| From Boston to Los Angeles, from New York City to Chicago to Dallas, museums are either planning, building, or wrapping up wholesale expansion programs. These programs already have radically altered facades and floor plans or are expected to do so in the not-too-distant future. In New York City alone, six major institutions have spread up and out into the air space and neighborhoods around them or are preparing to do so. The reasons for this confluence of activity are complex, but one factor is a consideration everywhere - space. With collections expanding, with the needs and functions of museums changing, empty space has become a very precious commodity. Probably nowhere in the country is this more true than at the Philadelphia Museum of Art, which has needed additional space for decades and which received its last significant facelift ten years ago. Because of the space crunch, the Art Museum has become increasingly cautious in considering acquisitions and donations of art, in some cases passing up opportunities to strengthen its collections. Deaccessing - or selling off - works of art has taken on new importance because of the museum's space problems. And increasingly, curators have been forced to juggle gallery space, rotating one masterpiece into public view while another is sent to storage. Despite the clear need for additional gallery and storage space, however," the museum has no plan, no plan to break out of its envelope in the next fifteen years," according to Philadelphia Museum of Art's president. | |
| 从波士顿到洛杉机，从纽约到芝加哥、到达拉斯，所有的博物馆或者正在筹划、建造或者正在完成大规模的扩建计划。 这些计划或者已经根本性地改变了博物馆门面与展厅的设计，或者预期在不久的将来会这样做。 单单在纽约市，六个主要机构或者已经向空中和周围扩展，或者正准备这样做。 大家一致行动的原因是复杂多样的，但其中的一个因素是普遍考虑的空间问题。 随着收藏品的增多，也随着博物馆的需要和功能的变化，空间已经变成了一项非常珍贵的商品。 在我国，也许没有任何其他地方比费城艺术博物馆更符合这个事实。 这个博物馆几十年来一直需要额外的空间，十年前进行了最后一次重大的翻新。 由于空间紧缺，该艺术博物馆在考虑购买与受赠艺术品已越来越谨慎，有时甚至放弃增强艺术收藏的机会。 由于博物馆的空间问题，将艺术品脱手或者说卖掉已经有了新的重要意义。 博物馆馆长们被迫巧妙轮换利用陈列馆的空间，轮流着把一些艺术杰作向公众展出，而把另一些送入存储室中。 虽然对额外的陈列室和存储室空间需要很明显，但据费城艺术博物馆经理讲："博物馆还没有在未来十五年打破这个束缚的计划。" |
| From Boston to Los Angeles, from New York City to Chicago to Dallas, museums are either planning, building, or wrapping up wholesale expansion programs. These programs already have radically altered facades and floor plans or are expected to do so in the nottoodistant future. In New York City alone, six major institutions have spread up and out into the air space and neighborhoods around them or are preparing to do so. The reasons for this confluence of activity are complex, but one factor is a consideration everywhere space. With collections expanding, with the needs and functions of museums changing, empty space has become a very precious commodity. Probably nowhere in the country is this more true than at the Philadelphia Museum of Art, which has needed additional space for decades and which received its last significant facelift ten years ago. Because of the space crunch, the Art Museum has become increasingly cautious in considering acquisitions and donations of art, in some cases passing up opportunities to strengthen its collections. Deaccessing or selling off works of art has taken on new importance because of the museum' s space problems. And increasingly, curators have been forced to juggle gallery space, rotating one masterpiece into public view while another is sent to storage. Despite the clear need for additional gallery and storage space, however," the museum has no plan, no plan to break out of its envelope in the next fifteen years," according to Philadelphia Museum of Art' s president. | |
| cong bo shi dun dao luo shan ji, cong niu yue dao zhi jia ge dao da la si, suo you de bo wu guan huo zhe zheng zai chou hua jian zao huo zhe zheng zai wan cheng da gui mo de kuo jian ji hua. zhei xie ji hua huo zhe yi jing gen ben xing di gai bian le bo wu guan men mian yu zhan ting de she ji, huo zhe yu qi zai bu jiu de jiang lai hui zhe yang zuo. dan dan zai niu yue shi, liu ge zhu yao ji gou huo zhe yi jing xiang kong zhong he zhou wei kuo zhan, huo zhe zheng zhun bei zhe yang zuo. da jia yi zhi xing dong de yuan yin shi fu za duo yang de, dan qi zhong de yi ge yin su shi pu bian kao lv de kong jian wen ti. sui zhe shou cang pin de zeng duo, ye sui zhe bo wu guan de xu yao he gong neng de bian hua, kong jian yi jing bian cheng le yi xiang fei chang zhen gui de shang pin. zai wo guo, ye xu mei you ren he qi ta di fang bi fei cheng yi shu bo wu guan geng fu he zhe ge shi shi. zhe ge bo wu guan ji shi nian lai yi zhi xu yao e wai de kong jian, shi nian qian jin xing le zui hou yi ci zhong da de fan xin. you yu kong jian jin que, gai yi shu bo wu guan zai kao lv gou mai yu shou zeng yi shu pin yi yue lai yue jin shen, you shi shen zhi fang qi zeng qiang yi shu shou cang de ji hui. you yu bo wu guan de kong jian wen ti, jiang yi shu pin tuo shou huo zhe shuo mai diao yi jing you le xin de zhong yao yi yi. bo wu guan guan zhang men bei po qiao miao lun huan li yong chen lie guan de kong jian, lun liu zhe ba yi xie yi shu jie zuo xiang gong zhong zhan chu, er ba ling yi xie song ru cun chu shi zhong. sui ran dui e wai de chen lie shi he cun chu shi kong jian xu yao hen ming xian, dan ju fei cheng yi shu bo wu guan jing li jiang:" bo wu guan hai mei you zai wei lai shi wu nian da po zhe ge shu fu de ji hua." |
| From Boston to Los Angeles, from New York City to Chicago to Dallas, museums are either planning, building, or wrapping up wholesale expansion programs. These programs already have radically altered facades and floor plans or are expected to do so in the nottoodistant future. In New York City alone, six major institutions have spread up and out into the air space and neighborhoods around them or are preparing to do so. The reasons for this confluence of activity are complex, but one factor is a consideration everywhere space. With collections expanding, with the needs and functions of museums changing, empty space has become a very precious commodity. Probably nowhere in the country is this more true than at the Philadelphia Museum of Art, which has needed additional space for decades and which received its last significant facelift ten years ago. Because of the space crunch, the Art Museum has become increasingly cautious in considering acquisitions and donations of art, in some cases passing up opportunities to strengthen its collections. Deaccessing or selling off works of art has taken on new importance because of the museum' s space problems. And increasingly, curators have been forced to juggle gallery space, rotating one masterpiece into public view while another is sent to storage. Despite the clear need for additional gallery and storage space, however," the museum has no plan, no plan to break out of its envelope in the next fifteen years," according to Philadelphia Museum of Art' s president. | |
| cóng bō shì dùn dào luò shān jī, cóng niǔ yuē dào zhī jiā gē dào dá lā sī, suǒ yǒu de bó wù guǎn huò zhě zhèng zài chóu huà jiàn zào huò zhě zhèng zài wán chéng dà guī mó de kuò jiàn jì huà. zhèi xiē jì huà huò zhě yǐ jīng gēn běn xìng dì gǎi biàn le bó wù guǎn mén miàn yǔ zhǎn tīng de shè jì, huò zhě yù qī zài bù jiǔ de jiāng lái huì zhè yàng zuò. dān dān zài niǔ yuē shì, liù ge zhǔ yào jī gòu huò zhě yǐ jīng xiàng kōng zhōng hé zhōu wéi kuò zhǎn, huò zhě zhèng zhǔn bèi zhè yàng zuò. dà jiā yī zhì xíng dòng de yuán yīn shì fù zá duō yàng de, dàn qí zhōng de yí gè yīn sù shì pǔ biàn kǎo lǜ de kōng jiān wèn tí. suí zhe shōu cáng pǐn de zēng duō, yě suí zhe bó wù guǎn de xū yào hé gōng néng de biàn huà, kōng jiān yǐ jīng biàn chéng le yī xiàng fēi cháng zhēn guì de shāng pǐn. zài wǒ guó, yě xǔ méi yǒu rèn hé qí tā dì fāng bǐ fèi chéng yì shù bó wù guǎn gèng fú hé zhè gè shì shí. zhè gè bó wù guǎn jǐ shí nián lái yī zhí xū yào é wài de kōng jiān, shí nián qián jìn xíng le zuì hòu yī cì zhòng dà de fān xīn. yóu yú kōng jiān jǐn quē, gāi yì shù bó wù guǎn zài kǎo lǜ gòu mǎi yǔ shòu zèng yì shù pǐn yǐ yuè lái yuè jǐn shèn, yǒu shí shèn zhì fàng qì zēng qiáng yì shù shōu cáng de jī huì. yóu yú bó wù guǎn de kōng jiān wèn tí, jiāng yì shù pǐn tuō shǒu huò zhě shuō mài diào yǐ jīng yǒu le xīn de zhòng yào yì yì. bó wù guǎn guǎn zhǎng men bèi pò qiǎo miào lún huàn lì yòng chén liè guǎn de kōng jiān, lún liú zhe bǎ yī xiē yì shù jié zuò xiàng gōng zhòng zhǎn chū, ér bǎ lìng yī xiē sòng rù cún chǔ shì zhōng. suī rán duì é wài de chén liè shì hé cún chǔ shì kōng jiān xū yào hěn míng xiǎn, dàn jù fèi chéng yì shù bó wù guǎn jīng lǐ jiǎng:" bó wù guǎn hái méi yǒu zài wèi lái shí wǔ nián dǎ pò zhè gè shù fù de jì huà." |
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