歌剧院的幽灵02

歌剧院的幽灵02 歌词

歌曲 歌剧院的幽灵02
歌手 英语听力
专辑 书虫系列第一级
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[00:01.78] CHAPTER 2 THE DIRECTORS OF THE OPERA HOUSE
[00:08.35] The Opera House was famous,
[00:11.04] and the directors of the Opera House were very important men.
[00:16.17] It was the first week of work for the two new directors,
[00:20.40] Monsieur Ar mand Moncharmin and Monsieur Firmin Richard.
[00:25.65] In the directors' office the next day,
[00:28.70] the two men talked about Joseph Buquet.
[00:32.58] 'It was an accident,' Monsieur Armand said angrily.
[00:37.39] 'Or Buquet killed himself.'
[00:40.34] 'An accident?…Killed himself?'
[00:44.20] Monsieur Firmin said.
[00:46.34] 'Which story do you want,my friend?
[00:49.37] Or do you want the story of the ghost?'
[00:53.34] 'Don't talk to me about ghosts!'
[00:56.19] Monsieur Armand said.
[00:58.07] 'We have 1,500 people
[01:00.61] working for us in this Opera House,
[01:03.43] and everybody is talking about the ghost.
[01:06.77] They're all mad! I don't want to hear about the ghost, OK?'
[01:13.71] Monsieur Firmin looked at a letter on the table next to him.
[01:18.03] And what are we going to do about this letter,Armand?'
[01:22.42] 'Do?' cried Monsieur Armand.
[01:25.19] 'Why, do nothing, of course!
[01:27.63] What can we do?'
[01:30.31] The two men read the letter again.
[01:32.95] It wasn't very long.
[01:36.02] To the new directors
[01:38.84] Because you are new in the Opera House,
[01:41.66] I am writing to tell you some important things.
[01:45.61] Never sell tickets for Box 5;
[01:48.88] that is my box for every opera night.
[01:53.30] Madame Giry, the door keeper,
[01:56.16] knows all about it.
[01:58.51] Also,I need money for my work in the Opera House.
[02:03.42] I am not expensive,and I am happy to
[02:06.12] take only 20,000 francs a month.
[02:09.44] That is all.
[02:11.06] But please remember,
[02:13.45] I can be a good friend,
[02:15.94] but a bad enemy.
[02:18.79] O.G.
[02:21.99] 'Don't sell tickets for Box 5!
[02:24.99] 20,000 francs a month!'Monsieur Armand was very angry again.'
[02:31.08] That's the best box in the Opera House,
[02:33.53] and we need the money, Firmin!
[02:35.65] And who is this O.G,eh?Tell me that!'
[02:40.27] 'Opera Ghost,of course,'Monsieur tirmin said.'
[02:45.46] But you're right, Armand.
[02:47.99] We can do nothing about this letter.
[02:50.93] It's a joke, a bad joke. Somebody thinks we are fools,
[02:56.98] because we are new here.
[02:59.53] There are no ghosts in the Opera House!'
[03:04.62] The two men then talked about the opera for that night.
[03:08.52] It was Faust,and usually La Carlotta sang Margarita.
[03:14.61] La Carlotta was Spanish,and the best singer in Paris.
[03:18.36] But today,La Carlot ta was ill.
[03:22.97] 'Everybody in Paris is going to be at the opera tonight,'
[03:26.57] said Monsieur Armand,'and cur best singer is ill.
[03:30.48] Suddenly! She writes a letter to us just this morning-she is ill,
[03:35.61] she cannot sing tonight!'
[03:38.02] 'Don't get angry again, Armand,'
[03:41.27] Monsieur Firmin said quickly.'We have Christine Daaé,
[03:46.52] that young singer from Norway.
[03:49.26] She can sing Margarita tonight.
[03:51.49] She has a good voice.'
[03:53.92] 'But she's so young, and nobody knows her!
[03:57.74] Nobody wants to listen to a new singer.'
[04:01.49] 'Wait and see.
[04:03.82] Perhaps Daaé can sing better than La Carlot ta.
[04:07.99] Who knows?'
ti:
ar:
al:
[00:01.78] CHAPTER 2 THE DIRECTORS OF THE OPERA HOUSE
[00:08.35] The Opera House was famous,
[00:11.04] and the directors of the Opera House were very important men
[00:16.17] It was the first week of work for the two new directors,
[00:20.40] Monsieur Ar mand Moncharmin and Monsieur Firmin Richard
[00:25.65] In the directors' office the next day,
[00:28.70] the two men talked about Joseph Buquet
[00:32.58] ' It was an accident,' Monsieur Armand said angrily
[00:37.39] ' Or Buquet killed himself'
[00:40.34] ' An accident? Killed himself?'
[00:44.20] Monsieur Firmin said
[00:46.34] ' Which story do you want, my friend?
[00:49.37] Or do you want the story of the ghost?'
[00:53.34] ' Don' t talk to me about ghosts!'
[00:56.19] Monsieur Armand said
[00:58.07] ' We have 1, 500 people
[01:00.61] working for us in this Opera House,
[01:03.43] and everybody is talking about the ghost
[01:06.77] They' re all mad! I don' t want to hear about the ghost, OK?'
[01:13.71] Monsieur Firmin looked at a letter on the table next to him
[01:18.03] And what are we going to do about this letter, Armand?'
[01:22.42] ' Do?' cried Monsieur Armand
[01:25.19] ' Why, do nothing, of course!
[01:27.63] What can we do?'
[01:30.31] The two men read the letter again
[01:32.95] It wasn' t very long
[01:36.02] To the new directors
[01:38.84] Because you are new in the Opera House,
[01:41.66] I am writing to tell you some important things
[01:45.61] Never sell tickets for Box 5
[01:48.88] that is my box for every opera night
[01:53.30] Madame Giry, the door keeper,
[01:56.16] knows all about it
[01:58.51] Also, I need money for my work in the Opera House
[02:03.42] I am not expensive, and I am happy to
[02:06.12] take only 20, 000 francs a month
[02:09.44] That is all
[02:11.06] But please remember,
[02:13.45] I can be a good friend,
[02:15.94] but a bad enemy
[02:18.79] O G
[02:21.99] ' Don' t sell tickets for Box 5!
[02:24.99] 20, 000 francs a month!' Monsieur Armand was very angry again'
[02:31.08] That' s the best box in the Opera House,
[02:33.53] and we need the money, Firmin!
[02:35.65] And who is this O G, eh? Tell me that!'
[02:40.27] ' Opera Ghost, of course,' Monsieur tirmin said'
[02:45.46] But you' re right, Armand.
[02:47.99] We can do nothing about this letter
[02:50.93] It' s a joke, a bad joke. Somebody thinks we are fools,
[02:56.98] because we are new here
[02:59.53] There are no ghosts in the Opera House!'
[03:04.62] The two men then talked about the opera for that night
[03:08.52] It was Faust, and usually La Carlotta sang Margarita
[03:14.61] La Carlotta was Spanish, and the best singer in Paris
[03:18.36] But today, La Carlot ta was ill
[03:22.97] ' Everybody in Paris is going to be at the opera tonight,'
[03:26.57] said Monsieur Armand,' and cur best singer is ill
[03:30.48] Suddenly! She writes a letter to us just this morningshe is ill,
[03:35.61] she cannot sing tonight!'
[03:38.02] ' Don' t get angry again, Armand,'
[03:41.27] Monsieur Firmin said quickly.' We have Christine Daae,
[03:46.52] that young singer from Norway
[03:49.26] She can sing Margarita tonight
[03:51.49] She has a good voice'
[03:53.92] ' But she' s so young, and nobody knows her!
[03:57.74] Nobody wants to listen to a new singer'
[04:01.49] ' Wait and see
[04:03.82] Perhaps Daae can sing better than La Carlot ta
[04:07.99] Who knows?'
ti:
ar:
al:
[00:01.78] CHAPTER 2 THE DIRECTORS OF THE OPERA HOUSE
[00:08.35] The Opera House was famous,
[00:11.04] and the directors of the Opera House were very important men
[00:16.17] It was the first week of work for the two new directors,
[00:20.40] Monsieur Ar mand Moncharmin and Monsieur Firmin Richard
[00:25.65] In the directors' office the next day,
[00:28.70] the two men talked about Joseph Buquet
[00:32.58] ' It was an accident,' Monsieur Armand said angrily
[00:37.39] ' Or Buquet killed himself'
[00:40.34] ' An accident? Killed himself?'
[00:44.20] Monsieur Firmin said
[00:46.34] ' Which story do you want, my friend?
[00:49.37] Or do you want the story of the ghost?'
[00:53.34] ' Don' t talk to me about ghosts!'
[00:56.19] Monsieur Armand said
[00:58.07] ' We have 1, 500 people
[01:00.61] working for us in this Opera House,
[01:03.43] and everybody is talking about the ghost
[01:06.77] They' re all mad! I don' t want to hear about the ghost, OK?'
[01:13.71] Monsieur Firmin looked at a letter on the table next to him
[01:18.03] And what are we going to do about this letter, Armand?'
[01:22.42] ' Do?' cried Monsieur Armand
[01:25.19] ' Why, do nothing, of course!
[01:27.63] What can we do?'
[01:30.31] The two men read the letter again
[01:32.95] It wasn' t very long
[01:36.02] To the new directors
[01:38.84] Because you are new in the Opera House,
[01:41.66] I am writing to tell you some important things
[01:45.61] Never sell tickets for Box 5
[01:48.88] that is my box for every opera night
[01:53.30] Madame Giry, the door keeper,
[01:56.16] knows all about it
[01:58.51] Also, I need money for my work in the Opera House
[02:03.42] I am not expensive, and I am happy to
[02:06.12] take only 20, 000 francs a month
[02:09.44] That is all
[02:11.06] But please remember,
[02:13.45] I can be a good friend,
[02:15.94] but a bad enemy
[02:18.79] O G
[02:21.99] ' Don' t sell tickets for Box 5!
[02:24.99] 20, 000 francs a month!' Monsieur Armand was very angry again'
[02:31.08] That' s the best box in the Opera House,
[02:33.53] and we need the money, Firmin!
[02:35.65] And who is this O G, eh? Tell me that!'
[02:40.27] ' Opera Ghost, of course,' Monsieur tirmin said'
[02:45.46] But you' re right, Armand.
[02:47.99] We can do nothing about this letter
[02:50.93] It' s a joke, a bad joke. Somebody thinks we are fools,
[02:56.98] because we are new here
[02:59.53] There are no ghosts in the Opera House!'
[03:04.62] The two men then talked about the opera for that night
[03:08.52] It was Faust, and usually La Carlotta sang Margarita
[03:14.61] La Carlotta was Spanish, and the best singer in Paris
[03:18.36] But today, La Carlot ta was ill
[03:22.97] ' Everybody in Paris is going to be at the opera tonight,'
[03:26.57] said Monsieur Armand,' and cur best singer is ill
[03:30.48] Suddenly! She writes a letter to us just this morningshe is ill,
[03:35.61] she cannot sing tonight!'
[03:38.02] ' Don' t get angry again, Armand,'
[03:41.27] Monsieur Firmin said quickly.' We have Christine Daaé,
[03:46.52] that young singer from Norway
[03:49.26] She can sing Margarita tonight
[03:51.49] She has a good voice'
[03:53.92] ' But she' s so young, and nobody knows her!
[03:57.74] Nobody wants to listen to a new singer'
[04:01.49] ' Wait and see
[04:03.82] Perhaps Daaé can sing better than La Carlot ta
[04:07.99] Who knows?'
[00:01.78] 第2章歌剧院的经理们
[00:08.35] 歌剧院很著名,
[00:11.04] 而歌剧院的经理们也都是些非常显要的人物。
[00:16.17] 这是两位新经理阿尔芒•蒙沙曼先生
[00:20.40] 和菲尔曼•理查德先生上任的第一个星期。
[00:25.65] 第二天,在经理办公室里,
[00:28.70] 这两位先生谈起了约瑟夫•比凯的事。
[00:32.58] “这是个意外事故,”阿尔芒先生气愤地说,
[00:37.39] “要不然比凯就是自杀的。”
[00:40.34] “意外事故?……自杀?”
[00:44.20] 菲尔曼先生说,
[00:46.34] “你想要听一类故事,我的朋友?
[00:49.37] 或者说你想听一个关于幽灵的故事?”
[00:53.34] “不要跟我谈关于幽灵的事!”
[00:56.19] 阿尔芒先生说,
[00:58.07] “这个歌剧院里有1,500人
[01:00.61] 在为我们工作,
[01:03.43] 而每个人都在谈论关于幽灵的事。
[01:06.77] 他们都疯了!我不想听到关于幽灵的事,行不行?”
[01:13.71] 菲尔曼先生看着他临近的桌子上一封给他的信。
[01:18.03] “那对于这封信我们该做些什么,阿尔芒?”
[01:22.42] “做些什么?”阿尔芒先生叫道,
[01:25.19] “为什么,什么也不做,当然!
[01:27.63] 我们又能做些什么呢?”
[01:30.31] 两位先生又读了一遍这封信。
[01:32.95] 信并不很长。
[01:36.02] 致新任经理们
[01:38.84] 因为你们是歌剧院的新任经理,
[01:41.66] 所以我写信告诉你们一些重要的事情。
[01:45.61] 不要出售5号包厢的票;
[01:48.88] 那是我观看每一场晚场歌剧的包厢。
[01:53.30] 吉丽夫人,那位看门人,
[01:56.16] 知道这一切。
[01:58.51] 除此之外,我还需要在歌剧院工作的钱。
[02:03.42] 我要价并不高,
[02:06.12] 一个月拿两万法郎我就感到满足了。
[02:09.44] 就这些。
[02:11.06] 但是请记住,
[02:13.45] 我会是一个好朋友,
[02:15.94] 也会是一个死对头。
[02:18.79] O.G.(注:O.G即OperaGhost的缩写。)
[02:21.99] “不要出售5号包厢的票!
[02:24.99] 两万法郎一个月!”阿尔芒先生又来气了,
[02:31.08] “那是歌剧院最好的包厢,
[02:33.53] 而且我们需要钱,菲尔曼!
[02:35.65] 谁是这个O.G.啊?告诉我!”
[02:40.27] “自然是歌剧院的幽灵,”菲尔曼先生说,
[02:45.46] “但你是对的,阿尔芒。
[02:47.99] 我绝对不能按照信上说的那么做。
[02:50.93] 这是一个玩笑,一个恶毒的玩笑。一些人认为我们是傻瓜,
[02:56.98] 因为我们是新来的。
[02:59.53] 歌剧院里根本就没有幽灵!”
[03:04.62] 然后这两位先生就谈论起当晚的歌剧来。
[03:08.52] 当晚的歌剧是《浮士德》,
[03:14.61] 通常由拉•卡洛塔演唱玛格丽塔。拉•卡洛塔是西班牙人,是巴黎最好的歌唱家。
[03:18.36] 但是今天,拉•卡洛塔却病了。
[03:22.97] “今晚巴黎的每个人都会到歌剧院来,”
[03:26.57] 阿尔芒先生说,“而我们最好的歌唱家却病了。
[03:30.48] 她今天上午方才突然写信给我们——她病了,
[03:35.61] 她今晚不能演唱了!”
[03:38.02] “不要再生气了,阿尔芒,”
[03:41.27] 菲尔曼先生急忙说,“我们有克丽斯廷•达埃,
[03:46.52] 那个年轻的挪威歌唱家。
[03:49.26] 她今晚可以演唱玛格丽塔那个角色。
[03:51.49] 她有一副好嗓子。”
[03:53.92] 没有人想听一位新歌唱家的演唱。”
[03:57.74] “但是她太年轻了,而且没有人知道她!
[04:01.49] “等着瞧吧。
[04:03.82] 也许达埃还会比拉•卡洛塔唱得更好。
[04:07.99] 谁知道呢?”
歌剧院的幽灵02 歌词
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