| 歌曲 | Lesson 21 William S.Hart and the early ‘Western’ |
| 歌手 | 英语听力 |
| 专辑 | 新概念英语(第四册) |
| [00:01.55] | Lesson 21 |
| [00:03.62] | William S.Hart and the early 'Western' film |
| [00:13.65] | How did William Hart's childhood prepare him for his acting role in Western films? |
| [00:22.05] | William S.Hart was, perhaps, the greatest of all Western stars, |
| [00:27.38] | for unlike Gary Cooper and John Wayne he appeared in nothing but Westerns. |
| [00:33.82] | From 1914 to 1924 he was supreme and unchallenged. |
| [00:40.72] | It was Hart who created the basic formula of the Western film, |
| [00:45.71] | and devised the protagonist he played in every film he made, |
| [00:50.40] | the good-bad man, the accidental, noble outlaw, |
| [00:54.76] | or the honest, but framed cowboy, or the sheriff made suspect by vicious gossip; |
| [01:01.59] | in short, the individual in conflict with himself and his frontier environment. |
| [01:08.12] | Unlike most of his contemporaries in Hollywood, |
| [01:10.84] | Hart actually knew something of the old West. |
| [01:14.11] | He had lived in it as a child when it was already disappearing, |
| [01:18.82] | and his hero was firmly rooted in his memories and experiences, |
| [01:23.72] | and in both the history and the mythology of the vanished frontier, |
| [01:29.09] | And although no period or place in American history has been more absurdly romanticized, |
| [01:35.08] | myth and reality did join hands in at least one arena, |
| [01:40.44] | the conflict between the individual and encroaching civilization. |
| [01:46.83] | Men accustomed to struggling for survival against the elements and Indians |
| [01:51.70] | were bewildered by politicians, bankers and businessmen, |
| [01:56.27] | and unhorsed by fences, laws and alien taboos. |
| [02:01.70] | Hart's good-bad man was always an outsider, always one of the disinherited, |
| [02:08.49] | and if he found it necessary to shoot a sheriff or rob a bank along the way, |
| [02:13.65] | his early audiences found it easy to understand and forgive, |
| [02:18.12] | especially when it was Hart who, in the end, overcame the attacking Indians. |
| [02:25.36] | Audiences in the second decade of the twentieth century |
| [02:28.90] | found it pleasant to escape to a time when life, though hard, was relatively simple. |
| [02:35.01] | We still do; living in a world in which undeclared aggression, war, hypocrisy, |
| [02:41.82] | chicanery, anarchy and impending immolation are part of our daily lives, |
| [02:48.31] | we all want a code to live by. |
| [00:01.55] | dì 21 jié |
| [00:03.62] | wēi lián. S. hā tè hé zǎo qī de' xī bù' yǐng piān |
| [00:13.65] | wēi lián. hā tè de tóng nián wèi tā zài tā zài xī fāng diàn yǐng zhōng bàn yǎn de jué sè zuò le shén me zhǔn bèi? |
| [00:22.05] | wēi lián. S. hā tè dà gài shì měi guó xī bù diàn yǐng míng xīng zhōng de jiǎo jiǎo zhě |
| [00:27.38] | tā hé jiā lǐ. gǔ bǎi yuē hàn. wéi ēn bù tóng, tā zhī zài xī bù diàn yǐng zhōng bàn yǎn jué sè |
| [00:33.82] | zài 1914 nián zhì 1924 nián qī jiān, tā shǒu qū yī zhǐ, dú bà yǐng tán |
| [00:40.72] | zhèng shì tā chuàng zào le xī bù diàn yǐng de jī diào |
| [00:45.71] | jí zài tā zì jǐ de pāi shè de yǐng piān zhōng tā suǒ sù zào de zhǔ rén gōng xíng xiàng |
| [00:50.40] | rèn wéi shì huài rén de hǎo rén, chū rén yì liào de gāo shàng de táo fàn |
| [00:54.76] | chéng shí què zāo xiàn hài de niú zǎi huò yīn liú yán fēi yǔ méng shòu xián yí de sī fǎ guān |
| [01:01.59] | zǒng zhī, zhǔ rén gōng shì yí gè zì xiāng máo dùn, yòu yǔ tā de tuò huāng huán jìng xiāng máo dùn de rén wù |
| [01:08.12] | hā tè yǔ dà bù fèn tóng shí dài zài hǎo lái wù de yǎn yuán bù tóng |
| [01:10.84] | tā què shí liǎo jiě xī bù zǎo qī tuò huāng shēng huó de yī xiē qíng kuàng |
| [01:14.11] | zuò wéi yí gè hái zi tā céng zài xī bù shēng huó guò, dāng shí xī bù tuò huāng shēng huó zhèng zài xiāo shī |
| [01:18.82] | tā sù zào de yīng xióng rén wù shēn shēn dì zhā gēn yú tā běn rén de jì yì hé jīng lì zhī zhōng |
| [01:23.72] | yě zhā gēn yú yǒu guān yǐ jīng xiāo shī de tuò huāng shēng huó de lì shǐ hé shén huà zhī zhōng |
| [01:29.09] | suī rán zài měi guó lì shǐ shàng méi yǒu rèn hé shí qī huò dì qū xiàng xī bù tuò huāng shí qī nà yàng bèi huāng miù dì làng màn zhǔ yì huà le |
| [01:35.08] | shén huà hé shì shí zhì shǎo zài mǒu yí gè wǔ tái shàng gòng cún |
| [01:40.44] | yě jiù shì cún zài yú gè rén yǔ jiàn jiàn chuǎng rù de wén míng zhè liǎng zhě de chōng tū zhī zhōng |
| [01:46.83] | xí guàn yǔ dà zì rán hé yìn dì ān rén zuò dòu zhēng yǐ qiú shēng cún de tuò huāng zhě |
| [01:51.70] | bèi zhèng kè yín háng jiā hé shāng rén gǎo dé yūn tóu zhuàn xiàng |
| [01:56.27] | zuì hòu bèi quān dì jiān lǜ wǒ wài lái de qīng guī jiè lǜ suǒ jī bài |
| [02:01.70] | hā tè bàn yǎn de bèi wù wèi huài rén de hǎo rén zǒng shì yí gè jú wài rén, zǒng shì yí gè bèi bō duó jì chéng quán de rén |
| [02:08.49] | rú guǒ tā rèn wéi zài jìn xíng guò chéng zhōng yǒu bì yào qiāng jī yí gè sī fǎ guān huò qiǎng jié yí gè yín háng |
| [02:13.65] | tā de zǎo qī guān zhòng hěn róng yì jiē shòu, jué de yīng gāi yuán liàng tā |
| [02:18.12] | tè bié shì dāng hā tè zuì hòu zhàn shèng le qián lái jìn gōng de yìn dì ān rén shí, guān zhòng gèng néng yuán liàng tā |
| [02:25.36] | shēng huó zài 20 shì jì 20 nián dài de guān zhòng rèn wéi |
| [02:28.90] | táo dào yí gè jí shǐ jiān kǔ dàn bǐ jiào jiǎn piáo de shí dài zhōng qù shì jiàn yú kuài de shì |
| [02:35.01] | wǒ men jīn tiān réng yǒu zhè zhǒng gǎn jué, rú jīn, bù xuān ér zhàn de qīn lüè zhàn zhēng |
| [02:41.82] | xū wěi zhà piàn wú zhèng fǔ zhuàng tài yǐ jí jí jiāng lín tóu de huǐ miè chéng le wǒ men rì cháng shēng huó de yī bù fen |
| [02:48.31] | wǒ men dōu xī wàng yǒu yí gè lài yǐ shēng cún de xíng wéi zhǔn zé |