Notes/Twisted Every Way 歌词
| 歌曲 | Notes/Twisted Every Way |
| 歌手 | Original London Cast |
| 专辑 | The Phantom of the Opera (Original 1986 London Cast) |
| 下载 | Image LRC TXT |
| Notes II | |
| ANDRE: | |
| Ludicrous! Have you seen the score? | |
| FIRMIN: | |
| Simply ludicrous! | |
| ANDRE: | |
| It's the final straw! | |
| FIRMIN: | |
| This is lunacy! Well, you know my views | |
| ANDRE: | |
| Utter lunacy! | |
| FIRMIN: | |
| But we daren't refuse... | |
| ANDRE: | |
| Not another chandelier... | |
| FIRMIN: | |
| Look, my friend, what we have here | |
| ANDRE: | |
| "Dear Andre, Re my orchestrations: We need another first bassoon. | |
| Every note 抯 overblown- and that third trombone has to go! T | |
| he man could not be deafer, so please preferably one who plays in tune!" | |
| FIRMIN: | |
| "Dear Firmin, vis a vis my opera: some chorus-members must be sacked. | |
| If you could, find out which has a sense of pitch - | |
| wisely, though, I've managed to assign a rather minor role to those who cannot act!" | |
| CARLOTTA: | |
| Outrage! | |
| FIRMIN: | |
| What is it now? | |
| CARLOTTA: | |
| This whole affair is an outrage! | |
| FIRMIN: | |
| Signora, please | |
| ANDRE: | |
| Now what's the matter? | |
| CARLOTTA: | |
| Have you seen the size of my part? | |
| ANDRE: | |
| Signora, listen... | |
| PIANGI: | |
| It's an insult! | |
| FIRMIN: | |
| Not you as well! | |
| PIANGI: | |
| Just look at this -it's an insult! | |
| FIRMIN: | |
| Please, understand... | |
| ANDRE: | |
| Signor! Signora! | |
| CARLOTTA: | |
| The things I have to do for my art! | |
| PIANGI: | |
| If you can call this gibberish "art" ! | |
| CARLOTTA: | |
| Ah! Here's our little flower! | |
| FIRMIN: | |
| Ah Miss Daae quite the lady of the hour! | |
| ANDRE: | |
| You have secured the largest role in this "Don Juan". | |
| CARLOTTA: | |
| Christine Daae? She doesn't have the voice! | |
| FIRMIN: | |
| Signora, please! | |
| RAOUL: | |
| Then I take it you're agreeing. | |
| CARLOTTA: | |
| She's behind this ... | |
| ANDRE: | |
| It appears we have no choice. | |
| CARLOTTA: | |
| She's the one behind this!Christine Daae! | |
| CHRISTINE: | |
| How dare you! | |
| CARLOTTA: | |
| I'm not a fool! | |
| CHRISTINE: | |
| You evil woman! How dare you! | |
| CARLOTTA: | |
| You think I'm blind? | |
| CHRISTINE: | |
| This isn't my fault! I don't want any part in this plot! | |
| FIRMIN: | |
| Miss Daae, surely ... | |
| ANDRE: | |
| But why not? | |
| PIANGI: | |
| What does she say? | |
| FIRMIN: | |
| It's your decision - But why not? | |
| CARLOTTA: | |
| She's backing out! | |
| ANDRE: | |
| You have a duty! | |
| CHRISTINE: | |
| I cannot sing it, duty or not! | |
| RAOUL: | |
| Christine, Christine ...You don't have to, they can't make you ... | |
| GIRY: | |
| Please, monsieur: another note. | |
| "Fondest greetings to you all! | |
| A few instructions just before rehearsal starts: Carlotta must be taught to act ..." | |
| PHANTOM'S VOICE: | |
| ...not her normal trick of strutting round the stage. | |
| Our Don Juan must lose some weight -it's not healthy in a man of Piangi's age. | |
| And my managers must learn that their place is in an office, not the arts. | |
| As for Miss Christine Daae . . .No doubt she'll do her best - | |
| it's true her voice is good. | |
| She knows, though, should she wish to excel she has much still to learn, | |
| if pride will let her return to me, her teacher, her tea cher... | |
| Your obedient friend... | |
| GIRY: | |
| "... and Angel ..." | |
| RAOUL: | |
| We have all been blind - and yet the answer is staring us in the face. | |
| This could be the chance to ensnare our clever friend ... | |
| ANDRE: | |
| We're listening... | |
| FIRMIN: | |
| Go on. | |
| RAOUL: | |
| We shall play his game - perform his work - | |
| but remember we hold the ace. | |
| For, if Miss Daae sings, he is certain to attend... | |
| ANDRE: | |
| We make certain the doors are barred | |
| FIRMIN: | |
| We make certain our men are there | |
| RAOUL: | |
| We make certain they're armed | |
| RAOUL/ANDRE/FIRMIN: | |
| The curtain falls -his reign will end! | |
| GIRY: | |
| Madness! | |
| ANDRE: | |
| I'm not so sure... | |
| FIRMIN: | |
| Not if it works... | |
| GIRY: | |
| This is madness! | |
| ANDRE: | |
| The tide will turn! | |
| GIRY: | |
| Monsieur, believe me -there is no way of turning the tide! | |
| FIRMIN: | |
| You stick to ballet! | |
| RAOUL: | |
| Then help us! | |
| GIRY: | |
| Monsieur, I can't... | |
| RAOUL: | |
| Instead of warning us | |
| RAOUL/ANDRE/FIRMIN: | |
| Help us! | |
| GIRY: | |
| I wish I could... | |
| RAOUL/ANDRE/FIRMIN: | |
| Don't make excuses! | |
| RAOUL: | |
| Or could it be that you're on his side? | |
| GIRY: | |
| Monsieur, believe me, I intend no ill | |
| but messieurs, be careful -we have seen him kill... | |
| ANDRE/FIRMIN: | |
| We say he'll fall and fall he will! | |
| CARLOTTA: | |
| She's the one behind this! Christine! This is all her doing! | |
| PIANGI: | |
| This is the truth! Christine Daae! | |
| RAOUL: | |
| This is his undoing! | |
| ANDRE/FIRMIN: | |
| If you succeed you free us all -this so called "angel" has to fall! | |
| RAOUL: | |
| Angel of music, fear my fury -Here is where you fall! | |
| GIRY: | |
| Hear my warning! Fear his fury! | |
| CARLOTTA: | |
| What glory can she hope to gain? | |
| It's clear to all the girl's insane! | |
| ANDRE: | |
| Christine sings, we'll get our man... | |
| PIANGI: | |
| She is crazy! She is raving! | |
| FIRMIN: | |
| If Christine helps us in this plan... | |
| RAOUL: | |
| Say your prayers, black angel of death! | |
| CHRISTINE: | |
| Please don't... | |
| ANDRE: | |
| If Christine won't, then no -one can | |
| GIRY: | |
| Monsieur, I beg you, do not do this | |
| PIANGI/CARLOTTA: | |
| Gran Dio! Che imbroglio! | |
| ANDRE/FIRMIN: | |
| This will seal his fate! | |
| CHRISTINE: | |
| If you don't stop,I'll go mad!!! | |
| Raoul, I'm frightened - don't make me do this | |
| Raoul, it scares me -don't put me through this ordeal by fire | |
| he'll take me, I know ...we'll be parted for ever, he won't let me go | |
| What I once used to dream I now drea...if he finds me, it won't ever end | |
| and he'll always be there, singing songs in my head | |
| he'll always be there, singing songs in my head... | |
| CARLOTTA: | |
| She's mad... | |
| RAOUL: | |
| You said yourself he was nothing but a man. | |
| Yet while he lives, he will haunt us till we're dead | |
| CHRISTINE: | |
| Twisted every way, what answer can I give? | |
| Am I to risk my life,to win the chance to live? | |
| Can I betray the man who once inspired my voice? | |
| Do I become his prey? Do I have any choice? | |
| He kills without a thought, he murders all that's good | |
| I know I can't refuse and yet, I wish I could | |
| Oh God - if I agree, | |
| what horrors wait for me in this, the Phantom's opera ...? | |
| RAOUL: | |
| Christine, Christine, don't think that I don't care - | |
| but every hope and every prayer rests on you now | |
| So, it is to be war between us! But this time, clever friend, the disaster will be yours! | |
| Don Juan Rehearsal | |
| CHORUS: | |
| Hide our sword now wounded knight! | |
| Your vain glorious gasconnade brought you to your final fight for your pride, high price | |
| you've paid! | |
| CHRISTINE: | |
| Silken couch and hay-filled barn: both have been his battlefield. | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no, no! Chorus, rest, please. Don Juan, Signor Piangi - here is the phrase. | |
| "Those who tangle with Don Juan . . ." If you please? | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no. Nearly - but no."Those who tan, tan, tan?/ul> PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| His way is better. At least he make it sound like music! | |
| GIRY: | |
| Signora - would you speak that way in the presence of the composer? | |
| CARLOTTA: | |
| The composer is not here. And if he were here, I would... | |
| GIRY: | |
| Are you certain of that, Signora...? | |
| REYER: | |
| So, once again - after seven. Five, six, seven | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| Ah, piu non posso! What does it matter what notes we sing? | |
| GIRY: | |
| Have patience, Signora. | |
| CARLOTTA: | |
| No-one will know if it is right or if it is wrong. No-one will care if it is right, or if it is | |
| wrong. | |
| CARLOTTA: | |
| Those who tangle with Don Juan! | |
| PIANGI: | |
| Those who tan . . . tan . . .Is right? | |
| CHRISTINE: | |
| Not quite, Signor: Those who tan ... tan ... | |
| REYER: | |
| Ladies ... Signor Piangi ... if you please ... | |
| ALL EXCEPT CHRISTINE: | |
| Poor young maiden! For the thrill on your tongue of stolen sweets | |
| you will have to pay the bill -tangled in the winding sheets! | |
| CHRISTINE: | |
| In sleep he sang to me, | |
| in dreams he came ... | |
| that voice which calls to me and speaks my name ... | |
| Little Lotte thought of everything and nothing | |
| Her Father promised her that he would send her the Angel of Music | |
| Her father promised her... | |
| Her father promised her |
| Notes II | |
| ANDRE: | |
| Ludicrous! Have you seen the score? | |
| FIRMIN: | |
| Simply ludicrous! | |
| ANDRE: | |
| It' s the final straw! | |
| FIRMIN: | |
| This is lunacy! Well, you know my views | |
| ANDRE: | |
| Utter lunacy! | |
| FIRMIN: | |
| But we daren' t refuse... | |
| ANDRE: | |
| Not another chandelier... | |
| FIRMIN: | |
| Look, my friend, what we have here | |
| ANDRE: | |
| quot Dear Andre, Re my orchestrations: We need another first bassoon. | |
| Every note zha overblown and that third trombone has to go! T | |
| he man could not be deafer, so please preferably one who plays in tune! quot | |
| FIRMIN: | |
| quot Dear Firmin, vis a vis my opera: some chorusmembers must be sacked. | |
| If you could, find out which has a sense of pitch | |
| wisely, though, I' ve managed to assign a rather minor role to those who cannot act! quot | |
| CARLOTTA: | |
| Outrage! | |
| FIRMIN: | |
| What is it now? | |
| CARLOTTA: | |
| This whole affair is an outrage! | |
| FIRMIN: | |
| Signora, please | |
| ANDRE: | |
| Now what' s the matter? | |
| CARLOTTA: | |
| Have you seen the size of my part? | |
| ANDRE: | |
| Signora, listen... | |
| PIANGI: | |
| It' s an insult! | |
| FIRMIN: | |
| Not you as well! | |
| PIANGI: | |
| Just look at this it' s an insult! | |
| FIRMIN: | |
| Please, understand... | |
| ANDRE: | |
| Signor! Signora! | |
| CARLOTTA: | |
| The things I have to do for my art! | |
| PIANGI: | |
| If you can call this gibberish quot art quot ! | |
| CARLOTTA: | |
| Ah! Here' s our little flower! | |
| FIRMIN: | |
| Ah Miss Daae quite the lady of the hour! | |
| ANDRE: | |
| You have secured the largest role in this quot Don Juan quot. | |
| CARLOTTA: | |
| Christine Daae? She doesn' t have the voice! | |
| FIRMIN: | |
| Signora, please! | |
| RAOUL: | |
| Then I take it you' re agreeing. | |
| CARLOTTA: | |
| She' s behind this ... | |
| ANDRE: | |
| It appears we have no choice. | |
| CARLOTTA: | |
| She' s the one behind this! Christine Daae! | |
| CHRISTINE: | |
| How dare you! | |
| CARLOTTA: | |
| I' m not a fool! | |
| CHRISTINE: | |
| You evil woman! How dare you! | |
| CARLOTTA: | |
| You think I' m blind? | |
| CHRISTINE: | |
| This isn' t my fault! I don' t want any part in this plot! | |
| FIRMIN: | |
| Miss Daae, surely ... | |
| ANDRE: | |
| But why not? | |
| PIANGI: | |
| What does she say? | |
| FIRMIN: | |
| It' s your decision But why not? | |
| CARLOTTA: | |
| She' s backing out! | |
| ANDRE: | |
| You have a duty! | |
| CHRISTINE: | |
| I cannot sing it, duty or not! | |
| RAOUL: | |
| Christine, Christine ... You don' t have to, they can' t make you ... | |
| GIRY: | |
| Please, monsieur: another note. | |
| quot Fondest greetings to you all! | |
| A few instructions just before rehearsal starts: Carlotta must be taught to act ... quot | |
| PHANTOM' S VOICE: | |
| ... not her normal trick of strutting round the stage. | |
| Our Don Juan must lose some weight it' s not healthy in a man of Piangi' s age. | |
| And my managers must learn that their place is in an office, not the arts. | |
| As for Miss Christine Daae . . . No doubt she' ll do her best | |
| it' s true her voice is good. | |
| She knows, though, should she wish to excel she has much still to learn, | |
| if pride will let her return to me, her teacher, her tea cher... | |
| Your obedient friend... | |
| GIRY: | |
| quot... and Angel ... quot | |
| RAOUL: | |
| We have all been blind and yet the answer is staring us in the face. | |
| This could be the chance to ensnare our clever friend ... | |
| ANDRE: | |
| We' re listening... | |
| FIRMIN: | |
| Go on. | |
| RAOUL: | |
| We shall play his game perform his work | |
| but remember we hold the ace. | |
| For, if Miss Daae sings, he is certain to attend... | |
| ANDRE: | |
| We make certain the doors are barred | |
| FIRMIN: | |
| We make certain our men are there | |
| RAOUL: | |
| We make certain they' re armed | |
| RAOUL ANDRE FIRMIN: | |
| The curtain falls his reign will end! | |
| GIRY: | |
| Madness! | |
| ANDRE: | |
| I' m not so sure... | |
| FIRMIN: | |
| Not if it works... | |
| GIRY: | |
| This is madness! | |
| ANDRE: | |
| The tide will turn! | |
| GIRY: | |
| Monsieur, believe me there is no way of turning the tide! | |
| FIRMIN: | |
| You stick to ballet! | |
| RAOUL: | |
| Then help us! | |
| GIRY: | |
| Monsieur, I can' t... | |
| RAOUL: | |
| Instead of warning us | |
| RAOUL ANDRE FIRMIN: | |
| Help us! | |
| GIRY: | |
| I wish I could... | |
| RAOUL ANDRE FIRMIN: | |
| Don' t make excuses! | |
| RAOUL: | |
| Or could it be that you' re on his side? | |
| GIRY: | |
| Monsieur, believe me, I intend no ill | |
| but messieurs, be careful we have seen him kill... | |
| ANDRE FIRMIN: | |
| We say he' ll fall and fall he will! | |
| CARLOTTA: | |
| She' s the one behind this! Christine! This is all her doing! | |
| PIANGI: | |
| This is the truth! Christine Daae! | |
| RAOUL: | |
| This is his undoing! | |
| ANDRE FIRMIN: | |
| If you succeed you free us all this so called quot angel quot has to fall! | |
| RAOUL: | |
| Angel of music, fear my fury Here is where you fall! | |
| GIRY: | |
| Hear my warning! Fear his fury! | |
| CARLOTTA: | |
| What glory can she hope to gain? | |
| It' s clear to all the girl' s insane! | |
| ANDRE: | |
| Christine sings, we' ll get our man... | |
| PIANGI: | |
| She is crazy! She is raving! | |
| FIRMIN: | |
| If Christine helps us in this plan... | |
| RAOUL: | |
| Say your prayers, black angel of death! | |
| CHRISTINE: | |
| Please don' t... | |
| ANDRE: | |
| If Christine won' t, then no one can | |
| GIRY: | |
| Monsieur, I beg you, do not do this | |
| PIANGI CARLOTTA: | |
| Gran Dio! Che imbroglio! | |
| ANDRE FIRMIN: | |
| This will seal his fate! | |
| CHRISTINE: | |
| If you don' t stop, I' ll go mad!!! | |
| Raoul, I' m frightened don' t make me do this | |
| Raoul, it scares me don' t put me through this ordeal by fire | |
| he' ll take me, I know ... we' ll be parted for ever, he won' t let me go | |
| What I once used to dream I now drea... if he finds me, it won' t ever end | |
| and he' ll always be there, singing songs in my head | |
| he' ll always be there, singing songs in my head... | |
| CARLOTTA: | |
| She' s mad... | |
| RAOUL: | |
| You said yourself he was nothing but a man. | |
| Yet while he lives, he will haunt us till we' re dead | |
| CHRISTINE: | |
| Twisted every way, what answer can I give? | |
| Am I to risk my life, to win the chance to live? | |
| Can I betray the man who once inspired my voice? | |
| Do I become his prey? Do I have any choice? | |
| He kills without a thought, he murders all that' s good | |
| I know I can' t refuse and yet, I wish I could | |
| Oh God if I agree, | |
| what horrors wait for me in this, the Phantom' s opera ...? | |
| RAOUL: | |
| Christine, Christine, don' t think that I don' t care | |
| but every hope and every prayer rests on you now | |
| So, it is to be war between us! But this time, clever friend, the disaster will be yours! | |
| Don Juan Rehearsal | |
| CHORUS: | |
| Hide our sword now wounded knight! | |
| Your vain glorious gasconnade brought you to your final fight for your pride, high price | |
| you' ve paid! | |
| CHRISTINE: | |
| Silken couch and hayfilled barn: both have been his battlefield. | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no, no! Chorus, rest, please. Don Juan, Signor Piangi here is the phrase. | |
| quot Those who tangle with Don Juan . . . quot If you please? | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no. Nearly but no. quot Those who tan, tan, tan? ul gt PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| His way is better. At least he make it sound like music! | |
| GIRY: | |
| Signora would you speak that way in the presence of the composer? | |
| CARLOTTA: | |
| The composer is not here. And if he were here, I would... | |
| GIRY: | |
| Are you certain of that, Signora...? | |
| REYER: | |
| So, once again after seven. Five, six, seven | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| Ah, piu non posso! What does it matter what notes we sing? | |
| GIRY: | |
| Have patience, Signora. | |
| CARLOTTA: | |
| Noone will know if it is right or if it is wrong. Noone will care if it is right, or if it is | |
| wrong. | |
| CARLOTTA: | |
| Those who tangle with Don Juan! | |
| PIANGI: | |
| Those who tan . . . tan . . . Is right? | |
| CHRISTINE: | |
| Not quite, Signor: Those who tan ... tan ... | |
| REYER: | |
| Ladies ... Signor Piangi ... if you please ... | |
| ALL EXCEPT CHRISTINE: | |
| Poor young maiden! For the thrill on your tongue of stolen sweets | |
| you will have to pay the bill tangled in the winding sheets! | |
| CHRISTINE: | |
| In sleep he sang to me, | |
| in dreams he came ... | |
| that voice which calls to me and speaks my name ... | |
| Little Lotte thought of everything and nothing | |
| Her Father promised her that he would send her the Angel of Music | |
| Her father promised her... | |
| Her father promised her |
| Notes II | |
| ANDRE: | |
| Ludicrous! Have you seen the score? | |
| FIRMIN: | |
| Simply ludicrous! | |
| ANDRE: | |
| It' s the final straw! | |
| FIRMIN: | |
| This is lunacy! Well, you know my views | |
| ANDRE: | |
| Utter lunacy! | |
| FIRMIN: | |
| But we daren' t refuse... | |
| ANDRE: | |
| Not another chandelier... | |
| FIRMIN: | |
| Look, my friend, what we have here | |
| ANDRE: | |
| quot Dear Andre, Re my orchestrations: We need another first bassoon. | |
| Every note zhā overblown and that third trombone has to go! T | |
| he man could not be deafer, so please preferably one who plays in tune! quot | |
| FIRMIN: | |
| quot Dear Firmin, vis a vis my opera: some chorusmembers must be sacked. | |
| If you could, find out which has a sense of pitch | |
| wisely, though, I' ve managed to assign a rather minor role to those who cannot act! quot | |
| CARLOTTA: | |
| Outrage! | |
| FIRMIN: | |
| What is it now? | |
| CARLOTTA: | |
| This whole affair is an outrage! | |
| FIRMIN: | |
| Signora, please | |
| ANDRE: | |
| Now what' s the matter? | |
| CARLOTTA: | |
| Have you seen the size of my part? | |
| ANDRE: | |
| Signora, listen... | |
| PIANGI: | |
| It' s an insult! | |
| FIRMIN: | |
| Not you as well! | |
| PIANGI: | |
| Just look at this it' s an insult! | |
| FIRMIN: | |
| Please, understand... | |
| ANDRE: | |
| Signor! Signora! | |
| CARLOTTA: | |
| The things I have to do for my art! | |
| PIANGI: | |
| If you can call this gibberish quot art quot ! | |
| CARLOTTA: | |
| Ah! Here' s our little flower! | |
| FIRMIN: | |
| Ah Miss Daae quite the lady of the hour! | |
| ANDRE: | |
| You have secured the largest role in this quot Don Juan quot. | |
| CARLOTTA: | |
| Christine Daae? She doesn' t have the voice! | |
| FIRMIN: | |
| Signora, please! | |
| RAOUL: | |
| Then I take it you' re agreeing. | |
| CARLOTTA: | |
| She' s behind this ... | |
| ANDRE: | |
| It appears we have no choice. | |
| CARLOTTA: | |
| She' s the one behind this! Christine Daae! | |
| CHRISTINE: | |
| How dare you! | |
| CARLOTTA: | |
| I' m not a fool! | |
| CHRISTINE: | |
| You evil woman! How dare you! | |
| CARLOTTA: | |
| You think I' m blind? | |
| CHRISTINE: | |
| This isn' t my fault! I don' t want any part in this plot! | |
| FIRMIN: | |
| Miss Daae, surely ... | |
| ANDRE: | |
| But why not? | |
| PIANGI: | |
| What does she say? | |
| FIRMIN: | |
| It' s your decision But why not? | |
| CARLOTTA: | |
| She' s backing out! | |
| ANDRE: | |
| You have a duty! | |
| CHRISTINE: | |
| I cannot sing it, duty or not! | |
| RAOUL: | |
| Christine, Christine ... You don' t have to, they can' t make you ... | |
| GIRY: | |
| Please, monsieur: another note. | |
| quot Fondest greetings to you all! | |
| A few instructions just before rehearsal starts: Carlotta must be taught to act ... quot | |
| PHANTOM' S VOICE: | |
| ... not her normal trick of strutting round the stage. | |
| Our Don Juan must lose some weight it' s not healthy in a man of Piangi' s age. | |
| And my managers must learn that their place is in an office, not the arts. | |
| As for Miss Christine Daae . . . No doubt she' ll do her best | |
| it' s true her voice is good. | |
| She knows, though, should she wish to excel she has much still to learn, | |
| if pride will let her return to me, her teacher, her tea cher... | |
| Your obedient friend... | |
| GIRY: | |
| quot... and Angel ... quot | |
| RAOUL: | |
| We have all been blind and yet the answer is staring us in the face. | |
| This could be the chance to ensnare our clever friend ... | |
| ANDRE: | |
| We' re listening... | |
| FIRMIN: | |
| Go on. | |
| RAOUL: | |
| We shall play his game perform his work | |
| but remember we hold the ace. | |
| For, if Miss Daae sings, he is certain to attend... | |
| ANDRE: | |
| We make certain the doors are barred | |
| FIRMIN: | |
| We make certain our men are there | |
| RAOUL: | |
| We make certain they' re armed | |
| RAOUL ANDRE FIRMIN: | |
| The curtain falls his reign will end! | |
| GIRY: | |
| Madness! | |
| ANDRE: | |
| I' m not so sure... | |
| FIRMIN: | |
| Not if it works... | |
| GIRY: | |
| This is madness! | |
| ANDRE: | |
| The tide will turn! | |
| GIRY: | |
| Monsieur, believe me there is no way of turning the tide! | |
| FIRMIN: | |
| You stick to ballet! | |
| RAOUL: | |
| Then help us! | |
| GIRY: | |
| Monsieur, I can' t... | |
| RAOUL: | |
| Instead of warning us | |
| RAOUL ANDRE FIRMIN: | |
| Help us! | |
| GIRY: | |
| I wish I could... | |
| RAOUL ANDRE FIRMIN: | |
| Don' t make excuses! | |
| RAOUL: | |
| Or could it be that you' re on his side? | |
| GIRY: | |
| Monsieur, believe me, I intend no ill | |
| but messieurs, be careful we have seen him kill... | |
| ANDRE FIRMIN: | |
| We say he' ll fall and fall he will! | |
| CARLOTTA: | |
| She' s the one behind this! Christine! This is all her doing! | |
| PIANGI: | |
| This is the truth! Christine Daae! | |
| RAOUL: | |
| This is his undoing! | |
| ANDRE FIRMIN: | |
| If you succeed you free us all this so called quot angel quot has to fall! | |
| RAOUL: | |
| Angel of music, fear my fury Here is where you fall! | |
| GIRY: | |
| Hear my warning! Fear his fury! | |
| CARLOTTA: | |
| What glory can she hope to gain? | |
| It' s clear to all the girl' s insane! | |
| ANDRE: | |
| Christine sings, we' ll get our man... | |
| PIANGI: | |
| She is crazy! She is raving! | |
| FIRMIN: | |
| If Christine helps us in this plan... | |
| RAOUL: | |
| Say your prayers, black angel of death! | |
| CHRISTINE: | |
| Please don' t... | |
| ANDRE: | |
| If Christine won' t, then no one can | |
| GIRY: | |
| Monsieur, I beg you, do not do this | |
| PIANGI CARLOTTA: | |
| Gran Dio! Che imbroglio! | |
| ANDRE FIRMIN: | |
| This will seal his fate! | |
| CHRISTINE: | |
| If you don' t stop, I' ll go mad!!! | |
| Raoul, I' m frightened don' t make me do this | |
| Raoul, it scares me don' t put me through this ordeal by fire | |
| he' ll take me, I know ... we' ll be parted for ever, he won' t let me go | |
| What I once used to dream I now drea... if he finds me, it won' t ever end | |
| and he' ll always be there, singing songs in my head | |
| he' ll always be there, singing songs in my head... | |
| CARLOTTA: | |
| She' s mad... | |
| RAOUL: | |
| You said yourself he was nothing but a man. | |
| Yet while he lives, he will haunt us till we' re dead | |
| CHRISTINE: | |
| Twisted every way, what answer can I give? | |
| Am I to risk my life, to win the chance to live? | |
| Can I betray the man who once inspired my voice? | |
| Do I become his prey? Do I have any choice? | |
| He kills without a thought, he murders all that' s good | |
| I know I can' t refuse and yet, I wish I could | |
| Oh God if I agree, | |
| what horrors wait for me in this, the Phantom' s opera ...? | |
| RAOUL: | |
| Christine, Christine, don' t think that I don' t care | |
| but every hope and every prayer rests on you now | |
| So, it is to be war between us! But this time, clever friend, the disaster will be yours! | |
| Don Juan Rehearsal | |
| CHORUS: | |
| Hide our sword now wounded knight! | |
| Your vain glorious gasconnade brought you to your final fight for your pride, high price | |
| you' ve paid! | |
| CHRISTINE: | |
| Silken couch and hayfilled barn: both have been his battlefield. | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no, no! Chorus, rest, please. Don Juan, Signor Piangi here is the phrase. | |
| quot Those who tangle with Don Juan . . . quot If you please? | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| REYER: | |
| No, no. Nearly but no. quot Those who tan, tan, tan? ul gt PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| His way is better. At least he make it sound like music! | |
| GIRY: | |
| Signora would you speak that way in the presence of the composer? | |
| CARLOTTA: | |
| The composer is not here. And if he were here, I would... | |
| GIRY: | |
| Are you certain of that, Signora...? | |
| REYER: | |
| So, once again after seven. Five, six, seven | |
| PIANGI: | |
| Those who tangle with Don Juan... | |
| CARLOTTA: | |
| Ah, piu non posso! What does it matter what notes we sing? | |
| GIRY: | |
| Have patience, Signora. | |
| CARLOTTA: | |
| Noone will know if it is right or if it is wrong. Noone will care if it is right, or if it is | |
| wrong. | |
| CARLOTTA: | |
| Those who tangle with Don Juan! | |
| PIANGI: | |
| Those who tan . . . tan . . . Is right? | |
| CHRISTINE: | |
| Not quite, Signor: Those who tan ... tan ... | |
| REYER: | |
| Ladies ... Signor Piangi ... if you please ... | |
| ALL EXCEPT CHRISTINE: | |
| Poor young maiden! For the thrill on your tongue of stolen sweets | |
| you will have to pay the bill tangled in the winding sheets! | |
| CHRISTINE: | |
| In sleep he sang to me, | |
| in dreams he came ... | |
| that voice which calls to me and speaks my name ... | |
| Little Lotte thought of everything and nothing | |
| Her Father promised her that he would send her the Angel of Music | |
| Her father promised her... | |
| Her father promised her |
| [00:00.816] | 安德烈： |
| [00:01.637] | 荒唐至极！你读过乐谱了吗？ |
| [00:04.051] | 费明： |
| [00:04.476] | 真是荒唐至极！ |
| [00:05.500] | 安德烈： |
| [00:05.801] | 这可是最后一根稻草了！ |
| [00:06.633] | 费明： |
| [00:06.898] | 荒唐！当然，你知道我怎么想… |
| [00:09.059] | 安德烈： |
| [00:09.304] | 真是荒谬绝伦！ |
| [00:10.289] | 费明： |
| [00:10.511] | 可是我们不敢拒绝… |
| [00:12.198] | 安德烈： |
| [00:12.479] | 我们可不能再失去一盏吊灯 |
| [00:14.836] | 费明： |
| [00:15.086] | 看，我的朋友，这是什么 |
| [00:18.588] | 安德烈： |
| [00:18.973] | “亲爱的安德烈 |
| [00:20.446] | 以下有关于我的管弦乐队： |
| [00:22.887] | 我们需要一位新的巴松首席 |
| [00:25.615] | 去找一位着调的演奏家 |
| [00:27.301] | 还有那位第三长号手 |
| [00:29.151] | 必须被开除！ |
| [00:30.610] | 简直找不到比这位先生耳朵更聋的人 |
| [00:32.011] | 所以，拜托了，请找一位有音准的乐师来！” |
| [00:34.010] | 费明： |
| [00:34.235] | “亲爱的费明 |
| [00:34.848] | 说到我的歌剧： |
| [00:37.112] | 某些和声部成员必须被开除 |
| [00:39.970] | 如果你可以的话，找出来那些 |
| [00:41.390] | 有乐感的人 |
| [00:43.336] | 我明智地做了一些决定 |
| [00:44.843] | 给了那些演技拙劣的人一些无关紧要的小角色！” |
| [00:48.607] | 卡洛塔： |
| [00:48.815] | 一场闹剧！ |
| [00:49.554] | 费明： |
| [00:49.722] | 又怎么了？ |
| [00:50.379] | 卡洛塔： |
| [00:50.605] | 整件事情都是一场闹剧！ |
| [00:52.308] | 费明： |
| [00:52.529] | 小姐，拜托… |
| [00:53.380] | 安德烈： |
| [00:53.556] | 现在又怎么了？ |
| [00:54.377] | 卡洛塔： |
| [00:54.555] | 你难道没有看到我的角色有多么不起眼？ |
| [00:56.258] | 安德烈： |
| [00:56.426] | 小姐，请听我说… |
| [00:57.131] | 皮安吉： |
| [00:57.307] | 天大的耻辱！ |
| [00:58.122] | 费明： |
| [00:58.296] | 怎么你也这样？ |
| [00:59.046] | 皮安吉： |
| [00:59.269] | 看看这件事——这就是对我们的侮辱！ |
| [01:01.069] | 费明： |
| [01:01.257] | 请理解一下 |
| [01:01.918] | 安德烈： |
| [01:02.127] | 先生！小姐！ |
| [01:03.130] | 卡洛塔： |
| [01:03.288] | 我为艺术献身了太多！ |
| [01:04.851] | 皮安吉： |
| [01:05.026] | 你竟然称这样媚俗之剧为艺术 |
| [01:07.119] | 卡洛塔： |
| [01:07.544] | 啊！我们的新晋小花来了！ |
| [01:10.181] | 费明： |
| [01:10.369] | 啊，戴耶小姐，您可真是万众瞩目之星啊！ |
| [01:12.728] | 安德烈： |
| [01:12.912] | 你拿到了这部《唐璜》里面最重要的角色 |
| [01:15.858] | 卡洛塔： |
| [01:16.021] | 克莉丝汀·戴耶？她的嗓音配不上！ |
| [01:17.807] | 费明： |
| [01:17.965] | 小姐，拜托！ |
| [01:19.211] | 拉乌尔： |
| [01:19.382] | 那你就是同意了？ |
| [01:21.232] | 卡洛塔： |
| [01:21.407] | 她就是幕后黑手… |
| [01:22.397] | 安德烈： |
| [01:22.563] | 按照目前的情况来看，我们别无选择 |
| [01:23.856] | 卡洛塔： |
| [01:23.989] | 她就是幕后黑手！ |
| [01:25.636] | 克莉丝汀·戴耶！ |
| [01:26.857] | 克里斯汀： |
| [01:27.004] | 你怎么敢这样讲话？ |
| [01:28.012] | 卡洛塔： |
| [01:28.161] | 你当我是蠢货吗？ |
| [01:28.781] | 克里斯汀： |
| [01:28.935] | 你这个蛇蝎心肠的女人！ |
| [01:29.699] | 你怎么胆敢这样说？ |
| [01:30.936] | 卡洛塔： |
| [01:31.099] | 你觉得我是看不到真相吗？ |
| [01:31.744] | 克里斯汀： |
| [01:31.899] | 这又不是我的过错！ |
| [01:33.040] | 我才不想被卷进这出阴谋中！ |
| [01:34.595] | 费明： |
| [01:34.754] | 戴耶小姐，当然… |
| [01:35.531] | 安德烈： |
| [01:35.690] | 可是为什么不呢？ |
| [01:36.796] | 皮安吉： |
| [01:36.957] | 她怎么说？ |
| [01:37.518] | 费明： |
| [01:37.790] | 这是你的个人决定，可是为什么不呢？ |
| [01:39.843] | 卡洛塔： |
| [01:40.020] | 她在考虑退出！ |
| [01:40.674] | 安德烈： |
| [01:40.839] | 你有一份职责！ |
| [01:41.828] | 克里斯汀： |
| [01:41.961] | 我不会唱这部歌剧的，无论有没有职责 |
| [01:43.819] | 拉乌尔： |
| [01:44.021] | 克莉丝汀，克莉丝汀… |
| [01:47.357] | 你不必去唱… |
| [01:48.871] | 他们不能逼迫你… |
| [01:51.149] | 吉里： |
| [01:51.433] | 拜托，先生——又一封信 |
| [01:57.224] | “向诸位致意问好！ |
| [02:01.611] | 在排练开始之前我有一些指令： |
| [02:08.372] | 吉里/魅影： |
| [02:08.578] | 卡洛特必须学会演戏 |
| [02:11.244] | 魅影： |
| [02:11.465] | 她不能只是像平日一样在舞台上趾高气扬地乱踱步 |
| [02:18.905] | 我们的唐璜必须要减减肥 |
| [02:21.870] | 对于皮安吉这个年纪的男人，这体重不太健康 |
| [02:28.474] | 我的经理们必须学会一件事 |
| [02:31.939] | 他们的职责应在办公室里完成，少来艺术殿堂里拆台 |
| [02:38.786] | 至于克莉丝汀·戴耶小姐… |
| [02:44.195] | 我知道她一定会竭尽全力做到最好 |
| [02:47.528] | 她的歌喉无与伦比不假 |
| [02:51.309] | 但是她知道，如果她想要更上一层楼 |
| [02:57.015] | 她还有很多需要学习 |
| [03:00.840] | 如果她的傲气会允许她回到我身边，来找她的老师 |
| [03:09.867] | 她的老师… |
| [03:16.029] | 你忠诚的朋友 |
| [03:17.716] | 吉里： |
| [03:18.188] | ...和天使” |
| [03:20.573] | 拉乌尔： |
| [03:20.946] | 我们一直都是盲目的 |
| [03:23.886] | 答案就在我们眼前 |
| [03:27.335] | 这是一个抓住我们狡猾朋友的好机会 |
| [03:31.802] | 安德烈： |
| [03:31.978] | 我们在聆听 |
| [03:32.300] | 费明： |
| [03:32.444] | 继续说下去 |
| [03:33.712] | 拉乌尔： |
| [03:34.206] | 我们将会奉陪到底 |
| [03:36.665] | 表演他的歌剧，不过记住一件事：我们手中留有王牌 |
| [03:40.160] | 如果戴耶小姐歌唱，他一定会来观看表演 |
| [03:44.378] | 安德烈： |
| [03:44.540] | 我们确保大门紧锁 |
| [03:45.728] | 费明： |
| [03:45.900] | 我们确保有人手在场 |
| [03:47.232] | 拉乌尔： |
| [03:47.428] | 我们确保他们全副武装 |
| [03:49.126] | 安德烈/费明/拉乌尔： |
| [03:49.288] | 幕布落下，他的暴政便不复存在！ |
| [03:52.325] | 吉里： |
| [03:52.560] | 真是胡闹！ |
| [03:53.558] | 安德烈： |
| [03:53.733] | 我不敢苟同 |
| [03:54.253] | 费明： |
| [03:54.406] | 如果我们成功，这就不是闹剧 |
| [03:54.995] | 吉里： |
| [03:55.185] | 这是胡闹！ |
| [03:56.179] | 安德烈： |
| [03:56.349] | 局势将会扭转！ |
| [03:57.042] | 吉里： |
| [03:57.218] | 先生，请相信我 |
| [03:58.278] | 大局已定！ |
| [04:00.330] | 费明： |
| [04:00.463] | 你只需管好芭蕾！ |
| [04:01.207] | 拉乌尔： |
| [04:01.358] | 那就来帮助我们！ |
| [04:02.412] | 吉里： |
| [04:02.547] | 先生，我不能 |
| [04:03.382] | 拉乌尔： |
| [04:03.535] | 不要单单警告我们 |
| [04:04.289] | 拉乌尔/安德烈/费明： |
| [04:04.451] | 帮助我们！ |
| [04:05.157] | 吉里： |
| [04:05.304] | 我希望我可以 |
| [04:05.845] | 拉乌尔/安德烈/费明： |
| [04:06.035] | 不要找借口推辞！ |
| [04:07.047] | 拉乌尔： |
| [04:07.203] | 难道说你属于他的阵营？ |
| [04:10.272] | 吉里： |
| [04:10.441] | 先生，相信我 |
| [04:11.371] | 我没有恶意 |
| [04:12.661] | 可是，先生们，请小心 |
| [04:14.252] | 我们都见过他杀戮 |
| [04:15.110] | 安德烈/费明： |
| [04:15.258] | 我们要让他垮台，他就一定会失败（皮安吉：这就是真相！克莉丝汀·戴耶！） |
| [04:15.957] | 卡洛塔： |
| [04:16.104] | 她就是幕后黑手！克莉丝汀！（拉乌尔：这将是他落败之时！） |
| [04:18.800] | 这就是一个阴谋！ |
| [04:20.458] | 拉乌尔： |
| [04:21.954] | 音乐天使（安德烈/费明：如果你成功，你将为我们所有人解围） |
| [04:24.042] | 在我的震怒面前颤抖（安德烈/费明：这个所谓的“天使“必须陨落！） |
| [04:26.522] | 吉里： |
| [04:26.763] | 聆听我的警告！ |
| [04:27.158] | 卡洛塔： |
| [04:27.657] | 她到底想要何种荣耀？（皮安吉：她完全疯了！她在胡言乱语！） |
| [04:29.441] | 拉乌尔： |
| [04:29.978] | 这将是你的末日！（安德烈：如果克莉丝汀开口唱歌，我们就能抓住这个罪犯/吉里：你们必要恐惧他的怒火） |
| [04:30.493] | 卡洛塔： |
| [04:30.771] | 很明显这女孩已经疯了！（吉里：先生，我恳求您） |
| [04:31.289] | 拉乌尔： |
| [04:31.634] | 快说出你的最后的祷告吧（费明：如果克莉丝汀帮助我们完成这个计划...） |
| [04:31.942] | 暗黑的死亡天使（安德烈：如果克里斯汀不帮助我们，没有人可以/吉里：不要这样做） |
| [04:32.415] | 卡洛塔/皮安吉：天呐！真是天大的骗局！（安德烈/费明：这将决定他的宿命！） |
| [04:36.181] | 克里斯汀： |
| [04:36.335] | 请停下来！如果你不停下来我会疯掉的！ |
| [04:38.379] | 拉乌尔，我好害怕 |
| [04:40.166] | 不要逼我这样做 |
| [04:43.212] | 拉乌尔，我好惊恐 |
| [04:45.597] | 不要让我承受这样烈火般的磨难 |
| [04:50.529] | 他会带走我，我心里清楚 |
| [04:52.570] | 我们永远也不会再相见 |
| [04:55.564] | 他不会放我离开 |
| [04:59.064] | 我曾经的幻想变为我现在的梦魇 |
| [05:03.244] | 如果他找到我，这噩梦将永无止境 |
| [05:07.312] | 他永远会在我的脑海中歌唱 |
| [05:12.282] | 他永远会在我的脑海中歌唱 |
| [05:16.565] | 卡洛塔： |
| [05:16.716] | 她疯了... |
| [05:20.475] | 拉乌尔： |
| [05:20.726] | 你自己说过，他也只不过是肉体凡胎 |
| [05:33.225] | 可是只要他还活着，他就会永远纠缠着我们直至死亡 |
| [05:46.239] | 克里斯汀： |
| [05:48.461] | 一切都支离破碎，我又能如何回应？ |
| [05:53.090] | 难道只有将自己的生命置于险境才能换取自由生活的机会？ |
| [05:58.655] | 我是否可以背叛这个一手造就我歌喉的男人？ |
| [06:04.084] | 我是否成了他的猎物？ |
| [06:06.754] | 我是否有任何选择的余地？ |
| [06:09.375] | 他杀人不眨眼 |
| [06:11.810] | 他摧毁一切的美好 |
| [06:14.391] | 我知道我无法拒绝 |
| [06:16.758] | 但是我多么希望我可以如此 |
| [06:19.729] | 哦上帝，如果我同意 |
| [06:22.689] | 何样的可怖遭遇在等待着我？ |
| [06:25.785] | 在这里，这魅影的歌剧中？ |
| [06:30.955] | 拉乌尔： |
| [06:31.999] | 克莉丝汀，克莉丝汀，不要认为我对你毫不在乎 |
| [06:40.114] | 可是现在一切希望与祈祷都寄托在你身上 |
| [07:06.639] | 既然如此，我们之间的战争必将打响！ |
| [07:08.820] | 可是这一次，狡猾的朋友，灾难将降临在你身上！ |
| [07:22.863] | ”排练“ |
| [07:24.422] | 雷耶： |
| [07:24.677] | 唐璜——皮安吉先生——这句话是这样子的： |
| [07:28.447] | “那些与唐璜纠缠的人…” |
| [07:31.522] | 如果可以的话，请您尝试一下？ |
| [07:32.407] | 皮安吉： |
| [07:32.743] | “那些与唐璜纠缠的人…”（唱的不对~） |
| [07:35.217] | 雷耶： |
| [07:35.475] | 不对，不对。很接近了——可是还是不对 |
| [07:37.369] | “那些与唐璜纠、纠、纠…” |
| [07:39.468] | 皮安吉： |
| [07:39.673] | “那些与唐璜纠缠的人…”（还是没唱对qwq） |
| [07:42.539] | 卡洛塔： |
| [07:43.087] | 他的唱法好多了 |
| [07:44.199] | 至少他唱起来像艺术！ |
| [07:46.974] | 吉里： |
| [07:47.159] | 小姐，如果作曲家在这里，你还会这样讲话吗？ |
| [07:49.904] | 卡洛塔： |
| [07:50.113] | 作曲家并不在场 |
| [07:52.055] | 如果他在这里，我会跟他讲… |
| [07:52.418] | 吉里： |
| [07:52.583] | 你能保证他不在这里吗，小姐？ |
| [07:54.388] | 雷耶： |
| [07:54.594] | 那好，我们再来一遍——从第七拍开始 |
| [07:57.185] | 五、六、七 |
| [07:59.109] | 皮安吉： |
| [07:59.342] | “那些与唐璜纠缠的人…”（又双叒叕错了ovo） |
| [08:01.990] | 卡洛塔： |
| [08:02.234] | 我受不了了！（皮安吉：这样对吗？/吉里：耐心点，小姐） |
| [08:05.603] | 没有人会在乎对错的（克里斯汀：还差一点，先生，您听我唱：“那些与唐璜纠、纠…”您明白了吗？） |
| [08:08.991] | 雷耶：现在静下来！安静下来！ |
| [08:12.986] | 卡洛塔：“那些与唐璜纠缠的人…”（皮安吉：我不明白，我不明白/雷耶：皮安吉先生，我能否建议您…） |
| [08:15.022] | （钢琴自己开始弹奏） |
| [08:19.552] | 除克里斯汀外所有人： |
| [08:22.600] | 可怜的少女！ |
| [08:24.123] | 你唇齿间的偷来的蜜糖必要在缠绵床幔间偿还！ |
| [08:38.652] | （臭名昭著小提琴独奏） |
| [08:50.132] | 克里斯汀： |
| [08:51.549] | 沉睡中他对我歌唱 |
| [08:56.075] | 梦境中他向我走来 |
| [09:00.889] | 那个声音呼唤着我 |
| [09:05.675] | 念着我的名字 |
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