歌曲 | Different Kind of Tall, A (Small) |
歌手 | This Town Needs Guns |
专辑 | 13.0.0.0.0 |
下载 | Image LRC TXT |
[00:00.000] | 作词 : Timothy Collis/Chris Collis/Henry Tremain |
[00:01.000] | 作曲 : Timothy Collis/Chris Collis/Henry Tremain |
[00:05.916] | The walls parallel lines |
[00:13.737] | will act as your guides. |
[00:21.320] | Into distance they divide |
[00:36.762] | refracting bounced light. |
[00:44.371] | Frequencies colide. |
[00:47.761] | |
[00:49.314] | Open the aperture wide |
[00:50.372] | to let the light inside |
[00:53.497] | the lenses eye. |
[00:59.505] | Focus the 50mm prime, |
[01:02.876] | adjust the shutter speed time |
[01:06.010] | just right. |
[01:10.761] | |
[01:18.097] | Ingrained in the grain |
[01:25.710] | and drunk on bokeh. |
[01:32.822] | Cutting time into frame |
[01:40.909] | in black, white and grey. |
[01:43.796] | |
[01:47.705] | Exposure |
[01:50.567] | exposes all your highlights. |
[01:55.001] | Think i'll stop down |
[01:57.850] | and bracket stops either side. |
[02:03.064] | Tilt, shift, |
[02:06.216] | pull your body in tight. |
[02:11.438] | Please don't be shy, |
[02:14.310] | your form is too perfect to hide. |
[02:21.621] | |
[02:37.389] | Proportion scorches emulsion |
[02:53.880] | to stir emotion. |
[03:00.396] | Shutter stops heart rates. |
[03:10.054] | Hold your breath for camera shake. |
[00:00.000] | zuo ci : Timothy Collis Chris Collis Henry Tremain |
[00:01.000] | zuo qu : Timothy Collis Chris Collis Henry Tremain |
[00:05.916] | The walls parallel lines |
[00:13.737] | will act as your guides. |
[00:21.320] | Into distance they divide |
[00:36.762] | refracting bounced light. |
[00:44.371] | Frequencies colide. |
[00:47.761] | |
[00:49.314] | Open the aperture wide |
[00:50.372] | to let the light inside |
[00:53.497] | the lenses eye. |
[00:59.505] | Focus the 50mm prime, |
[01:02.876] | adjust the shutter speed time |
[01:06.010] | just right. |
[01:10.761] | |
[01:18.097] | Ingrained in the grain |
[01:25.710] | and drunk on bokeh. |
[01:32.822] | Cutting time into frame |
[01:40.909] | in black, white and grey. |
[01:43.796] | |
[01:47.705] | Exposure |
[01:50.567] | exposes all your highlights. |
[01:55.001] | Think i' ll stop down |
[01:57.850] | and bracket stops either side. |
[02:03.064] | Tilt, shift, |
[02:06.216] | pull your body in tight. |
[02:11.438] | Please don' t be shy, |
[02:14.310] | your form is too perfect to hide. |
[02:21.621] | |
[02:37.389] | Proportion scorches emulsion |
[02:53.880] | to stir emotion. |
[03:00.396] | Shutter stops heart rates. |
[03:10.054] | Hold your breath for camera shake. |
[00:00.000] | zuò cí : Timothy Collis Chris Collis Henry Tremain |
[00:01.000] | zuò qǔ : Timothy Collis Chris Collis Henry Tremain |
[00:05.916] | The walls parallel lines |
[00:13.737] | will act as your guides. |
[00:21.320] | Into distance they divide |
[00:36.762] | refracting bounced light. |
[00:44.371] | Frequencies colide. |
[00:47.761] | |
[00:49.314] | Open the aperture wide |
[00:50.372] | to let the light inside |
[00:53.497] | the lenses eye. |
[00:59.505] | Focus the 50mm prime, |
[01:02.876] | adjust the shutter speed time |
[01:06.010] | just right. |
[01:10.761] | |
[01:18.097] | Ingrained in the grain |
[01:25.710] | and drunk on bokeh. |
[01:32.822] | Cutting time into frame |
[01:40.909] | in black, white and grey. |
[01:43.796] | |
[01:47.705] | Exposure |
[01:50.567] | exposes all your highlights. |
[01:55.001] | Think i' ll stop down |
[01:57.850] | and bracket stops either side. |
[02:03.064] | Tilt, shift, |
[02:06.216] | pull your body in tight. |
[02:11.438] | Please don' t be shy, |
[02:14.310] | your form is too perfect to hide. |
[02:21.621] | |
[02:37.389] | Proportion scorches emulsion |
[02:53.880] | to stir emotion. |
[03:00.396] | Shutter stops heart rates. |
[03:10.054] | Hold your breath for camera shake. |