|
I was ready to cross that border |
|
leave my babe behind |
|
yes ready to cross that border |
|
where I thought that I'd gold to grind |
|
Well I told her 'bout the fortunes |
|
that I was gonna get |
|
and how I'd come and pick her up later |
|
in a brand new Corvette |
|
or maybe in a streamlined custom jet |
|
and how I'd knot my bandana and not forget |
|
She said did I remember those rainy mornings |
|
on the by-pass out of this place |
|
trying to flag down long-distance haulers |
|
she her handbag and me my case |
|
and how we'd dreamed about being somewhere |
|
where we could tune in |
|
and all the times we had to turn back |
|
and give in once again |
|
and now you tell me that you'll not forget |
|
to come and get me in your new Corvette |
|
But what was that shadow |
|
- a rush in the street |
|
was it a bat or a hobo that laid |
|
beneath her pink silk-sheet |
|
you know I really can't leave you |
|
as your heart could stop to beat |
|
yes, and the gold in your grind |
|
is what in the end I really best need |
|
Yes I went to see my babe |
|
this would be the Big Farewell |
|
many many teardrops I did expect |
|
and love words to tell |
|
you know, I left out all those |
|
red-light streets with girls in procession |
|
just to tell her who her sole was and |
|
whole possession |
|
and how I'd tell her not to fret |
|
that I'd be back to get her in a jet... |
|
But what was that movement? |
|
a reflection on the blind |
|
was it a cat or red-robin? |
|
and what were those words |
|
the gold in your grind |
|
is what I really best need |
|
you know I really can't leave you |
|
as my heart would stop to beat |
|
and the gold in your grind |
|
is what I really best need |
|
It was the Big Farewell. |