| It is well known, for example, that Newton solved many of his toughest problems when his attention was waylaid by private musings. Thomas Alva Edison also knew the value of "half waking" states. Whenever confronted with a task which seemed too hard to be dealt with, he would stretch out on his laboratory sofa and let fantasies flood his mind. Painters, writers, and composers also have drawn heavily on their sensitivity to inner fantasies. Debussy used to gaze at the River Seine and the golden reflections of the setting sun to establish an atmosphere for creativity. Brahms found that ideas came effortless only when he approached a state of deep daydreaming. And Cesar Frank is said to have walked around with a dreamlike gaze while composing, seemingly totally unaware of his surroundings. | |
| 例如,众所周知,牛顿往往在注意力被自己的冥想打断时解决了许多棘手的问题。托马斯•阿尔瓦•爱迪生也不小觑“半清醒”状态。每当面临一些看似很难处理的工作时,他都要舒展四肢躺在实验室的沙发上，徜徉在幻想的海洋里。画家、作家和作曲家也十分依赖内心幻想。德彪西常常盯着塞纳河和落日的金色反光来营造一种有助于创作的氛围。勃拉姆斯发现只有当他处于想入非非的状态时就会文思泉涌。据说塞萨尔•弗兰克作曲时走来走去,像做梦一样目光呆滞,似乎完全意识不到他周围的事物。 |
| It is well known, for example, that Newton solved many of his toughest problems when his attention was waylaid by private musings. Thomas Alva Edison also knew the value of " half waking" states. Whenever confronted with a task which seemed too hard to be dealt with, he would stretch out on his laboratory sofa and let fantasies flood his mind. Painters, writers, and composers also have drawn heavily on their sensitivity to inner fantasies. Debussy used to gaze at the River Seine and the golden reflections of the setting sun to establish an atmosphere for creativity. Brahms found that ideas came effortless only when he approached a state of deep daydreaming. And Cesar Frank is said to have walked around with a dreamlike gaze while composing, seemingly totally unaware of his surroundings. | |
| li ru, zhong suo zhou zhi, niu dun wang wang zai zhu yi li bei zi ji de ming xiang da duan shi jie jue le xu duo ji shou de wen ti. tuo ma si a er wa ai di sheng ye bu xiao qu" ban qing xing" zhuang tai. mei dang mian lin yi xie kan si hen nan chu li de gong zuo shi, ta dou yao shu zhan si zhi tang zai shi yan shi de sha fa shang, chang yang zai huan xiang de hai yang li. hua jia zuo jia he zuo qu jia ye shi fen yi lai nei xin huan xiang. de biao xi chang chang ding zhe sai na he he luo ri de jin se fan guang lai ying zao yi zhong you zhu yu chuang zuo de fen wei. bo la mu si fa xian zhi you dang ta chu yu xiang ru fei fei de zhuang tai shi jiu hui wen si quan yong. ju shuo sai sa er fu lan ke zuo qu shi zou lai zou qu, xiang zuo meng yi yang mu guang dai zhi, si hu wan quan yi shi bu dao ta zhou wei de shi wu. |
| It is well known, for example, that Newton solved many of his toughest problems when his attention was waylaid by private musings. Thomas Alva Edison also knew the value of " half waking" states. Whenever confronted with a task which seemed too hard to be dealt with, he would stretch out on his laboratory sofa and let fantasies flood his mind. Painters, writers, and composers also have drawn heavily on their sensitivity to inner fantasies. Debussy used to gaze at the River Seine and the golden reflections of the setting sun to establish an atmosphere for creativity. Brahms found that ideas came effortless only when he approached a state of deep daydreaming. And Cesar Frank is said to have walked around with a dreamlike gaze while composing, seemingly totally unaware of his surroundings. | |
| lì rú, zhòng suǒ zhōu zhī, niú dùn wǎng wǎng zài zhù yì lì bèi zì jǐ de míng xiǎng dǎ duàn shí jiě jué le xǔ duō jí shǒu de wèn tí. tuō mǎ sī ā ěr wǎ ài dí shēng yě bù xiǎo qù" bàn qīng xǐng" zhuàng tài. měi dāng miàn lín yī xiē kàn sì hěn nán chǔ lǐ de gōng zuò shí, tā dōu yào shū zhǎn sì zhī tǎng zài shí yàn shì de shā fā shàng, cháng yáng zài huàn xiǎng de hǎi yáng lǐ. huà jiā zuò jiā hé zuò qǔ jiā yě shí fēn yī lài nèi xīn huàn xiǎng. dé biāo xī cháng cháng dīng zhe sāi nà hé hé luò rì de jīn sè fǎn guāng lái yíng zào yī zhǒng yǒu zhù yú chuàng zuò de fēn wéi. bó lā mǔ sī fā xiàn zhǐ yǒu dāng tā chǔ yú xiǎng rù fēi fēi de zhuàng tài shí jiù huì wén sī quán yǒng. jù shuō sāi sà ěr fú lán kè zuò qǔ shí zǒu lái zǒu qù, xiàng zuò mèng yí yàng mù guāng dāi zhì, sì hū wán quán yì shí bú dào tā zhōu wéi de shì wù. |
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