歌曲 | Gus: The Theatre Cat |
歌手 | Susan Jane Tanner |
歌手 | John Mills |
专辑 | 60 |
[00:07.54] | Gus is the cat at the theatre door |
[00:13.12] | His name is l ought to have told you before |
[00:18.58] | ls really Asparagus |
[00:21.81] | but that's such a fuss to pronounce |
[00:25.60] | That we usually call him just Gus |
[00:31.54] | His coat's very shabby. He's thin as a rake |
[00:37.10] | And he suffers from palsy that makes his paw shake |
[00:42.67] | Yet he was in his youth, quite the smartest of cats |
[00:48.40] | But no longer a terror to mice or to rats |
[00:55.50] | For he isn't the cat that he was in his prime |
[01:00.30] | Though his name was quiet famous, he says in his time |
[01:06.89] | And when ever he joins his friends at their club |
[01:12.80] | Which takes place at the back of the neighboring pub |
[01:17.73] | He loves to regale them if someone else pays |
[01:23.63] | With anecdotes drawn from his palmist days |
[01:28.74] | For he once was a star of the highest degree |
[01:33.80] | He has acted with lrving |
[01:36.80] | he has acted with Tree |
[01:40.16] | And he likes to relate his success on the halls |
[01:45.28] | Where the gallery once gave him seven cat calls |
[01:51.85] | But his grandest creation as he loves to tell |
[02:00.53] | was Firefrofiddle, the fiend of the fell |
[02:16.11] | l have played in my time every possible part |
[02:26.48] | And l used to know seventy speeches by heart |
[02:33.30] | l'd extemporise back chat l knew how to gag |
[02:40.94] | And l knew how to let the cat out of the bag |
[02:46.57] | l knew how to act with my back and my tail |
[02:53.15] | With an hour of rehearsal l never could fail |
[02:59.60] | l'd a voice that would soften the hardest of hearts |
[03:05.10] | Whether l took the lead |
[03:08.21] | Or in character parts |
[03:12.30] | l have sat by the bedside of poor little Nell |
[03:17.69] | When the curfew was rung, then l swung on the bell |
[03:22.68] | ln the pantomime season l never fell flat |
[03:26.98] | And l once under-studied Dick Whittington's cat |
[03:33.16] | But the grandest creation as history will tell |
[03:40.82] | was Firefrofiddle, the fiend of the fell |
[03:52.29] | Then if someone will give him a toothful of gin |
[03:56.63] | |
[04:01.36] | At a Shakespeare performance he once walked on pat |
[04:05.39] | When some actor suggested the need for a cat |
[04:11.59] | And l say that these kittens |
[04:14.44] | They do not get trained as we did in the days |
[04:16.81] | When Victoria reigned |
[04:22.38] | They never get drilled in a regular troupe |
[04:27.10] | And they think they are smart just to jump through a hoop |
[04:31.98] | And he says as he scratches himself with his claws |
[04:37.90] | Well, the theatre is certainly not what it was |
[04:45.10] | These modern productions are all very well |
[04:50.66] | But there's nothing to equal from what l hear tell |
[04:57.56] | That moment of mystery |
[05:02.43] | When l made history as Firefrofiddle |
[05:11.75] | the fiend of the fell《 |
[05:25.40] | These modern productions are all very well |
[05:34.14] | But there's nothing to equal from what l hear tell |
[05:42.54] | That moment of mystery |
[05:48.10] |
[00:07.54] | Gus is the cat at the theatre door |
[00:13.12] | His name is l ought to have told you before |
[00:18.58] | ls really Asparagus |
[00:21.81] | but that' s such a fuss to pronounce |
[00:25.60] | That we usually call him just Gus |
[00:31.54] | His coat' s very shabby. He' s thin as a rake |
[00:37.10] | And he suffers from palsy that makes his paw shake |
[00:42.67] | Yet he was in his youth, quite the smartest of cats |
[00:48.40] | But no longer a terror to mice or to rats |
[00:55.50] | For he isn' t the cat that he was in his prime |
[01:00.30] | Though his name was quiet famous, he says in his time |
[01:06.89] | And when ever he joins his friends at their club |
[01:12.80] | Which takes place at the back of the neighboring pub |
[01:17.73] | He loves to regale them if someone else pays |
[01:23.63] | With anecdotes drawn from his palmist days |
[01:28.74] | For he once was a star of the highest degree |
[01:33.80] | He has acted with lrving |
[01:36.80] | he has acted with Tree |
[01:40.16] | And he likes to relate his success on the halls |
[01:45.28] | Where the gallery once gave him seven cat calls |
[01:51.85] | But his grandest creation as he loves to tell |
[02:00.53] | was Firefrofiddle, the fiend of the fell |
[02:16.11] | l have played in my time every possible part |
[02:26.48] | And l used to know seventy speeches by heart |
[02:33.30] | l' d extemporise back chat l knew how to gag |
[02:40.94] | And l knew how to let the cat out of the bag |
[02:46.57] | l knew how to act with my back and my tail |
[02:53.15] | With an hour of rehearsal l never could fail |
[02:59.60] | l' d a voice that would soften the hardest of hearts |
[03:05.10] | Whether l took the lead |
[03:08.21] | Or in character parts |
[03:12.30] | l have sat by the bedside of poor little Nell |
[03:17.69] | When the curfew was rung, then l swung on the bell |
[03:22.68] | ln the pantomime season l never fell flat |
[03:26.98] | And l once understudied Dick Whittington' s cat |
[03:33.16] | But the grandest creation as history will tell |
[03:40.82] | was Firefrofiddle, the fiend of the fell |
[03:52.29] | Then if someone will give him a toothful of gin |
[03:56.63] | |
[04:01.36] | At a Shakespeare performance he once walked on pat |
[04:05.39] | When some actor suggested the need for a cat |
[04:11.59] | And l say that these kittens |
[04:14.44] | They do not get trained as we did in the days |
[04:16.81] | When Victoria reigned |
[04:22.38] | They never get drilled in a regular troupe |
[04:27.10] | And they think they are smart just to jump through a hoop |
[04:31.98] | And he says as he scratches himself with his claws |
[04:37.90] | Well, the theatre is certainly not what it was |
[04:45.10] | These modern productions are all very well |
[04:50.66] | But there' s nothing to equal from what l hear tell |
[04:57.56] | That moment of mystery |
[05:02.43] | When l made history as Firefrofiddle |
[05:11.75] | the fiend of the fell |
[05:25.40] | These modern productions are all very well |
[05:34.14] | But there' s nothing to equal from what l hear tell |
[05:42.54] | That moment of mystery |
[05:48.10] |
[00:07.54] | kā sī, jù yuàn mén qián de māo |
[00:13.12] | tā de míng zì, wǒ bì xū ràng nǐ shì xiān zhī xiǎo |
[00:18.58] | tā běn jiào yà sī pà lā kā sī |
[00:21.81] | dàn zhè shì gè ào kǒu de míng zì |
[00:25.60] | suǒ yǐ wǒ men tōng cháng jiào tā, kā sī |
[00:31.54] | tā de yī fú pò jiù, shēn tǐ xiàng pá zǐ yí yàng shòu |
[00:37.10] | tā chéng shòu zhe bìng tòng de zhé mó, zhuǎ zǐ bù tíng de chàn dǒu |
[00:42.67] | rán ér zài tā nián qīng zhī shí, yōng yǒu jué jiā de cái huá |
[00:48.40] | kě xiàn zài, lián shǔ bèi men dōu bù zài pà tā |
[00:55.50] | tā bù zài shì dāng nián de nà zhǐ māo |
[01:00.30] | tā céng jīng shēng míng xiǎn hè, nà shi tā zuì měi hǎo de nián huá |
[01:06.89] | nà shí tā zǒng shì hé péng yǒu men huān jù yī táng |
[01:12.80] | zǒng shì chū mò zài fù jìn de jiǔ bā |
[01:17.73] | rú guǒ yǒu rén qǐng kè, tā kāi kǒu biàn kuā |
[01:23.63] | tóng shí gāo tán kuò lùn, tā nà wǎng xī jiā huà |
[01:28.74] | tā céng shì zhì shǒu kě rè de míng jué |
[01:33.80] | tā hé zuò guò yǎn yuán ōu wén |
[01:36.80] | yě zēng hé cuī yī lián mèi |
[01:40.16] | tā bǎ yī qiè de chéng gōng, dōu guī yú wǔ tái |
[01:45.28] | huí láng lǐ xiǎng chè zhe qī cì miāo shēng de hè cǎi |
[01:51.85] | rán ér tā zuì wéi jīn jīn lè dào de |
[02:00.53] | jiù shì fèi ěr fú fēi duō , shān qiū zhī mó yīng gé lán běi bù de shān qiū |
[02:16.11] | wǒ jìn lì cháng shì guò dà bù fèn jué sè |
[02:26.48] | qī shí duàn de dú bái wǒ yě shú lù qīng chē |
[02:33.30] | jí xìng de duì bái wǒ néng dǎ huí yuán chǎng |
[02:40.94] | wǒ yě néng qiǎo miào de bǎ xì yǎn yán shuō |
[02:46.57] | wǒ néng yòng bèi yǐng hé wěi bā shī zhǎn yǎn jì |
[02:53.15] | yī xiǎo shí de pái liàn yě bù chū chāi cuò |
[02:59.60] | wǒ néng yòng wēn róu de huà yǔ dǎ dòng zuì lěng mò de xīn |
[03:05.10] | wú lùn lǐng xián zhǔ yǎn |
[03:08.21] | hái shì jù zhōng pèi jué |
[03:12.30] | wǒ jiù zuò zài nà kě lián de xiǎo hái shēn páng |
[03:17.69] | dāng xiāo jìn de shí kè yí dào, wǒ jiù bǎ nà zhōng shēng qiāo xiǎng |
[03:22.68] | shèng dàn huà jù wǒ cóng lái méi yǎn zá guò |
[03:26.98] | wǒ yě zēng kè chuàn guò huì tíng dùn de māo 1936 nián dòng huà dí kè huì tíng dùn de māo |
[03:33.16] | dàn lì shǐ huì míng jì wǒ zuì wěi dà de jué sè |
[03:40.82] | nà jiù shì fèi ěr fú fēi duō , shān qiū zhī mó |
[03:52.29] | rú guǒ shuí néng ràng tā mǐn yī kǒu dù sōng zǐ jiǔ |
[03:56.63] | He will tell how he once played a part in East Lynne tā jiù néng jiǎng jiǎng tā zài yī sī tè lín nī zhōng de jué sè 1931 nián měi guó diàn yǐng |
[04:01.36] | zài shā shì bǐ yà de zuò pǐn zhōng tā shì yǎn guò chǒng wù |
[04:05.39] | yīn wèi yǒu yǎn yuán jiàn yì jù zhōng yào jiā yì zhī māo |
[04:11.59] | wǒ jiù shuō, nèi xiē pǔ tōng de māo mī |
[04:14.44] | cóng méi zài wéi duō lì yà de shí dài |
[04:16.81] | jīng guò zhuān yè de xùn liàn |
[04:22.38] | yě méi jīng guò xún yǎn lái chuí liàn biǎo yǎn de jì néng |
[04:27.10] | tā men yǐ wéi tiào gè quān quān jiù suàn hěn lì hài |
[04:31.98] | tā yī biān zhuā yǎng yī biān sù shuō |
[04:37.90] | āi, zhè jù yuàn yǐ jīng bù bǐ wǎng rì le |
[04:45.10] | zhèi xiē xīn de zuò pǐn shèn shì jīng miào |
[04:50.66] | dàn hái shì wú fǎ gēn wǒ suǒ shuō de xiāng bǐ jiào |
[04:57.56] | nèi xiē měi miào de shí guāng a |
[05:02.43] | wǒ yǎn huó le fèi ěr fú fēi duō |
[05:11.75] | shān qiū zhī mó |
[05:25.40] | zhèi xiē xīn de zuò pǐn shèn shì jīng miào |
[05:34.14] | dàn hái shì wú fǎ gēn wǒ suǒ shuō de xiāng bǐ jiào |
[05:42.54] | nèi xiē měi miào de shí guāng a! |
[05:48.10] | When l made hist... wǒ chuàng zào le |