| George III's artistic envoys knew where to look. The Palazzo Mangilli Valmarana was home to the British consul, Joseph Smith. He was one of the greatest art collectors, the Charles Saatchi of his day. When Joseph Smith lived here, these walls were crammed with paintings that he'd commissioned from up-and-coming Venetian artists. It became the in thing for visiting British aristocrats to pull every string and use every family connection to try and get an invite here so they could admire the collection and then maybe buy a little something to take home. But Joseph Smith fell on hard times and needed cash, so he sold the lot to George III. Along with an impressive hoard of books, antiques and coins were paintings by great masters like Vermeer. Best of all were the paintings by Venice's greatest living artist, Canaletto. | |
| 威尼斯的大主顾们急需要钱，对英国收藏家来说这是个绝佳的时机，可以用低廉的价格收购艺术品。乔治三世的艺术使者知道该去哪里淘这些艺术品。曼吉利·瓦马拉那宫是英国驻威尼斯领事约瑟夫·史密斯的家。他是最伟大的艺术品收藏家之一是那个时代的查尔斯·萨奇（查尔斯·萨奇是当代著名收藏家） 约瑟夫住在这里的时候，这些墙上挂满了画作都是他从才华横溢的威尼斯画家手里收集的。英国贵族很时兴来这里参观，为此会使用各种方式和家人的关系，只为了得到一份邀请，来观赏这些收藏。也许他们可以买些绘画作品带回家去。 后来约瑟夫穷困潦倒，急需用钱，因而把很多东西都卖给了乔治三世，连同大量的书籍，古董，古钱币，还有绘画大家维米尔的作品。其中最好的作品当属威尼斯艺术家卡纳莱托的。 |
| George III' s artistic envoys knew where to look. The Palazzo Mangilli Valmarana was home to the British consul, Joseph Smith. He was one of the greatest art collectors, the Charles Saatchi of his day. When Joseph Smith lived here, these walls were crammed with paintings that he' d commissioned from upandcoming Venetian artists. It became the in thing for visiting British aristocrats to pull every string and use every family connection to try and get an invite here so they could admire the collection and then maybe buy a little something to take home. But Joseph Smith fell on hard times and needed cash, so he sold the lot to George III. Along with an impressive hoard of books, antiques and coins were paintings by great masters like Vermeer. Best of all were the paintings by Venice' s greatest living artist, Canaletto. | |
| wei ni si de da zhu gu men ji xu yao qian, dui ying guo shou cang jia lai shuo zhe shi ge jue jia de shi ji, ke yi yong di lian de jia ge shou gou yi shu pin. qiao zhi san shi de yi shu shi zhe zhi dao gai qu na li tao zhei xie yi shu pin. man ji li wa ma la na gong shi ying guo zhu wei ni si ling shi yue se fu shi mi si de jia. ta shi zui wei da de yi shu pin shou cang jia zhi yi shi na ge shi dai de cha er si sa qi cha er si sa qi shi dang dai zhu ming shou cang jia yue se fu zhu zai zhe li de shi hou, zhei xie qiang shang gua man le hua zuo dou shi ta cong cai hua heng yi de wei ni si hua jia shou li shou ji de. ying guo gui zu hen shi xing lai zhe li can guan, wei ci hui shi yong ge zhong fang shi he jia ren de guan xi, zhi wei liao de dao yi fen yao qing, lai guan shang zhei xie shou cang. ye xu ta men ke yi mai xie hui hua zuo pin dai hui jia qu. hou lai yue se fu qiong kun liao dao, ji xu yong qian, yin er ba hen duo dong xi dou mai gei le qiao zhi san shi, lian tong da liang de shu ji, gu dong, gu qian bi, hai you hui hua da jia wei mi er de zuo pin. qi zhong zui hao de zuo pin dang shu wei ni si yi shu jia ka na lai tuo de. |
| George III' s artistic envoys knew where to look. The Palazzo Mangilli Valmarana was home to the British consul, Joseph Smith. He was one of the greatest art collectors, the Charles Saatchi of his day. When Joseph Smith lived here, these walls were crammed with paintings that he' d commissioned from upandcoming Venetian artists. It became the in thing for visiting British aristocrats to pull every string and use every family connection to try and get an invite here so they could admire the collection and then maybe buy a little something to take home. But Joseph Smith fell on hard times and needed cash, so he sold the lot to George III. Along with an impressive hoard of books, antiques and coins were paintings by great masters like Vermeer. Best of all were the paintings by Venice' s greatest living artist, Canaletto. | |
| wēi ní sī de dà zhǔ gù men jí xū yào qián, duì yīng guó shōu cáng jiā lái shuō zhè shì gè jué jiā de shí jī, kě yǐ yòng dī lián de jià gé shōu gòu yì shù pǐn. qiáo zhì sān shì de yì shù shǐ zhě zhī dào gāi qù nǎ lǐ táo zhèi xiē yì shù pǐn. màn jí lì wǎ mǎ lā nà gōng shì yīng guó zhù wēi ní sī lǐng shì yuē sè fū shǐ mì sī de jiā. tā shì zuì wěi dà de yì shù pǐn shōu cáng jiā zhī yī shì nà gè shí dài de chá ěr sī sà qí chá ěr sī sà qí shì dāng dài zhù míng shōu cáng jiā yuē sè fū zhù zài zhè lǐ de shí hòu, zhèi xiē qiáng shàng guà mǎn le huà zuò dōu shì tā cóng cái huá héng yì de wēi ní sī huà jiā shǒu lǐ shōu jí de. yīng guó guì zú hěn shí xīng lái zhè lǐ cān guān, wèi cǐ huì shǐ yòng gè zhǒng fāng shì hé jiā rén de guān xì, zhǐ wèi liǎo de dào yī fèn yāo qǐng, lái guān shǎng zhèi xiē shōu cáng. yě xǔ tā men kě yǐ mǎi xiē huì huà zuò pǐn dài huí jiā qù. hòu lái yuē sè fū qióng kùn liáo dǎo, jí xū yòng qián, yīn ér bǎ hěn duō dōng xī dōu mài gěi le qiáo zhì sān shì, lián tóng dà liàng de shū jí, gǔ dǒng, gǔ qián bì, hái yǒu huì huà dà jiā wéi mǐ ěr de zuò pǐn. qí zhōng zuì hǎo de zuò pǐn dāng shǔ wēi ní sī yì shù jiā kǎ nà lái tuō de. |
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