| 歌曲 | Challenger part 1 - Flight |
| 歌手 | We Lost The Sea |
| 专辑 | Departure Songs |
| [00:41.46] | I've found that sometimes I am able to control a dream and sometimes I’m able to direct myself before going to sleep, to dream about a certain subject, and sometimes not. |
| [01:04.21] | The import thing was to see your hands in the dream. And I made an effort to do this a number of times, and… only a couple of times that I succeed, |
| [01:16.68] | and actually seeing my hand in the dream. |
| [01:31.61] | To me what the most important new facts about dreams is that they are biological necessity. See, They have made experiments of waking people up whenever they start to dream, they can tell by the rapid eye movements, and also by the brain waves. Brain waves and dreams are very much like the brain waves of people when they’re awake. |
| [02:02.67] | And if they keep interfering with the REM sleep, as a dream sleep, and very soon some people show all the symptoms and sleeplessness, no matter how much a dreamless sleep they’re allowed, and eventually will be fatal with them to wake yourself. |
| [02:30.31] | So, we know now that dreams are a biological necessity, which means they must serve very important function. |
| [02:42.66] | The next step is to go into space and leave the planet, but we’re not there yet. |
| [03:06.65] | Here we have an artifact weighting about 170 pounds that cannot exist outside the very specialized environment, sort of a whole aquanaut. |
| [03:20.13] | The official space programs, how do they purposed to solve this is they are going to move the whole artifact, the human artifact, xxxx from one place to another. It wouldn’t occur to them to start from the other end. |
| [03:44.21] | You have an object access human body and you want to transport axe to space, you need an ax, and axes are heavy, and they can only live in a whole medium, so why not alter ax to reduce the weight and its dependency on the medium, that seems a logical approach, problem. |
| [04:07.38] | And this will not occur to the official progress because they accept the human artifact with all its limitations. |
| [04:15.25] | In a fact, they accepted limitation imposed by Chris XX by what Crawley called the slave gods. |
| [04:51.84] | Now uh... it’s…he human body is much dense to xxx conditions, we have a model to hand and that is less dense,in fact almost weightless and they would be an astro dreambody. |
| [05:05.09] | So the functions of dreams maybe are to prepare us for space and that’s why they are biological necessity. But we’re not there yet. |
| [05:35.80] |
| [00:41.46] | I' ve found that sometimes I am able to control a dream and sometimes I' m able to direct myself before going to sleep, to dream about a certain subject, and sometimes not. |
| [01:04.21] | The import thing was to see your hands in the dream. And I made an effort to do this a number of times, and only a couple of times that I succeed, |
| [01:16.68] | and actually seeing my hand in the dream. |
| [01:31.61] | To me what the most important new facts about dreams is that they are biological necessity. See, They have made experiments of waking people up whenever they start to dream, they can tell by the rapid eye movements, and also by the brain waves. Brain waves and dreams are very much like the brain waves of people when they' re awake. |
| [02:02.67] | And if they keep interfering with the REM sleep, as a dream sleep, and very soon some people show all the symptoms and sleeplessness, no matter how much a dreamless sleep they' re allowed, and eventually will be fatal with them to wake yourself. |
| [02:30.31] | So, we know now that dreams are a biological necessity, which means they must serve very important function. |
| [02:42.66] | The next step is to go into space and leave the planet, but we' re not there yet. |
| [03:06.65] | Here we have an artifact weighting about 170 pounds that cannot exist outside the very specialized environment, sort of a whole aquanaut. |
| [03:20.13] | The official space programs, how do they purposed to solve this is they are going to move the whole artifact, the human artifact, xxxx from one place to another. It wouldn' t occur to them to start from the other end. |
| [03:44.21] | You have an object access human body and you want to transport axe to space, you need an ax, and axes are heavy, and they can only live in a whole medium, so why not alter ax to reduce the weight and its dependency on the medium, that seems a logical approach, problem. |
| [04:07.38] | And this will not occur to the official progress because they accept the human artifact with all its limitations. |
| [04:15.25] | In a fact, they accepted limitation imposed by Chris XX by what Crawley called the slave gods. |
| [04:51.84] | Now uh... it' s he human body is much dense to xxx conditions, we have a model to hand and that is less dense, in fact almost weightless and they would be an astro dreambody. |
| [05:05.09] | So the functions of dreams maybe are to prepare us for space and that' s why they are biological necessity. But we' re not there yet. |
| [05:35.80] |
| [00:41.46] | wǒ fā xiàn yǒu shí wǒ néng gòu kòng zhì yí gè mèng xiǎng, yǒu shí wǒ néng zài rù shuì qián zhǐ dǎo zì jǐ, mèng jiàn yí gè tè dìng de zhǔ tí, yǒu shí bú shì. |
| [01:04.21] | jìn kǒu de dōng xī shì zài mèng lǐ kàn dào nǐ de shǒu. wǒ nǔ lì zuò le hěn duō cì, zhǐ yǒu jǐ cì wǒ chéng gōng le |
| [01:16.68] | zài mèng zhōng kàn dào wǒ de shǒu |
| [01:31.61] | duì wǒ lái shuō, guān yú mèng zuì zhòng yào de xīn shì shí shì, tā men shì shēng wù xué shàng de bì xū pǐn. kàn, tā men zuò le yī xiē shí yàn, dāng tā men kāi shǐ zuò mèng de shí hòu jiào xǐng tā men, tā men kě yǐ tōng guò kuài sù yǎn dòng, yě kě yǐ tōng guò nǎo diàn bō lái pàn duàn. nǎo bō hé mèng hěn xiàng rén xǐng shí de nǎo diàn bō. |
| [02:02.67] | rú guǒ tā men jì xù gān rǎo kuài sù yǎn dòng shuì mián, jiù xiàng zuò mèng yí yàng, hěn kuài yī xiē rén jiù huì biǎo xiàn chū suǒ yǒu de zhèng zhuàng hé shī mián, bù guǎn tā men shuì le duō shǎo jué, zuì zhōng huì duì tā men zào chéng zhì mìng de hòu guǒ. |
| [02:30.31] | suǒ yǐ, wǒ men xiàn zài zhī dào mèng shì yī zhǒng shēng lǐ shàng de xū yào, yě jiù shì shuō tā men bì xū tí gōng fēi cháng zhòng yào de gōng néng |
| [02:42.66] | xià yī bù shì jìn rù tài kōng, lí kāi dì qiú, dàn wǒ men hái méi yǒu dào dá nà lǐ |
| [03:06.65] | zhè lǐ wǒ men yǒu yí gè zhòng yuē 170 bàng de rén gōng zhì pǐn tā zài fēi cháng tè shū de huán jìng zhī wài shì bù kě néng cún zài de, jiù xiàng yí gè zhěng tǐ de hǎi dǐ guān chá yuán. |
| [03:20.13] | guān fāng de tài kōng jì huà, tā men shì rú hé jiě jué zhè gè wèn tí de tā men jiāng bǎ zhěng gè rén gōng zhì pǐn, rén lèi de rén gōng zhì pǐn, xxxx cóng yí gè dì fāng yí dào lìng yí gè dì fāng. tā men bù kě néng cóng lìng yī duān kāi shǐ. |
| [03:44.21] | nǐ yǒu yí ge rén tǐ duì xiàng fǎng wèn hé nǐ xiǎng yùn shū fǔ kōng jiān, nǐ xū yào yī bǎ fǔ zi, hé zhóu shì chén zhòng de, tā men zhǐ néng shēng huó zài yí gè zhěng tǐ zhōng, wèi shí me bù gǎi biàn ax jiǎn shǎo zhòng liàng hé duì méi jiè de yī lài, zhè sì hū shì yí gè hé hū luó ji de fāng fǎ, wèn tí. |
| [04:07.38] | zhè bú huì fā shēng zài guān fāng de jìn zhǎn zhōng, yīn wèi tā men jiē shòu le rén lèi de suǒ yǒu xiàn zhì. |
| [04:15.25] | shì shí shàng, tā men jiē shòu le kè láo lì suǒ wèi de" nú lì shén" de xiàn zhì. |
| [04:51.84] | xiàn zài, tā de rén lèi shēn tǐ duì xxx de tiáo jiàn shì fēi cháng mì jí de, wǒ men yǒu yí gè mó xíng, tā de mì dù jiào dī, shì shí shàng jī hū méi yǒu zhòng liàng, tā men jiāng shì yí gè tiān tǐ de mèng xiǎng tǐ. |
| [05:05.09] | suǒ yǐ mèng de zuò yòng kě néng shì ràng wǒ men wèi kōng jiān zuò zhǔn bèi, zhè jiù shì wèi shí me tā men shì shēng wù xū yào de yuán yīn. dàn wǒ men hái méi yǒu dào nà lǐ. |