|
Cleavers up, bring 'em here |
|
Femurs all swing on the ceiling like a chandelier |
|
She sittin' there in a white dress, looking like she should get it |
|
Licking the lips of the reddest, should invest in a head clinic |
|
She got a pocket full of incisors and pliers |
|
In a briefcase in case she get inspired, she ain't |
|
She tryin' to suck face off the bone |
|
You should know she is prone to swallow the marrow |
|
She gettin' her evil on down on the floor |
|
See how the drinks are flowing off of the top shelf |
|
Men are fla*****ng their belt buckle and wallet leather clock |
|
And they can't stop watching they're jockin' em |
|
While she rockin' them 8 inch stilettos |
|
Ain't into metal, just leather and lace and the taste of oxidation |
|
Lay still and let her let, like leeches suck |
|
She might let you **** but she want |
|
[Hook] |
|
Body and blood |
|
She don't need you for *****t but your **** and your veins |
|
And your guts and your (body and blood) |
|
Every man say she thick and they wish they could bang |
|
When she strut, she got (body and blood) |
|
Nails did, hair did, body right, teeth white |
|
Knives sharp, gettin' (body and blood) |
|
If you a bad *****, let 'em know you ain't out for the dough |
|
You want (body and blood) |
|
Twerk somethin' girl, twerk somethin' girl, twerk somethin' girl |
|
Cut somethin' girl, cut somethin' girl, cut somethin' girl |
|
Kill somethin' girl, kill somethin' girl, kill somethin' girl |
|
Eat somethin' girl, eat somethin' girl, eat somethin' girl |
|
She got her own home, she got her own set of power tools |
|
Her own unmarked van, plan meticulously laid out |
|
And splayed on the walls, all scrawled on dated Polaroids of seven heads plated |
|
She got vials of ketamine, rohypnol, and promethazine, blunts with amphetamines |
|
And whatever your pleasure be, medically, she readily be |
|
Providing the flags sometimes to dine with the finest of wines |
|
Try and you'll find cut glass to get you cut fast without cuttin' |
|
She got a diamond tattoo on her upper thigh |
|
Another fineness walks by and cuts eyes |
|
She let her go, she got a bad little body |
|
Plus a mean walk, mean ass, make jaws slack |
|
But the black make-up match the black makeup |
|
Bag of black clippers and steel and chrome-dip slick black handled switchblades she flips, she gettin |
|
[Hook] |
|
Candles by the mirror, perfume on the dresser, yes sir |
|
Red sheets made of satin, flowers in the bible drying |
|
Red wine in the goblet, golden Trojan wrappers |
|
Chainsaw motor revving outside, bloodstains on the carpet |
|
Elbow-length gloves, thigh high fishnets, and the garter |
|
God's son crucified on her necklace, hang just where breasts heave |
|
And by the cheek, got a machine |
|
Make 'em pray that the sex life in death, she goes |
|
And when she body rolls, see how the party go dumb |
|
And the pills dissolve, tongue ***** and room revolve |
|
More than a few will fall, black light and new resolve |
|
She gettin' |
|
[Hook] |