| Before Constantine, Rome's Bishops had been persecuted leaders. Now they were important officials with real influence. One Pope, Damasus I, revelled in this new status. Nearly 70 when he came to power, Damasus didn't allow old age to dampen his pleasures. Corrupt and egotistical, his enemies described him as a smooth-talking adulterer, or as they put it, "A tickler of the ears of middle-aged women." But Damasus was also a poet who used his literary gifts to win Christian souls. He took Rome's earliest sites of martyrdom and celebrated them in poetry. This poetical propaganda has been studied by Marianne Saghy, a historian who I'm meeting at the Church of Sant'Agnese. Pope Damasus went into every single catacomb, more than 60 catacombs, placing poetic inscriptions above the holy graves. Damasus's inscriptions were like huge billboards in the labyrinthine darkness of the catacombs. And it attracted huge throngs, huge crowds to the graves of the martyrs. | |
| 在君士坦丁之前，罗马主教们曾是遭受迫害的宗教领袖。而今他们身居要位，拥有真正的影响力。 其中一位教皇，达玛斯一世就沉浸在新的地位（所赋予的权利当中）。达玛斯就任时已年近七十，但他没让高龄妨碍到自己的享乐。生活堕落、自高重大；他的仇敌们则把他描述为一个能说会道的通奸者；原话是这么说的——“善于为中年女性挠耳朵的人”。但达玛斯还是个诗人，他用自己的文学天赋来赢得基督教信徒（的肯定）。他以罗马最早的殉道者遗址为题材，写诗予以赞颂。这富有诗意的布道方式得到了Marianne Saghy的研究；她是位历史学家，我现在正同她在 Sant'Agnese教堂会面。达玛斯教皇进到每一个墓穴之中——共有六十几个之多，将题好的诗文放到庄重的坟墓上方。在这些如迷宫般曲折而又漆黑一片的墓穴里，达玛斯的碑文就仿佛是大型的指示牌。达玛斯此举引得大批人潮来到烈士们的墓穴。 |
| Before Constantine, Rome' s Bishops had been persecuted leaders. Now they were important officials with real influence. One Pope, Damasus I, revelled in this new status. Nearly 70 when he came to power, Damasus didn' t allow old age to dampen his pleasures. Corrupt and egotistical, his enemies described him as a smoothtalking adulterer, or as they put it, " A tickler of the ears of middleaged women." But Damasus was also a poet who used his literary gifts to win Christian souls. He took Rome' s earliest sites of martyrdom and celebrated them in poetry. This poetical propaganda has been studied by Marianne Saghy, a historian who I' m meeting at the Church of Sant' Agnese. Pope Damasus went into every single catacomb, more than 60 catacombs, placing poetic inscriptions above the holy graves. Damasus' s inscriptions were like huge billboards in the labyrinthine darkness of the catacombs. And it attracted huge throngs, huge crowds to the graves of the martyrs. | |
| zai jun shi tan ding zhi qian, luo ma zhu jiao men ceng shi zao shou po hai de zong jiao ling xiu. er jin ta men shen ju yao wei, yong you zhen zheng de ying xiang li. qi zhong yi wei jiao huang, da ma si yi shi jiu chen jin zai xin de di wei suo fu yu de quan li dang zhong. da ma si jiu ren shi yi nian jin qi shi, dan ta mei rang gao ling fang ai dao zi ji de xiang le. sheng huo duo luo zi gao zhong da ta de chou di men ze ba ta miao shu wei yi ge neng shuo hui dao de tong jian zhe yuan hua shi zhe me shuo de" shan yu wei zhong nian nv xing nao er duo de ren". dan da ma si hai shi ge shi ren, ta yong zi ji de wen xue tian fu lai ying de ji du jiao xin tu de ken ding. ta yi luo ma zui zao de xun dao zhe yi zhi wei ti cai, xie shi yu yi zan song. zhe fu you shi yi de bu dao fang shi de dao le Marianne Saghy de yan jiu ta shi wei li shi xue jia, wo xian zai zheng tong ta zai Sant' Agnese jiao tang hui mian. da ma si jiao huang jin dao mei yi ge mu xue zhi zhong gong you liu shi ji ge zhi duo, jiang ti hao de shi wen fang dao zhuang zhong de fen mu shang fang. zai zhei xie ru mi gong ban qu zhe er you qi hei yi pian de mu xue li, da ma si de bei wen jiu fang fu shi da xing de zhi shi pai. da ma si ci ju yin de da pi ren chao lai dao lie shi men de mu xue. |
| Before Constantine, Rome' s Bishops had been persecuted leaders. Now they were important officials with real influence. One Pope, Damasus I, revelled in this new status. Nearly 70 when he came to power, Damasus didn' t allow old age to dampen his pleasures. Corrupt and egotistical, his enemies described him as a smoothtalking adulterer, or as they put it, " A tickler of the ears of middleaged women." But Damasus was also a poet who used his literary gifts to win Christian souls. He took Rome' s earliest sites of martyrdom and celebrated them in poetry. This poetical propaganda has been studied by Marianne Saghy, a historian who I' m meeting at the Church of Sant' Agnese. Pope Damasus went into every single catacomb, more than 60 catacombs, placing poetic inscriptions above the holy graves. Damasus' s inscriptions were like huge billboards in the labyrinthine darkness of the catacombs. And it attracted huge throngs, huge crowds to the graves of the martyrs. | |
| zài jūn shì tǎn dīng zhī qián, luó mǎ zhǔ jiào men céng shì zāo shòu pò hài de zōng jiào lǐng xiù. ér jīn tā men shēn jū yào wèi, yōng yǒu zhēn zhèng de yǐng xiǎng lì. qí zhōng yī wèi jiào huáng, dá mǎ sī yī shì jiù chén jìn zài xīn de dì wèi suǒ fù yǔ de quán lì dāng zhōng. dá mǎ sī jiù rèn shí yǐ nián jìn qī shí, dàn tā méi ràng gāo líng fáng ài dào zì jǐ de xiǎng lè. shēng huó duò luò zì gāo zhòng dà tā de chóu dí men zé bǎ tā miáo shù wèi yí gè néng shuō huì dào de tōng jiān zhě yuán huà shì zhè me shuō de" shàn yú wèi zhōng nián nǚ xìng náo ěr duǒ de rén". dàn dá mǎ sī hái shì gè shī rén, tā yòng zì jǐ de wén xué tiān fù lái yíng de jī dū jiào xìn tú de kěn dìng. tā yǐ luó mǎ zuì zǎo de xùn dào zhě yí zhǐ wèi tí cái, xiě shī yǔ yǐ zàn sòng. zhè fù yǒu shī yì de bù dào fāng shì dé dào le Marianne Saghy de yán jiū tā shì wèi lì shǐ xué jiā, wǒ xiàn zài zhèng tóng tā zài Sant' Agnese jiào táng huì miàn. dá mǎ sī jiào huáng jìn dào měi yí gè mù xué zhī zhōng gòng yǒu liù shí jǐ gè zhī duō, jiāng tí hǎo de shī wén fàng dào zhuāng zhòng de fén mù shàng fāng. zài zhèi xiē rú mí gōng bān qū zhé ér yòu qī hēi yī piàn de mù xué lǐ, dá mǎ sī de bēi wén jiù fǎng fú shì dà xíng de zhǐ shì pái. dá mǎ sī cǐ jǔ yǐn de dà pī rén cháo lái dào liè shì men de mù xué. |
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