| Most stories are set in present day, but settings of place vary from rural to urban. The reader follows the main character or protagonist in a conflict with another character or antagonist or in an internal conflict with his own antagonistic psychological or spiritual force. Characters range from familiar stereotypes, such as the aggressive businessman or the lonely housewife, to archetypal characters, such as the rebel, the scapegoat, the alter ego, and those engaged in some sort of search. The subject of a short story is often mistaken for its theme. Common subjects for modern short fiction include race, ethnic status, gender, class, and social issues such as poverty, drugs, violence, and divorce. These subjects allow the writer to comment upon the larger theme that is the heart of the fictional work. Some of the major themes of 20th century short stories, as well as longer forms of fiction, are human isolation, alienation, and personal trauma, such as anxiety, love and hate, male or female relationships, family and the conflict of generations, mortality, spiritual struggles, and even the relationship between life and art. | |
| 大部分的短篇小说都是以当前为背景,但背景环境从农村到城市各不相同。读者跟随主角或主人公与另一个角色或对手起冲突，或与他自己的敌对心理或精神力量相抗衡。小说的角色从熟悉的刻板印象,例如咄咄逼人的商人和寂寞的家庭主妇,到原型人物,比如叛军,替罪羊,另一个自我,和那些从事某种调查的人物。小说的主题常常被误认为是其主旨。现代短篇小说的一般主题包括种族、民族身份、性别、阶级和社会问题,如贫困、毒品、暴力和离婚。这些主题允许作者评论更广泛的作为虚构作品的核心的主旨。一些20世纪的短篇小说的主旨内容,以及长篇小说,是关于人类隔离、精神错乱和个人心理创伤的,如焦虑、爱和恨,男性或女性的关系,家庭和代沟、死亡、精神斗争,甚至是生活和艺术之间的关系。 |
| Most stories are set in present day, but settings of place vary from rural to urban. The reader follows the main character or protagonist in a conflict with another character or antagonist or in an internal conflict with his own antagonistic psychological or spiritual force. Characters range from familiar stereotypes, such as the aggressive businessman or the lonely housewife, to archetypal characters, such as the rebel, the scapegoat, the alter ego, and those engaged in some sort of search. The subject of a short story is often mistaken for its theme. Common subjects for modern short fiction include race, ethnic status, gender, class, and social issues such as poverty, drugs, violence, and divorce. These subjects allow the writer to comment upon the larger theme that is the heart of the fictional work. Some of the major themes of 20th century short stories, as well as longer forms of fiction, are human isolation, alienation, and personal trauma, such as anxiety, love and hate, male or female relationships, family and the conflict of generations, mortality, spiritual struggles, and even the relationship between life and art. | |
| da bu fen de duan pian xiao shuo dou shi yi dang qian wei bei jing, dan bei jing huan jing cong nong cun dao cheng shi ge bu xiang tong. du zhe gen sui zhu jue huo zhu ren gong yu ling yi ge jue se huo dui shou qi chong tu, huo yu ta zi ji de di dui xin li huo jing shen li liang xiang kang heng. xiao shuo de jue se cong shu xi de ke ban yin xiang, li ru duo duo bi ren de shang ren he ji mo de jia ting zhu fu, dao yuan xing ren wu, bi ru pan jun, ti zui yang, ling yi ge zi wo, he nei xie cong shi mou zhong diao cha de ren wu. xiao shuo de zhu ti chang chang bei wu ren wei shi qi zhu zhi. xian dai duan pian xiao shuo de yi ban zhu ti bao kuo zhong zu min zu shen fen xing bie jie ji he she hui wen ti, ru pin kun du pin bao li he li hun. zhei xie zhu ti yun xu zuo zhe ping lun geng guang fan de zuo wei xu gou zuo pin de he xin de zhu zhi. yi xie 20 shi ji de duan pian xiao shuo de zhu zhi nei rong, yi ji chang pian xiao shuo, shi guan yu ren lei ge li jing shen cuo luan he ge ren xin li chuang shang de, ru jiao lv ai he hen, nan xing huo nv xing de guan xi, jia ting he dai gou si wang jing shen dou zheng, shen zhi shi sheng huo he yi shu zhi jian de guan xi. |
| Most stories are set in present day, but settings of place vary from rural to urban. The reader follows the main character or protagonist in a conflict with another character or antagonist or in an internal conflict with his own antagonistic psychological or spiritual force. Characters range from familiar stereotypes, such as the aggressive businessman or the lonely housewife, to archetypal characters, such as the rebel, the scapegoat, the alter ego, and those engaged in some sort of search. The subject of a short story is often mistaken for its theme. Common subjects for modern short fiction include race, ethnic status, gender, class, and social issues such as poverty, drugs, violence, and divorce. These subjects allow the writer to comment upon the larger theme that is the heart of the fictional work. Some of the major themes of 20th century short stories, as well as longer forms of fiction, are human isolation, alienation, and personal trauma, such as anxiety, love and hate, male or female relationships, family and the conflict of generations, mortality, spiritual struggles, and even the relationship between life and art. | |
| dà bù fèn de duǎn piān xiǎo shuō dōu shì yǐ dāng qián wèi bèi jǐng, dàn bèi jǐng huán jìng cóng nóng cūn dào chéng shì gè bù xiāng tóng. dú zhě gēn suí zhǔ jué huò zhǔ rén gōng yǔ lìng yí gè jué sè huò duì shǒu qǐ chōng tū, huò yǔ tā zì jǐ de dí duì xīn lǐ huò jīng shén lì liàng xiāng kàng héng. xiǎo shuō de jué sè cóng shú xī de kè bǎn yìn xiàng, lì rú duō duō bī rén de shāng rén hé jì mò de jiā tíng zhǔ fù, dào yuán xíng rén wù, bǐ rú pàn jūn, tì zuì yáng, lìng yí gè zì wǒ, hé nèi xiē cóng shì mǒu zhǒng diào chá de rén wù. xiǎo shuō de zhǔ tí cháng cháng bèi wù rèn wéi shì qí zhǔ zhǐ. xiàn dài duǎn piān xiǎo shuō de yì bān zhǔ tí bāo kuò zhǒng zú mín zú shēn fèn xìng bié jiē jí hé shè huì wèn tí, rú pín kùn dú pǐn bào lì hé lí hūn. zhèi xiē zhǔ tí yǔn xǔ zuò zhě píng lùn gèng guǎng fàn de zuò wéi xū gòu zuò pǐn de hé xīn de zhǔ zhǐ. yī xiē 20 shì jì de duǎn piān xiǎo shuō de zhǔ zhǐ nèi róng, yǐ jí cháng piān xiǎo shuō, shì guān yú rén lèi gé lí jīng shén cuò luàn hé gè rén xīn lǐ chuāng shāng de, rú jiāo lǜ ài hé hèn, nán xìng huò nǚ xìng de guān xì, jiā tíng hé dài gōu sǐ wáng jīng shén dòu zhēng, shèn zhì shì shēng huó hé yì shù zhī jiān de guān xì. |
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