|
I still have a flame gun |
|
For the cute, cute, cute ones |
|
And I saw your hand |
|
With a loose grip on a tight ship |
|
I still have a flame gun |
|
For the cute ones |
|
To burn out all your tricks |
|
And I saw your hand |
|
With a loose grip on a very tight ship |
|
And I know that in the cold light |
|
There's a very big man |
|
There's a very big man |
|
Leading us into temptation |
|
Jackson, Jesse, I've got a son in me |
|
Jackson, Jesse, I've got a son in me |
|
And he's related to you, he's related to you |
|
He is waiting to meet you |
|
He's related to you, he's related to you |
|
He is dying to meet you |
|
Backhand, role reversal |
|
Where is someone |
|
Backhand, reversible roles |
|
I know there's someone |
|
I still have a flame gun |
|
For the cute ones |
|
To burn out all your tricks |
|
And I saw your hand |
|
With a loose grip on such a tight ship |
|
And I know that in the cold light |
|
Is a very big man |
|
Leading us into temptation |
|
Jackson, Jesse, I've got a son in me |
|
Jackson, Jesse, I've got the son in me |
|
And he's related to you, he's related to you |
|
He is waiting to meet you |
|
He's related to you, he's related to you |
|
He is dying to meet you |
|
He's related to you, he's related to you |
|
He's related to you, he's nude as the news |
|
Nude as the news, nude as the news, nude as the news |
|
All over, all over, all over, all over, all over, all over, all over you |
