to say, Yes y' all! |
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They tried to take it, and say that I' m too small |
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Cool, ' Cause I don' t get upset |
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I kick a hole in the speaker, pull the plug, then I jet |
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Back to the lab ... without a mic to grab |
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So then I add all the rhymes I had |
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One after the another one, then I make another one |
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To dis the opposite then ask if the brother' s done |
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I get a craving like I fiend for nicotine |
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But I don' t need a cigarette, know what I mean? |
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I' m raging, ripping up the stage and |
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Don' t it sound amazing ' cause every rhyme is made and |
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Thought of, Cuz it' s sort of... an addiction, |
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Magnatized by the mixing |
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EFFECT |
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A smooth operator operating correctly. |
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An EFFECT |
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A smooth operator operating correctly. |
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EFFECT |
| [01:06.59] |
A smooth operator operating correctly. |
| [01:09.32] |
An EFFECT |
| [01:11.54] |
A smooth operator operating correctly. |
| [01:13.54] |
tīng RAGE de rén shì zhēn zhèng de zhàn shì! |
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yě fēng fēi nǐ mèi |
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But back to the problem, I gotta habit, |
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You can' t solve it, you silly rabbit |
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The prescription is a hypertone that' s thorough when |
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I fiend for a microphone like heroin |
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Soon as the bass kicks, I need a fix |
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Gimme a stage and a mic and a mix |
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And I' ll put you in a mood or is it a state of |
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unawareness? Beware, it' s the reanamator! |
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A menace to a microphone, a lethal weapon |
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An assasinator, if the people ain' t stepping |
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You see a part of me that you never seen |
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When I' m fiending for a microphone. |
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Cause I take it to the maximum, I can' t relax see, I' m |
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Hype as a hyperchrondriac ' cause the rap be one |
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Hell of a antidote, something you can' t smoke |
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More than dope, you' re trying to move away but you can' t, you' re broke |
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More than cracked up, you should have backed up |
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For those who act up need to be more than smacked up |
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EFFECT |
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A smooth operator operating correctly. |
| [02:10.28] |
An EFFECT |
| [02:12.94] |
A smooth operator operating correctly. |
| [02:15.52] |
An EFFECT |
| [02:18.27] |
A smooth operator operating correctly. |
| [02:20.89] |
An EFFECT |
| [02:23.44] |
A smooth operator operating correctly. |
| [02:29.31] |
A smooth operator operating correctly. |
| [02:34.26] |
A smooth operator operating correctly. |
| [02:39.72] |
A smooth operator operating correctly. |
| [02:44.99] |
A smooth operator operating correctly. |
| [02:46.99] |
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fǔ xiǔ de dí rén yǐ jīng yáo yáo yù zhuì! |
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shèng lì de dà qí zài qián jìn zhōng piāo yáng! |
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nǐ kàn nà gé mìng de yì zhì! |
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nǐ tīng nà fǎn kàng de shēng yīn! |
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yě fēng fēi nǐ mèi jī qíng zhì zuò |
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Uh! |
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xiōng dì ná qǐ nǐ de wǔ qì! |
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duì zhǔn nǐ de dí rén! |
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méi yǒu shén me yí yán! |
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yīn wèi sǐ diào de shì tā men! |
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Music orientated so when hiphop was originated ... originated |
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Music orientated so when hiphop was originated ... originated |
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Music orientated so when hiphop was originated ... originated |
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Music orientated so when hiphop was originated ... originated |
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Music orientated so when hiphop was originated |
| [03:59.75] |
Fitted like pieces of puzzles, complicated |
| [04:05.40] |
Music orientated so when hiphop was originated |
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Fitted like pieces of puzzles, complicated |
| [04:16.22] |
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' Cause I' m an EFFECT |
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A smooth operator operating correctly. |
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An EFFECT |
| [04:24.41] |
A smooth operator operating correctly. |
| [04:27.22] |
An EFFECT |
| [04:29.64] |
A smooth operator operating correctly. |
| [04:32.39] |
An EFFECT |
| [04:34.91] |
A smooth operator operating correctly. |
| [04:40.04] |
A smooth operator operating correctly. |
| [04:45.47] |
A smooth operator operating correctly. |
| [04:50.87] |
A smooth operator operating correctly. |
| [04:56.01] |
An EFFECT |
| [04:59.42] |
gǎn xiè xīn shǎng! nǐ men shì yǒu lǐ xiǎng de tīng zhòng! |
| [05:00.24] |
yě fēng fēi nǐ mèi |