| For the last 82years, Sweden's Nobel Academy has decided who will receive the Nobel Prize in Literature, thereby determining who will be elevated from the great and the near great to the immortal. But today the Academy is coming under heavy criticism both from the without and from within. Critics contend that the selection of the winners often has less to do with true writing ability than with the peculiar internal politics of the Academy and of Sweden itself. According to Ingmar Bjorksten , the cultural editor for one of the country's two major newspapers, the prize continues to represent "what people call a very Swedish exercise: reflecting Swedish tastes." The Academy has defended itself against such charges of provincialism in its selection by asserting that its physical distance from the great literary capitals of the world actually serves to protect the Academy from outside influences. This may well be true, but critics respond that this very distance may also be responsible for the Academy's inability to perceive accurately authentic trends in the literary world. Regardless of concerns over the selection process, however, it seems that the prize will continue to survive both as an indicator of the literature that we most highly praise, and as an elusive goal that writers seek. If for no other reason, the prize will continue to be desirable for the financial rewards that accompany it; not only is the cash prize itself considerable, but it also dramatically increases sales of an author's books. | |
| 过去的82年里，瑞典的诺贝尔委员会决定了谁将获得诺贝尔文学奖，因此也就决定了谁将从伟大或近乎伟大荣升为不朽。 但在今天，该委员会却遭到了评选委员会内外的猛烈批评。 批评者们争论说："评选获奖者时，起作用更大的不是真实的写作能力，而是该委员会以及瑞典特有的内部政治。 按照瑞典两家主要报纸之一的文化版编辑Ingmar Bjorksten 的说法，该文学奖仍然是"人们所说的一种非常瑞典式的做为：反映瑞典口味"。对于其评选过程中目光短浅的指责，该委员会辩护说，该委员会与世界几大文学之 都相距遥远，实际上使该委员会免受外来的干扰。 这也许是对的，但批评者们反驳说，也正因为相距如此遥远，该委员会才不能准确地把握文学界的真正趋势。尽管对评选程序存在着关注，该文学奖将继续作为世人 最为推崇的文学的标志而存在，并将继续是作家们难以达到却又会不断追逐的目标。 如果不考虑其他因素，而仅仅考虑与之俱来的经济利益，该奖也将继续为人所渴求：这不仅因为该奖本身就是一笔可观的现金收入，而且该奖还将极大地增加一个作 家的著作的销量。 |
| For the last 82years, Sweden' s Nobel Academy has decided who will receive the Nobel Prize in Literature, thereby determining who will be elevated from the great and the near great to the immortal. But today the Academy is coming under heavy criticism both from the without and from within. Critics contend that the selection of the winners often has less to do with true writing ability than with the peculiar internal politics of the Academy and of Sweden itself. According to Ingmar Bjorksten , the cultural editor for one of the country' s two major newspapers, the prize continues to represent " what people call a very Swedish exercise: reflecting Swedish tastes." The Academy has defended itself against such charges of provincialism in its selection by asserting that its physical distance from the great literary capitals of the world actually serves to protect the Academy from outside influences. This may well be true, but critics respond that this very distance may also be responsible for the Academy' s inability to perceive accurately authentic trends in the literary world. Regardless of concerns over the selection process, however, it seems that the prize will continue to survive both as an indicator of the literature that we most highly praise, and as an elusive goal that writers seek. If for no other reason, the prize will continue to be desirable for the financial rewards that accompany it not only is the cash prize itself considerable, but it also dramatically increases sales of an author' s books. | |
| guo qu de 82 nian li, rui dian de nuo bei er wei yuan hui jue ding le shui jiang huo de nuo bei er wen xue jiang, yin ci ye jiu jue ding le shui jiang cong wei da huo jin hu wei da rong sheng wei bu xiu. dan zai jin tian, gai wei yuan hui que zao dao le ping xuan wei yuan hui nei wai de meng lie pi ping. pi ping zhe men zheng lun shuo:" ping xuan huo jiang zhe shi, qi zuo yong geng da de bu shi zhen shi de xie zuo neng li, er shi gai wei yuan hui yi ji rui dian te you de nei bu zheng zhi. an zhao rui dian liang jia zhu yao bao zhi zhi yi de wen hua ban bian ji Ingmar Bjorksten de shuo fa, gai wen xue jiang reng ran shi" ren men suo shuo de yi zhong fei chang rui dian shi de zuo wei: fan ying rui dian kou wei". dui yu qi ping xuan guo cheng zhong mu guang duan qian de zhi ze, gai wei yuan hui bian hu shuo, gai wei yuan hui yu shi jie ji da wen xue zhi dou xiang ju yao yuan, shi ji shang shi gai wei yuan hui mian shou wai lai de gan rao. zhe ye xu shi dui de, dan pi ping zhe men fan bo shuo, ye zheng yin wei xiang ju ru ci yao yuan, gai wei yuan hui cai bu neng zhun que di ba wo wen xue jie di zhen zheng qu shi. jin guan dui ping xuan cheng xu cun zai zhe guan zhu, gai wen xue jiang jiang ji xu zuo wei shi ren zui wei tui chong de wen xue de biao zhi er cun zai, bing jiang ji xu shi zuo jia men nan yi da dao que you hui bu duan zhui zhu de mu biao. ru guo bu kao lv qi ta yin su, er jin jin kao lv yu zhi ju lai de jing ji li yi, gai jiang ye jiang ji xu wei ren suo ke qiu: zhe bu jin yin wei gai jiang ben shen jiu shi yi bi ke guan de xian jin shou ru, er qie gai jiang hai jiang ji da di zeng jia yi ge zuo jia de zhu zuo de xiao liang. |
| For the last 82years, Sweden' s Nobel Academy has decided who will receive the Nobel Prize in Literature, thereby determining who will be elevated from the great and the near great to the immortal. But today the Academy is coming under heavy criticism both from the without and from within. Critics contend that the selection of the winners often has less to do with true writing ability than with the peculiar internal politics of the Academy and of Sweden itself. According to Ingmar Bjorksten , the cultural editor for one of the country' s two major newspapers, the prize continues to represent " what people call a very Swedish exercise: reflecting Swedish tastes." The Academy has defended itself against such charges of provincialism in its selection by asserting that its physical distance from the great literary capitals of the world actually serves to protect the Academy from outside influences. This may well be true, but critics respond that this very distance may also be responsible for the Academy' s inability to perceive accurately authentic trends in the literary world. Regardless of concerns over the selection process, however, it seems that the prize will continue to survive both as an indicator of the literature that we most highly praise, and as an elusive goal that writers seek. If for no other reason, the prize will continue to be desirable for the financial rewards that accompany it not only is the cash prize itself considerable, but it also dramatically increases sales of an author' s books. | |
| guò qù de 82 nián lǐ, ruì diǎn de nuò bèi ěr wěi yuán huì jué dìng le shuí jiāng huò dé nuò bèi ěr wén xué jiǎng, yīn cǐ yě jiù jué dìng le shuí jiāng cóng wěi dà huò jìn hū wěi dà róng shēng wèi bù xiǔ. dàn zài jīn tiān, gāi wěi yuán huì què zāo dào le píng xuǎn wěi yuán huì nèi wài de měng liè pī píng. pī píng zhě men zhēng lùn shuō:" píng xuǎn huò jiǎng zhě shí, qǐ zuò yòng gèng dà de bú shì zhēn shí de xiě zuò néng lì, ér shì gāi wěi yuán huì yǐ jí ruì diǎn tè yǒu de nèi bù zhèng zhì. àn zhào ruì diǎn liǎng jiā zhǔ yào bào zhǐ zhī yī de wén huà bǎn biān jí Ingmar Bjorksten de shuō fǎ, gāi wén xué jiǎng réng rán shì" rén men suǒ shuō de yī zhǒng fēi cháng ruì diǎn shì de zuò wéi: fǎn yìng ruì diǎn kǒu wèi". duì yú qí píng xuǎn guò chéng zhōng mù guāng duǎn qiǎn de zhǐ zé, gāi wěi yuán huì biàn hù shuō, gāi wěi yuán huì yǔ shì jiè jǐ dà wén xué zhī dōu xiāng jù yáo yuǎn, shí jì shang shǐ gāi wěi yuán huì miǎn shòu wài lái de gān rǎo. zhè yě xǔ shì duì de, dàn pī píng zhě men fǎn bó shuō, yě zhèng yīn wèi xiāng jù rú cǐ yáo yuǎn, gāi wěi yuán huì cái bù néng zhǔn què dì bǎ wò wén xué jiè dí zhēn zhèng qū shì. jǐn guǎn duì píng xuǎn chéng xù cún zài zhe guān zhù, gāi wén xué jiǎng jiāng jì xù zuò wéi shì rén zuì wéi tuī chóng de wén xué de biāo zhì ér cún zài, bìng jiāng jì xù shì zuò jiā men nán yǐ dá dào què yòu huì bù duàn zhuī zhú de mù biāo. rú guǒ bù kǎo lǜ qí tā yīn sù, ér jǐn jǐn kǎo lǜ yǔ zhī jù lái de jīng jì lì yì, gāi jiǎng yě jiāng jì xù wéi rén suǒ kě qiú: zhè bù jǐn yīn wèi gāi jiǎng běn shēn jiù shì yī bǐ kě guān de xiàn jīn shōu rù, ér qiě gāi jiǎng hái jiāng jí dà dì zēng jiā yí gè zuò jiā de zhù zuò de xiāo liàng. |
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