| It ended up more elegant vicarage than royal palace, described by one observer as dull, dowdy but decent. Yet inside, there was no mistaking the royal presence. George III covered the walls with pictures from the royal art collection. Most impressive was an enormous picture, by Anthony Van Dyck, of Charles I. A very different sort of king to George. When Charles I had it commissioned of himself, this was saying, "Here I am, Monarch/God. "All powerful." In reality, he was small and bandy, wasn't he? Yes. Unimpressive, distinctly unimpressive, but what you pay an artist for is to make something recognisably your image, but a lot better. And in this case, the techniques are a low viewpoint, an action shot, so that it looks as if it's punching a hole in the wall and creating this dramatic effect that Charles I, looking like an emperor, is thundering into the room on a charger. Which really, I think, suggests the painting more as an act of propaganda drama than as a nice elegant composition within a frame. | |
| 结果皇宫成了优雅的牧师住宅，观察家称之为平淡，过时但正派，但内部与现在的皇宫无异。乔治三世的皇家艺术收藏挂满了整面墙壁。其中最令人印象深刻的是安东尼·凡·戴克的巨幅画作——查理一世。这是一位与乔治三世截然不同的国王。查理一世当国王的时候，曾经宣称“君权神授”“国王掌握一切权力”。事实上，他很矮小，而且双膝向外弯曲，是吧？ 对，极其平淡无奇，但画家要突出一些东西使国王看起来与众不同，所以绘画时就采用了很多技巧。比如，低角度以及动态表现，所以看起来棱角分明，画作上的人物也有了非凡的效果。国王骑着马，看上去威风凛凛。但是我想，这只是戏剧的宣传，而不是一幅优雅的作品。 |
| It ended up more elegant vicarage than royal palace, described by one observer as dull, dowdy but decent. Yet inside, there was no mistaking the royal presence. George III covered the walls with pictures from the royal art collection. Most impressive was an enormous picture, by Anthony Van Dyck, of Charles I. A very different sort of king to George. When Charles I had it commissioned of himself, this was saying, " Here I am, Monarch God. " All powerful." In reality, he was small and bandy, wasn' t he? Yes. Unimpressive, distinctly unimpressive, but what you pay an artist for is to make something recognisably your image, but a lot better. And in this case, the techniques are a low viewpoint, an action shot, so that it looks as if it' s punching a hole in the wall and creating this dramatic effect that Charles I, looking like an emperor, is thundering into the room on a charger. Which really, I think, suggests the painting more as an act of propaganda drama than as a nice elegant composition within a frame. | |
| jie guo huang gong cheng le you ya de mu shi zhu zhai, guan cha jia cheng zhi wei ping dan, guo shi dan zheng pai, dan nei bu yu xian zai de huang gong wu yi. qiao zhi san shi de huang jia yi shu shou cang gua man le zheng mian qiang bi. qi zhong zui ling ren yin xiang shen ke de shi an dong ni fan dai ke de ju fu hua zuo zha li yi shi. zhe shi yi wei yu qiao zhi san shi jie ran bu tong de guo wang. zha li yi shi dang guo wang de shi hou, ceng jing xuan cheng" jun quan shen shou"" guo wang zhang wo yi qie quan li". shi shi shang, ta hen ai xiao, er qie shuang xi xiang wai wan qu, shi ba? dui, ji qi ping dan wu qi, dan hua jia yao tu chu yi xie dong xi shi guo wang kan qi lai yu zhong bu tong, suo yi hui hua shi jiu cai yong le hen duo ji qiao. bi ru, di jiao du yi ji dong tai biao xian, suo yi kan qi lai leng jiao fen ming, hua zuo shang de ren wu ye you le fei fan de xiao guo. guo wang qi zhe ma, kan shang qu wei feng lin lin. dan shi wo xiang, zhe zhi shi xi ju de xuan chuan, er bu shi yi fu you ya de zuo pin. |
| It ended up more elegant vicarage than royal palace, described by one observer as dull, dowdy but decent. Yet inside, there was no mistaking the royal presence. George III covered the walls with pictures from the royal art collection. Most impressive was an enormous picture, by Anthony Van Dyck, of Charles I. A very different sort of king to George. When Charles I had it commissioned of himself, this was saying, " Here I am, Monarch God. " All powerful." In reality, he was small and bandy, wasn' t he? Yes. Unimpressive, distinctly unimpressive, but what you pay an artist for is to make something recognisably your image, but a lot better. And in this case, the techniques are a low viewpoint, an action shot, so that it looks as if it' s punching a hole in the wall and creating this dramatic effect that Charles I, looking like an emperor, is thundering into the room on a charger. Which really, I think, suggests the painting more as an act of propaganda drama than as a nice elegant composition within a frame. | |
| jié guǒ huáng gōng chéng le yōu yǎ de mù shī zhù zhái, guān chá jiā chēng zhī wéi píng dàn, guò shí dàn zhèng pài, dàn nèi bù yǔ xiàn zài de huáng gōng wú yì. qiáo zhì sān shì de huáng jiā yì shù shōu cáng guà mǎn le zhěng miàn qiáng bì. qí zhōng zuì lìng rén yìn xiàng shēn kè de shì ān dōng ní fán dài kè de jù fú huà zuò zhā lǐ yī shì. zhè shì yī wèi yǔ qiáo zhì sān shì jié rán bù tóng de guó wáng. zhā lǐ yī shì dāng guó wáng de shí hòu, céng jīng xuān chēng" jūn quán shén shòu"" guó wáng zhǎng wò yī qiè quán lì". shì shí shàng, tā hěn ǎi xiǎo, ér qiě shuāng xī xiàng wài wān qū, shì ba? duì, jí qí píng dàn wú qí, dàn huà jiā yào tū chū yī xiē dōng xī shǐ guó wáng kàn qǐ lái yǔ zhòng bù tóng, suǒ yǐ huì huà shí jiù cǎi yòng le hěn duō jì qiǎo. bǐ rú, dī jiǎo dù yǐ jí dòng tài biǎo xiàn, suǒ yǐ kàn qǐ lái léng jiǎo fēn míng, huà zuò shàng de rén wù yě yǒu le fēi fán de xiào guǒ. guó wáng qí zhe mǎ, kàn shang qu wēi fēng lǐn lǐn. dàn shì wǒ xiǎng, zhè zhǐ shì xì jù de xuān chuán, ér bú shì yī fú yōu yǎ de zuò pǐn. |
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