I Know Places (Voice Memo) 歌词

歌曲	I Know Places (Voice Memo)
歌手	Taylor Swift
专辑	1989
下载	Image LRC TXT

	[ti:]
	[ar:]
	[al:]
[00:00.10]	So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end.
[00:07.15]	How long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics,
[00:12.65]	and my answer is always that it happens differently every time,
[00:17.49]	and that's why I'm still so in love with song writing.
[00:19.46]	So what I've done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways.
[00:29.91]	So I'll explain them to you and maybe that will help you understand kind of how I put songs together
[00:37.23]	I sent this voice memo to Ryan Tedder because I'd always wanted to work with him,
[00:41.37]	and finally we scheduled some studio time.
[00:44.34]	So I always wanna be prepared.
[00:47.73]	I wanted to send him the idea that I was working on before we went into the studio
[00:51.21]	just in case he wrote back and said "I can't stand that, I wanna work on something else, think of something else".
[00:56.20]	So I just sat down with the piano, put my phone on top of the piano
[01:00.88]	and just kind of explained to him where I wanted to go with the song,
[01:05.38]	how I saw the melody sitting in
[01:07.51]]	and we ended up recording the song the next day and it ended up being on the record called "I Know Places".
[01:14.26]	So this was the voice memo I sent to him the night before we ended up finishing the song
[01:20.18]	"Okay so this is kind of this rough idea thing: “
[01:31.69]	Uh-uh-uh-oh, oh-oh-oh-i
[01:34.74]	Oh-oh-oh, oh-oh-oh-i
[01:37.62]	Oh-oh-oh-oh, oh-oh-oh-i-i-i
[01:43.63]	Na na na na waiting at the back door
[01:47.19]	They're around and the vultures come around
[01:50.22]	And you know that they, they won't us
[01:52.69]	Say what they want 'bout, say what they want 'bout us
[01:56.46]	And you come and sing, and
[01:59.56]	I would not think about it but I'm not done
[02:01.88]	Every know that a thing or two about it, thing or two about it, I
[02:07.48]	Cause they got the cages, they got the boxes
[02:13.39]	And guns
[02:14.17]	They are the hunters we are the foxes
[02:19.04]	And we run
[02:20.54]	Baby, I know places we won't be found
[02:25.98]	And they'll be chasing their tails trying to track us down
[02:31.77]	Cause I, I know places we can hide
[02:41.47]	I know places, I know places
[02:53.60]	Uh-uh-uh-i, uh-uh-uh-i, oh-oh-i, uh-uh-uh-i, no places
[03:00.69]	Or whatever I don't know, but that's basically just like a dark, really dark,
[03:04.76]	lyric like bridge thing and it's about like
[03:08.90]	everyone is trying to get into and ruin a love or whatever and it's like you just,
[03:16.42]	whatever, you know, and the would just go to that major and just be like ooh .
[03:21.41]	So I hope you like it, it wouldn't be a piano thing
[03:26.05]	It would be like Ohhh~, very like beat

	ti:
	ar:
	al:
[00:00.10]	So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end.
[00:07.15]	How long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics,
[00:12.65]	and my answer is always that it happens differently every time,
[00:17.49]	and that' s why I' m still so in love with song writing.
[00:19.46]	So what I' ve done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways.
[00:29.91]	So I' ll explain them to you and maybe that will help you understand kind of how I put songs together
[00:37.23]	I sent this voice memo to Ryan Tedder because I' d always wanted to work with him,
[00:41.37]	and finally we scheduled some studio time.
[00:44.34]	So I always wanna be prepared.
[00:47.73]	I wanted to send him the idea that I was working on before we went into the studio
[00:51.21]	just in case he wrote back and said " I can' t stand that, I wanna work on something else, think of something else".
[00:56.20]	So I just sat down with the piano, put my phone on top of the piano
[01:00.88]	and just kind of explained to him where I wanted to go with the song,
[01:05.38]	how I saw the melody sitting in
[01:07.51]]	and we ended up recording the song the next day and it ended up being on the record called " I Know Places".
[01:14.26]	So this was the voice memo I sent to him the night before we ended up finishing the song
[01:20.18]	" Okay so this is kind of this rough idea thing: "
[01:31.69]	Uhuhuhoh, ohohohi
[01:34.74]	Ohohoh, ohohohi
[01:37.62]	Ohohohoh, ohohohiii
[01:43.63]	Na na na na waiting at the back door
[01:47.19]	They' re around and the vultures come around
[01:50.22]	And you know that they, they won' t us
[01:52.69]	Say what they want ' bout, say what they want ' bout us
[01:56.46]	And you come and sing, and
[01:59.56]	I would not think about it but I' m not done
[02:01.88]	Every know that a thing or two about it, thing or two about it, I
[02:07.48]	Cause they got the cages, they got the boxes
[02:13.39]	And guns
[02:14.17]	They are the hunters we are the foxes
[02:19.04]	And we run
[02:20.54]	Baby, I know places we won' t be found
[02:25.98]	And they' ll be chasing their tails trying to track us down
[02:31.77]	Cause I, I know places we can hide
[02:41.47]	I know places, I know places
[02:53.60]	Uhuhuhi, uhuhuhi, ohohi, uhuhuhi, no places
[03:00.69]	Or whatever I don' t know, but that' s basically just like a dark, really dark,
[03:04.76]	lyric like bridge thing and it' s about like
[03:08.90]	everyone is trying to get into and ruin a love or whatever and it' s like you just,
[03:16.42]	whatever, you know, and the would just go to that major and just be like ooh .
[03:21.41]	So I hope you like it, it wouldn' t be a piano thing
[03:26.05]	It would be like Ohhh, very like beat

	ti:
	ar:
	al:
[00:00.10]	So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end.
[00:07.15]	How long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics,
[00:12.65]	and my answer is always that it happens differently every time,
[00:17.49]	and that' s why I' m still so in love with song writing.
[00:19.46]	So what I' ve done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways.
[00:29.91]	So I' ll explain them to you and maybe that will help you understand kind of how I put songs together
[00:37.23]	I sent this voice memo to Ryan Tedder because I' d always wanted to work with him,
[00:41.37]	and finally we scheduled some studio time.
[00:44.34]	So I always wanna be prepared.
[00:47.73]	I wanted to send him the idea that I was working on before we went into the studio
[00:51.21]	just in case he wrote back and said " I can' t stand that, I wanna work on something else, think of something else".
[00:56.20]	So I just sat down with the piano, put my phone on top of the piano
[01:00.88]	and just kind of explained to him where I wanted to go with the song,
[01:05.38]	how I saw the melody sitting in
[01:07.51]]	and we ended up recording the song the next day and it ended up being on the record called " I Know Places".
[01:14.26]	So this was the voice memo I sent to him the night before we ended up finishing the song
[01:20.18]	" Okay so this is kind of this rough idea thing: "
[01:31.69]	Uhuhuhoh, ohohohi
[01:34.74]	Ohohoh, ohohohi
[01:37.62]	Ohohohoh, ohohohiii
[01:43.63]	Na na na na waiting at the back door
[01:47.19]	They' re around and the vultures come around
[01:50.22]	And you know that they, they won' t us
[01:52.69]	Say what they want ' bout, say what they want ' bout us
[01:56.46]	And you come and sing, and
[01:59.56]	I would not think about it but I' m not done
[02:01.88]	Every know that a thing or two about it, thing or two about it, I
[02:07.48]	Cause they got the cages, they got the boxes
[02:13.39]	And guns
[02:14.17]	They are the hunters we are the foxes
[02:19.04]	And we run
[02:20.54]	Baby, I know places we won' t be found
[02:25.98]	And they' ll be chasing their tails trying to track us down
[02:31.77]	Cause I, I know places we can hide
[02:41.47]	I know places, I know places
[02:53.60]	Uhuhuhi, uhuhuhi, ohohi, uhuhuhi, no places
[03:00.69]	Or whatever I don' t know, but that' s basically just like a dark, really dark,
[03:04.76]	lyric like bridge thing and it' s about like
[03:08.90]	everyone is trying to get into and ruin a love or whatever and it' s like you just,
[03:16.42]	whatever, you know, and the would just go to that major and just be like ooh .
[03:21.41]	So I hope you like it, it wouldn' t be a piano thing
[03:26.05]	It would be like Ohhh, very like beat

	[ti:]
	[ar:]
	[al:]
[00:00.10]	所以，这些年来，许多人想让我谈一谈我的歌曲的整个创作过程。
[00:07.15]	花了多长时间，在哪里写，环境如何，从曲子开始，还是从歌词开始，
[00:12.65]	我的回答是，每次都发生地不大一样
[00:17.49]	这也就是我如此钟爱写歌的原因
[00:19.46]	所以在这里我所做的就是向你们展示三种不同的歌的初始状态，以及它们是如何以不同的方式开始的
[00:29.91]	我会向你们解释一番，或许这会帮助你们理解一下我是怎么完成一首歌的
[00:37.23]	我把这段语音发给了瑞恩·泰德，因为我通常愿意跟他一起工作
[00:41.37]	最后，我们会安排一些录音棚里的活儿
[00:44.34]	所以，我想一直都做好准备
[00:47.73]	我会在我们进录音棚之前就把我正在酝酿的想法发给他
[00:51.21]	以免他回信说：“我弄不懂那些东西，我想做点别的，想点别的。”
[00:56.20]	所以我就在钢琴边坐下，把手机放到钢琴顶上
[01:00.88]	然后跟他解释我打算怎么写这首歌
[01:05.38]	我如何看待它的旋律
	[01:07.51我们最后会在第二天录制这首歌，最后这首歌就被刻录在了名叫《I Know Places》的唱片上
[01:14.26]	嗯这就是我在歌曲完成前夜发给他的语音记录
[01:20.18]	好吧这差不多就是大致的想法：
[01:31.69]
[01:34.74]
[01:37.62]
[01:43.63]	哪哪哪哪等在后门
[01:47.19]	他们就在附近，秃鹫飞过
[01:50.22]	你知道他们不会
[01:52.69]	说他们不会，说他们不会在我们附近
[01:56.46]	你唱道
[01:59.56]	我就不会想这些，但我还没完
[02:01.88]	所有人都对此有所耳闻，有所耳闻
[02:07.48]	因为他们有笼子，他们有箱子
[02:13.39]	还有枪
[02:14.17]	他们是猎人，我们是狐狸
[02:19.04]	所以我们逃
[02:20.54]	宝贝，我知道一些他们找不到我们的地方
[02:25.98]	他们会像狗咬尾巴一样找我们
[02:31.77]	因为我知道可以藏身的地方
[02:41.47]	我知道很多地方，我知道很多地方
[02:53.60]	没有地方
[03:00.69]	或者是些我不知道的东西，但大致就是一个阴暗，非常阴暗
[03:04.76]	就像The Bridgeheads的“Thing”，大概就是说
[03:08.90]	所有人都在拆散一对鸳鸯或是怎么着的
[03:16.42]	不管怎么着，你懂得，主要就是这样就像“ohh～”这样.我在写一首怪异的歌
[03:21.41]	所以我希望你喜欢它，这不是一首钢琴伴奏的歌
[03:26.05]	它会像...很像打击乐之类的。

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