| 歌曲 | Desolation Row (Live) |
| 歌手 | Bob Dylan |
| 专辑 | Bob Dylan: Melbourne, Australia (bootleg) |
| 下载 | Image LRC TXT |
| 作词 : Dylan | |
| They’re selling postcards of the hanging | |
| They’re painting the passports brown | |
| The beauty parlor is filled with sailors | |
| The circus is in town | |
| Here comes the blind commissioner | |
| They’ve got him in a trance | |
| One hand is tied to the tight-rope walker | |
| The other is in his pants | |
| And the riot squad they’re restless | |
| They need somewhere to go | |
| As Lady and I look out tonight | |
| From Desolation Row | |
| Cinderella, she seems so easy | |
| “It takes one to know one,” she smiles | |
| And puts her hands in her back pockets | |
| Bette Davis style | |
| And in comes Romeo, he’s moaning | |
| “You Belong to Me I Believe” | |
| And someone says, “You’re in the wrong place my friend | |
| You better leave” | |
| And the only sound that’s left | |
| After the ambulances go | |
| Is Cinderella sweeping up | |
| On Desolation Row | |
| Now the moon is almost hidden | |
| The stars are beginning to hide | |
| The fortune-telling lady | |
| Has even taken all her things inside | |
| All except for Cain and Abel | |
| And the hunchback of Notre Dame | |
| Everybody is making love | |
| Or else expecting rain | |
| And the Good Samaritan, he’s dressing | |
| He’s getting ready for the show | |
| He’s going to the carnival tonight | |
| On Desolation Row | |
| Now Ophelia, she’s ’neath the window | |
| For her I feel so afraid | |
| On her twenty-second birthday | |
| She already is an old maid | |
| To her, death is quite romantic | |
| She wears an iron vest | |
| Her profession’s her religion | |
| Her sin is her lifelessness | |
| And though her eyes are fixed upon | |
| Noah’s great rainbow | |
| She spends her time peeking | |
| Into Desolation Row | |
| Einstein, disguised as Robin Hood | |
| With his memories in a trunk | |
| Passed this way an hour ago | |
| With his friend, a jealous monk | |
| He looked so immaculately frightful | |
| As he bummed a cigarette | |
| Then he went off sniffing drainpipes | |
| And reciting the alphabet | |
| Now you would not think to look at him | |
| But he was famous long ago | |
| For playing the electric violin | |
| On Desolation Row | |
| Dr. Filth, he keeps his world | |
| Inside of a leather cup | |
| But all his sexless patients | |
| They’re trying to blow it up | |
| Now his nurse, some local loser | |
| She’s in charge of the cyanide hole | |
| And she also keeps the cards that read | |
| “Have Mercy on His Soul” | |
| They all play on pennywhistles | |
| You can hear them blow | |
| If you lean your head out far enough | |
| From Desolation Row | |
| Across the street they’ve nailed the curtains | |
| They’re getting ready for the feast | |
| The Phantom of the Opera | |
| A perfect image of a priest | |
| They’re spoonfeeding Casanova | |
| To get him to feel more assured | |
| Then they’ll kill him with self-confidence | |
| After poisoning him with words | |
| And the Phantom’s shouting to skinny girls | |
| “Get Outa Here If You Don’t Know | |
| Casanova is just being punished for going | |
| To Desolation Row” | |
| Now at midnight all the agents | |
| And the superhuman crew | |
| Come out and round up everyone | |
| That knows more than they do | |
| Then they bring them to the factory | |
| Where the heart-attack machine | |
| Is strapped across their shoulders | |
| And then the kerosene | |
| Is brought down from the castles | |
| By insurance men who go | |
| Check to see that nobody is escaping | |
| To Desolation Row | |
| Praise be to Nero’s Neptune | |
| The Titanic sails at dawn | |
| And everybody’s shouting | |
| “Which Side Are You On?” | |
| And Ezra Pound and T. S. Eliot | |
| Fighting in the captain’s tower | |
| While calypso singers laugh at them | |
| And fishermen hold flowers | |
| Between the windows of the sea | |
| Where lovely mermaids flow | |
| And nobody has to think too much | |
| About Desolation Row | |
| Yes, I received your letter yesterday | |
| (About the time the doorknob broke) | |
| When you asked how I was doing | |
| Was that some kind of joke? | |
| All these people that you mention | |
| Yes, I know them, they’re quite lame | |
| I had to rearrange their faces | |
| And give them all another name | |
| Right now I can’t read too good | |
| Don’t send me no more letters, no | |
| Not unless you mail them | |
| From Desolation Row |
| zuo ci : Dylan | |
| They' re selling postcards of the hanging | |
| They' re painting the passports brown | |
| The beauty parlor is filled with sailors | |
| The circus is in town | |
| Here comes the blind commissioner | |
| They' ve got him in a trance | |
| One hand is tied to the tightrope walker | |
| The other is in his pants | |
| And the riot squad they' re restless | |
| They need somewhere to go | |
| As Lady and I look out tonight | |
| From Desolation Row | |
| Cinderella, she seems so easy | |
| " It takes one to know one," she smiles | |
| And puts her hands in her back pockets | |
| Bette Davis style | |
| And in comes Romeo, he' s moaning | |
| " You Belong to Me I Believe" | |
| And someone says, " You' re in the wrong place my friend | |
| You better leave" | |
| And the only sound that' s left | |
| After the ambulances go | |
| Is Cinderella sweeping up | |
| On Desolation Row | |
| Now the moon is almost hidden | |
| The stars are beginning to hide | |
| The fortunetelling lady | |
| Has even taken all her things inside | |
| All except for Cain and Abel | |
| And the hunchback of Notre Dame | |
| Everybody is making love | |
| Or else expecting rain | |
| And the Good Samaritan, he' s dressing | |
| He' s getting ready for the show | |
| He' s going to the carnival tonight | |
| On Desolation Row | |
| Now Ophelia, she' s ' neath the window | |
| For her I feel so afraid | |
| On her twentysecond birthday | |
| She already is an old maid | |
| To her, death is quite romantic | |
| She wears an iron vest | |
| Her profession' s her religion | |
| Her sin is her lifelessness | |
| And though her eyes are fixed upon | |
| Noah' s great rainbow | |
| She spends her time peeking | |
| Into Desolation Row | |
| Einstein, disguised as Robin Hood | |
| With his memories in a trunk | |
| Passed this way an hour ago | |
| With his friend, a jealous monk | |
| He looked so immaculately frightful | |
| As he bummed a cigarette | |
| Then he went off sniffing drainpipes | |
| And reciting the alphabet | |
| Now you would not think to look at him | |
| But he was famous long ago | |
| For playing the electric violin | |
| On Desolation Row | |
| Dr. Filth, he keeps his world | |
| Inside of a leather cup | |
| But all his sexless patients | |
| They' re trying to blow it up | |
| Now his nurse, some local loser | |
| She' s in charge of the cyanide hole | |
| And she also keeps the cards that read | |
| " Have Mercy on His Soul" | |
| They all play on pennywhistles | |
| You can hear them blow | |
| If you lean your head out far enough | |
| From Desolation Row | |
| Across the street they' ve nailed the curtains | |
| They' re getting ready for the feast | |
| The Phantom of the Opera | |
| A perfect image of a priest | |
| They' re spoonfeeding Casanova | |
| To get him to feel more assured | |
| Then they' ll kill him with selfconfidence | |
| After poisoning him with words | |
| And the Phantom' s shouting to skinny girls | |
| " Get Outa Here If You Don' t Know | |
| Casanova is just being punished for going | |
| To Desolation Row" | |
| Now at midnight all the agents | |
| And the superhuman crew | |
| Come out and round up everyone | |
| That knows more than they do | |
| Then they bring them to the factory | |
| Where the heartattack machine | |
| Is strapped across their shoulders | |
| And then the kerosene | |
| Is brought down from the castles | |
| By insurance men who go | |
| Check to see that nobody is escaping | |
| To Desolation Row | |
| Praise be to Nero' s Neptune | |
| The Titanic sails at dawn | |
| And everybody' s shouting | |
| " Which Side Are You On?" | |
| And Ezra Pound and T. S. Eliot | |
| Fighting in the captain' s tower | |
| While calypso singers laugh at them | |
| And fishermen hold flowers | |
| Between the windows of the sea | |
| Where lovely mermaids flow | |
| And nobody has to think too much | |
| About Desolation Row | |
| Yes, I received your letter yesterday | |
| About the time the doorknob broke | |
| When you asked how I was doing | |
| Was that some kind of joke? | |
| All these people that you mention | |
| Yes, I know them, they' re quite lame | |
| I had to rearrange their faces | |
| And give them all another name | |
| Right now I can' t read too good | |
| Don' t send me no more letters, no | |
| Not unless you mail them | |
| From Desolation Row |
| zuò cí : Dylan | |
| They' re selling postcards of the hanging | |
| They' re painting the passports brown | |
| The beauty parlor is filled with sailors | |
| The circus is in town | |
| Here comes the blind commissioner | |
| They' ve got him in a trance | |
| One hand is tied to the tightrope walker | |
| The other is in his pants | |
| And the riot squad they' re restless | |
| They need somewhere to go | |
| As Lady and I look out tonight | |
| From Desolation Row | |
| Cinderella, she seems so easy | |
| " It takes one to know one," she smiles | |
| And puts her hands in her back pockets | |
| Bette Davis style | |
| And in comes Romeo, he' s moaning | |
| " You Belong to Me I Believe" | |
| And someone says, " You' re in the wrong place my friend | |
| You better leave" | |
| And the only sound that' s left | |
| After the ambulances go | |
| Is Cinderella sweeping up | |
| On Desolation Row | |
| Now the moon is almost hidden | |
| The stars are beginning to hide | |
| The fortunetelling lady | |
| Has even taken all her things inside | |
| All except for Cain and Abel | |
| And the hunchback of Notre Dame | |
| Everybody is making love | |
| Or else expecting rain | |
| And the Good Samaritan, he' s dressing | |
| He' s getting ready for the show | |
| He' s going to the carnival tonight | |
| On Desolation Row | |
| Now Ophelia, she' s ' neath the window | |
| For her I feel so afraid | |
| On her twentysecond birthday | |
| She already is an old maid | |
| To her, death is quite romantic | |
| She wears an iron vest | |
| Her profession' s her religion | |
| Her sin is her lifelessness | |
| And though her eyes are fixed upon | |
| Noah' s great rainbow | |
| She spends her time peeking | |
| Into Desolation Row | |
| Einstein, disguised as Robin Hood | |
| With his memories in a trunk | |
| Passed this way an hour ago | |
| With his friend, a jealous monk | |
| He looked so immaculately frightful | |
| As he bummed a cigarette | |
| Then he went off sniffing drainpipes | |
| And reciting the alphabet | |
| Now you would not think to look at him | |
| But he was famous long ago | |
| For playing the electric violin | |
| On Desolation Row | |
| Dr. Filth, he keeps his world | |
| Inside of a leather cup | |
| But all his sexless patients | |
| They' re trying to blow it up | |
| Now his nurse, some local loser | |
| She' s in charge of the cyanide hole | |
| And she also keeps the cards that read | |
| " Have Mercy on His Soul" | |
| They all play on pennywhistles | |
| You can hear them blow | |
| If you lean your head out far enough | |
| From Desolation Row | |
| Across the street they' ve nailed the curtains | |
| They' re getting ready for the feast | |
| The Phantom of the Opera | |
| A perfect image of a priest | |
| They' re spoonfeeding Casanova | |
| To get him to feel more assured | |
| Then they' ll kill him with selfconfidence | |
| After poisoning him with words | |
| And the Phantom' s shouting to skinny girls | |
| " Get Outa Here If You Don' t Know | |
| Casanova is just being punished for going | |
| To Desolation Row" | |
| Now at midnight all the agents | |
| And the superhuman crew | |
| Come out and round up everyone | |
| That knows more than they do | |
| Then they bring them to the factory | |
| Where the heartattack machine | |
| Is strapped across their shoulders | |
| And then the kerosene | |
| Is brought down from the castles | |
| By insurance men who go | |
| Check to see that nobody is escaping | |
| To Desolation Row | |
| Praise be to Nero' s Neptune | |
| The Titanic sails at dawn | |
| And everybody' s shouting | |
| " Which Side Are You On?" | |
| And Ezra Pound and T. S. Eliot | |
| Fighting in the captain' s tower | |
| While calypso singers laugh at them | |
| And fishermen hold flowers | |
| Between the windows of the sea | |
| Where lovely mermaids flow | |
| And nobody has to think too much | |
| About Desolation Row | |
| Yes, I received your letter yesterday | |
| About the time the doorknob broke | |
| When you asked how I was doing | |
| Was that some kind of joke? | |
| All these people that you mention | |
| Yes, I know them, they' re quite lame | |
| I had to rearrange their faces | |
| And give them all another name | |
| Right now I can' t read too good | |
| Don' t send me no more letters, no | |
| Not unless you mail them | |
| From Desolation Row |