歌曲 | Opera Tells Story of Pakistani Rape Victim Turned Women's Rights Advocate |
歌手 | 英语听力 |
专辑 | VOA Standard English |
下载 | Image LRC TXT |
[00:00.30] | |
[00:09.09] | The opera tells the story of Mukhtaran Mai, |
[00:12.16] | the Pakistani woman who became known around the world |
[00:15.24] | for her struggle to bring to justice the men who allegedly raped her in 2002 |
[00:20.75] | and then became a champion of education for girls. |
[00:24.35] | (Mukhtaran Mai gives an interview at a school in Meerwala, in Pakistan's central Punjab province, April 22, 2011) |
[00:28.91] | The title of the production “Thumbprint” refers to the fact that many illiterate people in Pakistan |
[00:34.70] | and many other countries use their thumbprints to sign their names. |
[00:40.21] | Composer and lead singer Kamala Sankaram, |
[00:43.68] | who plays the role of Mukhtaran, says that’s an important part of the plot. |
[00:48.00] | “We felt that the central, pivotal moment of the story is when Mukhtaran realizes the fact “ |
[00:54.80] | that she is illiterate has kept her from awareness of the laws of her country and of her rights |
[01:01.96] | and so it symbolizes, really, what we think the show is about. |
[01:05.96] | It’s about this person who rises up to become an advocate for women’s education.” |
[01:12.89] | The performance opens with the day Mukhtaran was allegedly gang raped at the orders of a tribal village council |
[01:21.90] | Because they believed her brother had had an affair with a girl from a prominent local family. |
[01:28.86] | With a score influenced by traditional South Asian and western classical music, |
[01:35.46] | Thumbprint shows an illiterate woman struggling for justice after being let down by her tribal traditions. |
[01:45.54] | Rachel Dickstein, the show’s director, |
[01:48.66] | “Mukhtaran Mai never set out to be a revolutionary for the sake of being a revolutionary. |
[01:57.22] | She found her own voice and for us, as artists, telling a story about that is very inspiring.” |
[02:08.04] | (Composer and lead singer Sankaram says,) |
[02:10.96] | “There is so much silence that surrounds the acts of violence women in India, in Pakistan, in America, everywhere |
[02:20.33] | and the fact that she chose to speak out to continue by becoming an advocate for women’s education. |
[02:27.54] | I guess for me, it's inspirational because it shows that one person with conviction can make a change. |
[02:35.99] | Producing Director Kim Whitener had no doubts that Mukhtaran Mai’s story would resonate with the audience. |
[02:42.12] | “The degree to which they have sort of outpouring of tremendous empathy |
[02:50.29] | and personal reaction to the story has just been astounding to us.” |
[02:57.66] | Thumbprint played to full houses during its eight days of performances. |
[03:03.01] | The producers believe that because of this response, |
[03:05.58] | they will be taking Mukhtaran Mai’s story to other American cities. |
[03:09.88] |
[00:00.30] | |
[00:09.09] | The opera tells the story of Mukhtaran Mai, |
[00:12.16] | the Pakistani woman who became known around the world |
[00:15.24] | for her struggle to bring to justice the men who allegedly raped her in 2002 |
[00:20.75] | and then became a champion of education for girls. |
[00:24.35] | Mukhtaran Mai gives an interview at a school in Meerwala, in Pakistan' s central Punjab province, April 22, 2011 |
[00:28.91] | The title of the production " Thumbprint" refers to the fact that many illiterate people in Pakistan |
[00:34.70] | and many other countries use their thumbprints to sign their names. |
[00:40.21] | Composer and lead singer Kamala Sankaram, |
[00:43.68] | who plays the role of Mukhtaran, says that' s an important part of the plot. |
[00:48.00] | " We felt that the central, pivotal moment of the story is when Mukhtaran realizes the fact " |
[00:54.80] | that she is illiterate has kept her from awareness of the laws of her country and of her rights |
[01:01.96] | and so it symbolizes, really, what we think the show is about. |
[01:05.96] | It' s about this person who rises up to become an advocate for women' s education." |
[01:12.89] | The performance opens with the day Mukhtaran was allegedly gang raped at the orders of a tribal village council |
[01:21.90] | Because they believed her brother had had an affair with a girl from a prominent local family. |
[01:28.86] | With a score influenced by traditional South Asian and western classical music, |
[01:35.46] | Thumbprint shows an illiterate woman struggling for justice after being let down by her tribal traditions. |
[01:45.54] | Rachel Dickstein, the show' s director, |
[01:48.66] | " Mukhtaran Mai never set out to be a revolutionary for the sake of being a revolutionary. |
[01:57.22] | She found her own voice and for us, as artists, telling a story about that is very inspiring." |
[02:08.04] | Composer and lead singer Sankaram says, |
[02:10.96] | " There is so much silence that surrounds the acts of violence women in India, in Pakistan, in America, everywhere |
[02:20.33] | and the fact that she chose to speak out to continue by becoming an advocate for women' s education. |
[02:27.54] | I guess for me, it' s inspirational because it shows that one person with conviction can make a change. |
[02:35.99] | Producing Director Kim Whitener had no doubts that Mukhtaran Mai' s story would resonate with the audience. |
[02:42.12] | " The degree to which they have sort of outpouring of tremendous empathy |
[02:50.29] | and personal reaction to the story has just been astounding to us." |
[02:57.66] | Thumbprint played to full houses during its eight days of performances. |
[03:03.01] | The producers believe that because of this response, |
[03:05.58] | they will be taking Mukhtaran Mai' s story to other American cities. |
[03:09.88] |
[00:00.30] | |
[00:09.09] | The opera tells the story of Mukhtaran Mai, |
[00:12.16] | the Pakistani woman who became known around the world |
[00:15.24] | for her struggle to bring to justice the men who allegedly raped her in 2002 |
[00:20.75] | and then became a champion of education for girls. |
[00:24.35] | Mukhtaran Mai gives an interview at a school in Meerwala, in Pakistan' s central Punjab province, April 22, 2011 |
[00:28.91] | The title of the production " Thumbprint" refers to the fact that many illiterate people in Pakistan |
[00:34.70] | and many other countries use their thumbprints to sign their names. |
[00:40.21] | Composer and lead singer Kamala Sankaram, |
[00:43.68] | who plays the role of Mukhtaran, says that' s an important part of the plot. |
[00:48.00] | " We felt that the central, pivotal moment of the story is when Mukhtaran realizes the fact " |
[00:54.80] | that she is illiterate has kept her from awareness of the laws of her country and of her rights |
[01:01.96] | and so it symbolizes, really, what we think the show is about. |
[01:05.96] | It' s about this person who rises up to become an advocate for women' s education." |
[01:12.89] | The performance opens with the day Mukhtaran was allegedly gang raped at the orders of a tribal village council |
[01:21.90] | Because they believed her brother had had an affair with a girl from a prominent local family. |
[01:28.86] | With a score influenced by traditional South Asian and western classical music, |
[01:35.46] | Thumbprint shows an illiterate woman struggling for justice after being let down by her tribal traditions. |
[01:45.54] | Rachel Dickstein, the show' s director, |
[01:48.66] | " Mukhtaran Mai never set out to be a revolutionary for the sake of being a revolutionary. |
[01:57.22] | She found her own voice and for us, as artists, telling a story about that is very inspiring." |
[02:08.04] | Composer and lead singer Sankaram says, |
[02:10.96] | " There is so much silence that surrounds the acts of violence women in India, in Pakistan, in America, everywhere |
[02:20.33] | and the fact that she chose to speak out to continue by becoming an advocate for women' s education. |
[02:27.54] | I guess for me, it' s inspirational because it shows that one person with conviction can make a change. |
[02:35.99] | Producing Director Kim Whitener had no doubts that Mukhtaran Mai' s story would resonate with the audience. |
[02:42.12] | " The degree to which they have sort of outpouring of tremendous empathy |
[02:50.29] | and personal reaction to the story has just been astounding to us." |
[02:57.66] | Thumbprint played to full houses during its eight days of performances. |
[03:03.01] | The producers believe that because of this response, |
[03:05.58] | they will be taking Mukhtaran Mai' s story to other American cities. |
[03:09.88] |
[00:09.09] | 这部歌剧讲述了Mukhtaran Mai的故事 |
[00:12.16] | 这位巴基斯坦妇女闻名于世 |
[00:15.24] | 因为她在2002年强奸她的男人绳之以法 |
[00:20.75] | 后来成为女性教育的拥护者 |
[00:24.35] | ( 2011年4月22日,Mukhtaran Mai在巴基斯坦旁遮普省中部的Merwala的一所学校接受采访) |
[00:28.91] | 该作品的题目《拇指印》指的是巴基斯坦 |
[00:34.70] | 和其他很多国家的文盲用他们的指纹来签名 |
[00:40.21] | 作曲家和主唱Kamala Sankaram |
[00:43.68] | 即扮演Mukhtaran的演员,说这是情节的一个重要部分 |
[00:48.00] | “我们认为,故事的中心关键时刻是,当Mukhtaran意识到她是文盲这一事实时 |
[00:54.80] | 她意识自己无法使用本国的法律和她的权利 |
[01:01.96] | 因此,它代表着我们认为这个节目想传达的内容” |
[01:05.96] | 这是关于个人站起来成为女性教育的倡导者 |
[01:12.89] | 演出开始于故事的第一天,据说Mukhtaran在部落村委会的命令下被轮奸 |
[01:21.90] | 因为他们相信她的哥哥曾与一个当地知名家庭的女孩有外遇 |
[01:28.86] | 受到南亚传统音乐和西方古典音乐的影响 |
[01:35.46] | 《拇指印》展现了一个文盲妇女在被部落传统打倒后为正义而挣扎 |
[01:45.54] | 该剧的导演Rachel Dickstein说 |
[01:48.66] | “Mukhtaran从来不是为了革命而成为革命者 |
[01:57.22] | 她找到了自己的价值,而且对于我们,作为艺术家,讲述这样一个故事是非常鼓舞人心的” |
[02:08.04] | (作曲家兼主唱Sankaram说:) |
[02:10.96] | “在印度、巴基斯坦和美国各地,围绕着暴力妇女的行为通常是沉默居多 |
[02:20.33] | 而她选择通过成为妇女教育的倡导者而不断发声 |
[02:27.54] | 对我来说,这是鼓舞人心的,因为它表明一个有信念的人可以做出改变 |
[02:35.99] | 导演Kim Whitener从不怀疑Mukhtaran Mai的故事会引起观众的共鸣 |
[02:42.12] | “他们对这个故事倾注了极大的同情心, |
[02:50.29] | 而观众的反响程度让我们感到震惊。” |
[02:57.66] | 在八天的演出中,满屋子都是拇指印 |
[03:03.01] | 制片人认为,由于这一强烈反响 |
[03:05.58] | 他们将会把Mukhtaran Mai的故事带到其他美国城市 |