伊莎贝拉与玛格丽特33 歌词
| 歌曲 | 伊莎贝拉与玛格丽特33 |
| 歌手 | 英语听力 |
| 专辑 | BBC英国的那些女王们 |
| 下载 | Image LRC TXT |
| Henry was oblivious to their son's arrival, but Margaret had good reason to be jubilant. With the heir to the throne in her arms, she discovered, just like Isabella before her, that she had a direct stake in the power play that surrounded her. The question now was how far she would go in using it. The answer wasn't slow in coming. Just three months after her son's birth, a well-informed observer in London reported that the Queen, desires to have the whole rule of this land as well as the right to appoint all other officers that the King should make. Margaret was proposing that she should act as Regent for her helpless husband. This dramatic piece of self-assertion was the first step on a road that would eventually lead to Shakespeare's lacerating portrait of Margaret as the "She-wolf of France". But, if we look behind the caricature, there was much more to Margaret's position than unthinking aggression. | |
| 对儿子到来，亨利毫无知觉，但玛格丽特有足够的理由感到欢欣雀跃。她的怀里抱着的是王位继承人。她发现，跟她之前的伊莎贝拉一样，已经深陷周围权力争端的漩涡之中了。现在的问题是她能利用这个优势走多远，答案很快就会揭晓了。在她儿子出生三个月后，伦敦一位消息灵通的观察员声称王后想要统治这片土地，希望自己能像国王一样任命委派官员。玛格丽特提出，由于她丈夫的无能，她当扮演一个摄政王的角色，这一出我行我素的戏码，是逐步走向并最终导致莎士比亚对玛格丽特破坏性描写“法兰西母狼”。但如果撇开这里头的讽刺意味不讲，这更像是对玛格丽特所表现出来的姿态的描写。而不是她不假思索的进攻方式。 |
| Henry was oblivious to their son' s arrival, but Margaret had good reason to be jubilant. With the heir to the throne in her arms, she discovered, just like Isabella before her, that she had a direct stake in the power play that surrounded her. The question now was how far she would go in using it. The answer wasn' t slow in coming. Just three months after her son' s birth, a wellinformed observer in London reported that the Queen, desires to have the whole rule of this land as well as the right to appoint all other officers that the King should make. Margaret was proposing that she should act as Regent for her helpless husband. This dramatic piece of selfassertion was the first step on a road that would eventually lead to Shakespeare' s lacerating portrait of Margaret as the " Shewolf of France". But, if we look behind the caricature, there was much more to Margaret' s position than unthinking aggression. | |
| dui er zi dao lai, heng li hao wu zhi jue, dan ma ge li te you zu gou de li you gan dao huan xin que yue. ta de huai li bao zhe de shi wang wei ji cheng ren. ta fa xian, gen ta zhi qian de yi sha bei la yi yang, yi jing shen xian zhou wei quan li zheng duan di xuan wo zhi zhong le. xian zai de wen ti shi ta neng li yong zhe ge you shi zou duo yuan, da an hen kuai jiu hui jie xiao le. zai ta er zi chu sheng san ge yue hou, lun dun yi wei xiao xi ling tong de guan cha yuan sheng cheng wang hou xiang yao tong zhi zhe pian tu di, xi wang zi ji neng xiang guo wang yi yang ren ming wei pai guan yuan. ma ge li te ti chu, you yu ta zhang fu de wu neng, ta dang ban yan yi ge she zheng wang de jue se, zhe yi chu wo xing wo su de xi ma, shi zhu bu zou xiang bing zui zhong dao zhi sha shi bi ya dui ma ge li te po huai xing miao xie" fa lan xi mu lang". dan ru guo pie kai zhe li tou de feng ci yi wei bu jiang, zhe geng xiang shi dui ma ge li te suo biao xian chu lai de zi tai de miao xie. er bu shi ta bu jia si suo de jin gong fang shi. |
| Henry was oblivious to their son' s arrival, but Margaret had good reason to be jubilant. With the heir to the throne in her arms, she discovered, just like Isabella before her, that she had a direct stake in the power play that surrounded her. The question now was how far she would go in using it. The answer wasn' t slow in coming. Just three months after her son' s birth, a wellinformed observer in London reported that the Queen, desires to have the whole rule of this land as well as the right to appoint all other officers that the King should make. Margaret was proposing that she should act as Regent for her helpless husband. This dramatic piece of selfassertion was the first step on a road that would eventually lead to Shakespeare' s lacerating portrait of Margaret as the " Shewolf of France". But, if we look behind the caricature, there was much more to Margaret' s position than unthinking aggression. | |
| duì ér zi dào lái, hēng lì háo wú zhī jué, dàn mǎ gé lì tè yǒu zú gòu de lǐ yóu gǎn dào huān xīn què yuè. tā de huái lǐ bào zhe de shì wáng wèi jì chéng rén. tā fā xiàn, gēn tā zhī qián de yī shā bèi lā yí yàng, yǐ jīng shēn xiàn zhōu wéi quán lì zhēng duān dì xuán wō zhī zhōng le. xiàn zài de wèn tí shì tā néng lì yòng zhè gè yōu shì zǒu duō yuǎn, dá àn hěn kuài jiù huì jiē xiǎo le. zài tā ér zi chū shēng sān ge yuè hòu, lún dūn yī wèi xiāo xī líng tōng de guān chá yuán shēng chēng wáng hòu xiǎng yào tǒng zhì zhè piàn tǔ dì, xī wàng zì jǐ néng xiàng guó wáng yí yàng rèn mìng wěi pài guān yuán. mǎ gé lì tè tí chū, yóu yú tā zhàng fū de wú néng, tā dāng bàn yǎn yí gè shè zhèng wáng de jué sè, zhè yī chū wǒ xíng wǒ sù de xì mǎ, shì zhú bù zǒu xiàng bìng zuì zhōng dǎo zhì shā shì bǐ yà duì mǎ gé lì tè pò huài xìng miáo xiě" fǎ lán xī mǔ láng". dàn rú guǒ piē kāi zhè lǐ tou de fěng cì yì wèi bù jiǎng, zhè gèng xiàng shì duì mǎ gé lì tè suǒ biǎo xiàn chū lái de zī tài de miáo xiě. ér bú shì tā bù jiǎ sī suǒ de jìn gōng fāng shì. |
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