| In George III's day, this was the place to come if you wanted the best of art, and at a good price. When George III was still a boy, Venice was one of Europe's most romantic destinations, home of art and culture. It was a key stop on what was known as the Grand Tour, when the British aristocracy would travel around the cities of Europe to see great architecture and great paintings. Though, like some British tourists today, they often broadened their horizons in rather less noble ways. Venice was renowned for its ladies of easy virtue, and many a cultural traveller was distracted by the fleshy delights of Venetian parties. But by the 1760s, when George III was moving into Buckingham House, Venice was in the doldrums. Trade and banking were depressed, visitor numbers down. The great patrons of Venice were in need of money, a perfect time for any British collector to pick up some art on the cheap. | |
| 在乔治三世时代，如果你想学习最好的艺术，或者你的作品卖个好价钱这里是必到之处。 乔治还是个孩子的时候，威尼斯就已经是欧洲最浪漫的城市之一，也是艺术和文化的大本营。那时英国贵族会到欧洲各地游学，学习建筑和绘画。威尼斯就是最重要的一站，跟今天英国的旅行者一样。他们会以非贵族的方式来拓展自己的眼界。 威尼斯女性的放荡是出了名的，很多文化旅行者都被肉体的愉悦所吸引来到威尼斯。但到1760年代，乔治三世搬入白金汉宫时，威尼斯已经没落了。贸易和银行业萧条，游客数量减少。 |
| In George III' s day, this was the place to come if you wanted the best of art, and at a good price. When George III was still a boy, Venice was one of Europe' s most romantic destinations, home of art and culture. It was a key stop on what was known as the Grand Tour, when the British aristocracy would travel around the cities of Europe to see great architecture and great paintings. Though, like some British tourists today, they often broadened their horizons in rather less noble ways. Venice was renowned for its ladies of easy virtue, and many a cultural traveller was distracted by the fleshy delights of Venetian parties. But by the 1760s, when George III was moving into Buckingham House, Venice was in the doldrums. Trade and banking were depressed, visitor numbers down. The great patrons of Venice were in need of money, a perfect time for any British collector to pick up some art on the cheap. | |
| zai qiao zhi san shi shi dai, ru guo ni xiang xue xi zui hao de yi shu, huo zhe ni de zuo pin mai ge hao jia qian zhe li shi bi dao zhi chu. qiao zhi hai shi ge hai zi de shi hou, wei ni si jiu yi jing shi ou zhou zui lang man de cheng shi zhi yi, ye shi yi shu he wen hua de da ben ying. na shi ying guo gui zu hui dao ou zhou ge di you xue, xue xi jian zhu he hui hua. wei ni si jiu shi zui zhong yao de yi zhan, gen jin tian ying guo de lv xing zhe yi yang. ta men hui yi fei gui zu de fang shi lai tuo zhan zi ji de yan jie. wei ni si nv xing de fang dang shi chu le ming de, hen duo wen hua lv xing zhe dou bei rou ti de yu yue suo xi yin lai dao wei ni si. dan dao 1760 nian dai, qiao zhi san shi ban ru bai jin han gong shi, wei ni si yi jing mo luo le. mao yi he yin hang ye xiao tiao, you ke shu liang jian shao. |
| In George III' s day, this was the place to come if you wanted the best of art, and at a good price. When George III was still a boy, Venice was one of Europe' s most romantic destinations, home of art and culture. It was a key stop on what was known as the Grand Tour, when the British aristocracy would travel around the cities of Europe to see great architecture and great paintings. Though, like some British tourists today, they often broadened their horizons in rather less noble ways. Venice was renowned for its ladies of easy virtue, and many a cultural traveller was distracted by the fleshy delights of Venetian parties. But by the 1760s, when George III was moving into Buckingham House, Venice was in the doldrums. Trade and banking were depressed, visitor numbers down. The great patrons of Venice were in need of money, a perfect time for any British collector to pick up some art on the cheap. | |
| zài qiáo zhì sān shì shí dài, rú guǒ nǐ xiǎng xué xí zuì hǎo de yì shù, huò zhě nǐ de zuò pǐn mài gè hǎo jià qián zhè lǐ shì bì dào zhī chù. qiáo zhì hái shì gè hái zi de shí hòu, wēi ní sī jiù yǐ jīng shì ōu zhōu zuì làng màn de chéng shì zhī yī, yě shì yì shù hé wén huà de dà běn yíng. nà shí yīng guó guì zú huì dào ōu zhōu gè dì yóu xué, xué xí jiàn zhù hé huì huà. wēi ní sī jiù shì zuì zhòng yào de yī zhàn, gēn jīn tiān yīng guó de lǚ xíng zhě yí yàng. tā men huì yǐ fēi guì zú de fāng shì lái tuò zhǎn zì jǐ de yǎn jiè. wēi ní sī nǚ xìng de fàng dàng shì chū le míng de, hěn duō wén huà lǚ xíng zhě dōu bèi ròu tǐ de yú yuè suǒ xī yǐn lái dào wēi ní sī. dàn dào 1760 nián dài, qiáo zhì sān shì bān rù bái jīn hàn gōng shí, wēi ní sī yǐ jīng mò luò le. mào yì hé yín háng yè xiāo tiáo, yóu kè shù liàng jiǎn shǎo. |
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